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    'Normal People' and 'Killing Eve' Among Nominees at 2020 TV Choice Awards

    BBC/AMC

    The ‘Normal People’ star Daisy Edgar-Jones is pitted against the ‘Killing Eve’ actress Jodie Comer for the coveted titled of Best Actress at the upcoming television awards.
    Jul 8, 2020
    AceShowbiz – Jodie Comer better watch out – Daisy Edgar-Jones is coming for her Best Actress crown at this year’s TV Choice Awards.
    While the “Killing Eve” star is the reigning holder of the gong, Daisy looks set for success thanks to her hit show “Normal People” – which earned three nominations at the 2020 awards.
    But in order to take home the prize, Daisy will also have to beat Michelle Keegan and “Vera” star Brenda Blethyn.
    Her co-star Paul Mescal, who starred as her love interest Connell in the TV adaptation of Sally Rooney’s beloved book, is up for the Best Actor prize, but again faces tough competition – from David Tennant, Martin Clunes, and Stephen McGann.
    In addition, “Normal People” has also been nominated for Best New Drama alongside “Gangs of London”, “Gentleman Jack”, and “White House Farm”.
    Elsewhere, Ricky Gervais’ “After Life” is once again up for the Best Comedy Gong, but will have to beat “Friday Night Dinner”, “Brassic”, and “Still Open All Hours” to take home the prize.
    And “Doctor Who” will battle it out for the Best Family Drama award against “Call the Midwife”, “Doc Martin”, and “Casualty”.
    The 2020 TV Choice Awards are set to take place on 9 September (20), and voting is open from now until 17 July, with viewers encouraged to visit TV Choice to pick their winners

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    Can Anything Match ‘Peaky Blinders’?

    I’ve watched “Peaky Blinders” more times than I can count and have tried watching numerous other shows but nothing is as good.  It has everything: the best writing, acting, cinematography, music — and Cillian Murphy. Can anything match it? — ArleneIt sounds like you have a severe, wonderful case of having a favorite show. Our tastes are not one lifelong upward trajectory, where we constantly find “better” things. It’s completely possible that you will never love another show as much as you love “Peaky Blinders.” Based on my inbox, you would not be alone! But also, having a favorite show is not a bad thing. It’s energizing. It’s pleasurable. Your quest is complete.Steer into the skid. Watch shows that have a similar vibe and use those similarities to reflect on the specifics of how much better your favorite show is than its closest brethren. One reason I like, for example, “Better Call Saul” so much is I know who else is in its weight class, and I know how many shows have had “I do things my way” kinds of protagonists and how often shows seem to forget little, but important, details. And every time another show does something stupid that “Saul” doesn’t, I feel a juicy thrill of superiority, like my horse won.So, for period dramas with lots of male pouting and no sideburns, “Boardwalk Empire” (which is available to stream with an HBO or HBO Max subscription) covers some similar territory and has those luxe production values that can hide some, but not all, sins. If you don’t mind a much slower pace and love all the biological decrepitude of period shows, try “Taboo” (Hulu), which stars Tom Hardy, who created the show with his father, Chips, and Steven Knight, the creator of “Peaky.” I wonder if grand-scale historical dramas like “Vikings” (Hulu) or the flashier “Spartacus” (Starz, or see three of four seasons free on IMDb TV) might sharpen what feels special about “Peaky Blinders,” too.Once you’re stocked up on genre context, go further afield. If you like the score to “Peaky,” I wonder if you’ll like the score from “Gentleman Jack,” which is based on a true story and is about a jazzy lesbian in Britain in the 1830s (on HBO). My favorite cinematography on TV right now is “Queen Sugar,” a present-day family drama set in rural Louisiana (Hulu). I think about the writing from “Lodge 49,” a gentle, dreamy drama about a fraternal order, and “David Makes Man,” an artful coming-of-age story, all the time because they have such distinctive voices. (“Lodge” is available on Hulu; Season 1 of “David” will be streaming on HBO Max starting July 16.)Oh, and duh, try “Deadwood” (on HBO).Can you recommend a show (maybe like “Friday Night Lights”?) for a teenage boy and his mom? As he has grown, we loved watching “Robin Hood” (surprisingly good), “Malcolm in the Middle” (also excellent) and “Brooklyn Nine-Nine,” and now we’re casting about. — LindsayIt’s more like “The O.C.” than “Friday Night Lights,” but try “All American,” a high school football drama on the CW starring Taye Diggs. If you’ve watched a lot of teen shows, some of its ideas will be familiar to you, but presumably your son is just arriving at the genre. I dug “Cleverman,” an Australian superhero show based on Aboriginal mythology; it can be on the bleak side, but that doesn’t strike me as a vice (on Netflix). “Malcolm In the Middle” (on Hulu) makes me think you might like other quirky single-camera family comedies like “Everybody Hates Chris,” “Fresh Off the Boat” or “The Middle.”I know we’re all tired of making our own fun during the quarantine, but this might be the time to make the selection process part of the shared activity itself and agree to try five minutes of 10 different shows (each pick five? each pick four and two chosen at random?) just to see what happens. You can even teach him what channel surfing used to mean.My spouse and I have been watching “Killing Eve” and just finished the first season of “Queen Sono.” What other female assassin shows can we watch? — Kathleen, a Times Culture editor (and devoted reader)If you wish “Killing Eve” (on BBC America) would cross pollinate with a really good episode of “The X-Files,” you will love “Orphan Black” (Amazon Prime Video), which is not strictly an assassin show but does include a central female assassin, and lots of chasing and violence and phone calls that end abruptly. I love the incongruous buoyancy of “Killing Eve,” and “Orphan” has some of that, too, like the crunch and intrigue of a pickle spear on a diner plate.If you’re getting maxed out on genuine violence and want something lighter but still in a similar space, watch the cartoon series “Harley Quinn” (DC Universe), which is a clever satire of supervillainy but keeps that “do ‘bad guys’ overcome their guilt over doing evil things, or do they never experience the guilt at all, which is actually what makes them bad?” thread that many cat-and-mouse stories rely on. It’s bold and racy in all the fun ways.Series’ availability on streaming platforms is subject to change, and varies by country. Send in your questions to watching@nytimes.com. Questions are edited for length and clarity. More

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    Patrick Stewart Still Finds It Hard to Talk About Final 'Star Trek' Scene With Brent Spiner

    Paramount Television

    During a SAG Foundation Conversations interview, the actor known for his portrayal of Captain Jean-Luc Picard explains why Commander Data’s death scene was so emotional for him.
    Jul 7, 2020
    AceShowbiz – Sir Patrick Stewart still can’t talk about his final scene with longtime “Star Trek” co-star Brent Spiner without getting choked up.
    The actor admits he and his old friend had to do a lot of personal preparation before shooting Commander Data’s death scene on “Star Trek: Picard”, because it was so emotional.
    “I get choked up talking about it,” he said during a recent SAG Foundation Conversations interview. “Brent Spiner, who I love very much, and I have such a history going back 25 years… to be sitting quietly, just the two of us, for most of the day that scene took to shoot. We were talking about elements of our characters’ lives, but they were huge overlaps with our personal lives as well.”
    “When the moment came to leave him I’d been asked to walk to the door, turn around and say, ‘Goodbye Commander’. I couldn’t do it because of all of the associations of Goodbye to Data, Goodbye to Brent Spiner, Goodbye to Star Trek; all of these things.”
    Stewart insisted on taking the chair he used in the scene home, adding, “I asked if I could buy it because that chair took on so much importance.”
    “This is sentimental trash but I can go and sit in that chair… and feel what I felt when I was alone on the set with Brent,” he smiled.

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    Colin Kaepernick to Develop Docuseries After Partnering Up With Disney

    WENN

    This Disney deal comes days after the football quarterback was revealed to be working with director Ava DuVernay on a separate series titled ‘Colin in Black and White’ for Netflix.
    Jul 7, 2020
    AceShowbiz – Sportsman and activist Colin Kaepernick is developing his own TV docuseries after landing a production deal with Disney bosses.
    The American football quarterback has signed a first-look contract through his Ra Vision Media company to share scripted and unscripted stories about race and social injustice issues, while also providing opportunities for directors and producers of colour.
    The first release from the partnership will be an in-depth ESPN series chronicling Kaepernick’s life, with exclusive interviews and archival video footage focusing particularly on the last five years, during which he was controversially frozen out of the National Football League for kneeling during the pre-game U.S. national anthem to highlight racial injustice and police brutality.
    Kaepernick has been without a team since his contract with the San Francisco 49ers expired at the end of the 2016/2017 season.
    In a statement announcing the media endeavour, Kaepernick shared: “I am excited to announce this historic partnership with Disney across all of its platforms to elevate Black and Brown directors, creators, storytellers, and producers, and to inspire the youth with compelling and authentic perspectives.”
    “I look forward to sharing the docuseries on my life story, in addition to many other culturally impactful projects we are developing,” he added.

    Former ESPN sports journalist Jemele Hill will serve as a producer on the show.
    The news of the Disney deal emerges days after Kaepernick was also revealed to be working with director Ava DuVernay on a separate series, the six-part “Colin in Black and White”, which will focus on his teenage years and early sports success in California.
    Kaepernick will narrate and executive produce “Colin in Black and White”, which is set to start shooting later this year and premiere on Netflix in 2021.

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    Christina Applegate Shares Thoughts on 'Dead to Me' Renewal for Third and Final Season

    Netflix

    Creator Liz Feldman confirms the news, adding that she is ‘beyond grateful’ to Netflix for supporting her hit series from day one and letting it be the show she wanted to make.
    Jul 7, 2020
    AceShowbiz – Christina Applegate’s acclaimed Netflix series “Dead to Me” has been renewed for a third and final season.
    Creator Liz Feldman confirmed the news on Monday (July 06), revealing she is collaborating with bosses at the streaming service as part of an overall development deal.
    “From start to finish, ‘Dead to Me’ is exactly the show I wanted to make,” Feldman said in a statement. “And it’s been an incredible gift. Telling a story sprung from grief and loss has stretched me as an artist and healed me as a human.”
    “I’ll be forever indebted to my partners in crime, my friends for life, Christina and Linda (Cardellini), and our brilliantly talented writers, cast and crew. I am beyond grateful to Netflix for supporting ‘Dead to Me’ from day one, and I’m thrilled to continue our collaboration.”

    Applegate also marked the show’s conclusion with a dedication to the team behind the show – and the fans.
    “I will miss these ladies,” she wrote. “But we felt this was the best way to tie up the story of these women. Thank you to all the fans. We will be getting back to work when it is safe to do so. Much love.”

    Christina Applegate reacted to the renewal of ‘Dead to Me’ for its third and final season.
    The second season of the series, which also stars James Marsden, debuted in May.

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    Billie Eilish to Take Part in New Oral History Podcast With 'The Office' Cast

    Instagram

    The 12-episode series, titled ‘An Oral History of The Office’, will be hosted and produced by Brian Baumgartner, who played accountant Kevin Malone on the beloved show.
    Jul 7, 2020
    AceShowbiz – Billie Eilish is set to join Ricky Gervais, Steve Carell and John Krasinski on a new Spotify podcast about iconic U.S. TV comedy “The Office”.
    The new 12-episode series, titled “An Oral History of The Office”, will be hosted and produced by Brian Baumgartner, who played accountant Kevin Malone on the beloved show.
    Fans can look forward to interviews and memories from his fellow cast members Steve Carell, John Krasinski, Jenna Fischer, Rainn Wilson and Angela Kinsey, and other celebrity devotees, like “Bad Guy” hitmaker Billie, according to People.

    Baumgartner, who is working with former “The Office” producer Ben Silverman on the new venture, will also chat to Greg Daniels, who created the American version of the hit, and Ricky Gervais and Stephen Merchant, who co-created, wrote, produced and starred on the BBC original, which aired from 2001 to 2003.
    The U.S. TV hit, which ran for nine seasons before ending in 2013, has proved a popular podcast subject – Brian’s co-stars Jenna and Angela currently host the top-rated “Office Ladies” audio series.
    “An Oral History of The Office” kicks off on 14 July.

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    Lesley Manville on Taking Over Princess Margaret Role in 'The Crown': I Find It Thrilling

    WENN

    The ‘Maleficent’ actress reveals she has had to keep the secret to herself ever since showrunner Peter Morgan offered her the role as Queen Elizabeth II’s sister in the final season of the hit series.
    Jul 6, 2020
    AceShowbiz – Lesley Manville can’t wait to start playing “wonderful woman” Princess Margaret in “The Crown”.
    The actress confirmed her casting as Queen Elizabeth II’s sister in the fifth and final season of the drama last week (ends July 03), and now she reveals she has had to keep the secret to herself for the past year, ever since showrunner Peter Morgan offered her the role in one of her own favorite TV “treats.”
    “It’s mind-blowing television,” the “Maleficent” star tells Deadline. “There was never any doubt that I would say yes. When they said, ‘Margaret’, I hadn’t really thought about it. Then I thought, ‘Yes, Margaret! That’s fabulous!’ She was so avant-garde. So naughty, delightful and funny. What a wonderful woman to play.”
    Manville will follow in the footsteps of Vanessa Kirby and Helena Bonham Carter, who took on the role in the first four seasons of the hit show, and she can’t wait to pick up the baton.
    “I don’t find that daunting; I find it thrilling,” she adds. “I think, ‘Come on Manville, you’ve got to take that baton, and not let those two actresses think, ‘Oh we were great, shame about Manville’. Let’s hope it doesn’t come to that.”
    Lesley knows she’ll be working with old pal and occasional co-star Imelda Staunton, who will portray Elizabeth in season five, but she has no idea who else will make up the cast.
    “Not a single name has been dangled like a carrot to make me even more excited,” she tells Deadline.

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    Pharrell Williams Teams Up With Netflix for Gospel Series 'Voices of Fire'

    Instagram

    The ‘Happy’ hitmaker makes a return to his Virginia hometown to find undiscovered talent to build ‘one of the world’s most inspiring gospel choirs,’ with the assistance of Bishop Ezekiel Williams.
    Jul 6, 2020
    AceShowbiz – Superstar Pharrell Williams is bringing gospel music from his Virginia hometown to Netflix on a new TV series.
    “Voices of Fire” will chronicle the “Happy” hitmaker’s recent return to the Hampton Roads community, where he teamed up with his uncle, fellow musician Bishop Ezekiel Williams, and other gospel leaders to find undiscovered talent to build “one of the world’s most inspiring gospel choirs.”
    Pharrell will co-executive produce the show, which will premiere on the streaming service later this year.
    He shared the news of the Netflix collaboration on Sunday (July 05) during an appearance at the virtual Essence Festival.
    The musician is also said to be in talks with platform bosses to develop a feature-length musical about the Juneteenth holiday (June 19), which commemorates the end of slavery in the U.S., along with “Black-ish” creator Kenya Barris.

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