Aurelia Butler

More stories

  • 75 Shares169 Views

    in Movies

    Five Black Romantic Movies to Stream

    For Valentine’s Day and Black History Month, watch these selections that brim with Black love, heartache and desire from across the diaspora.Much like Blackness is not monolithic, neither is Black love. The relationships in this collection range from young passions to midlife romance, and the types of movies range from glossy studio pictures to vital queer indies. They are poetic, comedic, rapturous and politically minded films — told with soul-stirring intimacy.‘The Best Man’ (1999)Rent or buy on most major platforms.It’s been years since Harper Stewart (Taye Diggs) has seen his old college buddies. With his best friend, Lance (Morris Chestnut), a star running back, getting married to Mia (Monica Calhoun), he must travel to New York City to attend their wedding. That prospect would be easier if Harper, a writer, didn’t base his new book off his friends’ lives. During the long weekend leading up to the wedding, Harper works to keep Lance from reading the novel, which contains a secret he’s kept from the groom, and from acting on his desires with an old flame, Kendra (Nia Long).Composed of a deep ensemble — Terrence Howard, Sanaa Lathan and Regina Hall included — the film follows multiple relationships as these adult friends confront their romantic futures through biting humor and unflinching honesty. And thankfully, it kicked off a charming romantic film and TV franchise.‘Boomerang’ (1992)Stream it on Paramount+.The Black romantic studio pictures of the 1990s were far different from their 1970s Blaxploitation predecessors. Rather than depicting an urban milieu populated by hustlers and pushers, the films that arrived during the newer decade captured an emerging, well-educated Black middle and upper class occupying high rises and boardrooms.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 100 Shares159 Views

    in Music

    Seiji Ozawa, Captivating Conductor, Is Dead at 88

    He led the Boston Symphony Orchestra for 29 years, toured widely and helped dispel prejudices about East Asian classical musicians.Seiji Ozawa, the high-spirited Japanese conductor who took the Western classical music world by storm in the 1960s and ’70s and was music director of the Boston Symphony Orchestra from 1973 to 2002, died on Feb. 6 in Tokyo. He was 88.The cause was heart failure, said a spokeswoman for the Seiji Ozawa International Academy Switzerland, which announced his death in a news release. Mr. Ozawa had recently experienced health problems. He never fully rebounded from surgery for esophageal cancer in early 2010, or from back problems that were made worse during his recovery. He was also hospitalized with heart valve disease in later years.Mr. Ozawa was the most prominent harbinger of a movement that has transformed the classical music world over the last half-century: a tremendous influx of East Asian musicians into the West, which has in turn helped spread the gospel of Western classical music to Korea, Japan and China.For much of that time, a belief widespread even among knowledgeable critics held that although highly trained Asian musicians could develop consummate technical facility in Western music, they could never achieve a real understanding of its interpretive needs or a deep feeling for its emotional content. The irrepressible Mr. Ozawa surmounted this prejudice by dint of his outsize personality, thoroughgoing musicianship and sheer hard work.With his mop of black hair, his boyish demeanor and his seemingly boundless energy, Mr. Ozawa captured the popular imagination early on.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 150 Shares169 Views

    in Music

    Paul McCartney Talks About His Beatles Photos Coming to the Brooklyn Museum

    Sixty years after the Beatles appeared live on “Ed Sullivan,” McCartney reflects on his photos capturing those halcyon days. The Brooklyn Museum will exhibit them, and some will be for sale later.They are now a collector’s trove — Paul McCartney’s own photos, shot 60 years ago, when the Beatles took Europe and America by storm: images of screaming fans (one carrying a live monkey); a girl in a yellow bikini; airport workers playing air guitar, and unguarded moments grabbed from trains, planes and automobiles.McCartney, now 81, doesn’t like to sit still and reminisce about the past, so he chatted while driving home from his recording studio in Sussex, England. ‘‘My American friends call these small, one-way lanes ‘gun barrels,’ ’’ he said, warning his interviewer that at any moment the signal might die (it did). In the end, it took two days to complete a coherent conversation about the breakthrough period when the Beatles went viral, captured in the traveling exhibition ‘‘Paul McCartney Photographs 1963-1964: Eyes of the Storm,’’ which features 250 of his shots. Currently it’s at the Chrysler Museum of Art in Norfolk, Va., and comes to the Brooklyn Museum May 3-August 18. (Don’t be surprised if the artist shows up for the opening.)It was McCartney’s archivist, Sarah Brown, who found 1,000 photographs the musician had taken over 12 weeks — from Dec. 7, 1963, to Feb. 21, 1964, — in the artist’s library.“I thought the photos were lost,’’ he said. ‘‘In the ’60s it was pretty easy. Often doors were left open. We’d invite fans in.” Even the recording studio wasn’t a safe space. “I was taking my daughter Mary to the British Library to show her where to research for her exams, and in one display case I saw the lyric sheet for ‘Yesterday,’” he said. A sticky fingered biographer had swiped the original from their studio.Rosie Broadley, a senior curator at the National Portrait Gallery in London, where the show was inaugurated, said, “His photographs show us what it was like to look through his eyes while the Beatles conquered the world.’’McCartney won an art prize at school and practiced photography with his brother, Mike (who later became a professional photographer). He graduated to a 35 mm SLR Pentax camera when the Beatles hit it big.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 150 Shares139 Views

    in Movies

    In ‘The Taste of Things,’ the Food Was Prepared by the Actors

    “The Taste of Things” didn’t use cooking doubles, but a pro offscreen helped guide the stars. Getting the meals right was everything to the director Tran Anh Hung.Viewers may emerge from “The Taste of Things” desperate to find a restaurant that serves a good vol-au-vent, a turbot in hollandaise sauce or the meringue-coated ice cream confection known as baked alaska. But while the film, set in France at the end of the 19th century, features period-appropriate cuisine designed by the celebrated chef Pierre Gagnaire, the secret to what makes it so enticing isn’t the menu. It’s the gestures.“Something that is very important for me, from my childhood, is that I like watching people working with their hands,” said Tran Anh Hung, who received the best-director prize for the movie at the Cannes Film Festival in May. He remembered that as a boy in Vietnam — he has lived in France since 1975 — he would spend the whole day watching someone craft a door. He brought that interest in handiwork to “The Taste of Things,” which opens in New York on Friday. The drama centers on the relationship between an epicure, Dodin Bouffant (Benoît Magimel), and his longtime cook and lover, Eugénie (Juliette Binoche). Their romance is in some ways expressed more through cooking and eating than through words, which is one reason that accentuating the sensuality of the food was important for Tran.But keeping the mechanics of cooking in sync with the apparatus of filmmaking is not easy, as Tran and past makers of foodie cinema have discovered. In “The Taste of Things,” there were no cooking doubles for the stars: Binoche and Magimel performed all the preparations that are shown onscreen themselves, Tran said.Jonathan Ricquebourg, the film’s cinematographer, recalled seeing Gagnaire at work and understanding what he was in for. “I realized how fast the magic disappeared,” he said. “When you take out a meal from the oven, for instance, the meal is very nice for a bunch of seconds.” But that disappears, he added, “when the crust is opening, because there is a changing of temperature.”A chef offscreen was instructing the actors as they worked.Carole Bethuel/IFC FilmsWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 125 Shares139 Views

    in Music

    Usher’s Biggest Songs and Career Highlights: A Super Bowl Guide

    The singer will perform at halftime of the N.F.L.’s championship game in Las Vegas on the heels of his popular career-spanning residency and the release of a new album.Usher’s “My Way” residency, which began in 2021 in Las Vegas (the town where Frank Sinatra himself once gallivanted), had the R&B singer courting celebrities and viral social media moments for 100 consecutive sold-out shows. The staging was energetic, replete with roller skates and stripper poles.But spectacle wasn’t the only draw. Usher, 45, used the retrospective to showcase the hallmarks of his 30-year music career: pristine vocals, polished but effortless dance moves and heart-melting charm in the tradition of his idols Sammy Davis Jr. and Ben Vereen, his godfather. It’s appropriate, then, that on Feb. 11 the eight-time Grammy winner will perform the halftime show at Super Bowl LVIII in Las Vegas, days after he’s slated to release his ninth studio album “Coming Home,” which he called a “love letter to the legacy of my career.” Here are the eras that have defined Usher’s career.1988-1994New Jack Swing BeginningsAfter starting out in his church choir, Usher began singing professionally at age 10 with an R&B group in his hometown, Chattanooga, Tenn. A solo performance on “Star Search” in 1991 landed him an audition with the LaFace Records co-founder L.A. Reid, who signed him to the label based in Atlanta. Usher moved there at age 12 and worked under the tutelage of producer Sean “Puff Daddy” Combs, who had developed Jodeci and Mary J. Blige. More

  • 125 Shares149 Views

    in Movies

    Jonathan Majors Had History of Abuse in Relationships, Women Say

    The actor denied physical abuse. Separately, he said he wasn’t told of accusations of misbehavior on the set of “Lovecraft Country.”Since the actor Jonathan Majors was found guilty in December of assaulting and harassing a girlfriend, he has maintained his innocence and his hope of reviving a once-skyrocketing career that disintegrated in the wake of his conviction. In a televised interview last month, he said that he had “never struck a woman.”But in pretrial statements to the prosecution in that assault case and, separately, in interviews with The New York Times, another former girlfriend, Emma Duncan, accused him of emotionally and physically abusing her — choking her, throwing her around and bruising her. A third, Maura Hooper, also said that he had emotionally abused her.Speaking publicly for the first time, Ms. Duncan and Ms. Hooper, actresses who dated Mr. Majors before he shot to fame as the supervillain Kang in Marvel projects, described him as a controlling, threatening figure who isolated them from friends and career pursuits. “You lose your sense of worth,” Ms. Duncan said.And in interviews with former colleagues, The Times found that Mr. Majors had a history of volatility on the set of the HBO series “Lovecraft Country” that included confrontations with female co-workers that led them to complain to the network.On Thursday afternoon, a lawyer for Mr. Majors, Priya Chaudhry, said that Mr. Majors had not physically abused Ms. Duncan. She described the relationships with both women as “toxic” and said that Mr. Majors was taking responsibility for his role in them. She added that “countless” women in the entertainment industry “can attest to his professionalism.”This article is based on interviews with 20 people, including some who requested anonymity for fear of career repercussions, and on statements submitted to the prosecution in the December case, in which Mr. Majors was found guilty of harassment and misdemeanor assault of Grace Jabbari, a former girlfriend. He is scheduled to be sentenced in April, though his lawyers asked on Tuesday that the judge throw out the jury’s guilty verdict.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 113 Shares99 Views

    in Movies

    Academy Awards Announces New Oscar for Achievement in Casting

    After decades of lobbying from the casting field, the Academy of Motion Picture Arts and Sciences is adding its first new award category since 2001.The Academy Awards is introducing an Oscar for casting, the ceremony’s governing organization announced Thursday, making it the first new category in more than 20 years.Casting directors have been pushing for the category for decades, arguing that their work is critical to the success of a film, but the Academy of Motion Picture Arts and Sciences, which puts on the Oscars, has rejected the idea — until now.The new category will be introduced for films released in 2025, meaning that fans won’t see a statuette given out until 2026. The Academy tends to be conservative when it comes to introducing new awards: The last category to be created was the Oscar for best animated feature film, which was established in 2001. (It went to “Shrek.”) In 2018, the Academy scrapped the introduction of a new category for achievement in “popular” films after blowback from the public and some Academy members.Destiny Lilly, the president of the Casting Society of America, a professional organization for people in the field, said the society was created in the early 1980s in part to help push for this award.“It feels like a long time coming,” said Lilly, who was the casting director for “The Color Purple,” which scored a supporting actress nomination for Danielle Brooks at the upcoming ceremony.The Academy created a branch for casting directors in 2013, which currently includes more than 150 members. Lilly said the new branch allowed for other Academy members to fully understand the extent of what casting directors do.“It was an education process, a building of understanding of what our contributions are as casting directors to a finished film,” Lilly said.The award show’s recognition of off-camera, sometimes overlooked categories was the subject of consternation two years ago when the Academy presented eight categories — including film editing, makeup and hairstyling, and production design — before the live telecast. The decision was met with a wave of criticism asserting that the move communicated that the Academy valued some moviemaking jobs more than others. The next year, the Academy’s new leaders reversed course and gave out all of the awards live.In a joint statement making the announcement, Bill Kramer, the Academy’s chief executive, and Janet Yang, the Academy’s president, said, “Casting directors play an essential role in filmmaking, and as the Academy evolves, we are proud to add casting to the disciplines that we recognize and celebrate.”The Academy’s board of governors voted to add the category on Wednesday.A common argument against a casting award has been the length of the ceremony: Last year, the show ran three and a half hours, and in 2002, it hit the four hour and 23-minute mark.The move puts the Oscars in line with some other awards shows, including the Emmys. The BAFTAs added the category for its 2020 ceremony, helping to fuel calls for the Academy Awards to do the same. More

  • 125 Shares179 Views

    in Music

    Usher Proves His Mastery on His New Album, ‘Coming Home’

    “Coming Home,” his ninth solo album, cruises through every musical challenge.It has taken perseverance, extraordinary musical gifts and a little luck for Usher to land where he is right now. At 45, the R&B singer and songwriter Usher Raymond is releasing his new album, “Coming Home,” just two days before he will headline the Super Bowl halftime show. In December 2023, he completed an acclaimed 100-show residency in Las Vegas. His single “Good Good,” released last summer, has racked up tens of millions of plays on Spotify. It’s one of the 20 tracks on “Coming Home,” an album that sums up and expands what Usher does best.Usher returns in familiar guises on “Coming Home,” his ninth solo album, and first since 2016. He plays a loyal partner (“Keep on Dancin’”), a sensualist (“Please U”), a heartsick ex (“Cold Blooded”), a somewhat repentant cheater (“On the Side”), a confident stud (“Big”) and a proud product of Atlanta (“A-Town Girl,” a catalog of local references that samples Billy Joel’s “Uptown Girl”).The personas are familiar, and so is Usher’s musical universe, with the supple physicality of his vocals floating in electronic soundscapes. But he still comes up with ingenious variations on his longtime subjects. “Good Good,” which features Summer Walker and 21 Savage, is a downright mature post-breakup song about genuinely staying friends afterward. “Usually my exes turn to enemies/But this is different,” Usher marvels.Usher is three decades into a recording career that hit its first commercial peak with his 1997 album, “My Way,” and earned him five consecutive No. 1 albums from 2004 (the blockbuster “Confessions”) to 2012 (“Looking 4 Myself”). He carries the skills of the analog era — when real-time performance was everything — into the digital landscape, making music that’s exquisitely calculated but still places his voice at its emotional core.That voice can be grainy or lascivious or achingly sincere, and it easily ascends to an otherworldly falsetto. Usher draws deeply on some of the best elements of Stevie Wonder and Michael Jackson. He’s also a precise, disciplined and riveting dancer — something to look forward to at the Super Bowl.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More