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    Nicole Kidman Assures Season 3 of 'Big Little Lies' Is 'Being Concocted'

    HBO

    During a chat on iHeart Radio’s Jam Nation podcast, the Celeste Wright depicter claims that Reese Witherspoon, Laura Dern, Zoe Kravitz and Shailene Woodley are all circling the project.

    Oct 29, 2020
    AceShowbiz – Nicole Kidman has confirmed a third season of hit TV drama “Big Little Lies” is in the works, with the full cast eager to return.
    The actress reveals a story is in the works for new episodes and that she, Reese Witherspoon, Laura Dern, Zoe Kravitz, and Shailene Woodley are all circling the project.
    “There’s a story being concocted,” Kidman shared on iHeart Radio’s Jam Nation podcast. “Our group of women all want to do it. It’s more the kernel of ideas that just need to be solidified.”

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    Nicole also confirmed Liane Moriarty, the author of the books that inspired the first season and its follow-up, is hard at work on a story that will form the basis of season three.
    Earlier this month, Kidman shared she is keen to reunite with her “Big Little Lies” castmates, telling Marie Claire, “Reese and I talk or text once a week. She’s just moved back to Nashville and we’re really close. We all just want to work together again.”

    Meanwhile, both stars have enjoyed TV success since “Big Little Lies” debuted – Nicole is currently starring opposite Hugh Grant in the drama “The Undoing”, while Reese has appeared in Apple TV+’s “The Morning Show” and Hulu’s “Little Fires Everywhere”.
    Nicole is also set to star on and executive produce “Things I Know To Be True”, which is based on Andrew Bovell’s Australian play of the same name. In a statement confirming her involvement in the project, the actress said, “I’ll never forget the experience I had watching Andrew’s play in Sydney, having one of those transcendent theater experiences. Andrew’s play is exquisite and his scripts for the series are just as good.”
    She continued, “With Amazon’s belief, Jen Salke’s guidance, and an extraordinary producing team, we have big hopes for what this can be.”

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    ‘S.N.L.’ Spoofs the Final Debate and Adele Sings (a Little)

    Adele hosted “Saturday Night Live” this weekend, and to answer your most pressing question: Yes, she did sing, briefly, though H.E.R. was officially the musical guest. But first, there was a parody of Thursday’s second and final presidential debate to get through.The debate sketch, which opened the show, began with Maya Rudolph, its resident Kamala Harris impersonator, this time playing the moderator Kristen Welker of NBC News.She explained, “Tonight we have a mute button, because it was either that or tranquilizer darts and the president has a very high tolerance for those after his Covid treatment.”Onto the stage came Alec Baldwin as President Trump and Jim Carrey as Joseph R. Biden Jr. “How’s this mute button work?” Carrey asked. “Do I just haul off and slap him in the mouth?”Rudolph replied, “It’s not connected to anything but I will push it.”Baldwin, who was given an introductory question about managing the coronavirus crisis, responded, “What a nice question, thank you, Hoda. Can I just say you’re really doing a great job?” He added, “No, really, you’re taking really good care of us tonight. Now, could you just tell us about the special, please?”Baldwin repeated Trump’s now-familiar line that the country is “rounding the corner” on coronavirus. “In fact,” Baldwin said, “we’ve rounded so many corners, we’ve gone all the way around the block and we’re back where we started in March.”Indicating Carrey, Baldwin said, “If he was in charge, we’d all be in our basements and that’s where the haunted Annabelle doll lives. A lot of people are saying that’s a very scary doll.” He added that “we can’t spend all day in the basement, because we’re all not rich like Joe, with all the money he got from China.”Carrey responded, “Look at me. Do I look remotely rich? If I have money, where am I spending it? I live in Delaware. A night out is $28.” If he had an extra $3 million, Carrey said, “I’d be pulling up to the Capitol in a candy-red Trans Am with Kenny Loggins playing in the back. Not a recording — the real Kenny Loggins.”Baldwin said he could not reveal his coronavirus response plan because it was under audit, adding, “If you don’t believe me, you can talk to my lawyer, Rudy Giuliani.”The camera cut to Kate McKinnon as Giuliani, with her back to the audience, making an obscured but vigorous gesture. As she turned around, she revealed that she was rubbing her stomach. “It’s not what it looks like,” McKinnon said, adding: “Is this another ‘Borat’? You’ve got to tell me if it’s a ‘Borat.’”Finally, the two candidates were asked what they would say to people who did not vote for them. Baldwin replied, “If they didn’t vote for me, I guess I’d say, ‘Hola.’”Carrey said, “You know who he is and you know who I am. I’m good ol’ Joe. I’m reliable as a rock. I’ve got a five-star safety rating and I’m ranked best in midsize in my class by J.D. Power and Associates. I don’t have a golden toilet seat. I have a soft, spongy one that hisses whenever I park my keister.”‘Bachelor’ Parody of the WeekIn her opening monologue, Adele explained that she didn’t want to be both host and musical guest, saying that she would rather “just put on some wigs” and “have a glass of wine or six and just see what happens.” Nonetheless, “S.N.L.” found a not-so-subtle way to get her to perform selections from a few of her best-known songs in this sendup of “The Bachelor,” which cast Adele as one of its contestants.“I’m here because I’ve had a lot of heartbreak in my life,” she said at the start of the sketch. “First at 19, and then, sort of famously at 21, and then even more famously at 25.”Desperately vying for a bland romantic interest (Beck Bennett), Adele sang him excerpts from “When We Were Young,” “Hello” and “Rolling in the Deep,” then concluded with a spirited portion of “Someone Like You.” As the sketch ended, Adele said, “Catch me next week on ‘Love Island.’”Political Ad of the WeekThis filmed segment starts off like any number of other political commercials rotating endlessly in the run-up to Election Day, with the “S.N.L.” cast members playing seemingly everyday Americans explaining why they’re voting for Biden and against Trump. But, these people explain, they’re also worried. Because, as Ego Nwodim asks, if Biden wins, “then what are we going to talk about?”Pete Davidson adds, “The only thing I talked about for four years is Donald Trump.” Another voter played by Melissa Villaseñor says, “My entire personality is hating Donald Trump. If he’s gone, what am I supposed to do, focus on my kids again? No thanks.”Kenan Thompson says, “I am really worried for Rachel Maddow. Like, what is she even going to talk about?” (Following the commercial — paid for by the fictional Trump Addicts of America — the real-life Maddow tweeted, “I’ll be fine! I swear!”)Weekend Update Jokes of the WeekAt the Weekend Update desk, the anchors Colin Jost and Michael Che continued to riff on the final presidential debate.Jost began:Well, the final presidential debate took place on Thursday and the actual CNN headline after was, “Trump Behaved More Like Regular Person.” That’s not a description of a president. It’s like a description of a robot from “Westworld.” This debate was so frustrating to watch. Did anyone else find themselves yelling lines at the screen that they wished Biden had said? Like when Trump talked about how good he’s been for the stock market, I was like, Joe, the stock market when you were Vice President went up four times higher than Trump’s stock market. You have the ball, you’re standing above the rim. Why will you not dunk it? Or when Trump said that Biden is all talk and no action, why didn’t Biden just say, “Bitch, show us your taxes, show us the vaccine, show us the wall and show us what prison you locked Hillary in”? Really, it was like Biden had an open field, running for a touchdown and then this happened: [plays video of New York Giants quarterback Daniel Jones tripping in Thursday’s game against the Philadelphia Eagles]Che continued:Trump claimed that he was the least racist person in the room. Which is only something the most racist person in the room would say. You never hear Martin Luther King going, “I’m the least racist.” Nobody’s expecting you to be the least racist. I’d just settle for not-so-racist anymore. When you lie that big, it makes you look more guilty. Like when my uncle told me he doesn’t get high anymore, while he was holding my TV.Questionable Tourism Ad of the WeekWe can’t say we endorse this fake ad, which rests on the uneasy premise that Adele, McKinnon and Heidi Gardner are women who have traveled to Africa in search of men who will help them get over their divorces. (That’s already elicited a fair share of discomfort on social media.)But we include it here for the sake of completeness and for the sight of Adele repeatedly breaking character, which at least gives the sketch some moments of pleasant awkwardness. More

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    Michelle Williams Teams Up With Oscar Isaac for 'Scenes From a Marriage'

    WENN

    This limited series adaptation of Ingmar Bergman’s classic miniseries is being developed by HBO with ‘The Affair’ co-creator Hagai Levi being in charge of the writing and directing.
    Jul 10, 2020
    AceShowbiz – Oscar Isaac and Michelle Williams will play a couple in a limited series adaptation of Ingmar Bergman’s classic miniseries “Scenes From a Marriage”.
    The two stars will appear in the small screen divorce drama, which is being developed by bosses at HBO and “The Affair” co-creator Hagai Levi.
    Written and directed by Levi, the production is based on the original 1973 Swedish series, featuring Liv Ullmann and Erland Josephson.
    Issac and Williams, who will also serve as executive producers, are no strangers to TV work – Williams picked up accolades for her work in “Fosse/Verdon” last year (19), while Issac starred in the 2015 limited series “Show Me a Hero”.

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    Netflix Renews ‘The Crown’ for a Sixth Season After All

    Netflix announced on Thursday that “The Crown,” its hit drama about the reign of Queen Elizabeth II, would film a sixth and final season, months after saying the series would come to a close with Season 5.Peter Morgan, the writer and creator of “The Crown,” said that the possibility of a reversal was raised during the show’s planning process.“As we started to discuss the story lines for Series 5, it soon became clear that in order to do justice to the richness and complexity of the story we should go back to the original plan and do six seasons,” Mr. Morgan said in a statement. “To be clear, Series 6 will not bring us any closer to present day — it will simply enable us to cover the same period in greater detail.”In January, Mr. Morgan said that the show’s fifth season was the “perfect time and place to stop” and that Netflix and Sony supported him in the decision.The show debuted in 2016, with Claire Foy playing a young, newly crowned Queen Elizabeth II in the first two seasons, and focused on the early years of the monarch’s reign and her family’s drama during those years. In November, Netflix released the third season, starring Olivia Colman as the queen in the 1960s and ’70s. The season follows the queen as she navigates Britain’s political and economic issues, as well as numerous problems with family members, including her two eldest children, Prince Charles and Princess Anne.A release date has not yet been announced for the fourth season, which will again feature Ms. Colman as the queen, and revisit her reign through Margaret Thatcher’s premiership and Prince Charles’s relationship with Princess Diana. Ms. Colman will then pass the crown to Imelda Staunton for the fifth season.The streaming service announced last week that in the fifth installment Lesley Manville would take over the role of Princess Margaret, who was played in the first two seasons by Vanessa Kirby, and by Helena Bonham Carter in the third and fourth.“We can’t wait for audiences to see the upcoming fourth season,” said Cindy Holland, vice president of original content for Netflix, “and we’re proud to support Peter’s vision and the phenomenal cast and crew for a sixth and final season.”She said in a statement that the show was “raising the bar” for each new season.With its high-profile cast, precise period detail and gilded settings, “The Crown” has also drawn steep bills. It has cost Netflix nearly $150 million, about twice as much as the royal family costs British tax payers each year.Mr. Morgan compared the production process to making a movie, as opposed to a serialized drama. Before the pandemic, a team of researchers convened at Mr. Morgan’s home once a week, helping weave together story lines for script meetings with documents, transcripts and press clippings they had collected.There is an expectation to “deliver TV on an annual basis,” he said. “But what we’re making now is feature-film-quality stuff, and no one ever expected you to make 10 feature films a year — because you’d die.” More