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    ‘The Outsiders’ Wins Tony Award for Best Musical, ‘Stereophonic’ Best Play

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    “The Outsiders,” a muscular musical based on the classic young adult novel, was named best new musical at the Tony Awards on Sunday night, while “Stereophonic,” a behind-the music play about a band making an album, was named best new play.Stephen Sondheim’s “Merrily We Roll Along” completed a four-decade journey from flop to hit by winning the best musical revival prize, while “Appropriate,” Branden Jacobs-Jenkins’s family drama about a trio of siblings confronting an unsettling secret, won best play revival.Here are the highlights of the 77th Tony Awards ceremony, which took place at Lincoln Center in Manhattan and was hosted by Ariana DeBose:We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Niecy Nash-Betts Honors Sandra Bland and Breonna Taylor in Her Emmy Speech

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      Niecy Nash-Betts, who played a neighbor in Netflix’s “Dahmer,” won her first Emmy on Monday night for best supporting actress in a limited series.In her acceptance speech, Nash-Betts called attention to Black people who have been overlooked and who have been victims of police violence.“I accept this award on behalf of every Black and brown woman who has gone unheard, yet overpoliced, like Glenda Cleveland, like Sandra Bland, like Breonna Taylor,” she said. “As an artist, my job is to speak truth to power. And, baby, I’ma do it till the day I die. Mama, I won!”Going into Monday night, Nash-Betts had received five Emmy nominations, including nominations for best actress in a comedy for her role as Denise “Didi” Ortley in HBO’s “Getting On.”In “Dahmer — Monster: The Jeffrey Dahmer Story,” a show about the serial killer who murdered 17 boys and men between 1978 and 1991, Nash-Betts plays Glenda Cleveland, Dahmer’s neighbor. In the show, Cleveland, who is based on a real person, alerts the police about Dahmer’s violent behavior but is systematically ignored.In winning the Emmy, Nash-Betts beat fellow nominees Annaleigh Ashford of “Welcome to Chippendales,” Maria Bello of “Beef,” Claire Danes of “Fleishman Is in Trouble,” Juliette Lewis of “Welcome to Chippendales,” Camila Morrone of “Daisy Jones & the Six” and Merritt Wever of “Tiny Beautiful Things.” More

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      Jeremy Allen White Wins His First Emmy for ‘The Bear’

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      The year of “The Bear” continues. Jeremy Allen White, who last week won his second Golden Globe for his performance as the driven chef Carmy, added his first Emmy to his trophy case on Monday night, for best actor in a comedy. (Because this year’s ceremony was delayed by the writers’ and actors’ strikes, White was recognized for his performance in Season 1 of the show; his Golden Globe was for Season 2.)“I love this show so much,” White said in his acceptance speech. “It filled me up; it gave me a passion.”“Thank you to all those who have stayed close to me, especially in this past year,” he added. “Thank you for believing in me when I had trouble believing in myself.”In “The Bear,” White, 32, plays a former rising star of the New York culinary scene who inherits a sandwich shop in Chicago from his dead brother. He has earned widespread acclaim for his raw performance.His character was the emotional heart of the show’s first season, which became a surprise hit during the summer of 2022 despite its grubby milieu and the absence of A-listers in the cast. (Among the praise: its realistic depictions of restaurant work, grief and Chicago.)The series, an FX production for Hulu, was also nominated for best comedy and has already been renewed for a third season. In winning the best actor Emmy, White unseated Jason Sudeikis, who had earned back-to-back wins in the category for his performance in the first two seasons of the Apple TV+ comedy “Ted Lasso” and had been nominated again for that show’s third and final season. More

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      Golden Globes 2024 Draws 9.4 Million Viewers

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      The number of viewers was higher than last year, but still down significantly compared with prepandemic audience totals.The Golden Globes averaged 9.4 million viewers on Sunday night, according to Nielsen, an increase over the 2023 ceremony ratings but still significantly lower than the audience totals of just a few years ago.Until 2020, the Globes regularly drew 17 million to 20 million viewers. In 2019, the Globes was narrowing the viewership gap with the Oscars so significantly that it appeared the telecast could become the most-watched awards show.And then disaster struck.First came the pandemic, which deprived the 2021 Globes of its usual booze-soaked freewheeling ceremony, sending the ratings tumbling. Then came a scandal for the organization that administers the Globes, which led NBC to refuse to broadcast the 2022 ceremony. Last year, NBC gave the Globes a one-year chance, and the audience figures were still low: just over six million people watched.For months, there was speculation that a streaming service like Netflix or Amazon could pick up the rights to the Globes. That did not happen. In November, CBS picked up the rights for another one-year arrangement. (In a statement announcing the deal, George Cheeks, the CBS president, said that the Globes could help promote scripted programming that had been delayed by last year’s strikes in Hollywood. Those shows premiere next month.)CBS announced a host — a relatively unknown Jo Koy — only a few days before Christmas.Reviews for Mr. Koy were harsh, with critics taking particular issue with the comedian’s bizarre mid-monologue pivot, in which he blamed other writers for some of his dull jokes. “Yo, I got the gig 10 days ago, you want a perfect monologue?” he said. “Yo, shut up. You’re kidding me, right? Slow down. I wrote some of these — and they’re the ones you’re laughing at.”Critics were not kind to the telecast, either. Vanity Fair called it a “near-total disaster” and a critic at The Hollywood Reporter said it was “the dullest awards show” he had ever seen. The Ankler likened it to the “RC Cola of award shows.” More

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      What Role Will the Israel-Hamas War Play in Hollywood’s Awards Season?

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      Stars are increasingly vocal about political issues, but the Mideast conflict has divided Hollywood, magnifying the choice of whether to discuss the topic or remain silent.As Hollywood heads into the heart of its awards season — a three-month orgy of frothy self-celebration and pop culture glamour — celebrities and their handlers find themselves with a serious decision to make: what, if anything, to say about the Israel-Hamas war.Movie stars have become increasingly willing, even determined, to use award shows like the Golden Globes, scheduled for Sunday on CBS, to bring attention to progressive causes and concerns. In recent years, winners like Meryl Streep, Russell Crowe and Michelle Williams have incorporated topics like sexual harassment, the global refugee crisis, abortion rights, Trumpism, climate change, Black Lives Matter, veganism and the Ukraine war into acceptance speeches.Viewers from both political sides sometimes bristle at what they see as elitist lecturing. But in the Los Angeles ballrooms where these trophies are awarded and such speeches are made, the response is usually uniform praise. The couture-clad A-listers leap to their feet to offer ovations.The Israel-Hamas war is much more complicated.“It’s such a treacherous topic — there’s no response, especially in the sound-bite scrum of a red carpet, or in a breakneck acceptance speech, that won’t offend someone,” Martin Kaplan, who runs the Norman Lear Center for entertainment, media and society at the University of Southern California. “Add alcohol to the mix, as is often the case at these awards dinners, and what could possibly go wrong?”Susan Sarandon, center, at a protest in New York City in November. United Talent Agency dropped her after she made public statements about the war in Gaza.Stephanie Keith for The New York TimesReaction to the conflict has convulsed Hollywood, where there is a large Jewish presence, along with many other parts of America. On one side, there is ardent support for Israel. On the other are those who view the Palestinian cause as an extension of the racial and social justice movements that swept the United States in the summer of 2020.Stars have been fired from movies. Agencies have dropped clients; clients have dropped agents. Friendships have been severed, with people accusing one another of hypocrisy and betrayal.Ahead of the Golden Globes, which kick-starts the awards season in earnest, some publicists and agents have been advising celebrity clients to say nothing about the Israel-Hamas war. One carelessly chosen word could torpedo their hopes for an Oscar, and maybe even their career. One longtime Hollywood publicist who has clients in this year’s Oscar race summed up her advice on the topic as “run for the hills.” A couple of A-list clients, she added, would walk red carpets but skip interviews. Too risky.Others worry that silence itself is a political message. After Hamas’s Oct. 7 assault on Israel, most Hollywood unions rushed to condemn the violence. But one leading union, the Writers Guild of America, refused to put out a statement and stuck with its decision in the face of enormous backlash from hundreds of its members.Jeffrey Wright, an awards contender for his role in “American Fiction,” has weighed in on the conflict on social media.Chris Pizzello/Invision, via Associated PressSome leading Hollywood communications firms, including Rogers & Cowan PMK and ID PR, have offered yellow ribbons to wear in support of the hostages in Gaza. They see the effort, managed in part by Ashlee Margolis, who runs an entertainment and fashion marketing firm called the A-List, as nonpolitical, though some might disagree.“Wearing a symbolic yellow ribbon to support the 136 women, children and men — both Israeli and American — who were brutally kidnapped by terrorists is not only powerfully human, and certainly noncontroversial, but camera ready,” Melissa Zukerman, a managing partner of Principal Communications Group, said in an email.The parade of ceremonies after the Golden Globes will include the Screen Actors Guild Awards, the Independent Spirit Awards and the British Academy Film Awards, before culminating on March 10 with the Academy Awards. This year, the strike-delayed Emmy Awards and Governors Awards have also been squeezed into the corridor.Most of these galas come with red carpets lined by reporters. Stars should expect to be asked about the Israel-Hamas war, said Marc Malkin, a senior Variety editor and co-host of the official Golden Globes preshow on Sunday. “If they have posted about it on Instagram or signed an open letter it’s fair game,” he said.In response to the Hamas attack, Natalie Portman posted a statement on Instagram that read, in part, “My heart is shattered for the people of Israel.”Emmanuel Dunand/Agence France-Presse — Getty ImagesThat would seem to include the Israeli-born actress Natalie Portman, a nominee for “May December,” who has posted on social media expressing horror about the Hamas attack, and Jeffrey Wright, a nominee for his acting in “American Fiction,” who has questioned the wisdom of Israel’s retaliation. Bradley Cooper, a multiple nominee for “Maestro,” signed two public letters, one about the hostages that urged “the fight for their freedom to continue” and the other calling for “an immediate de-escalation and cease-fire.”Spokeswomen for those nominees either declined to comment or did not respond to inquiries.The coming self-congratulation-athon could certainly go off without a hitch, with celebrities speaking knowledgeably about the complex and divisive topic. But the odds are not in Hollywood’s favor. The movie business has a long if not proud history of tone-deaf behavior.There was the time in 2008 when Sharon Stone, walking a red carpet, started a media frenzy by saying an earthquake in China, which left 88,000 dead or missing, was perhaps karmic payback for the country’s handling of Tibet. In 2022, jaws dropped in living rooms across America when, moments after Will Smith attacked Chris Rock on the Oscar stage, guests inside the theater gave Mr. Smith a standing ovation after his teary best-actor acceptance speech.Award shows used to have a fiery speech here, a political shout-out there — whether it was Marlon Brando’s sending out an activist for Native Americans to decline his 1973 Oscar for best actor or Vanessa Redgrave’s denouncing “Zionist hoodlums” in 1978. For the most part, however, stars worked at being stars, turning on the charm and saying nothing that might alienate a single ticket buyer.Sacheen Littlefeather refused the Academy Award on behalf of Marlon Brando in 1973. Bettman Archive, via Getty ImagesThat has changed, and the Golden Globes have led the way.In 2017, Ms. Streep tore into President-elect Donald J. Trump from the Globes stage. The next year, the Globes became a de facto rally for the Time’s Up movement, with actresses wearing black to protest sexual harassment and Oprah Winfrey delivering a scorching speech. In 2020, Ms. Williams gave an impassioned plea for abortion rights, while Mr. Crowe called attention to climate change and a bush fire crisis in Australia.Last year, the Globes gave airtime to the Ukrainian president, Volodymyr Zelensky, who gave a speech about his country’s war with Russia.Representatives for the Globes did not respond to queries about whether this year’s show would teeter into politics.Producers who specialize in awards telecasts say research, compiled mainly from Nielsen, indicates that most viewers dislike it when celebrities turn a trip to the stage into a political bully pulpit. One recent producer of the Oscars said minute-by-minute ratings analysis indicated that “vast swaths” of people turned off televisions when celebrities started to opine on politics. He spoke on the condition of anonymity to discuss confidential metrics.The comedian Ricky Gervais, hosting the Globes in 2020, used part of his monologue to tell Hollywood that it was testing the public’s tolerance for mixing serious causes with awards bacchanalia.“You’re in no position to lecture the public about anything — you know nothing about the real world,” Mr. Gervais said, adding: “If you win, come up, accept your little award, thank your agent and your god” and get off the stage. More

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      Bob Orben, One-Man Gag Factory and Speechwriter, Dies at 95

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      He wrote tens of thousands of jokes in his career. Among those who told them were Dick Gregory, Jack Paar, Red Skelton — and, for a while, President Gerald R. Ford.Bob Orben, who after writing jokes for Dick Gregory, Jack Paar, Red Skelton and others in the 1960s found a new avenue for his wit when he became a speechwriter for President Gerald R. Ford in 1974, died on Feb. 2 in Alexandria, Va. He was 95.His death, at a nursing home, was confirmed by his great-niece, Yvette Chevallier.Mr. Orben was a one-man gag factory. He wrote joke books. He dispatched one-liners to entertainers, politicians and disc jockeys through his subscription newsletter, Current Comedy. And he wrote a column, My Favorite Jokes, for Parade magazine.“I don’t mean to blow my own horn,” he told The Washington Post in 1982, “but between Johnny Carson’s monologues, the political cartoonists such as Herblock and Oliphant, and me, if we all decide what the hot subject in the country is, that’s what it is.”In 1968, Gerald Ford, a Michigan Republican who was then the House minority leader, needed someone to spice up a speech he was going to give to the Gridiron Club, an organization of journalists whose annual dinner was an opportunity to lampoon political figures. George Murphy, the former actor and United States senator, knew Red Skelton, for whom Mr. Orben was a writer, and recommended him.Mr. Orben’s goal was to make Ford funny, or at least funnier than Vice President Hubert H. Humphrey, another speaker at the dinner. After listening to tapes of Ford’s delivery, Mr. Orben came up with a few zingers.“Ford was the surprise hit,” Mr. Orben recalled in 2008 in an oral history interview with the Gerald R. Ford Presidential Foundation. Among the Orben lines Ford delivered was the observation that he had no interest in the presidency, except that “on that long drive back to Alexandria, Virginia, where I live, as I go past 1600 Pennsylvania Avenue, I do seem to hear a little voice within me saying, ‘If you lived here, you’d be home now.’”Mr. Orben continued to feed jokes to Ford during his vice presidency. When Ford became president in 1974, after President Richard M. Nixon resigned, he hired Mr. Orben.A 1975 profile of President Ford in The New York Times Magazine quoted him reading aloud from a speech written by Mr. Orben that he was going to give to the Radio and Television Correspondents’ Association. It included references to a prominent Democratic senator and an agriculture secretary known for his off-color remarks.“I have only one thing to say about a program that calls for me to follow Bob Hope,” he read. “Who arranged this? Scoop Jackson? It’s ridiculous. Bob Hope has enormous stage presence, superb comedy writing and the finest writers in the business. I’m standing here in a rented tuxedo — with three jokes from Earl Butz!”Mr. Orben cautioned the president not to pause when delivering a good one-liner.“Watch Hope,” he told him. “You’ll see he really punches through a line.”Mr. Orben fed Ford self-deprecating lines that suited his personality. One of those lines, also delivered in 1975, played off something Lyndon B. Johnson had famously said about him.“It’s a great pleasure — and great honor — to be at Yale Law’s Sesquicentennial Convocation,” he said. “And I defy anyone to say that and chew gum at the same time.”Mr. Orben became the director of the White House speechwriting staff in early 1976 and served through the end of the Ford administration.Mr. Orben at the White House with President Ford in 1976. He fed jokes to the president and coached him on how to deliver them.Gerald R. Ford Presidential Library.John Mihalec, a speechwriter for President Ford during the 1976 presidential campaign, said it was not surprising that a comedy writer should excel at writing speeches.“Comedy writing is so precise — the setup and the punch line and everything has to be at exactly the right volume and in the right place,” Mr. Mihalec said in a phone interview. “It’s good training for the precision of presidential speechwriting.”Robert Orben was born on March 4, 1927, in the Bronx to Walter and Marie Orben. His father was in the hardware business. Bob was smitten by magic at an early age, and when he was 12 he and his brother, Walter, performed a mentalist act in the Catskill Mountains, “The Boy With the Radio Mind.” It flopped.After graduating from high school in 1943, he attended Drake Business School. He also started his short-lived career in magic.He was hired as a magic demonstrator in a shop in Manhattan, but he found his métier not in performing magic but in writing about magicians; he was impressed by one magician’s onstage comedic patter, which led him to publish a pamphlet, “The Encyclopedia of Patter,” in 1946.Over the next decade he would publish books like “Blue Ribbon Comedy,” “The Working Comedian’s Gag File,” “Tag-Lines,” “Bits, Boffs and Banter” and “The Emcee’s Handbook.” He published dozens of joke collections in his career.He began writing his comedy newsletter in 1958, and in the 1960s he wrote for “The Jack Paar Program” and then for “The Red Skelton Hour.”After coming to the attention of the groundbreaking Black comedian Dick Gregory, Mr. Orben said, he sent him a page of jokes every day. Another one of Mr. Orben’s clients was someone very different from Mr. Gregory: the conservative Arizona Republican senator Barry Goldwater, for whom he wrote during his unsuccessful campaign for the presidency in 1964.“One of the jokes that I wrote for Greg was talking about Goldwater,” Mr. Orben said in the Ford Presidential Foundation interview. “And as you know, the campaign slogan was, ‘In your heart, you know he’s right.’ And Greg used to say, ‘In your heart, you know he’s white.’”Mr. Orben never returned to the White House. But he kept writing joke books, among them “2500 Jokes to Start ’Em Laughing” (1979), “2100 Laughs for All Occasions” (1983) and “2000 Surefire Jokes for Speakers” (1986).He also continued to write his newsletter through 1989, as well as writing speeches for business executives and working as a consultant to IBM.Mr. Orben’s wife, Jean (Connelly) Orben, died last year. He leaves no immediate survivors.In 1974, Mr. Orben was helping Vice President Ford rehearse his speech for the Gridiron Club dinner. One line, about Ronald Reagan, who was then the governor of California, worried Ford: “Governor Reagan does not dye his hair. Let’s just say he’s turning prematurely orange.”He asked Mr. Orben, “Do you think the governor would take offense at that?”“Now, I’m looking at this blockbuster joke of the year go up in smoke, but I think I gave him a fair, honest answer,” Mr. Orben said in the 2008 oral history interview. “I said, ‘You know, Mr. Vice President, Reagan has been in show business a good part of his life. He has gone through a thousand roasts and I’m sure he has heard dyed-hair jokes. So I really don’t think so.’”To Mr. Orben’s relief, Vice President Ford delivered the line. More

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      Kim Petras, A Transgender Woman, Wins Grammy for Best Pop Duo Performance

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      Accepting an award with Sam Smith for “Unholy,” the German pop singer Kim Petras announced that she was the first transgender woman to win a Grammy in the best pop duo and group performance category.“Unholy,” featured on Smith’s album “Gloria,” became the British musician’s first No. 1 hit in the United States and captured listeners with “a campy, devilish romp,” as the New York Times critic Lindsay Zoladz put it. Smith stood back and let Petras do the talking, as she thanked Madonna for her fight for L.G.B.T.Q. rights, “the incredible transgender legends before me” and her mother.“My mother — I grew up next to a highway in nowhere, Germany, and my mother believed me that I was a girl, and I wouldn’t be here without her and her support,” Petras said.Petras also thanked Sophie, a transgender Scottish producer who died in 2021 at age 34. Sophie received a Grammy nomination in 2018 for “Oil of Every Pearl’s Un-Insides” in the best dance electronic/album category.“Sophie, especially, my friend who passed away two years ago, who told me this would happen and always believed in me,” Petras said. “Thank you so much for your inspiration, Sophie. I adore you and your inspiration will forever be in my music.”Other nominees included “Don’t Shut Me Down,” by Abba; “Bam Bam,” by Camila Cabello featuring Ed Sheeran; “My Universe,” by Coldplay and BTS; and “I Like You (A Happier Song)” by Post Malone and Doja Cat. More

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      There Is No Excuse for Ye’s ‘White Lives Matter’ Shirt

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      Not from Ye. And not from his new YZY collection.PARIS — Yeezy is dead. Long live YZY. Stage three of the ambitions of Ye — the artist formerly known as Kanye West — to dress the world has begun.Presumably that was supposed to be the takeaway from the surprise show of Paris Fashion Week, held off-schedule in an empty office tower just down the road from the Arc de Triomphe.Though it turned out to be only nominally a fashion show and more like “The YZY Experience”: a chaotic mess of self-justification, confessional, bone-picking and messianic ambition, with a “White Lives Matter” shot of shock and provocation that overshadowed the clothes on the runway.The rumors began during the weekend, just a day or so before the Balenciaga mud show. Ye was in Paris and was going to stage a fashion show — a little more than two weeks after ending his much-ballyhooed partnership with Gap.Maybe it would happen Monday? Maybe not; Ye had just fired his PR agency. No wait, it was happening; he had found another agency. Then, Sunday night, a digital invite arrived. For the next evening. Guests were asked not to share the address.Monday at 5:45 p.m., the Avenue de la Grande Armée was heaving with screaming fans and photographers. So much for secrecy. They outnumbered the show’s actual attendees by what seemed like 100 to one.Still, Anna Wintour came. So did John Galliano. Demna, the Balenciaga designer, and Cédric Charbit, its chief executive. Alexandre Arnault, the chief marketing officer of Tiffany & Company and a son of the LVMH chieftain Bernard Arnault. Then they all sat, playing with the soap-on-rope that looked like three granite blocks and had been left on every seat, waiting an hour and a half for the show to begin. (Well, OK, Anna and John left before the whole thing ended, but that was because they had another appointment, Ms. Wintour said.)It was as good a reflection as anything this week of just how the culture and power structure of fashion and entertainment has changed in the past decade. Because it was 11 years ago, in early October 2011, that Ye held his first fashion show in Paris.The line at that time was called “Kanye West.” Heavy on the luxury frills — leather and fur and gold hardware — it was widely dismissed by its audience. But this time there they were, the powers that be of the industry, jumping at the last minute to see what Ye had to deliver.Which involved a live choir featuring a host of children from Ye’s new Donda Academy in California as well as his daughter, North, and began with his rambling speech about critics who complained about his shows being late; his former manager, Scooter Braun; his hospitalization (Ye has been diagnosed with bipolar disorder); the pain of being called “crazy”; critics who complained that his clothes might not be well made; the people at Gap who didn’t get his vision; Bernard Arnault, whom he called “his new Drake”; and the news that he was establishing yet another version of his own fashion house and it started now.Because “we changed the look of fashion over the last 10 years. We are the streets. We are the culture.” And when it comes to the culture, “I am Ye, and everyone knows I am the leader.”Except this leader was wearing an oversize shirt with a photo of Pope John Paul II and the words “Seguiremos tu ejemplo” (“We will follow your example”) on the front, and “White Lives Matter” on the back — a phrase that the Anti-Defamation League has called hate speech and attributed to white supremacists (including the Ku Klux Klan), who began using it in 2015 in response to the Black Lives Matter movement.The shirt was impossible to miss because, as he spoke, Ye’s image was projected behind him on a wall four stories high.Besides, Candace Owens, the conservative commentator, was in the audience and wearing one, too. Later the shirt appeared as part of the collection, modeled by Selah Marley, the daughter of Lauryn Hill and granddaughter of Bob Marley. (Matthew M. Williams, the Givenchy designer who worked with Mr. West earlier in his career; Michéle Lamy, Rick Owen’s wife; and Naomi Campbell also walked in the show.)It was the only message garment in the line, which was called SZN9 in reference to the Yeezy shows that had come before, created in conjunction with Shayne Oliver, the former designer of Hood By Air (Ye is nothing if not a great spotter and cultivator of talent). Which made it stand out even more in a show otherwise focused on garments that could simply be pulled onto the body, with no hardware — buttons or zips or snaps — involved, an idea that Ye first began talking about in the context of his work with Gap.As it happened, a lot of this line looked like that line, especially that part of that line engineered with Balenciaga’s Demna, including the full-body catsuits that opened the show, the duvet-like puffer ponchos, the blouson jackets and sweats that made the torso into a sort of steroid-filled G.I. Joe triangle, the lack of seams and the semi-apocalyptic palette.It has potential, but the import got swamped by the shirt, what it symbolized, and how its endorsement by a figure such as Ye — even one with a track record of wearing MAGA hats and toying with Confederate imagery — could be used as a rallying cry by those who already buy into its message.“Indefensible behavior,” wrote Gabriella Karefa-Johnson, the Vogue editor, on Instagram. Later adding, “there is no excuse, there is no art here.” Jaden Smith, in the audience, walked out. So did Lynette Nylander, the Dazed writer and editor.The next day, at the Chanel show, Edward Enninful, the editor of British Vogue and the most powerful Black man in fashion media, called the shirt “inappropriate” and “insensitive, given the state of the world.”Ms. Nylander had posted, “It doesn’t matter what the intention was … it’s perception to the masses out of context.”Indeed, in the end, it is the shirt out of context that made the news: not Ye’s theories about dress, or his allegations that Mr. Arnault promised to set him up in his own house and then reneged and now has become Ye’s biggest competition (an LVMH representative said Mr. Arnault had “no comment”); not even Ye’s assertion that, having disrupted the fashion week spotlight, he still felt “at war.” If so, this was a grenade that backfired.As to why he did it, backstage Ye declined to provide any theoretical framework. “It says it all,” he said, of the shirt. But what exactly does it say?That he truly believes he can appropriate the language of racial violence with irony? That someday the power structure of Black and white will be reversed, and since he says this collection is the future, that’s the world he envisions? That Ye gets a kick out of pushing everyone’s buttons? That he wants to see how far he can go and doesn’t really care about, or think about, the collateral damage in the meantime (including to those children singing at his feet), despite the violence this could feed?Or that, as he said in his speech, “You can’t manage me. This is an unmanageable situation.” More

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      Zelensky Addresses Cannes Film Festival Opening Ceremony

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      President Volodymyr Zelensky of Ukraine gave a virtual address to the Cannes Film Festival opening ceremony on Tuesday, referencing Charlie Chaplin’s celebrated satire of fascism to urge some of the world’s highest-profile stars and filmmakers to similarly rise to the occasion in the face of a war “that can set the whole continent ablaze.”“The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish,” Zelensky said, quoting Chaplin’s “The Great Dictator.”Appearing via satellite in his now signature military green shirt, Zelensky lionized the power of film in his address and received a standing ovation from the crowd gathered on the French Riviera.“Again, then as now, there is a dictator,” Zelensky said. “Again, then as now, there is a war for freedom. Again, then as now, cinema must not be silent.”The address was his latest stop on a persistent and wide-ranging virtual diplomatic tour to keep global attention on his country’s plight. Since Russia’s invasion began in late February, he has delivered addresses via video link to governments of countries as large as the United States and as small as Malta on a regular basis.In April, he made a surprise virtual address at the Grammys, telling the audience that his country’s musicians were wearing “body armor instead of tuxedos.”“They sing to the wounded in hospitals,” he said, “even to those who can’t hear them.”Later that month, he made a live-streamed appearance at the Venice Biennale. Speaking at the opening of the exhibition “This is Ukraine,” Mr. Zelensky vividly described the horrors that his people were enduring. With a digital Ukrainian flag fluttering behind him, he said: “There are no tyrannies that would not try to limit art. Because they can see the power of art. Art can tell the world things that cannot be shared otherwise.”Mr. Zelensky’s oratory efforts have been remarkably effective in securing his country the weapons, aid and international support needed to fight Russia. He is a former actor, and starred as an unlikely Ukrainian president in “Servant of the People,” a TV satire that prefaced his own, actual election to the presidency in 2019.Aurelien Breeden More