“Made in England” is an essay film about the artists whose passion and cinematography deeply influenced the American director.
What you can learn about movies from just reading about them is pretty limited — an ironic admission from a movie critic, I know. The best way to understand what makes a film or a filmmaker interesting is to submerge yourself in their work, to binge a whole catalog. But when that’s not possible, or if you want more context, a great guide and a well-crafted essay film can be invaluable.
Few such guides could outpace Martin Scorsese, whose narration (often delivered directly to camera) powers “Made in England: The Films of Powell and Pressburger” (in theaters), directed by David Hinton. Scorsese’s World Cinema Project restores movies from underrepresented and forgotten filmmakers from around the world, works that might otherwise be lost to time. Among those were “The Life and Death of Colonel Blimp” and “The Red Shoes,” two seminal movies from the 1940s by the duo Michael Powell and Emeric Pressburger. Scorsese has long counted the pair among his greatest influences; their movies pushed the boundaries of color, story and passion.
What makes “Made in England” so compelling is how effortlessly it swings from film analysis to cinema and cultural history to personal narrative. It’s a roughly chronological documentary about the filmmakers, but it’s also the story of personal obsession. For Scorsese, that story started in his own childhood, when he saw rough black-and-white transfers on TV that transfixed him. Later, he became obsessed with the filmmakers’ works, and Powell in particular eventually became a mentor and a friend. He and Scorsese’s longtime editor, Thelma Schoonmaker, were married until Powell died in 1990.
The film works through the history of both men, the origins of their collaboration and the ways their films evolved during and after World War II, particularly as commercial taste shifted. Their experimentations with sound, music and heightened realism are illuminated through “The Red Shoes,” “Colonel Blimp” and films like “Black Narcissus,” “The Tales of Hoffmann,” and the nearly career-killing “Peeping Tom,” all lovingly explored through Scorsese’s viewpoint.
Scorsese has narrated documentaries about film history before (including “A Personal Journey With Martin Scorsese Through American Movies” and “My Voyage to Italy”), always with a distinctive angle. And it’s easy to see why. The average viewer — that is to say, someone not quite as obsessed with movies as Scorsese is — pops open the queue on a streamer of choice and starts drowning. There are, quite literally, more movies now than there have ever been, and even a fairly sophisticated viewer can struggle to choose.
“Made in England” is remarkably engaging thanks to Scorsese’s animated commentary and some flourishes, like comparisons between shots from Powell and Pressburger’s films and Scorsese’s. But whether you are lucky enough to attend the summer of Powell and Pressburger in New York’s cinemas, enjoy streaming from home or are just curious about these fascinating filmmakers, the documentary is a personal, vibrant gift.
Source: Movies - nytimes.com
