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The doctor decides to confront her ‘The Real Housewives of Potomac’ co-star when they and other Housewives are invited to do a photoshoot for Robyn Dixon’s hat line, Embellished.

Nov 2, 2020
AceShowbiz – In the Sunday, November 1 episode of “The Real Housewives of Potomac”, a new feud erupted. After Monique Samuels and Candiace Dillard’s drama, it was fellow cast members Dr. Wendy Osefo and Karen Huger who were involved in a heated argument.
The episode kicked off with Gizelle Bryant asking Karen about her marital problems with her husband Ray after Wendy told her and Robyn Dixon in last week’s episode that Karen appeared to resent Ray for using her own money to get him out of tax trouble. When Gizelle told Karen that Wendy made it sound that the whole thing drove her “stressful” because she “wanted the money back from [Ray],” Karen quickly denied.
“That’s a reach…you’re saying Wendy said that?” she asked Gizelle. Later in a confessional, Karen slammed Wendy for saying such things to others. “Ray and I are going through a lot and for Wendy to take that information that I shared with her back to Gizelle and make it gossip and make fun of it is not cool. It’s not alright,” Karen shared.
Although Karen told Gizelle and Robyn that she and Wendy “were going to be fine,” she proceeded to question the latter’s career and also imitate her walk. “I don’t know anything about blackouts or fits of anger,” Karen said, referring to Monique, who said she “blacked out” during her physical fight with Candiace. “This is medical … She says she’s a doctor … she’s not a medical doctor and she was speaking authoritatively to me.”

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Meanwhile, Wendy responded to being called “ignorant” by Karen for trying to make the latter hold Monique accountable for her fight with Candiace. “I am tired of Karen’s constant jabs, and I’m not ignorant,” she said in a confessional in the episode. “For me to even get these degrees, it was a struggle. I got two of these degrees while pregnant. I lost my dad while getting my doctorate and even through all those struggles, I never quit.”
Wendy then confronted Karen when they and other Housewives were invited to do a photoshoot for Robyn’s hat line, Embellished. “Karen, I spoke to Robyn and Gizelle. I find it odd that you were talking about me being a doctor and mimicking me, and you don’t even have one degree and I have four,” she said. “I am not one to brag about my degrees, [but] less than two percent of [people in] the world have [a PhD]. You always talk about uplifting women, well, goddammit, it’s an accomplishment to have a PhD. You should be uplifting it.”
In response to that, Karen replied, “Let’s be very clear, you and I, each time we have an issue, it’s based on an interpretation of what I said to someone. It’s always taken out of context and said with a hint of funk to it. Understand that I understand the power of education. I come from an extremely educated family and even though I don’t have a degree.” She added, “I’m one of those people that succeed [without a degree]. There’s a lot of people in this country that do not have degrees.”
Karen revealed in another confessional interview that she was more upset with Gizelle for “twisting” her words. “I think Gizelle twisting my words is an indicator that something’s not right in her personal relationship with Jamal,” she said. “Anytime she starts twisting her words, it tells me her s**t is not right. I’m going to forgive Wendy and I’m going to look straight at Gizelle and say, ‘What’s going on in your life?’ ”
During the photoshoot, Karen also denied questioning Wendy’s career, though she admitted to doing an impersonation of her. She then showed everyone how exactly she “mimicked” Wendy, prompting Wendy and others to laugh it off.

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Travis Scott Shuts Down Instagram After Clowned Over His Batman Costume

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Season 4, Episode 7: ‘Lay Away’What if Michael Corleone hadn’t been up for the job?That’s the question that hangs over “The Godfather” after Vito Corleone (Marlon Brando), the don of the Corleone crime family, dies of a heart attack and Michael (Al Pacino) takes the helm. At that point in the film, there’s ample evidence that Michael is a shrewd and coolheaded decision maker, but he’s also the youngest of Vito’s sons and the most removed from the business, having served as a Marine in World War II and started a life with a woman who wants nothing to do with it. He is thrown into a feud among the “Five Families” of New York and coolly arranges a coordinated series of killings during a baptism.“Fargo” wonders what might have happened if Michael Corleone had been every bit as vulnerable as his adversaries might have assumed. Because the Faddas don’t have a Michael. The Faddas have a Sonny (James Caan) in Gaetano, a macho thug who acts impulsively and violently to any perceived threat, and they have a Fredo (John Cazale) in Josto, whose weakness manifests itself as lethal ineptitude. Josto is the capo, but he’s incapable of confronting problems directly, leading to a lot of behind-the-scenes machinations that wind up blowing up in his face. He’s like a would-be puppet master who keeps tangling up the strings.There haven’t been many deep connections between this season of “Fargo” and the Coens’ film, beyond maybe the “Minnesota nice” qualities of Oraetta Mayflower, who’s a conspicuous out-of-towner in its Kansas City setting. But Josto embodies a common Coen type: the criminal dilettante who is undone by his own pettiness and amateurism. He and Gaetano are both sources of senseless violence, all of which has softened the Faddas’ edge over the Cannons, who are outmanned and at a severe cultural disadvantage. And this week, Josto’s mistakes continued to pile up.In this mostly lively episode, Josto and Loy are frequently juxtaposed for their leadership styles and their decision-making, which usually result in forcing Loy to try to sort through Josto’s missteps. For example, Josto’s plan to have one of his henchmen execute Loy’s son Satchel predictably failed, but his solution is to dig a deeper hole for himself. He tells Loy the boy is dead, pinning the blame on Gaetano’s right hand, Constant Calamita, in the hope that the Cannons will take on the ugly business of killing Calamita themselves. Never mind that the lie about Satchel’s death will almost certainly result in pushing Loy to kill the Italian boy they adopted as collateral in the original deal between the two families. Josto’s true war is with his brother, and he wants the Cannons to fight it for him.But Loy is a pragmatist. In fact, the only time he flashes violent here is in defense of his own pragmatism, when Leon suggests killing Gaetano and going to war with the Faddas. He seems to believe that Satchel is dead, but he can’t bring himself to strangle the boy’s Italian counterpart in the bathroom, and he sees some value in simply letting Gaetano go free, sensing that the brute will be more inclined to attack Josto than him. He also offers Swanee and Zelmare two tickets to Philly, which settles their beef over the heist nonviolently and neutralizes yet another threat against the Cannons.Yet there are limits to Loy’s power and success that are out of his control. One small, crucial moment in the episode is when Loy encounters the Diners’ Club billboard on the side of a building. He had an idea that would have not only made him extravagantly wealthy but also given him access to legitimate power, a safe exit from the volatility of the alternate economy. That idea was plucked by white bankers of much higher cultural standing, but much more limited imagination. He can make all the right decisions, but there’s a hard ceiling on how far he can go.“They can’t rise to our level, so they’ve got to drag us down to theirs,” Loy grouses to Odis about the Faddas. “If I get in the dirt like them, it means they were right the whole time.” In an episode that sets Loy and Josto up for comparison, there can be no doubt that Loy is the craftier of the two, with good instincts and a fuller understanding of what power he does and does not have. But that billboard is a reminder that he may be doomed to fail no matter what he does. The Faddas may fumble their way to legitimacy one day. The game is rigged against the Cannons.3 Cent StampsDidn’t catch any Coen references here, though the image of Gaetano, the bloodied brute tied to the chair is reminiscent of the unnamed screaming fat man in “Miller’s Crossing,” who had also been kidnapped and beaten.It seemed as if Oraetta had a good enough look at the “concerned citizen” letter to know its source, but she bakes up a batch of deadly macaroons for Dr. Harvard regardless. Perhaps she thinks he’s too suspicious of her to be trusted long term. (Again, she’s still on the periphery of the main story, along with Ethelrida, but perhaps they’ll get pulled in soon.)Odis cannot keep from getting kicked around by the Faddas, the Cannons and Deafy, all of whom have some form of leverage over him. But at this point, the character is defined too much by his tics and his compromised situation. He’s not compelling enough as a person.Loy’s experiences with racism give him perspective on the grifter as the American criminal type. “He don’t rob you so much as trick you into robbing yourself,” he says. “Because in America, people want to believe. They got that dream.” When the American dream is denied to you, you can perhaps see the scam more clearly. More

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Traci, Trina, and Towanda Braxton sit down for an interview to talk about their younger sister Tamar’s angry reaction to the ‘Braxton Family Values’ trailer.

Nov 2, 2020
AceShowbiz – The Braxton sisters responded after Tamar Braxton was upset by the trailer of the family reality TV show “Braxton Family Values” for addressing her suicide attempt. Older sisters Traci, Trina, and Towanda Braxton defended themselves as they talked to Claudia Jordan on Fox Soul’s “Out Loud”.
They began by revealing that they found out about Tamar’s hospitalization via social media. Trina said she was disappointed, “For someone else to tell me the story of something that happened to my own family is very disheartening and as family member.”
Without mentioning Tamar’s former boyfriend David Adefeso who was with her when she was rushed to hospital, Trina continued, “I would not have allowed that 911 call to happen the way that it did.” She continued, “Things would have gone differently had we known at the time it happened.”

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She went on to address Tamar’s angry comments after the trailer was released. “During season 7 of Braxton Family Values, we do not talk about Tamar’s physical or mental health,” she said. “We talk about how it affected us. But we do not physically address Tamar’s hurt, pain, or experience. We can’t speak to that. Tamar has her own story to tell and it’s very important for Tamar to tell her story in her way whenever she decides to tell it.”
Towanda described it as a “damn if you do, damn if you don’t” situation. “If we didn’t say anything, we’re insensitive,” she claimed. The show “definitely touched on how we experienced it and how we felt when we found out about it,” she added, “And I don’t think anything’s wrong with that.”
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Trina additionally said it’s “completely unfair and unwarranted” to attack them as a family. She explained, “We did not make that 911 call. We did not say anything to the media in regards to Tamara’s situation. We did not openly say anything about what’s happening with Tamar’s situation, except for the fact that we love her and we’re for her and we’re in her corner, and yet we’re the ones being ostracized when we’re not the ones putting things openly in the media.”

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Paula Jai Parker and Taraji P. Henson Helped Woman From Bad Guy in Nightclub

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Nikki McKibbin, a singer-songwriter from Texas best known for her third-place finish on the inaugural season of “American Idol,” died on Sunday. She was 42.Ms. McKibbin’s death was confirmed by her husband, Craig Sadler, who said on Facebook that she was taken off life support early Sunday morning, four days after she experienced complications from a brain aneurysm. Her son Tristen Langley said she died in Arlington, Texas.“She was so loved that I know thousands of you will be grieving with us,” Mr. Sadler wrote.Ms. McKibbin rose to national fame in 2002 as a contestant on “American Idol,” the Fox reality show in which singers competed for a record deal. Appearing with an unabashedly punk style, complete with a shock of dyed red hair, she was praised for her soulful covers, including “Total Eclipse of the Heart” by Bonnie Tyler, “Black Velvet” by Alannah Myles and “Piece of My Heart,” which Janis Joplin made famous with Big Brother and the Holding Company.She finished third on the show, behind Kelly Clarkson, the winner, and Justin Guarini.“Nikki McKibbin was an incredible talent and we are deeply saddened by the news of her passing,” a spokeswoman for “American Idol” said in a statement. “She was part of our ‘American Idol’ family and will be truly missed. Our hearts and prayers go out to her family and friends during this difficult time.”A longtime fan of Stevie Nicks, Ms. McKibbin covered her song “Edge of Seventeen” in one of her final performances on the show. During Ms. McKibbin’s time on “American Idol,” Ms. Nicks sent her flowers and a card that read, “You are the Gypsy that I was,” Mr. Guarini said on Instagram.The gesture put Ms. McKibbin “on cloud nine and the joy and excitement that radiated from her was infectious,” he said.Mr. Guarini said Ms. McKibbin “was a fiery, funny lady who could sing the Hell out of a rock song with the same kind of ease and command she lovingly used to cut you with her twangy Southern wit.”Ryan Seacrest, the longtime “American Idol” host, wrote on Twitter that Ms. McKibbin “was a superstar the moment she walked into auditions.”“She set the bar high with her talent and memorable stage presence,” he said. “It was an honor to watch her grow and inspire millions of people.”During Ms. McKibbin’s time on “American Idol,” her son Tristen, who was 4, handed her a rose after a performance. In 2014, Ms. McKibbin accompanied her son, then 15, when he auditioned for the show. As he sang a cover of Sublime’s “Santeria,” she mouthed the words.“We just want the world to know, out of all of the wonderful things she was, the most important thing to us is that she was an extraordinary wife, the most amazing mother a son could ever ask for, and an angel of a grandmother,” Mr. Langley said on Sunday.Complete information about Ms. McKibbin’s survivors was not immediately available on Sunday.After “American Idol,” Ms. McKibbin signed a record deal with RCA Records, a division of Sony Music, but clashed with the label when she refused to record a country album, Variety reported. Her debut album, “Unleashed,” was released in 2007 by the Chenoa Music label.Ms. McKibbin’s struggles with substance abuse, including alcohol and cocaine, were chronicled on “Celebrity Rehab with Dr. Drew” and “Sober House,” both on VH1, Variety reported. She also appeared on “Fear Factor” on NBC, and “Battle of the Network Reality Stars” on Bravo.Mr. Sadler said on Facebook that his wife was taken off life support in the early hours on Sunday and her organs were donated. Before the operation began, he said, they played “Landslide,” one of Ms. Nicks’s signature songs with Fleetwood Mac, one last time. More

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The Broadway actress has been officially announced to join the upcoming ‘Gossip Girl’ revamp starring Emily Alyn Lind, Whitney Peak, Eli Brown, and Jason Gotay.

Nov 1, 2020
AceShowbiz – Actress Laura Benanti has joined the cast of HBO Max’s “Gossip Girl” reboot.
Benanti, who is best known for her Broadway career and has also worked on TV shows like “Supergirl”, “Younger”, and “Nashville”, is joining the ensemble cast, though little is known about her character, reported Deadline.
The new “Gossip Girl” series is set to feature fashion blogger-turned-actress Tavi Gevinson, Thomas Doherty, Adam Chanler-Berat, and Zion Moreno.
Joshua Safran will serve as showrunner after previously executive producing the original show, which ran from 2007 to 2012 and turned Blake Lively, Penn Badgley, Chace Crawford, Ed Westwick, and Leighton Meester into stars.

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The popular teen drama was set to premiere this autumn (20) but, as cameras had yet to start rolling on the project prior to the pandemic, it has been pushed to 2021.
The upcoming project is also expected to feature “Code Black” actress Emily Alyn Lind, “Chilling Adventures of Sabrina” star Whitney Peak, Eli Brown, and Broadway actor Jason Gotay.
The only original star confirmed to return for the remake is Kristen Bell. The “Frozen” star lent her voice to the hit teen drama from 2007 to 2012, and now she will return to the franchise to help tell the stories of a new generation of New York City-based private school teens.
The “Gossip Girl” revamp will be set eight years after the events of the previous six-season run, which was based on Cecily von Ziegesar’s young adult novels.

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The ‘Queen and Slim’ actress has been officially announced to portray the ill-fated Anne Boleyn in a television psychological thriller about the British monarch.

Nov 1, 2020
AceShowbiz – British actress Jodie Turner-Smith is to play Anne Boleyn in a groundbreaking new TV series about British monarch Henry VIII’s second wife.
The “Queen & Slim” star, who is of Jamaican heritage, will play Anne in the new three-part psychological thriller, which will air on U.K. network Channel 5, according to Deadline.
With the working title “Anne Boleyn”, the show will reportedly follow her downfall from Henry’s much loved Queen to her beheading, and shine a feminist light on the brutal reality of a patriarchal Tudor society.
It will also examine how her failure to give Henry a male heir affected her standing and her battle to secure the future of her daughter, the future Queen Elizabeth I.

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On taking on the role, Turner-Smith says, “Delving deeper into Anne Boleyn’s immense strengths while examining her fatal weaknesses and vulnerabilities, Eve’s scripts immediately captured my imagination.”
Producers Faye Ward and Hannah Farrell, add: “We feel that history has side-lined the voice of this ambitious Queen in favour of the men who brought her down, and that Lynsey Miller’s beautiful, intimate vision will put Anne’s gaze at the heart of the piece.”
An air date for the show, made by ViacomCBS, is yet to be announced.
Jodie Turner-Smith, 34, took a break this year as she’s pregnant with her first child. She gave birth to a baby girl in April, four months after she tied the knot with Joshua Jackson.
She was last seen on the big screen last year with “Queen & Slim” and on TV with “Jett”. Her next movies include action thriller “Without Remorse” and sci-fi drama “After Yang”.

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Village People Blast Donald Trump for Playing ‘Y.M.C.A.’ at Political Rallies More

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The 69-year-old former ‘Cheers’ star, who is a vocal supporter of President Donald Trump, has taken to her Twitter account to call out the liberal network over its constant COVID-19 fearmonger.

Oct 31, 2020
AceShowbiz – Kirstie Alley is one of outspoken Donald Trump supporters, so it won’t be surprising to know that she’s not a fan of CNN. Still, the former “Cheers” star took to Twitter to further make public her sentiment towards the liberal network with a condemning tweet on Friday, October 30.
Criticizing the network over its constant fearmonger, Kirstie wrote on the blue bird app, “I now Know why my personal friends who walk around in SHEER TERROR of contracting Covid are simply CNN viewers!” She went on to say, “I decided to watch CNN myself to get a their viewpoint and oh my God DID I EVER!!!! IF YOU TOO WANT TO LIVE IN TERROR WATCH CNN!! FEAR OF DYING IS THEIR MANTRA! OMG.”
It didn’t take long for CNN to catch wind of the tweet. The network decided to hit back at the actress with a more personal jab in its response. Replying to Kirstie’s tweet, CNN said, “Kirstie, you are welcome to change the channel – just like countless viewers did every time ‘Veronica’s Closet’ came on TV,” referring to the NBC sitcom starring Kirstie as Veronica Chase. “But don’t downplay the loss of nearly 230K American lives. And please, wear a mask.”

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In response to CNN’s vicious clapback, NewsBusters managing editor Curtis Houck wrote, “This is some grade-A juvenile stuff here, CNN. But this is also very on-brand of you. No class. No ethics. It’s all a game.” Another user added, “That washed up actress, Kirstie Alley went after CNN. It did not go the way she’d hoped.”

Kirstie Alley and CNN were feuding on Twitter.
However, some others jumped to Kirstie’s defense, calling out CNN for being unprofessional. “Unprofessionalism at its finest! Continuing to show your true colors CNN,” one said. Meanwhile, another reply read, “Here’s something I did not know: Veronica’s Closet was the #3 rated show in 1998 — pulling in 24 million viewers every episode. Which is what, more than the entire CNN prime time lineup pulls every week?”
Earlier this month, Kirstie received huge backlash after declaring her support to Donald. Calling out the haters, the 69-year-old tweeted, “Don’t think I’ve ever seen so much name-calling in my life. Definitely not on my site here anyway I guess I’m not allowed to have a viewpoint without being called a really nasty names by what I’m going to suppose are really nasty people.”

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Season 2, Episode 1, ‘The Marshal’Almost a year ago, the “Star Wars” spinoff series “The Mandalorian” debuted on Disney+ with a first episode that had been kept mostly under wraps — unseen by the critics and largely unspoiled by advertising. That secrecy preserved what turned out to be a wonderful surprise: the introduction a fun new character, called “the Child” on the show but immediately dubbed “Baby Yoda” by the fans. This tiny, adorable, superpowered creature became TV’s breakout star last fall, raising the question of what Jon Favreau, the creator of “The Mandalorian,” might possibly spring on the audience in the second season.Well, it turns out there’s no equivalent to a toddler-sized Yoda in the Season 2 premiere. But how about a full-sized Timothy Olyphant?Olyphant plays Cobb Vanth, the title character in this season’s debut episode, “The Marshal.” The show’s hero, Din Djarin (Pedro Pascal) — the Mandalorian himself — meets Cobb when he rides into the Tatooine mining community of Mos Pelgo in search of another member of the Mandalorian order of warriors and bounty hunters. It tuns out that our Mando has been misinformed. There are none of his kind living in Mos Pelgo, only a loping lawman who got hired to protect a town partly because he happened to buy some old Mandalorian armor off some Jawas.It’s hard to overstate how delightful it is when Olyphant first walks onto the screen as Vanth. Even under a Mandalorian helmet, the actor’s sun-baked California drawl is instantly recognizable. He also gives himself away by the way he stands, with one hip thrust sideways, skinny legs leaning at a steep angle, arms afloat at his sides … as though he’s ready at a moment’s notice to dive to the ground while firing a blaster. Even in the “Star Wars” universe, the man who played Seth Bullock and Raylan Givens looks like … well, like a marshal.The first season of “The Mandalorian” relied a lot on guest stars like Olyphant, who usually weren’t announced to the press ahead of time. (Favreau and Disney do like their little surprises.) Building the Season 2 premiere around a team up between the Mandalorian and the Marshal is a reassuring sign that this show probably won’t move too far away from what worked last year.Season 1 built to a satisfyingly epic showdown, featuring most of the series’s major characters. But much of the appeal of “The Mandalorian” has come from its old-fashioned episodic structure. Nearly every chapter so far has followed the hero and the Child on a new adventure in a new location. So while “The Marshal” picks up where last season’s finale left off — with Mando accepting the assignment to reunite the Child with his own people — the story immediately reverts to the task-oriented plotting that made the first season such a joy.The length of “The Marshal” is somewhat worrisome. Season 1 episodes of “The Mandalorian” typically clocked in at between 30 to 40 minutes. The Season 2 premiere runs 54 minutes, and I can’t say every second is necessary. The bulk of this chapter has to do with Vanth and Djarin working together with a cadre of Tusken Raiders to save their region from a Krayt dragon: a kind of giant underground worm-thing that eats living creatures and vomits up torrents of venom. The climactic action sequence features two steely men of action zipping around in Mandalorian jet-packs. It’s nifty to look at, but it takes a long time to set up a fairly routine man-vs.-monster shootout.Still, there are plenty of highlights scattered throughout this hour. Favreau is credited as both the writer and director, and he sets the right tone from the start with a good, pulpy opening sequence. When the Mandalorian and the Child visit a shady character named Gor Koresh (John Leguizamo) at an underground ax fight, Favreau lingers over the grubby details of a crumbling neighborhood with graffitied walls and an off-the-books club filled with creepy aliens. The scene pays off well, too, with the Child zipping up into his little floating egg while Mando clobbers his way through every thug in the room.Once he’s back on Tatooine, the Mandalorian reunites with Season 1’s hilariously energetic Mos Eisley spaceport manager, Peli Motto (Amy Sedaris), who once again coos over the Child and asks if she can have him. (When her offer is rejected, she tells Mando to let her know “if this thing ever divides or buds.”) And then Din is off to Mos Pelgo, mounted on a speeder-bike that rides steadily over the sand dunes … like a horse crossing Monument Valley in old John Ford western.So sure, “The Marshal” could be a little more taut. But there’s an assuredness to what Favreau and his cast and crew are doing here, calling back once again to classic movie adventures, in much the same way George Lucas did with the first “Star Wars” film.And there’s something else going on, too — it was reflected both in bits of dialogue, as when Peli gripes that she doesn’t even know “who to complain to” about her creaky R5 unit, and in longer expository interludes, like Cobb’s story about the evil consortium that swooped into Mos Pelgo on the night the Death Star blew up. These are all part of what’s quickly becoming the larger theme of “The Mandalorian,” about what happens when a galaxy falls into disorder and disarray. Nothing works right. No one’s where they’re supposed to be. Even good folks like the Marshal are wearing outfits that don’t belong to them.It’s up to the Mandalorian and the Child to start putting things back in place. And if this season is as good as the last one was, they’ll keep doing that one small step at a time, side-by-side with some of Hollywood’s greatest character actors.This Is the WayWhat exactly happened a long time ago in a galaxy far, far away that turned most of the universe’s beverages blue? When Cobb invites the Mandalorian to sit down and have a drink, he pours two glasses of a sickly blue-colored cocktail called “spotchka,” which looks like (and may actually be) fermented bantha milk.As always with “The Mandalorian,” there were surely Easter eggs and inside jokes in “The Marshal” that flew by too quickly for me to catch them on first viewing. By the end of the weekend, the fandom will undoubtedly have documented them all, so I recommend doing some Googling if that’s something you’re into. I did catch one thing though: I couldn’t help noticing that the phrasing Peli Motto uses when she’s asked about Mos Pelgo — saying, “I haven’t heard that name in a while” — echoes what Ben Kenobi says to Luke Skywalker when he’s asked about the name “Obi-Wan.” Tatooine just seems to be a planet where people and places are easily lost.If you didn’t immediately recognize the mysterious figure who appears right at the end of “The Marshal” — watching our hero from a distance — the closing credits should’ve helpfully cued you that the man was played by Temuera Morrison, who played Jango Fett in the “Star Wars” prequel trilogy. Is he playing Boba Fett now? Was Cobb Vanth wearing Boba Fett’s old armor? If so, is Boba Fett the other Mandalorian on Tatooine that Din Djarin is meant to find? To be continued …. More