“Oppenheimer” wasn’t the first time he’s played a physicist. In “Sunshine,” “28 Days Later” and more, you can get a sense of just how wide his range is.
The first thing you notice about Cillian Murphy is his eyes. As a young filmgoer, I clocked them in the historical drama “Girl With a Pearl Earring” (2003), when he was romancing Scarlett Johansson. But over the years I came to find myself more and more taken by the rarity of Murphy’s transmutable talent as he tackled everything from horror movies to comic-book fare to war pictures.
Even as he gained popularity as one of Christopher Nolan’s favorite actors and as the star of the television drama “Peaky Blinders,” somehow Murphy still felt underrated. Well, that was until last year, when “Oppenheimer” came out. In recent months more and more people have found themselves captivated by Murphy thanks to his now Oscar-winning performance as J. Robert Oppenheimer, the father of the atomic bomb and the central force of Nolan’s best picture-winning film.
“Oppenheimer” serves as an excellent overview of what Murphy is capable of onscreen — his take on the scientist is alternately seductive, cerebral and tortured. Still, it’s just his most recent triumph. If you’re now looking to expand your knowledge of Murphy’s work, here are some excellent options.
2003
‘28 Days Later’
Stream on Sling
It’s frustrating for many cinephiles that Danny Boyle’s zombie masterpiece “28 Days Later” isn’t more easily available to stream. (Currently, it’s only on Sling.) Not only is this film one of the most haunting depictions of the way society quickly crumbles when faced with an apocalyptic scenario, it also offers a look at Murphy’s breakout moment, wandering through London’s ravaged streets in nothing but ill-fitting scrubs, a large scar across his head. Nolan uses the natural sunken quality of Murphy’s cheeks to great effect in “Oppenheimer,” where his gauntness also conveys a mind that cannot stop racing as he considers all the terrifying outcomes of his deeds. But Boyle employed Murphy’s physicality much earlier, casting him as Jim, a man who wakes up naked in a hospital bed 28 days after the onset of a monstrous virus known as the Rage. Jim is no one special, someone who survived by mere luck, but he wears that like a burden. Early on, you watch his newly revived brain process the horrors he is witnessing. Later, you see him fully embrace the fury this world requires. This is the film that demonstrated why Murphy is the actor to cast when you want someone to play haunted. There’s no one who does it like him.
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Source: Movies - nytimes.com