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The Opera Singer Aigul Akhmetshina on Her Career, ‘Carmen’ and More

During a break at the Royal Opera House, Aigul Akhmetshina discussed her action-packed career, “Carmen” and her mission to spread her love of opera.

The Russian mezzo-soprano Aigul Akhmetshina only just turned 28. Yet she already has a couple of operatic records under her belt: She’s the youngest artist ever to have sung “Carmen” at the Metropolitan Opera and at the Royal Opera House in London.

Her trajectory began about 2,700 miles east of London.

Akhmetshina was born in the village of Kirgiz-Miyaki in the Republic of Bashkortostan region of western Russia, closer to Kazakhstan than Moscow. She is one of three children of a single mother who worked in the passport office at the police station, whose own mother was a police officer in Soviet times.

She was 3 years old when she first sang onstage, and 14 when she decamped to the nearest city, Ufa, to study music. Scouted in her teens at a voice competition in Moscow, she was invited to try out for the Royal Opera’s Jette Parker program for young artists in London — and got the gig. By 22, she was stepping in as an understudy to sing “Carmen” on the main stage, and delivering a career-shifting performance in the title role.

Akhmetshina was in London after singing in “Carmen,” one of eight productions of the Bizet opera that she is performing in this season at major opera houses. In an interview during a break from rehearsals for a gala at the Royal Opera House, she discussed her action-packed career and her mission to spread her love of opera.

The following conversation has been edited and condensed.

What were you like as a little girl?

Everyone knew me as Aigul, the singer in the village. I was free-spirited, and an old soul. I would give advice to anyone who came to me with a question. I was into psychology and philosophy from an early age.

For me, the village was too small. I was always saying: “Why can’t I just be free to go everywhere? I want to see the world, I want to explore, I want to learn.”

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Source: Music - nytimes.com


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