A musician and audio engineer, he helped define the sound of alternative rock while becoming an outspoken critic of the music industry.
Steve Albini, a rock musician and revered studio engineer who played a singular role in the development of the sound of alternative music in the 1980s, ’90s and beyond — recording acclaimed albums by Nirvana, PJ Harvey and Pixies, along with hundreds of others — while becoming an outspoken critic of the music industry, died on Tuesday at his home in Chicago. He was 61.
The cause was a heart attack, said Taylor Hales of Electrical Audio, the Chicago studio that Mr. Albini founded in 1997.
With a sharp vision for how a band should be recorded — as raw as possible — and an even sharper tongue for anything he deemed mediocre or compromised, Mr. Albini was a visionary in the studio and one of rock’s most acerbic wits.
On his own, he led the bands Big Black and Shellac, both of which venerated loud, abrasive guitars and snarling vocals. In those groups, and in virtually every project he worked on, Mr. Albini clung to punk’s defiant do-it-yourself ethic with an almost religious tenacity.
He also long maintained an impish zeal to provoke and offend. Big Black’s last, most acclaimed album, from 1987, has a typically unprintable title, and he once dismissed Nirvana — the group that later hired him to record the album “In Utero” (1993), at the peak of their fame — as nothing but “R.E.M. with a fuzzbox.”
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Source: Music - nytimes.com