Marin Ireland’s play opens with Tatiana Maslany in a rotating cast of stars, and “What Became of Us” continues its own experiment with changing casts.
Marin Ireland’s new play, “Pre-Existing Condition,” doesn’t come with trigger warnings; it barely even comes with a marketing description. The show’s website says that it’s about the aftermath of “a life-altering, harmful relationship,” but doesn’t explicitly mention domestic violence.
Let’s state right up front, then, that physical abuse is this play’s catalyst. And that the Connelly Theater Upstairs in the East Village is a tiny space, where if the performance became overwhelming it would be difficult for an audience member to leave unobtrusively.
Does it seem overly delicate to foreground that? For a less potent playwriting debut, in a less shattering production, it might not be necessary. But in Maria Dizzia’s quietly unadorned staging, and with a superb four-person cast that at the moment stars an emotionally translucent Tatiana Maslany, watching this play is like seeing its author open up her rib cage and show us everything.
The central character, whom the script calls A, is struggling to put herself back together after a breakup with a man who hit her. The trauma has been consuming her, against her will and for longer than she would have thought.
“I feel like I’m becoming the villain,” A tells her therapist. “I’m becoming this obsessive vengeful figure, because he said he’s sorry, so I’m the problem now.”
The therapist (a sublimely comforting Dael Orlandersmith) points out, “His voice is still in your head.”
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Source: Theater - nytimes.com
