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      Yuval Waldman, Bridge-Building Violinist, Is Dead at 74

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      AdvertisementContinue reading the main storySupported byContinue reading the main storyYuval Waldman, Bridge-Building Violinist, Is Dead at 74A conductor as well as a skilled soloist, he liked to spotlight music composed in times of oppression, including the Holocaust.The violinist and conductor Yuval Waldman in 1977. Performing the music of composers who had been persecuted for their beliefs, he once said, was “not just a privilege but a calling.”Credit…Tyrone Dukes/The New York TimesFeb. 27, 2021Updated 4:00 p.m. ETYuval Waldman, an accomplished violinist and conductor with particular interests in building musical bridges between countries and rediscovering neglected works composed under oppressive circumstances, died on Feb. 1 in Brooklyn. He was 74.His son, Ariel Levinson-Waldman, said that the cause was coronary artery disease and that Mr. Waldman had also tested positive for the coronavirus shortly before his death.Mr. Waldman, who lived in Brooklyn, was the son of Jewish parents who survived the purges in Ukraine during the Nazi occupation of World War II, and his childhood involved several dislocations before the family eventually settled in Bat Yam, a Tel Aviv suburb. His career in some ways reflected his multinational upbringing and his sense of music as a lifeline in a turbulent world.He conducted the New American Chamber Orchestra, an ensemble formed in the 1990s and made up of Jewish émigrés from the former Soviet Union. In 2004 he founded Music Bridges International, which fostered concerts and educational programs that included music from different cultures — one program, for instance, featured American and Kazakh composers.He also played and conducted programs of music that had been composed under duress. Among them was a solo program titled “Music Forgotten and Remembered” and that featured works by Eastern European Jews, many of whom died in World War II or were silenced by the repressive practices of the Soviet Union. Another was “The Music of Oppression and Liberation,” featuring composers of various nationalities who were persecuted for their beliefs.“I feel it’s my duty to revive the memory of these composers by performing their music,” Mr. Waldman told The Oklahoman in 2011 when he performed the “Liberation” program at the University of Science and Arts of Oklahoma in Chickasha. “It’s not just a privilege but a calling.”Vladimir Waldman was born on Dec. 21, 1946, in Lvov, which was then part of the Soviet Union (and is now in western Ukraine, with the name usually rendered Lviv). He changed his first name to Yuval after the family had settled in Israel, taking the name of a figure from the Hebrew Bible associated with music.His father, Eliezer, was a lumber worker who was at one point conscripted into the Soviet Army; his mother, Chaya (Spivack) Waldman, was a teacher. As a boy in Lvov, Yuval was entranced by the violin music he heard at the movies and asked his parents for an instrument. He proved to have a gift for it. At the age of 7 he performed on Soviet radio.During a period of relaxed policies toward Jews after the death of the Soviet leader Joseph Stalin in 1953, the family left the country, living in Poland for a time and then in immigrant camps in Austria and Italy before reaching Israel in 1957. Eventually Yuval’s musical skills came to the attention of Isaac Stern, the great violinist, who became a mentor.Mr. Waldman studied at the Samuel Rubin Israel Academy of Music in Tel Aviv and played with Israel’s national orchestra as a teenager. After he graduated from the academy, Mr. Stern helped arrange for him to continue his studies in Geneva and then the United States, at both Indiana University and the Juilliard School. In 1969, at 22, he made his Carnegie Hall debut.Mr. Waldman’s musical career took off thanks to performances like one in 1970 at Riverside Park in New York City, where he was a soloist in a program by the West Side Orchestral Concerts Association. “Eloquent tribute to Mr. Waldman’s virtuosity in the finale was the spontaneous chorus of bravos that went up from his colleagues in the orchestra,” Robert Sherman wrote in a review in The New York Times.In July 1973 Mr. Waldman interrupted his career to join the reserves of the Israel Defense Forces. Because of all of the languages he had mastered through his multinational upbringing and touring, he was assigned to the intelligence unit. His musical skills had gotten him assigned to the entertainment unit as well. When the Yom Kippur War broke out that October, his son said, he was assigned to play for tank units in Sinai.Mr. Waldman’s son said he told the story of the time he clambered onto a tank when a commander ordered him to play something to soothe the troops after a particularly intense bombing. He played Bach. Many in the unit were recent Moroccan immigrants to Israel and had not heard Bach before.“My father remembered a moment when he was playing the Chaconne of Bach’s Partita No. 2 in D Minor,” Ariel Waldman said, “and looked up to see tears streaming down their faces in the dust.”By 1974 Mr. Waldman had returned to his musical career and was performing to acclaim in recitals and with orchestras. He had married Cathy Walder, a pianist and composer, in 1970, and they often performed together. But he also began branching out, serving as concertmaster for ensembles including the Kansas City Philharmonic and music director for events like the Madeira Bach Festival. He conducted and recorded with numerous orchestras, and he was a founder of several quartets and other ensembles.His first marriage ended in divorce in 1997. In addition to his son from his first marriage, he is survived by his wife, Lyudmila Sholokhova, whom he married in 2010; a sister, Rina Weiss; a stepdaughter, Valeriya Sholokhova; and two grandchildren.One of Mr. Waldman’s many activities was directing the Mid-Atlantic Chamber Orchestra in the 1980s and ’90s. At an online memorial service a few weeks ago, Mr. Levinson-Waldman told about a time when that ensemble was going to small towns, performing and bringing along experts to talk at schools, including a singer who would instruct the school choirs about breath-control techniques.“My dad spoke with an accent,” Mr. Levinson-Waldman said. “English was, depending on how you count it, his eighth or ninth language.”And so when he proposed the program to the town of Pulaski, Va., “unfortunately, some of the town leaders heard the wrong thing.” They were outraged, Mr. Levinson-Waldman said, that these out-of-town musicians wanted to instruct their students about birth control.AdvertisementContinue reading the main story More

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      Antoine Hodge, Opera Singer With a Powerful Work Ethic, Dies at 38

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      #masthead-section-label, #masthead-bar-one { display: none }The Coronavirus OutbreakliveLatest UpdatesMaps and CasesRisk Near YouVaccine RolloutNew Variants TrackerAdvertisementContinue reading the main storySupported byContinue reading the main storyThose We’ve LostAntoine Hodge, Opera Singer With a Powerful Work Ethic, Dies at 38Mr. Hodge, a bass-baritone, was recently a chorus member in “Porgy and Bess” at the Metropolitan Opera. He died of Covid-19.Antoine Hodge dressed in costume as King Balthazar for Opéra Louisiane’s performance of Menotti’s “Amahl and the Night Visitors.” He played that role three times for the company.Credit…Linda MedineFeb. 27, 2021, 12:21 p.m. ETThis obituary is part of a series about people who have died in the coronavirus pandemic. Read about others here.When it came time for chorus members to audition for solos in the Metropolitan Opera’s 2019 production of “Porgy and Bess,” the bass-baritone Antoine Hodge tried out for nearly every role available to him — not one was too obscure.He saw the production as a milestone in his career, and he was gunning for a part and the exposure it would bring, said Rocky Sellers, a friend and fellow chorus member. Mr. Hodge ultimately won a sought-after solo in the prayerful scene referred to as “Oh, Doctor Jesus,” which Mr. Sellers said he sang with a tone that was commanding, yet sweet and buttery. Mr. Hodge, a hard-working singer who performed with opera companies across the country, died on Monday at AdventHealth Orlando hospital in Orlando, Fla., where he had been flown to receive specialized treatment. He was 38.The cause was Covid-19, his sister Angela Jones said. “My brother had opera singers’ lungs,” she wrote in a Facebook post, “and Covid destroyed them.”Over the past two decades, Mr. Hodge appeared with more than 15 professional companies, singing mostly small or featured roles with troupes like Charlottesville Opera in Virginia and Opéra Louisiane in Baton Rouge and performing in the chorus at the Met, Lyric Opera of Chicago, the Atlanta Opera and Opera Colorado.He sang at every opportunity, including Sundays in the professional choir at Fifth Avenue Presbyterian Church in Manhattan.The Coronavirus Outbreak More

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      Rapper’s Arrest Awakens Rage in Spanish Youth Chafing in Pandemic

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      #masthead-section-label, #masthead-bar-one { display: none }At HomeWatch: ‘WandaVision’Travel: More SustainablyFreeze: Homemade TreatsCheck Out: Podcasters’ Favorite PodcastsAdvertisementContinue reading the main storySupported byContinue reading the main storyRapper’s Arrest Awakens Rage in Spanish Youth Chafing in PandemicNearly two weeks of sometimes violent demonstrations have turned into a collective outcry from young adults who see bleak futures and precious time lost to lockdowns.Protesters marching in support of Pablo Hasél, a controversial Spanish rapper, in Barcelona this week. Credit…Felipe Dana/Associated PressFeb. 27, 2021, 5:00 a.m. ETLeer en españolBARCELONA — It had all the markings of a free speech showdown: Pablo Hasél, a controversial Spanish rapper, had barricaded himself on a university campus to avoid a nine-month jail sentence on charges that he had glorified terrorism and denigrated the monarchy. While students surrounded him, police in riot gear moved in; Mr. Hasél raised his fist in defiance as he was taken away.But Oriol Pi, a 21-year-old in Barcelona, saw something more as he watched the events unfold last week on Twitter. He thought of the job he had as an events manager before the pandemic, and how he was laid off after the lockdowns. He thought of the curfew and the mask mandates that he felt were unnecessary for young people. He thought of how his parents’ generation had faced nothing like it.And he thought it was time for Spain’s youth to take to the streets.“My mother thinks this is about Pablo Hasél, but it’s not just that,” said Mr. Pi, who joined the protests that broke out in Barcelona last week. “Everything just exploded. It’s a whole collection of so many things which you have to understand.”“Everything just exploded. It’s a whole collection of so many things which you have to understand,” said Oriol Pi, 21, of the youth demonstrations taking place across Spain. Credit…Samuel Aranda for The New York TimesFor nine nights, this seaside city’s streets, long quiet from pandemic curfews, have erupted in sometimes violent demonstrations that have spread to Madrid and other Spanish hubs. What began as a protest over Mr. Hasél’s prosecution has become a collective outcry by a generation that sees not just a lost future for itself, but also a present that has been robbed, years and experiences it will never get back, even when the pandemic is gone.The frustration of young people stemming from the pandemic is not limited to Spain alone. Across Europe, university life has been deeply curtailed or turned on its head by the limitations of virtual classes.Social isolation is as endemic as the contagion itself. Anxiety and depression have reached alarming rates among young people nearly everywhere, mental health experts and studies have found. The police and mostly young protesters have also clashed in other parts of Europe, including last month in Amsterdam.“It’s not the same now for a person who is 60 — or a 50-year-old with life experience and everything completely organized — as it is for a person who is 18 now and has the feeling that every hour they lose to this pandemic, it’s like losing their entire life,” said Enric Juliana, an opinion columnist with La Vanguardia, Barcelona’s leading newspaper.Barcelona was once a city of music festivals on the beach and all-night bars, leaving few better places in Europe to be young. But the crisis, which devastated tourism and shrank the national economy by 11 percent last year, was a catastrophe for Spain’s young adults.Police officers during clashes following a protest condemning the arrest of Mr. Hasél in Barcelona on Tuesday.Credit…Emilio Morenatti/Associated PressIt is an instance of déjà vu for those who also lived through the financial crisis of 2008, which took one of its heaviest tolls in Spain. Like then, young people have had to move back into the homes of their parents, with entry-level jobs being among the first to vanish.But unlike past economic downturns, the pandemic cut much deeper. It hit at a time when unemployment for people under age 25 was already high in Spain at 30 percent. Now 40 percent of Spain’s youth are unemployed, the highest rate in Europe, according to European Union statistics.For someone like Mr. Pi, the arrest of the rapper Mr. Hasél, and his rage-against-the-machine defiance, has become a symbol of the frustration of Spain’s young people.“I loved that the man left with his fist in the air,” said Mr. Pi, who said he hadn’t heard of the rapper before Spain brought charges against him. “It’s about fighting for your freedom, and he did it to the very last minute.”The case of Mr. Hasél, whose real name is Pablo Rivadulla Duró, is also igniting a debate about free speech and Spain’s efforts to limit it.The authorities charged Mr. Hasél under a law that allows for prison sentences for certain kinds of incendiary statements. Mr. Hasél, known as a provocateur as much as a rapper, had accused the Spanish police of brutality, compared judges to Nazis and even celebrated ETA, a Basque separatist group that folded two years ago after decades of bloody terrorist campaigns that left around 850 people dead.In 2018, a Spanish court sentenced him to two years in prison, though that was later reduced to nine months. The prosecution focused on his Twitter posts and a song he had written about former King Juan Carlos, whom Mr. Hasél had called a “Mafioso,” among other insults. (The former king abdicated in 2014, and decamped Spain entirely last summer for the United Arab Emirates amid a corruption scandal.)“What he’s said at trial is that they put him in prison for saying the truth, because what he says about the king, aside from all the insults, is exactly what happened,” said Fèlix Colomer, a 27-year-old documentary filmmaker who got to know Mr. Hasél while exploring a project about his trial.Fèlix Colomer and his partner, Valeria, at their home in Barcelona on Friday. On some nights, Mr. Colomer has led the Barcelona protests.Credit…Samuel Aranda for The New York TimesMr. Colomer, who on certain nights has led the Barcelona protesters, noted that others have been prosecuted in Spain for social media comments, a troubling sign for Spain’s democracy, in his view. A Spanish rapper known as Valtònyc fled to Belgium in 2018 after getting a prison sentence for his lyrics that a court found glorified terrorism and insulted the monarchy — charges similar to those Mr. Hasél faces.Yet some feel Mr. Hasél crossed a line in his lyrics. José Ignacio Torreblanca, a political science professor at the National Distance Education University in Madrid, said while the law’s use troubled him, Mr. Hasél was not the right figure to build a youth movement around.“He’s no Joan Baez, he’s actively justifying and promoting violence. This is clear in his songs. He says things like, ‘I wish a bomb explodes under your car,’” said Mr. Torreblanca, referring to a song by Mr. Hasél that called for the assassination of a Basque government official and another that said a mayor in Catalonia “deserved a bullet.”Amid public pressure that was growing even before the protests, the Justice Ministry said on Monday that it planned to change the country’s criminal code to reduce sentences related to the kinds of speech violations for which Mr. Hasél was sentenced.But for Nahuel Pérez, a 23-year-old who works in Barcelona taking care of the mentally disabled, freedom for Mr. Hasél is only the start of his concerns.Since arriving in Barcelona five years ago from his hometown on the resort island of Ibiza, Mr. Pérez said, he hasn’t found a job with a salary high enough to cover the cost of living. To save money on rent, he recently moved into an apartment with four other roommates. The close quarters meant social distancing was impossible.Nahuel Pérez, left, with his roommates in their apartment in Barcelona on Friday. “The youth of this country are in a pretty deplorable state,” Mr. Pérez said.Credit…Samuel Aranda for The New York Times“The youth of this country are in a pretty deplorable state,” he said.After Mr. Hasél was arrested at the university, Mr. Pi, who had seen the news on Twitter, began to see people announcing protests on the messaging app Telegram. He told his mother he wanted to go to the demonstrations, but she didn’t seem to quite understand why.“I’m not going to go look for you at the police station,” is what she told him, Mr. Pi said.He thought about what it must have been like for his mother at his age.There was no pandemic. Spain was booming. She was a teacher and married in her 20s to another professional, Mr. Pi’s father. The two found a house and raised a family.Mr. Pi, by contrast, is an adult still living with his mother.“Our parents got all the good fruit and here’s what we’re facing: There’s no fruit in the tree anymore, because they took the best of it,” said Mr. Pi. “Everything that was the good life, the best of Spain — there’s none of that left for us.”When he’s not at the protests, Mr. Pi spends his days working as a hall monitor in a nearby school that operates a mix of online and socially distanced in-person classes.It’s not the career he wanted — not a career at all, he says — but it pays the bills, and lets him talk to high school students to get their outlook on the situation in Spain.He doesn’t mince words about what lies ahead for them.“These are the people who will be me in ten years,” he said. “I think they’re hearing something that no one has ever told them. I would have listened if someone had come to me when I was 12 and said: ‘Listen, you’re going to have to struggle for your future.’”Roser Toll Pifarré contributed reporting from Barcelona, and Raphael Minder from Madrid.AdvertisementContinue reading the main story More

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      Blake Shelton Wants Maroon 5 to Perform at His Wedding Because Adam Levine 'Owes' Him

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      WENN

      The ‘Red River Blue’ crooner jokingly says the former judge of ‘The Voice’ owes him a ‘full-band performance’ at his upcoming nuptials with fiancee Gwen Stefani.

      Feb 27, 2021
      AceShowbiz – Blake Shelton has joked Adam Levine “owes” him a “full-band performance with Maroon 5” at his wedding.
      The country star has been in a joke rivalry with his former fellow “The Voice” judge since the show began in 2011, and has said he’s keen to have Adam and his band perform at his upcoming wedding to Gwen Stefani because he “wants it to cost him.”
      Blake made the joke as he commented on a recent request made by Miley Cyrus on social media when she asked Gwen if she could perform at her wedding, where she even promised to be on her “best behavior.”
      Speaking about Miley, Blake told People magazine, “Miley is one of the most talented singers I have ever met. She drives me crazy because she’s a lot like Kelly (Clarkson) in the way that they can burst out with this voice. If I’m going to sing, I have to think about it and go warm up. It’s unfair.”

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      “Gwen was showing me that she even said, ‘I promise to be on my best behaviour.’ I’ve known Miley long enough (for her to have to say), ‘By the way, I’ll be nice when I get here.’ So that was nice of her. I don’t know what we’re going to do, but I still say Adam owes me a full-band performance with Maroon 5, mostly because I want it to cost him. I would rather have Miley as a human being.”
      Blake and Gwen haven’t decided on a musical act for their big day yet, but Miley is hoping they’ll choose her.
      The “Midnight Sky” hitmaker asked Gwen for the job on Twitter after the “Hollaback Girl” singer responded to a video Miley posted and called the musician “talented.”
      Miley then wrote, “When my hero’s tweet me I get horny. (sic)”
      Before she later added in a separate tweet, “ALSO @gwenstefani @blakeshelton I’ll be your wedding singer! I promise to be on my best behaviour. Or worst. whatever you want! It’s your special day! Cheers to loving you both almost as much as you love each other! (sic)”

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      Lady GaGa Hails Dog Caretaker ‘Forever a Hero’ After He’s Injured While Fighting Off Thugs

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      Kelly Clarkson Pens 60 Songs as She Deals With Heartache After Brandon Blackstock Split

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      WENN

      The ‘Kelly Clarkson Show’ host reveals she has written ‘an insane amount’ of songs while she’s struggling with grief after calling it quits with her husband.

      Feb 27, 2021
      AceShowbiz – Kelly Clarkson has turned to music to ease her marriage-split heartache, revealing she has written 60 songs since filing for divorce last summer (20).
      The singer split from her manager husband Brandon Blackstock in June (20) and quickly filed papers to end their seven-year marriage – and it appears the break-up has served as inspiration for Kelly’s creativity.
      “I have this record that we’re working on and it’s really great and really honest,” she tells Entertainment Tonight. “There’s just a lot of questions that I have to answer before releasing it for myself, whether that be business-wise or personally, or whatever. Whatever happens though, it is such a gift.”

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      “I don’t know how anybody… goes through grief like divorce, any kind of grief, any kind of loss, without having an outlet like this. I have written, like, 60 songs, it is an insane amount of getting it out. I think that’s a blessing in itself. Anytime you go through some life, it’s such an awesome thing to have that outlet, regardless of whether people hear it or not.”
      And it’s not just her own music that is inspiring Clarkson – her pal and fellow “The Voice” coach John Legend’s 2020 album, “Bigger Love”, has been a great source of hope.
      “It’s all about that kind of love that you find, that kind of connection you find, and it was so helpful for me,” she adds. “Just separately – as a fan, not friend – just to be in a place where you’re hopeless and then to have a record like that, that’s what I’m saying.”

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      Blake Shelton Wants Maroon 5 to Perform at His Wedding Because Adam Levine ‘Owes’ Him

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      Lady Gaga’s Dogs Are Returned Safely

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      AdvertisementContinue reading the main storySupported byContinue reading the main storyLady Gaga’s Dogs Are Returned SafelyThieves in Los Angeles stole the French bulldogs two days earlier, shooting the man who had been walking them on a Hollywood avenue.A woman walking her dog across the street from an area where Lady Gaga’s dog walker was shot and two of her French bulldogs were stolen.Credit…Chris Pizzello/Associated PressMike Ives and Feb. 26, 2021Lady Gaga’s two French bulldogs were recovered unharmed on Friday in Los Angeles, the police said, two days after thieves stole the dogs and shot a man who was walking them.The man was shot on Wednesday night after two people got out of a white car and demanded that he “turn over the dogs at gunpoint,” the Los Angeles Police Department said in a Twitter thread. After a struggle, they made off with two of the three dogs he had been walking.The police said it appeared as though a semiautomatic handgun had been used to shoot the dog walker, later identified by Lady Gaga as Ryan Fischer. He was taken to a hospital on Wednesday and was in serious but stable condition on Friday afternoon.Someone took the dogs to a Los Angeles police station at about 6 p.m. Friday, and a representative of Lady Gaga’s picked them up, said Officer Mike Lopez, a police spokesman. “The dogs are returned safely,” he said.He declined to provide further details, saying the investigation was continuing.No arrests had been made as of Thursday.A report by The Associated Press on Friday quoted Capt. Jonathan Tippett of the Los Angeles Police Department as saying that the woman who took the dogs to the police station appeared to be “uninvolved and unassociated” with the attack.Earlier on Friday, Lady Gaga wrote on Instagram that she was offering a $500,000 reward for the safe return of the dogs, Koji and Gustav. “My heart is sick and I am praying my family will be whole again with an act of kindness,” she wrote.She also thanked Mr. Fischer, who is in his 30s and lives in the neighborhood where he was shot.“I continue to love you Ryan Fischer, you risked your life to fight for our family,” she said in the post. “You’re forever a hero.”Mr. Fischer was so devoted to Koji and Gustav that he would “take a bullet” for them, one of his friends, Steven Lazaroff, told a CBS television reporter after the shooting.“He eats, sleeps and breathes those dogs,” he said.Johnny Diaz contributed reporting.AdvertisementContinue reading the main story More

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      Justin Bieber Announces New Album 'Justice' Is Due in March

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      Instagram

      The ‘Yummy’ hitmaker is gearing up to release his next studio installment as he announces ‘Justice’ release date after dropping a new single called ‘Anyone’ in January.

      Feb 27, 2021
      AceShowbiz – Justin Bieber is hoping to be back at the top of the album charts next month (Mar21) after announcing the release of his sixth record, “Justice”.
      The pop star took to social media on Friday (26Feb21) to reveal the new collection will drop on 19 March.
      It will feature his hit “Holy” collaboration with Chance the Rapper as well as “Lonely” and “Anyone”.

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      “In a time when there’s so much wrong with this broken planet, we all crave healing – and justice – for humanity,” said Bieber in a statement. “In creating this album, my goal is to make music that will provide comfort; to make songs that people can relate to, and connect to, so they feel less alone.”
      “Suffering, injustice and pain can leave people feeling helpless. Music is a great way of reminding each other that we aren’t alone. Music can be a way to relate to one another and connect with one another.”

      “I know that I cannot simply solve injustice by making music, but I do know that if we all do our part by using our gifts to serve this planet, and each other, that we are that much closer to being united. This is me doing a small part… I want to continue the conversation of what justice looks like so we can continue to heal.”

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      Bruno Mars and Anderson .Paak Announce Super Band Silk Sonic and First Album

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      Instagram

      The ’24K Magic’ hitmaker has formed a new band with the ‘Ventura’ star and together they are preparing for their first collaborative album and lead single.

      Feb 27, 2021
      AceShowbiz – Bruno Mars and Anderson .Paak have formed a new band, Silk Sonic.
      The pair have teamed up to record an album, which appears to be called “An Evening With Silk Sonic”, and the first tune from the record – which also features “special guest host” Bootsy Collins – will be released on 5 March (21).

      “We locked in and made an album,” Bruno wrote on Twitter. “The band’s called Silk Sonic. First song drops next Friday 3/5. (sic)”
      While Anderson tweeted, “WE MADE AN ALBUM!! YALL GET THE FIRST SONG NEXT FRIDAY 3/5!! ROCKET EMOJIS AND ALL THAT!!! (sic)”

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      Big Sean replied, “Yes!!!!! So this what u was talking bout ‘another album I’m doing’ (laughing emoji). (sic)”
      Bruno and Anderson are no strangers to working together after they toured with each other on the 35-year-old singer’s “24K Magic World Tour” in 2017.
      There was speculation at the time that the pair had worked on new material with Chic guitarist Nile Rodgers and a member of Disclosure after a video emerged on social media of the quartet at the famous Abbey Road Studios in London.
      Bruno hasn’t dropped an album since 2016’s “24K Magic”.
      The “That’s What I Like” hitmaker teamed up with Ed Sheeran and Chris Stapleton for single Blow in 2019, which appeared on Ed’s “No. 6 Collaborations Project” album, and in the same year he released song “Please Me” with Cardi B.
      Meanwhile, Anderson – real name Brandon Paak Anderson – dropped his fourth studio album, “Ventura”, in 2019, a follow up to “Oxnard”, “Malibu”, and his 2014 debut record “Venice”.

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      Sofia Vergara Seeks to Ban Ex Nick Loeb’s Lawyer From Representing Him in Louisiana

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