More stories

  • in

    Lily Gladstone on Her History-Making Oscar Nomination

    Lily Gladstone shed a few tears when she heard Jack Quaid read her name in the best actress Oscars category on Tuesday morning. “I didn’t expect that I would cry the way that I did,” she said. But it was nothing compared with the reaction of her parents.“It definitely turned on the waterworks,” said Gladstone, who stars as Mollie Burkhart, an Osage woman whose white husband is part of a murderous conspiracy in the Martin Scorsese epic “Killers of the Flower Moon.” She was calling from Pawhuska, Okla., shortly after watching the Oscar nominations announcement on FaceTime with her parents.After all, it’s not every day that you’re nominated for your first Oscar — or that you become the first Native American person to be nominated for a competitive acting Academy Award.“It’s something that I wasn’t sure I would see in my career, in my lifetime,” said Gladstone, 37, who has Blackfeet and Nez Percé heritage. “I hope that it just means that people start caring more and learning more about these histories.”Gladstone isn’t the first Indigenous artist up for best actress — Keisha Castle-Hughes (“Whale Rider,” 2003) and Yalitza Aparicio (“Roma,” 2018) were also nominated in the same category — but she is the first from the United States. The folk singer Buffy Sainte-Marie is considered the first Indigenous person to win an Oscar (for best song, “Up Where We Belong” from “An Officer and a Gentleman” in 1983), but her heritage has recently been disputed. And in 2019, Wes Studi, who is Cherokee American, was given an honorary Oscar for “his indelible film portrayals and for his steadfast support of the Native American community.”Gladstone has had a busy month: On Jan. 7, she became the first Indigenous person to win a Golden Globe for best actress, delivering a powerful speech in which she spoke a few lines in the Blackfeet language. She also picked up a best actress win from the New York Film Critics Circle, as well as nominations from the Critics Choice Awards and the Screen Actors Guild.“I’m hopeful because of the way things are trending now: We’re telling our own stories, or we have a really heavy hand in shaping how stories about us are told,” she said.“Killers,” based on the nonfiction book by David Grann, was reconceived early on to focus on the relationship between Mollie and her husband, Ernest (Leonardo DiCaprio), who conspires with his uncle (Robert De Niro) to kill her relatives in a bid to seize her family’s oil-rich Oklahoma land.Gladstone in the film opposite Leonardo DiCaprio. Apple TV+Since the film was released in October, critics have singled out Gladstone. Anthony Lane, writing in The New Yorker, heralded her as “unmistakably the movie’s most compelling presence.” Gladstone grew up acting in plays staged by a traveling children’s theater on the Blackfeet reservation in northwestern Montana. She landed a breakthrough role in Kelly Reichardt’s 2016 indie, “Certain Women,” that raised her profile considerably, but “Killers,” with its reported $200 million budget and A-list cast, vaulted her into hyperspace.In a 15-minute interview, Gladstone shared what she hoped her nomination portends for the industry, how she first became interested in studying the Blackfeet language, and what people who discovered her in “Killers of the Flower Moon” should watch her in next. These are edited excerpts from the conversation.Congratulations!Thank you. It was great every time the film got a nod, but the one that really got me was Robbie Robertson [for best original score for “Killers of the Flower Moon”]. Getting to watch that nomination come in with my dad was really special, because my dad introduced me to Robbie Robertson as a musician, which was the whole reason I even knew who Martin Scorsese was as a filmmaker. My dad told me about their friendship and, as a 10-year-old, I remember him saying, “You know, one day he’s going to make his Indian movie because of his friendship with Robbie.” So it was cool to remind him of that. Seeing how touched my folks were — that was everything.What has it been like to receive such copious recognition from the industry after years of struggling to find parts that weren’t insulting or exploitative?It’s time that Native characters based upon living incredible women like Mollie Kyle be given the heart of these films. “Killers of the Flower Moon” was an opportunity to restore a place onscreen for Native women that history has excluded us from. So to have Mollie and her sisters and her mother and her community be characters that, just by being who they are onscreen, are changing people’s stereotypes and contextualizing moments in history that maybe make the present make a little bit more sense — it’s long overdue.You had the chance to speak with Mollie Burkhart’s granddaughter, Margie. What was something she shared about Mollie that surprised you or that you incorporated into the character?What a caring mother she was. Margie shared that when her dad, Cowboy, would have chronic ear infections and earaches, Mollie would blow tobacco smoke in his ears, which is something a lot of elders do back home where I’m raised, too. And Margie herself is so smart and grounded, and loving. At our first meeting, her body language, her intonation and the way I could see thoughts turning over in her head went into how I shaped Mollie. Her observational wry humor, the intelligence, the ability to read what’s going on in the room, the warmth all stood out. I know that those things are inherited from family, so I feel like the biggest clues to who Mollie would have been is the way that she’s echoed in her grandchildren.You spoke a few lines in the language of your people, the Blackfeet tribe, after your historic win at the Golden Globes. When and how did you become interested in studying Blackfeet?Growing up on my reservation, I picked it up. I’m not fluent. One of the first sentences we learn how to construct is how to introduce yourself to a group of people. You say your Blackfeet name, and then you also tell everybody where you’re from, which people you come from, which is what I did at the Globes. I wouldn’t have been up on that stage if it weren’t for how early in my life my community identified my gift and my love for acting. Performing and telling stories has always been synonymous with my very name; I’ve always been encouraged to do this, in whatever form it takes. There were a lot of years where acting was a means of teaching and teaching about our history, specifically, the Native American boarding school experience.After my speech at the Globes, it was moving to see the response from Blackfeet people on TikTok and Facebook. One family had recorded their little girl, who is learning Blackfeet along with English, and when she heard me speaking, she started talking back in Blackfeet to the screen, and then when I was done speaking, she went, “Soōkaapii,” which means “It’s good.” Like, “That was good.” That just broke my heart wide open.Do you have any favorites among the nominated films?I’m ecstatic to see the love for “American Fiction.” And to see Danielle Brooks hold it down for the entirety of “The Color Purple” — she’s unbelievable. And Sandra [Hüller’s] work, oh my God. And then people I’ve been watching for years — being in conversations, in rooms alongside Annette Bening has been mind-blowing and so touching. I’m stoked for everybody.Though “Killers’ was your breakout role, you have a film, TV and theater résumé that spans more than a decade. Any recommendations for what people should watch you in next?Definitely stream “Reservation Dogs” — and not just my episodes! It’s an incredible, incredible series; each episode is so full, so funny, so heartbreaking. There’s a reason that it’s been named the best show by so many publications. “The Unknown Country” is another one that shows the way the performances of the incredible Indigenous actors in “Killers of the Flower Moon” have helped shift paradigm and break stereotypes for people.And then, I can’t share it yet, but sometime in the not-too-distant future, people will be able to see “Fancy Dance,” which is the absolute best film to watch in tandem with “Killers of the Flower Moon.” It’s the same land, the same issues, exactly 100 years later, and how they’ve manifested into the modern age. It’s an incredible love story between an aunt and her niece and a display of matrilineal resilience and love and survival. I’m so excited that people will be able to access it soon.Fans have said they want to see you in a Marvel role. What is your dream role?I have to acknowledge my little, cute, roly-poly, chunky 5-year-old self who wanted nothing more in the world than to be an Ewok. We’re in the age of C.G.I., so I think if Ewoks are brought back, it has to be handcrafted the way it was in the late ’70s, early ’80s. So, if not an Ewok, something to do with their preservation as an incredible little group of — I guess you can call them people. More

  • in

    Where to Stream 2024 Oscar-Nominated Movies: ‘Oppenheimer,’ ‘Anatomy of a Fall,’ More

    The nominees for the 96th Academy Awards were announced Tuesday morning and last summer’s “Barbenheimer” phenomenon proved to be a dominant duo once again, with “Oppenheimer” leading the way with 13 nominations and “Barbie” collecting eight. A handful of major awards contenders are still exclusively in theaters, most notably “American Fiction,” “Poor Things” and “The Zone of Interest,” which are all best picture nominees. But the vast majority of titles are currently available to stream or rent on various platforms. Here’s a complete rundown of where to find all the major awards hopefuls.‘Oppenheimer’The writer and director Christopher Nolan narrates the opening sequence from the film.Melinda Sue Gordon/Universal Pictures, via Associated PressNominated for: Best picture, director, actor, supporting actor, supporting actress, adapted screenplay, production design, costume design, cinematography, editing, makeup and hairstyling, sound, original score.How to watch: Rent it on Amazon, Apple TV, Google Play, Vudu and YouTube.Conjuring the dark wizardry of the Manhattan Project, the director Christopher Nolan turned the Trinity test into a seat-rumbling summer spectacle, placing it at the center of “Oppenheimer” like the nuclear core of 20th-century history. But there’s a disturbing intimacy to the film as well, with Cillian Murphy’s tremulous J. Robert Oppenheimer leading an unstable band of scientists while nearly drowning in uncharted political and ethical waters. In exploring the origins of a technological boogeyman that continues to haunt mankind, Nolan embraces the contradictions of the flawed, brilliant man whose spirit seems to embody it.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

  • in

    Oscars 2024 Best Picture Nominations: Everything You Need to Know

    Sure, a whole lot of people saw at least half of the “Barbienheimer” phenomenon this year. Missed some of the other films that scored best picture nominations? Catch up here on all of them: “American Fiction,” “Anatomy of a Fall,” “Barbie,” “The Holdovers,” “Killers of the Flower Moon,” “Maestro,” “Oppenheimer,” “Past Lives,” “Poor Things” and “The Zone of Interest.”‘American Fiction’‘Anatomy of a Fall’‘Barbie’ ‘The Holdovers’‘Killers of the Flower Moon’‘Maestro’‘Oppenheimer’‘Past Lives’‘Poor Things’‘The Zone of Interest’ More

  • in

    Paul Giamatti on His Oscar Nomination

    For the second time now, an Alexander Payne movie has changed Paul Giamatti’s life.The first, “Sideways” (2004), established the actor as a leading man with a distinctly compelling screen presence. The second, “The Holdovers,” released last fall, earned him his first Academy Award nomination in the best actor category, announced early Tuesday morning.For Giamatti, 56, the news caps a busy awards season in which he has already received nominations from the BAFTAs and the Screen Actors Guild and won a Golden Globe. In a phone interview from his home in Brooklyn hours after it was announced, the actor shared how he was processing the news. These are edited excerpts from the conversation.Giamatti opposite Dominic Sessa in “The Holdovers.”Focus FeaturesHow do you feel?I don’t know! I’m not quite sure what to think. It’s a strange thing. It’s very, very nice. I’m very happy, but I’m also just sort of flabbergasted.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

  • in

    Oscar Snubs and Surprises: Greta Gerwig, Leonardo DiCaprio and More

    Though “Oppenheimer” made an explosive showing when the Oscar nominations were announced on Tuesday morning, plenty of other would-be contenders failed to launch. As your Projectionist, here’s my analysis of the morning’s biggest surprises and omissions.Greta Gerwig misses a directing nomination.With her billion-dollar blockbuster, “Barbie,” Greta Gerwig set a Hollywood record for the highest-grossing movie ever directed by a woman. Still, even that major milestone wasn’t enough to earn her a spot in the Oscars’ best director lineup: Though “Barbie” managed eight nominations, including best picture, Gerwig was snubbed by the directors branch that nominated her six years ago for “Lady Bird.” It was a mixed showing overall for the hit comedy, which missed some other hoped-for nominations for cinematography, editing and best actress for Margot Robbie. But it did at least pull off a dark-horse supporting actress nod for America Ferrera alongside an expected supporting-actor nomination for Ryan Gosling.An otherwise strong showing for female filmmakers.For the first time in Oscar history, three of the best-picture nominees were directed by women: “Barbie,” Celine Song’s “Past Lives” and Justine Triet’s “Anatomy of a Fall.” Still, that landmark moment could have been lost in the furor if the directors branch had put forth a lineup made up entirely of men, as many pundits feared it might. Though Gerwig and Song were both snubbed for best director, at least the category found room for Triet, who’d previously won the prestigious Palme d’Or at the Cannes Film Festival for her twisty legal drama.Young male actors still can’t break through.The academy has never had a problem nominating young actresses: In fact, seven of the 10 actresses recognized this year are 40 or under. That same interest in ingénues does not apply to the male categories, however. Despite worthy contenders in the mix like Charles Melton (“May December”) and Dominic Sessa (“The Holdovers”), all 10 of the actors nominated were over 40, further proof that the Oscars prefer their men more grizzled if they’re meant to be taken seriously.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

  • in

    Danielle Brooks on Her Oscar Nomination: ‘Look What God Has Done’

    It was 3:30 a.m. in New Zealand, where the actress Danielle Brooks was filming a Minecraft movie. But she was wide awake.“I’m alive and I am an Oscar nominee today,” she said on a video call minutes after the nominations were announced. “I don’t think I’ll be able to go back to sleep.”Brooks, a past Emmy nominee, Tony nominee and Grammy winner who broke out in “Orange Is the New Black,” is nominated for her supporting actress work in the movie musical “The Color Purple.” Hers is the film’s sole nomination. She plays Sofia, an outspoken woman who knows her own worth and insists on her own autonomy, qualities that make her a target of racialized violence. She first played the part on Broadway in 2015, in a defiant, exuberant turn that The New York Times likened to a “homemade steamroller.” Her film work is perhaps even more irresistible.Swathed in zebra-print sleepwear, Brooks, 34, discussed, with occasional tears, the joy of the nomination, the differences between theater and film and how she learned to say “Hell, No,” in her own life. These are edited excerpts from the conversation.How does it feel to be an Oscar nominee?It’s like getting the M.V.P. at the Super Bowl. Crazy. It’s what I always just hoped and dreamed would happen, but for it to actually happen, I’m in shock! It’s like what it says in “The Color Purple”: “Look what God has done.”What did you learn from playing Sofia on Broadway?There was such an electricity in the theater, people just had to come see the show. I felt so much pressure. It was playing Sofia, this strong woman who was so sure of herself, that gave me the confidence, every night when I sang “Hell, No,” to say hell, no to my fears. She taught me how to live in my power. Getting to do it on the screen, that’s when I learned how to own my power. People assume that actors have all this confidence and are just brave people, which we are, but we get to hide behind characters. Now I can stand 10 toes down and believe in my heart that I’m worthy of moments like this.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

  • in

    Oscar Nominees 2024: See the Full List

    The complete list of Academy Award nominees for 2024.Follow our live coverage of the 2024 Oscar nominations.The 96th annual Academy Award nominations raised the definitive movie question of the season: Is this the year of “Barbie” or “Oppenheimer?” We still don’t quite know since they each got multiple nominations (“Barbie” with eight and “Oppenheimer” with 13). In any case, it will be another excuse for us to use the term “Barbenheimer.”Kyle Buchanan, The New York Times’s awards-season columnist, previously had predicted that because of the amount of good movies and impressive talent we have been treated to this past year, it was hard to say what film, if any, was likely to sweep in the big categories of best picture, best director, best actor and best actress — and he was right. “Oppenheimer,” “Barbie,” “Killers of the Flower Moon,” “The Holdovers” and “Poor Things” all got nominations in the best picture category and for the most part, received nominations in all the big categories. Here is the full list of nominees. Best Picture“American Fiction”Read our review“Anatomy of a Fall”Read our review“Barbie”Read our review“The Holdovers”Read our review“Killers of the Flower Moon”Read our review“Maestro”Read our reviewWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

  • in

    Cillian Murphy on His Oscar Nomination: ‘I’m Kind of a Little in Shock’

    On Tuesday, Cillian Murphy was at his parents’ home in Cork, Ireland, drinking a cup of tea when his phone started buzzing. A glance at the dozens of texts revealed the news: For the first time, Murphy had been nominated for the best actor Oscar, for his performance as the title character in “Oppenheimer.”“It’s very, very humbling,” Murphy, 48, said in an interview by phone on Tuesday. “I’m kind of a little in shock.”“It’s just a real honor to be involved in a film that has connected so powerfully with people in a way that we never expected,” he added.In “Oppenheimer,” a stunning biopic by the director Christopher Nolan, Murphy plays the American theoretical physicist J. Robert Oppenheimer, a brilliant, enigmatic figure known as the father of the atomic bomb, a man consumed with ambition and haunted by his past. After opening alongside “Barbie” on July 21, “Oppenheimer” quickly became beloved by critics and fans alike, grossing just over $950 million at the worldwide box office.Murphy had collaborated with Nolan before, taking supporting roles in movies like “Batman Begins” and “Inception,” but his latest work for the director became a breakthrough moment, with Murphy winning praise for the intensity and emotional complexity he brought to the role. At the Golden Globes, he won best actor in a drama; he also was up for a Critic’s Choice Award (losing out to his fellow Oscar nominee Paul Giamatti); and he’s in the running for a Screen Actors Guild Award, punctuating what has been an exceptionally busy awards season for Murphy.“It’s been new enough for me, but I gotta say, I think I’m getting good at it,” he said, chuckling. He marveled about a recent ceremony where he was stuck in a line with Meryl Streep.“That may never happen to me again in my life, and it’s just a wonderful feeling,” he said.In a phone interview, Murphy also discussed what fascinated him about Oppenheimer the man, how he prepared for the role and the cast’s group chat. These are edited excerpts from the conversation.Were you watching the Oscars announcement?No, I was at home in Cork with my mom and dad and my wife. And my phone started popping, so I figured it was good news. Everybody started texting. You know, you can’t really avoid good news or bad news, but it’s better when it’s good news.Oppenheimer is a different role than what you’ve done in the past. What drew you to this character?Well, he is, in Chris’s words, the most important man that ever lived. He changed the course of the 20th century, and we are all living in Oppenheimer’s world. He was complex and contradictory and flawed and vain and arrogant, but he was still immensely charismatic and fascinating. It was a huge responsibility. But the sorts of roles I enjoy are the ones where you think, I have no idea how I’m going to play this.Murphy said his phone blew up with word of his Oscar nomination. “You know, you can’t really avoid good news or bad news, but it’s better when it’s good news.”Melinda Sue Gordon/Universal PicturesWhat steps did you take to prepare?Oh man, I had six months. From the moment Chris called me, I just started working — from the inside out and from the outside in. I did an awful lot of reading and research and watched every single archival footage about him. Then I immediately started conditioning my body because he was very interesting how he carried himself physically and how slight his frame was. But a lot of it was just walking around my basement in Dublin talking to myself and practicing, practicing and practicing.As you did that research, was there anything surprising to you about Oppenheimer?He was an absolute contradiction in so many ways. He could have been an artist or a writer or a poet. But he was also this freakishly bright human being. A lot of his contemporaries would say he was the brightest man in the room at all times. But he was also very temperamental and fragile emotionally and mentally, particularly in his youth. If you were writing a fictional character, it wouldn’t add up to a character people could identify with. But in fact, he was just like the rest of us. He was just a human being. So that’s what I really identified with — his humanity.What was it like for you to work with such an all-star cast?A total gift. Every single cast member was fearless in the film, like they had done so much research and could improvise on the spot about their character and the real-life events. I felt really held and carried by everybody on the movie. We’re still all really close. There was a really good bond on this film, and it remains very very strong.Is it true there’s an “Oppenhomies” group chat?That is true, yes. Olivia Thirlby came up with that moniker.You and Nolan have a long history of working together. How did that impact your work with this film?Oh, it’s crucial for me. I don’t think I could have made this film with anyone else, without that level of trust that goes back six movies and 20 years. He really, really pushed me and I wanted to be pushed. He expects excellence from you because that’s what he delivers himself every single day.Is there something distinctive about a Nolan set or film that’s different from other projects you’ve been involved in?I think it’s the level of focus. It’s quite remarkable. It’s laserlike, the way he uses time, because time, I’ve realized, is your most valuable commodity when you’re on a film set. So much of it gets wasted. When you come on a Chris Nolan set, you come on to work. There’s no phones, there’s no chatting. There’s no video footage, there’s no monitors. That’s not to say it’s not a pleasant environment. It’s a private, focused environment. That’s how you get the best out of people.In terms of time, you didn’t have much of that at all right?No, we filmed in 57 days, and three of them were a preshoot. So it was insane, the pace of it, but it never felt rushed. We never left a scene behind.Some people have criticized the film for the inclusion of nude scenes. What do you make of that critique?Well, I think those things are essential for the story. If you’re familiar with the story, it was his relationship with Jean Tatlock which was the thing that really made him lose his security clearance and ultimately kind of cost his career. I think it was vital to highlight the intimacy and closeness of their relationship.Besides the Academy Awards ceremony, what else is in the future for you?I have a film called “Small Things Like These,” which I produced and acted in and that’s opening at the Berlin Film Festival in February. I’m really proud of the movie. It’s produced by Matt Damon and Ben Affleck. They paid for it and we produced it together. So I’m juggling that and attending all these events at the same time. More