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      ‘Last Days,’ Opera Inspired by Kurt Cobain Film, Heads to L.A.

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      Oliver Leith’s opera, based on the Gus Van Sant film that fictionalized the end of Kurt Cobain’s life, has its U.S. premiere in Los Angeles.It can feel easy to cast a swift judgment on the composer Oliver Leith. First, there are his titles, such as “Uh huh, Yeah,” “Bendy Broken Telemann No.3,” and “yhyhyhyhyh.” Then, there is the inspiration for his sounds, in which everyday objects like glass bottles and cereal bowls are considered intensely, becoming weird instruments themselves.But if Leith seems flippant, he rejects that characterization entirely.“People talk about irony in society all the time now, and I find that a little dull,” Leith said in an interview. “It’s a very British way of looking at things. Like, ‘Oh, are you being serious or are you not?’ No; I am deadly serious when I’m doing these things. I’m just chasing this strange feeling.”Leith’s way of talking about music is a lot like his actual music: blurry and discursive, but also precisely evocative. That strange feeling he’s chasing, for example, is one he compared to being at a wake, where “outward joy and outward sadness” are possible at the same time.Listen to his works, and you’ll see what he means. Take his opera “Last Days,” which receives its U.S. premiere on Feb. 6 in Los Angeles as part of the Los Angeles Philharmonic’s Green Umbrella series. (The opera’s first recording will also be released on the Platoon label on April 5.) It is adapted from Gus Van Sant’s 2005 film of the same name, which fictionalizes the final days of Kurt Cobain.During its premiere run in London, in 2022, the opera garnered a lot of attention based on the assumption that it was a biographical work. “It’s so not about Kurt Cobain,” Leith said. “It couldn’t have more distance from its subjects than it has, I think.”Instead, Leith and the opera’s librettist, Matt Copson, wanted to write archetypes — like characters in a genre film, in which the magic lies in how far they stray from their stock expectations. Formally, “Last Days” also mirrors “the way that oral histories or myths are transmitted, where every iteration keeps the soul of a story, but changes skin,” said Caroline Polachek, who sings a prerecorded aria in the show.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Best and Worst Moments From the 2024 Grammys:

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      Young women brought the drama, Jay-Z surprised with a barbed speech and heroes long absent from the show’s stage made welcome returns at the 66th annual awards.The most awards at the 66th annual Grammys went to Phoebe Bridgers, who picked up three with her band boygenius and one for a feature on a SZA song. SZA, who came into the night with the most nominations, was shut out of the biggest honors — for album (which went to Taylor Swift’s “Midnights”), record (Miley Cyrus’s “Flowers”) and song (Billie Eilish’s “What Was I Made For?”) — but took home three trophies. Victoria Monét was named best new artist, and Swift’s album win broke a Grammy record for the category. The show was particularly joyous, slick and thoughtful, featuring several striking performances and a few raw acceptance speeches. All in all, it captured pop music as it actually is — centerless, and subject to change at any moment.Best Theatrical Pop Stars: Billie Eilish and Olivia RodrigoFrom left: Billie Eilish and Olivia Rodrigo brought powerful vocals and a bit of theater to the Grammy stage. Photographs by Valerie Macon/Agence France-Presse — Getty ImagesTwo of the night’s strongest performances came from young women using pianos to accompany the wispy, stratospheric upper reaches of their registers — and to comment on the tyranny of fragility and prettiness. The first was Billie Eilish, stunning the crowd to silence with a sparse, deeply felt reading of “What Was I Made For?,” her “Barbie” ballad that later picked up song of the year. The second was Olivia Rodrigo, who nailed the vertiginous high notes that punctuate her rock-operatic smash “Vampire,” and then riffed on the song’s theme as she smeared herself with spurting fake blood. Each performance, in its own way, felt like a rebuttal to the constricting standards to which so many young women are held. Eilish’s was about the pain of being perceived as an object; Rodrigo’s reimagined the same kind of pressure as a horror movie. Both understood the power of a little theatricality. LINDSAY ZOLADZBest Debut Grammy Performance: Joni MitchellJoni Mitchell won a Grammy for best folk album, then performed with a group of musicians.Valerie Macon/Agence France-Presse — Getty ImagesJoni Mitchell, 80, has been singing her prismatic folk ballad “Both Sides Now” since she was 23, and yet every time she performs it, she seems to be interpreting its infinitely wise lyrics anew. The rendition she performed at the Grammys — her first-ever performance on the award show, which makes sense given how underestimated and slighted by the industry Mitchell has felt throughout most of her career — was at once elegiac and nimble, backed by a loose jazz arrangement that allowed her to riff on its familiar melody. Showing off a resonant tone and impressive range that she has worked diligently to strengthen since suffering an aneurysm in 2015, Mitchell’s performance was like a brief, magical visitation from a musical deity. ZOLADZBest Surprise Roast: Jay-ZJay-Z brought his daughter Blue Ivy Carter onstage during his acceptance speech at the Grammys.Valerie Macon/Agence France-Presse — Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Celine Dion, Coping with Neurological Disorder, Presents the Album of the Year Grammy

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      Celine Dion, the Canadian pop superstar who announced in 2022 that she has a rare neurological disease that makes it difficult for her to sing, appeared at the Grammy Awards to present the final award of the night, album of the year.Walking out to “The Power of Love,” Dion looked moved by the standing ovation, saying, “When I say that I’m happy to be here I really mean it from my heart.”“Those who have been blessed enough to be here,” she went on, “must never take for granted the tremendous love and joy that music brings to our lives and to people all around the world.”Dion, 55, first announced over a year ago that she has a condition called stiff person syndrome, which causes progressive stiffness in the body and severe muscle spasms, leading her to cancel a scheduled world tour. A five-time Grammy winner — including album of the year in 1997 — Dion has maintained a legion of fans around the world, and before the diagnosis, she was an active performer, delivering soaring hits such as “Because You Loved Me” and “My Heart Will Go On” alongside her newer music.Last week, Dion announced a documentary following her battle against the disorder. Dion indicated in the announcement that she was aiming to return to singing, saying in a statement, “As the road to resuming my performing career continues, I have realized how much I have missed it, of being able to see my fans.” More

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      Grammys 2024 Takeaways: Taylor Swift Makes History in a Big Night for Women

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      Women thoroughly dominated the 66th annual Grammy Awards on Sunday, with a history-making album of the year win by Taylor Swift and victories by Miley Cyrus, Billie Eilish, SZA, Lainey Wilson, the Colombian pop star Karol G and the band boygenius.The wins capped a year when women were extraordinarily successful in pop music, and also signified a change for the Grammys, which have frequently been criticized — as recently as five years ago — for overlooking female artists on the show.In addition to the wins, the show featured powerful performances by SZA, Eilish, Dua Lipa, Olivia Rodrigo and even Joni Mitchell and Tracy Chapman — two godmothers of modern songwriting who have made only rare public appearances in recent years.In taking album of the year for “Midnights,” Swift became the first artist to win the Grammys’ top prize four times, beating a trio of male legends — Frank Sinatra, Stevie Wonder and Paul Simon — who had three.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Killer Mike Arrested After Winning 3 Grammys

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      Shortly after winning three Grammys, the rapper Killer Mike was arrested at the awards show on Sunday in connection with a physical altercation at the Los Angeles arena where the ceremony took place, the police said.In a post on social media, the Los Angeles Police Department said that Killer Mike, who was born Michael Render, was booked on a misdemeanor battery charge and that he was being released.Representatives for the rapper did not immediately respond to requests for comment. The Recording Academy, which presents the awards, referred questions to the police.Less than an hour before the Grammys telecast began, video posted on social media by a journalist for The Hollywood Reporter showed Killer Mike, in handcuffs, being led through the Crypto.com Arena by a police officer.To fans and observers, the footage seemed like whiplash. The rapper had just been on the Grammys stage waving a gramophone trophy and celebrating the three awards he had won at the preshow, which is not televised, for his work “Michael,” his first solo album in more than a decade. In addition to best rap album, he received Grammys for best rap song and best rap performance for “Scientists & Engineers,” a collaboration with André 3000, Future and Eryn Allen Kane.“You cannot tell me that you get too old, you can’t tell me it’s too late,” said Killer Mike, 48, a prolific musician from Atlanta who is also an activist and organizer.Not long after, he was being escorted through the arena, according to the video. As fans wondered on social media about the reasons for his detainment, his X and Instagram accounts remained active, celebrating the Grammy wins.Ben Sisario contributed reporting. More

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      Miley Cyrus Wins Grammy for Record of the Year for ‘Flowers’

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      Miley Cyrus won the Grammy for record of the year on Sunday for the kiss-off anthem “Flowers,” her first win in the category.The husky-voiced former Disney Channel star — and daughter of Billy Ray Cyrus, himself a record of the year nominee in 1993 for “Achy Breaky Heart” — had never won a Grammy before Sunday night. She also won for best pop solo performance, also for “Flowers.”During a performance of “Flowers” at the ceremony, Cyrus ad-libbed several times, shouting, “Don’t act like you don’t know this song!” and “I just won my first Grammy!”Cyrus bested nominees from several other prominent female stars for record of the year, including Taylor Swift’s “Anti-Hero,” Olivia Rodrigo’s “Vampire” and SZA’s “Kill Bill.” More

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      Taylor Swift Wins 4th Grammy for Album of the Year, Breaking a Record

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      Taylor Swift already has more No. 1 albums than any other woman (12), as well as the highest-grossing tour in history (an estimated $1 billion and counting).Now she can count another major achievement: four Grammy Awards for album of the year — more than any other artist in the 66-year history of the prize.“Midnights,” Swift’s most recent LP of new material, beat out entries from SZA, Olivia Rodrigo, boygenius, Lana Del Rey, Miley Cyrus, Jon Batiste and Janelle Monáe to take the Grammys’ top album prize on Sunday. It was her second win of the night.Earlier in the night, as she accepted the Grammy for best pop vocal album for “Midnights,” Taylor Swift announced that she would be releasing her new album, “The Tortured Poets Department,” on April 19. It was Swift’s sixth nomination for the prize, and fourth win, after her previous victories for “Fearless” in 2010, “1989” in 2016, and “Folklore” in 2020. With her latest win, she moves past three beloved stars who had each won the category three times: Frank Sinatra, Stevie Wonder and Paul Simon.In 2014, Swift’s “Red” lost the award to Daft Punk’s “Random Access Memories,” and in 2022 “Evermore” lost to Batiste’s “We Are.”Last year, Beyoncé won her 32nd Grammy, more than any other artist in history. (Take that, Quincy Jones and Sir Georg Solti!) With 14 lifetime wins so far, Swift would need another 18 to match Beyoncé. More

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      Best Red Carpet Fashion At the Grammys: Taylor Swift, Victoria Monét, Miley Cyrus

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      The music industry’s biggest stars attended the 66th Grammy Awards in Los Angeles in attire as varied as their songs and albums. Much of that attire — whether it was a cutout gown or a sheer shirt — exposed midsections.Dua Lipa and Miley Cyrus were two of the many who chose outfits with metallic tones, perhaps in hopes of earning a golden statue to match. Gracie Abrams, Paris Jackson and others opted for black, while Kylie Minogue and Bonnie McKee were among those in red, one of the most popular colors seen on carpets this awards season. (Ms. McKee complemented her red dress with a nest of fiery hair.)Several of the night’s most memorable looks reminded viewers that there’s nothing wrong with replaying old hits. Laverne Cox, the E! host who interviewed stars on the red carpet, wore a structured Comme des Garçons dress from 2015, and Olivia Rodrigo chose a white Versace gown that is almost 10 years older than she is.The Grammy Awards are known to be a fashion playground, and this year’s event was no exception. But the following 22 looks (three of which belonged to the members of boygenius) stood out more than most, for better or worse.Miley Cyrus: Most Barbarella!Don’t send her through a metal detector.Mario Anzuoni/ReutersSome people saw Cleopatra. Others saw Barbarella, or Princess Leia in her Jabba the Hutt period. Whatever the references, the “Flowers” singer’s metal mesh by Maison Margiela was marvelous.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More