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    Vanessa Bryant Tells Meek Mill to 'Do Better' in Response to 'Insensitive' Kobe Bryant Lyric

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    Calling out the Philly rapper for his lack of ‘respect and tact’ in making reference to her late husband’s helicopter crash, Vanessa says ‘there’s a better way’ to honor the NBA legend.

    Feb 23, 2021
    AceShowbiz – Kobe Bryant’s widow Vanessa Bryant has broken her silence on Meek Mill’s controversial lyric about her late husband. Feeling offended by the rapper’s reference to the helicopter crash that killed the former NBA star and one of their daughters, the mother of four called out the Dream Chasers Records founder for his lack of “respect and tact.”
    Vanessa posted on her Instagram Story on Monday, February 22 Meek’s line in his unreleased collaboration with Lil Baby that she found “insensitive and disrespectful.” It read, “Yeah, and if I ever lack, I’m goin’ out with my chopper, it be another Kobe.”
    The 38-year-old widow expressed her feelings below the lyric, writing, “Dear @meekmill , I find this line to be extremely insensitive and disrespectful. Period. I am familiar with any of your music, but I believe you can do better than this.”
    Responding to Meek’s claim that he’s actually a fan of Kobe, Vanessa went on advising the rapper, “If you are a fan, fine, there’s a better way to show your admiration for my husband. This lacks respect and tact.”

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    Shortly after Vanessa posted her statement on Meek’s lyric, the “Amen” hitmaker tweeted, “I’m going back savage in this s**t … f#%k ya feelings!” He added in separate tweets, “Ion trust people gotta play it raw …… Head taps for n#%ga tryna pull my card!” It’s unclear though if he wrote the tweets in response to Vanessa’s message.

    Meek Mill tweeted after Vanessa Bryant called him out over ‘insensitive’ Kobe lyric.
    Meek previously defended himself after he landed in hot water over the lyric referencing Kobe’s death. “somebody promo a narrative and y’all follow it…. y’all internet antics cannot stop me ….s**t like zombie land or something! Lol,” he wrote on Thursday, February 18.

    The 33-year-old star went on comparing the backlash to “mind control” as he wrote in a separate tweet, “They paying to influence y’all now … its almost like mind control ‘wake up.’ ” He also posted a picture of a hat with Kobe and Gianna’s names on it, seemingly to show that he’s a fan of the late NBA legend.

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    Soundgarden Claim They Reject Buyout Offers in Response to Vicky Cornell Lawsuit

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    After the surviving members of the rock band broke their silence in their battle over Chris Cornell’s stake in the brand, a lawyer for his widow calls their claim ‘absurd and hypocritical.’

    Feb 23, 2021
    AceShowbiz – Rockers Soundgarden are pushing back against Chris Cornell’s widow over her attempt to secure a buyout offer from the remaining bandmembers.
    Vicky Cornell, who serves as her husband’s estate representative, filed suit against Kim Thayil, Matt Cameron and Ben Shepherd last week, ends February 19, asking a Washington judge to order a formal valuation of the band partnership to determine how much Chris’ share is worth.
    She claimed they offered her just $300,000 (£216,000) to buy out her stake in the brand, but she believes they’ve severely undervalued her share with the “lowball” figure.
    However, the surviving Soundgarden stars insist Vicky hasn’t detailed the full story, issuing a statement which reads, “(The) buyout offer that was demanded by the estate has been grossly mischaracterized and we are confident that clarity will come out in court.”

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    They also addressed her claims of the band members receiving lucrative offers from outside investors, who are keen to obtain the rights to the group’s master recordings, insisting, “All offers to buy out our interests have been unsolicited and rejected outright.”
    The rockers previously made it clear their stance isn’t about money, and they have since hinted at plans to return to the studio to complete the project they had been working on before Cornell committed suicide in 2017.
    “Being a band from Washington State since 1984, we are proud of Soundgarden’s musical legacy, work and career,” they concluded. “We look forward to completing the final Soundgarden album.”
    Vicky’s attorney, Marty Singer, has now fired back at the trio, declaring, “The band’s contention that this dispute is somehow not about the money for them is absurd and hypocritical.”

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    Representative Maxine Waters Loves Megan Thee Stallion's 'Audacity' in 'WAP'

    Harper’s Bazaar

    Showing support for the ‘Hot Girl Summer’ raptress, the U.S. Representative assures the Houston rapper that she has no problem with Megan-featuring Cardi B’s controversial song.

    Feb 23, 2021
    AceShowbiz – While Cardi B’s song “WAP” featuring Megan Thee Stallion was a huge hit, it also landed the raptress in hot water over its raunchy lyrics. Some conservative U.S. political figures criticized the stars for the song, but not with Maxine Waters who only had praises for Megan during their joint interview for Harper’s Bazaar.
    “Here’s what I said: Now that’s audacity,” Mazine said of the track in a video, which was unveiled on Monday, February 22. “That is the ability for women to take charge of what they want to say because, as I said, I had paid attention to the young Gangster Rap time when men were in charge. They said whatever they wanted to say. That said whatever they wanted to say about women, what have you. But women didn’t say [anything] for a long time; what they could say or wanted to say or dared to say. And so, I thought, ‘That’s audacity.’ ”
    Showing support for the Hot Girl Summer, the U.S. Representative for California’s 43rd congressional district assured the rapper, “I’m with you, I’m fine, I have no problem.” She went on to say, “You young women are taking control of your art. You’re defining it in ways that never would be defined by anybody else and you’re willing to have the courage and the nerves and the audacity to say whatever the hell you think.”
    “The pure creativity of rap took over,” she continued, recalling when hardcore rap was not accepted “even by black people and the ministers in the church.” Maxine added, “And it took over not because the white media or anybody else helped with that. It took over because it was so accepted by so many and so loved by so many and that’s how it keeps evolving.”

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    [embedded content]
    Prior to this, the Congresswoman sent the Houston raptress a touching letter which Megan called “one of the highlights of my year” in an Instagram post in December 2020. “I am so honored to be recognized by such an amazing woman and I promise to keep using my voice and encourage others to use theirs !” she wrote in the caption.
    In the said letter, Maxine honored the “Good News” artist for her powerful opinion that the idea of protecting black women shouldn’t be controversial. “I read the op-ed you wrote that appeared in The New York Times recently and I can’t thank you enough for bringing much needed attention to the plight of Black women, not just here in the United States — but everywhere,” she wrote in the letter.
    “You are so right that Black women have paved the way and have done so by leading with courage and bravery. There is also this notion, which you touched upon, that we as Black women have the ability to bear a heavier burden than everyone else in this society,” the letter continued.

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    Papa Roach Put New Album and Tour on Hold Until 2022

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    The Jacoby Shaddix-fronted band have decided to delay their next studio installment and tour until life returns to some normality amid the Covid-19 crisis.

    Feb 23, 2021
    AceShowbiz – Papa Roach won’t release a new album or tour until 2022.
    The “Last Resort” group’s frontman, Jacoby Shaddix, has revealed that while the band have around 14 songs written for their follow-up to 2019’s “Who Do You Trust?”, they have decided to hold off releasing their next studio effort until life returns to some normality amid the COVID-19 pandemic.
    “The touring is not coming back for the rest of this year,” he said during an interview on Germany’s “Rock Antenne” radio. “I mean, there’ll be some pop-up shows here and there, but we’re not gonna drop a new album and tour until 2022. We’re just gonna wait it out.”

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    On their creative spell, he continued, “Now that we’re at this point in the process, it’s February, and I’m, like, ‘Okay. Maybe we’ll just go record another record. So then it’s, like, when we come out, we’ll have just a ton of music to drop and just be lined up to rip it for a while. Because the creative process is integral to all of our sanity. My bass player, Tobin (Esperance), he writes one or two songs a day – he just rips ’em out, churns ’em out. And I’ve got this little space right here that I’m in – this is my little spot where I’ll demo up ideas and stuff. It’s important for us to maintain some element of creativity so we feel like we have purpose.”
    Elsewhere, the 44-year-old rocker admitted he “was depressed for a while” last year, because he had piled on the pounds in quarantine, but as soon as he started taking up running again, he was able to clear his mind and see life positively again.
    “Towards the end of last year, I was really getting bummed out…” he sighed. “That’s what really got me into running. I was so f**king depressed, I started to put weight on again, I started to get fat. And I’m, like, ‘Oh, I’ve gotta do something about this.’ And I was, like, ‘All right. What can I do? I can go outside.’ So I started running again. And then I was, like, ‘Oh, I’m not so f**king depressed.’ ”
    “Cause when I run, it fires off that good stuff in my brain – that serotonin and dopamine – and then I’m, like, ‘Oh, wow. Life doesn’t really suck. Life is okay.’ It’s just a matter of if I get out of the way of it, ’cause if I stay in my head, oh, man. It’s a bad place to be.”

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    Queen's Roger Taylor Brands Brexit 'Dreadful' for Musicians

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    The Queen drummer says ‘borders are a dreadful invention of mankind’ after Brexit left U.K. musicians to have to acquire a visa for every European country they wish to perform in.

    Feb 23, 2021
    AceShowbiz – Queen’s Roger Taylor has branded Brexit a “dreadful retrograde step” for musicians and their crews.
    The 71-year-old drummer is the latest musician to speak out on post-Brexit touring after they were left out of the Brexit trade deal, meaning they may have to acquire a visa for every European country they wish to perform in, a policy which could lead to artists being unable to afford to play in the EU.
    The “We Will Rock You” hitmaker insisted that while many artists have their music and publishing income to fall back on, touring crews have already been stripped of their earnings amid the COVID-19 pandemic, with touring off due to travel restrictions, and the fact the government has no plans at this time to renegotiate a deal with the EU, could also leave live crews out of pocket.
    Speaking on BBC Radio 4’s “The World This Weekend” show, he said, “Borders are a dreadful invention of mankind, and so we are just putting up another one, and I think it’s a dreadful retrograde step.”

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    Roger – whose band were forced to postpone their European tour twice as a result of the COVID-19 pandemic – continued, “I know our road crew, all the guys that make our touring work, they are the one that have suffered.”
    “Not so much for the artists, we can fall back on our songwriting and our publishing, they can’t. It’s a daily, weekly job for them and so it’s made it really hard for our industry, very hard indeed.”
    Roger’s comments come after Radiohead’s Colin Greenwood implored the UK government to “renegotiate its provision” for touring post-Brexit.
    Sir Elton John has also called for a “short-term fix” to make it easier for British musicians to tour in Europe.

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    Megan Thee Stallion and Idris Elba Recording 'Banger' Collaboration

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    According to the ‘Mandela: Long Walk to Freedom’ actor, his next single coming out soon is a ‘really cool’ collaboration with the ‘Hot Girl Summer’ hitmaker.

    Feb 23, 2021
    AceShowbiz – Megan Thee Stallion and Idris Elba have teamed up on a new “banger,” the actor and musician has revealed.
    During an interview with MistaJam on CapitalFM’s “The All-New Capital Weekender” show, Idris let slip that he’s teamed up with the U.S. rap sensation and record producer Davido on a new tune.
    “I’m doing more music, Jam you know what it’s like, I’m trying to stay with it when we’re not gigging now,” he said. “So I’ve got some really cool music coming, been working with Franky Wah on a tune I’m looking forward to droppin’. I’ve got a bit of a banger, I don’t want to say too much but me, Megan Thee Stallion and Davido that’s coming. Shout out to the fanatics.”

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    The “Luther” star has previously teamed up with the likes of grime star Wiley, Sean Paul, and MC Kah-Lo on tracks.
    Meanwhile, Idris previously revealed he would love to perform with pop megastar Taylor Swift.
    The “Fast & Furious Presents: Hobbs & Shaw” actor starred alongside the “Love Story” hitmaker in 2019’s “Cats” and later said he’d love to join the Grammy-winner on stage in the future.
    “I’ve known Taylor a few years. People see the album sales, the awards. What they don’t see is the hard work,” he said. “She is an incredibly hard-working person, she isn’t resting on her achievements. To perform live with her would be fun and hopefully we can make that happen.”

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    Daft Punk Announces Breakup After 28 Years

    AdvertisementContinue reading the main storySupported byContinue reading the main storyDaft Punk Announces Breakup After 28 YearsThe enigmatic, influential French electronic-music duo released four albums and collected six Grammys throughout a career marked by a disinterest in fame.The French electronic duo Daft Punk announced its end wordlessly, through music and iconography, in a YouTube video called “Epilogue.”Credit…Chad Batka for The New York TimesFeb. 22, 2021The enigmatic, pseudo-anonymous, retro-futuristic French electronic duo Daft Punk has broken up, the group announced on Monday in classic form — wordlessly, through music and iconography, in a YouTube video called “Epilogue.”A publicist for Daft Punk, Kathryn Frazier, confirmed the breakup and said there would be no further comment at this time.Founded by the former indie-rock bandmates Guy-Manuel de Homem-Christo and Thomas Bangalter in Paris in 1993, Daft Punk went on to win six Grammy Awards (including album of the year for “Random Access Memories” in 2014); collaborate widely, with decade-spanning artists from Giorgio Moroder to the Weeknd; and influence countless other producers, D.J.s, rappers and pop stars with its devotion to mystique and its unique blend of house, techno, pop, disco and rock.“The duo’s defining balancing act has been breaking new ground while simultaneously invoking earlier golden ages of club music, like disco and 1980s electro-pop,” the critic Simon Reynolds wrote in The New York Times in 2013, when Daft Punk granted a rare interview.Since the late 1990s, the duo has presented itself as otherworldly and uninterested in the trappings of fame or celebrity, donning robot helmets that would become its trademark (Bangalter often in silver, de Homem-Christo in gold), and rarely saying anything at all.When the men collected their trophy for “Random Access Memories” at the Grammys — one of four they won that night, bringing their career total to six — the musicians Paul Williams and Nile Rodgers, who worked on the album, spoke instead.In the “Epilogue” video announcing Daft Punk’s demise, which was taken in part from the group’s 2006 film “Electroma,” the two members are seen walking together in the desert in matching motorcycle jackets.When they come face to face, the one in the silver helmet removes his jacket, which is adorned with the Daft Punk logo, and the other presses a button on his back that starts a 60-second timer. As it counts down, he walks away, never looking back, and is then blown apart, breaking into pieces that resemble a machine more than a man of flesh and blood.The song “Touch,” from “Random Access Memories,” begins playing — “Hold on,” go the lyrics, “if love is the answer, you’re home” — as the remaining bandmate walks into the sunset. The years 1993 to 2021 flash on the screen.Daft Punk released its debut album, “Homework,” on Virgin Records in 1997, finding unlikely international hits in “Da Funk” and “Around the World.” The duo’s follow-up, “Discovery,” came out in 2001 and included singles like “Harder, Better, Faster, Stronger” (later sampled by Kanye West) and “One More Time.” In 2005, the group released “Human After All,” touring extensively in the two years after, including a memorable performance atop an elaborate light-up pyramid at Coachella in 2006 that was Daft Punk’s first concert in the United States in nearly a decade. A live album from this period, “Alive 2007,” later won the Grammy for best electronic/dance album.In the years that followed, even as its myth grew and so-called E.D.M. D.J.s and producers became a billion-dollar business, Daft Punk retreated somewhat from the sample-based dance music it helped popularize. For “Random Access Memories,” which would be released by a new label, Columbia Records, the group used renowned session players and sought to make “every sound from scratch, creating a sonic world from the ground up,” Bangalter told The Times.“In some ways it’s like we’re running on a highway going the opposite direction to everybody else,” he said, adding: “Computers were never designed in the first place to become musical instruments.”“Get Lucky,” the album’s lead single featuring Pharrell Williams, would go on to become the group’s most successful song to date, hitting No. 2 on the Billboard Hot 100. Daft Punk later achieved its first and only career No. 1 as guests on “Starboy” by the Weeknd, which they performed (along with another collaboration, “I Feel It Coming”) at the Grammys in 2017. It would be their final show.AdvertisementContinue reading the main story More

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    6ix9ine Involved in Heated Argument With Lil Reese and 600 Breezy Over King Von

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    This arrives after the 24-year-old ‘TROLLZ’ spitter released his new track ‘ZAZA’, in which he disses Lil Durk who lost his friend Von in a shooting accident back in November 2020.

    Feb 23, 2021
    AceShowbiz – Tekashi69 (6ix9ine) had a heated online spat with fellow rappers Lil Reese and 600 Breezy during his Instagram Live session on Saturday, February 20. The argument started after the “GOOBA” spitter made some offensive comments about late rapper King Von, who was gunned down last November at an Atlanta nightclub.
    Tekashi enraged Reese and 600 after he pointed out the alleged double standards for him and other rappers before defending himself for taunting Von. Reese first caught wind of it and entered the Brooklyn star’s Live and that was when things got heated. At one point during the Live session, Reese even flashed his gun to an unbothered Tekashi.

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    Instead, Tekashi asked him why he wasn’t that confident when he was attacked in 2019. That prompted some of the latter’s folks to join him in and blast the “TROLLZ” rapper, saying that he was “too internet” and “too disrespectful.” Still, Tekashi insisted that he didn’t see why speaking on Von was wrong when Lil Durk did the same. “Hold on. So when y’all dissin’ Tooka, it’s not disrespectful? N***a s***ted on himself, wanna pull out a gun on IG Live …,” Tekashi argued.
    Further making things escalated was Chicago rapper 600 who also hoped on the Live, slamming Tekashi for disrespecting Von. “You gonna die when I see you, respectfully. I’m not [Meek Mill], n***a. And you gotta move around with security ’cause you a b***h. You gotta move around with security ’cause you a h** n***a,” he told Tekashi. “Real street n****s don’t move with security guards … You gonna die n***a … Your security guards better be strapped, all that. You police, fed-a** n***a.”
    This arrives after 6ix9ine released his new track “ZAZA”, in which he dissed Durk. “You ain’t killed s**t, you let your man’s die,” he raps on the song, which music video featured him trolling Meek over their verbal altercation a few days ago. “They killed your cousin and your man and you still ain’t do s**t.”

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