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    'The Bachelor' Finale Recap: Find Out Matt James' Final Decision

    ABC

    One of the remaining ladies, Rachael and Michelle, is sent home while crying after the leading man of the current season of the ABC show admits to her that he doesn’t share the same feelings with her.

    Mar 16, 2021
    AceShowbiz – The finale of Matt James’ “The Bachelor” season is finally here! Airing on Monday, March 15, the episode saw Matt making a final decision between the remaining ladies, Rachael and Michelle. He first brought Michelle to meet his mom, Patty James, and brother, John James.
    During the reunion, Michelle opened up about her last relationship which she described “unhealthy.” John told Michelle that Matt seemed to be “in a good place” with her, while Patty loved that Michelle was sharing her feelings about Matt. She eventually gave Michelle a stamp of approval, telling Matt that Michelle “couldn’t have been sweeter and easier to be around.”
    Later, it was time for Rachael to meet Matt’s family. John noticed the strong connection between Matt and Rachael right away, while Patty loved how confident the pair in being themselves around each other. Rachael tried to convince Patty that she was ready to get engaged to Matt. The two got emotional when talking about Rachael’s potential future with Matt.
    Patty thought both Rachael and Michelle were “amazing.” However, she wanted her son to be careful when it comes to saying the word “love.” That made Matt start to doubt whether or not he was ready for an engagement.
    Later, Matt and Michelle went to have their final date. While Michelle was certain that she wanted a future with Matt, the latter was still unsure. He was unable to shake off his doubts and he decided to end his relationship during the night portion of the date.

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    “I’m sitting there last night thinking about these next steps and I’m just like…having doubts. I shouldn’t be having doubts about that. We’re a day or two away,” he told Michelle. “This is the first time I’ve felt anything outside of wanting to be with you forever and having any doubt in my mind at this point, for me, is just scary. I’ve been pushing through that feeling today and trying to get there because of how I feel about you and what I know it could look like with you. I think the easy thing for me to do is tell you what you want to hear.”
    Michelle started crying before she asked, “I just want clarity on what this actually is or how you’re actually feeling. Am I supposed to fight for you? Tell me where you’re at, actually.” To that, Matt responded, “I don’t think I can get there with you.”
    Rachael was supposed to have a final date with Matt, but he canceled at the last minute because he “needs some time.” Matt later was seen meeting Neil Lane to check out engagement rings. He went with a pear-shaped engagement ring. The next day, Matt sent an apology note to Rachael. He also invited Rachael to the final rose ceremony.
    “Everything I came here looking for, I found in you,” Matt told Rachael in the final rose ceremony. “It’s scary to think about because I want to be everything to you. I want to be everything for you that my dad wasn’t to my mom. The easy thing for me to do would be to brush those feelings and emotions off and make you happy by proposing to you today. I couldn’t live with myself if I put you through what my mom went through. I’ve seen what rushing into a proposal or marriage can do in my family and it’s ugly. It’s not something I want for us. That’s why I can’t propose to you today.”
    However, Matt quickly clarified, “That doesn’t mean I want to lose you. When I think about the life I want to live, I think about living that life with you. I want to leave here with you. The truth is that I love you. I want to make sure my love is enough for you.” Rachael was happy enough with that so she accepted his final rose.

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    Watch: Tiffany Haddish Bursting Into Tears on TV Set as She Learns She Won Grammy

    Instagram

    The ‘Kids Say the Darndest Things’ host was overwhelmed with emotions as she’s stunned when producers told her through her earpiece about her historic Grammy win.

    Mar 16, 2021
    AceShowbiz – Tiffany Haddish fought back tears on the set of her TV show “Kids Say the Darndest Things” after learning she had won her first Grammy Award in the middle of a taping.
    The “Girls Trip” star landed the Best Comedy Album for her “Black Mitzvah” stand-up special on Netflix, but she was unable to attend the Los Angeles prizegiving on Sunday (14Mar21) as she was already booked to take on hosting duties for her TV comedy series.
    However, producers on “Kids Say the Darndest Things” broke the news of Tiffany’s historic win to the comedienne as she was discussing her two career nominations with a pair of young guests, and she was clearly caught by surprise.
    Her reaction was captured on camera and Tiffany has since shared the footage on Instagram.
    In the clip, she says, “For me, I’m just happy with being nominated, personally.”
    The producer can then be heard telling Tiffany to repeat after him through an earpiece, saying, “I’ve been nominated a couple of times for some things…, but I just won a Grammy.”
    She began to recite the remarks, until she realised what he had said, “I just what? I just won a Grammy? Are you serious?”
    “I’m not lying, I’m telling you the truth…,” her colleague insisted. “Tell them all you just won a Grammy. Congratulations…!”
    Brushing away tears, an emotional Tiffany exclaimed, “I really won?”

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    She then turned to her guests, both girls, and explained, “You know a black woman hasn’t won in that category since 1986? A black woman hasn’t won for Best Comedy Album since Whoopi Goldberg.”
    Tiffany then shared a few encouraging words of wisdom with the kids as she reflected on her own journey to stardom.
    “Can I tell you why I’m crying?” she began. “It’s a lot of bumpy roads that you cross, right, and it’s a lot of times you feel like, ‘Am I doing the right thing? Is this good enough? Am I good enough? Am I strong enough to do this job?’ ”
    “And then you just have to believe in yourself and as much as you can, and against all odds, you just say, ‘You know what? I’mma just put my best foot forward, and I’m gonna give the world the best that I got.’ Anything is possible (sic).”

    Alongside the Instagram video, Tiffany wrote, “This is How I found out I Won a Grammy! I was Working today for @kidssaythedarndestthings…”
    “The Producers decided to tell me I WON a Grammy while I was interviewing these two young ladies Lauren and Ava, that want to someday be president of the United States of America.”
    “I was flooded with a such a (sense) of accomplishment and relief. I kinda didn’t know what to say. I just wanted to cry but I knew it would have confused the babies. So I decided to use that moment to teach and share my feelings (sic).”
    “Thank you @recordingacademy for the honor,” she concluded. “Thank you to everyone that made #blackmitzvah happen (sic)…”

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    Sharon Osbourne Blames CBS for Heated Piers Morgan Discussion on 'The Talk'

    WENN/Avalon

    Accusing the network for totally blindsiding her with the stern questioning over her Twitter defence, the wife of Ozzy Osbourne likens herself to ‘a lamb held out for slaughter.’

    Mar 15, 2021
    AceShowbiz – Sharon Osbourne has compared herself to “a lamb held out for slaughter” after she was “totally blindsided” on her U.S. show “The Talk” by stern questions about her Twitter defence of controversial U.K. newsman Piers Morgan.
    Morgan quit his TV gig as co-host of “Good Morning Britain” on Tuesday, March 9 following public uproar over his dismissal of Meghan Markle, Duchess of Sussex’s claims of suicidal thoughts in her revealing tell-all with Oprah Winfrey, but Sharon voiced her support for her old friend in a statement on Twitter.
    “I am with you. I stand by you,” she wrote. “People forget that you’re paid for your opinion and that you’re just speaking your truth.”
    Sharon was quizzed about her comments on daytime show “The Talk” the following day, insisting she didn’t “agree with what he said,” but was instead standing up for Morgan’s “freedom of speech”.
    However, co-host Sheryl Underwood, who is black, took Sharon to task for supporting Morgan, who had also declared he didn’t believe anything the Duchess had said, including accusing members of the royal family of racism.
    Sharon subsequently apologized to anyone who felt offended by her remarks, making it clear she doesn’t “condone racism, misogyny or bullying”, adding via Twitter, “I will always support freedom of speech, but now I see how I unintentionally didn’t make that clear distinction.”
    Now Sharon is holding CBS network bosses responsible for putting her “The Talk” co-hosts up to the task of grilling her on air over the Morgan controversy.

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    “I blame the network for it,” she told Variety. “I was blindsided, totally blindsided by the whole situation. In my 11 years [on ‘The Talk’], this was the first time I was not involved with the planning of the segment.”
    Sharon admitted a producer had asked her shortly before Wednesday’s showtime if she could be questioned about Morgan during the taping, but she had no idea they had prepared a full script for Underwood to stick to.
    “I get on there, I say my piece and Sheryl turns around straight-faced, looks at me and is reading from a card with questions,” she explained.
    “I was just so hurt, caught off guard and stunned by what I was being asked and not prepared. I was honestly in shock. I felt like I was in front of a firing squad. I felt like a lamb held out for slaughter… They had me there for 20 minutes.”
    Sharon ended up having to beg producers to “please change subjects” during a commercial break, and she is convinced the TV clash was all concocted by CBS chiefs.
    “I’m a big girl. I’m a professional,” she said. “However CBS blindsided me. I don’t know why they did it to me. The showrunners told me it came from executives to do this to me.”
    A representative for CBS has declined to respond to Sharon’s Variety comments, but on Friday, officials announced plans to conduct an “internal review” of the incident.

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    'The Talk' Put on a Break Following Sharon Osbourne and Sheryl Underwood's Argument

    WENN/Instar

    While Sheryl describes their heated exchange as a ‘blessing,’ the wife of Ozzy Osbourne denies calling former co-host Holly Robinson Peete ‘too ghetto’ for the morning show.

    Mar 15, 2021
    AceShowbiz – “The Talk” has paused its production. After Sharon Osbourne and Sheryl Underwood had an on-air debate over Piers Morgan’s controversial comments about Meghan Markle’s interview with Oprah Winfrey, the daytime talk show was reported to be put on a brief hiatus.
    The staff of “The Talk” were informed on Sunday, March 14 that the Monday, March 15 and Tuesday, March 16 live episodes are canceled. Elizabeth Vargas and Carly Pearce were scheduled as guests respectively. The show is said to be making its on-air return on Wednesday, March 17.
    Two days prior, CBS told Deadline that the network is investigating Sharon and Sheryl’s heated exchange. “We are committed to a diverse, inclusive and respectful workplace,” the statement read. “All matters related to the Wednesday episode of The Talk are currently under internal review.”
    Sharon and co-host Sheryl got into heated arguments over the former’s support for Piers in the show’s Wednesday, 10 March episode. Sheryl first asked Sharon, “What would you say to people who may feel that while you’re standing by your friend, it appears you gave validation or safe haven to something that he has uttered that is racist, even if you don’t agree.”

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    Responding to the question, the wife of Ozzy Osbourne replied, “I don’t know what he’s uttered that’s racist. I’m not trying to slide out of this one. I don’t know. Tell me what has he uttered that’s racist.” She further argued, “I feel even like I’m about to be put in the electric chair because I have a friend who many people think is a racist.”
    Two days afterwards, Sheryl addressed the debate when speaking on “The Steve Harvey Morning Show”. She said, “Everybody, especially people of color, (goes) through this all the time, there’s just no cameras pointing at you. Nobody gets to see it, nobody knows it. And today was my day and I accept the blessing of the lesson.”
    While Sharon has yet to weigh in on the argument with Sheryl, she has denied the latest accusation that she called former co-host Holly Robinson Peete “too ghetto” for “The Talk”. The mother of Kelly Osbourne tweeted, “Never in my life did I utter the words that Holly was ‘too ghetto’ to be on the Talk, as well as not having her fired.”

    Sharon Osbourne denied calling former co-host Holly Robinson Peete ‘too ghetto’ for ‘The Talk’.
    Sharon’s tweet came after Holly alleged that she was involved in her firing from the show. “I’m old enough to remember when Sharon complained that I was too ‘ghetto’ for #theTalk…then I was gone,” the 56-year-old tweeted on March 12. “I bring this up now [because] I was mortified watching the disrespectful, condescending tone she took w/her co-host, who remained calm & respectful because…she HAD to.”

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    What’s on TV This Week: ‘Tinker, Tailor, Soldier, Spy’ and ‘Genius: Aretha’

    #masthead-section-label, #masthead-bar-one { display: none }The Grammy AwardsGrammys: What HappenedWinners ListBest and Worst MomentsBeyoncé Breaks RecordRed CarpetAdvertisementContinue reading the main storySupported byContinue reading the main storyWhat’s on TV This Week: ‘Tinker, Tailor, Soldier, Spy’ and ‘Genius: Aretha’Revisit the 2011 adaptation of John le Carré’s “Tinker, Tailor, Soldier, Spy.” Or see Cynthia Erivo play Aretha Franklin in National Geographic’s “Genius: Aretha.”Gary Oldman in “Tinker, Tailor, Soldier, Spy.”Credit…Jack English/Focus FeaturesMarch 15, 2021, 1:00 a.m. ETBetween network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, March 15-21. Details and times are subject to change.MondayTINKER, TAILOR, SOLDIER, SPY (2011) 8 p.m. on HBO2. John le Carré, who died in December at 89, made a name for himself writing espionage novels with spy characters that are flawed and fallible. If they order vodka martinis it’s probably to stave off loneliness, not to look suave. Such is the case with the MI6 officer George Smiley, a recurring character in le Carré’s novels and the focus of “Tinker, Tailor, Soldier, Spy,” which concerns an aging Smiley’s efforts to weed out a double-agent in the service’s ranks. Gary Oldman plays Smiley in this film version, which was directed by Tomas Alfredson and which, in her review for The New York Times, Manohla Dargis called a “superb” adaptation of le Carré’s novel. Oldman, she wrote, gives “a fascinatingly gripping performance that doesn’t so much command the screen, dominating it with shouts and displays of obvious technique, as take it over incrementally, an occupation that echoes Smiley’s steady incursion into the mole’s lair.”ROBIN AND MARIAN (1976) 6 p.m. on TCM. Five years after ostensibly hanging up his James Bond tux with “Diamonds Are Forever,” Sean Connery starred opposite Audrey Hepburn in this swashbuckling take on the Robin Hood legend. Connery plays an aging Robin Hood, who, after the death of Richard the Lionheart (Richard Harris), returns to Sherwood Forest to discover that Maid Marian, who has become the mother superior of a convent, has come under threat from Robin Hood’s nemesis, the Sheriff of Nottingham (Robert Shaw). The adventure is set to a score by John Barry, who also wrote the musical accompaniment for a slew of James Bond movies, including most of Connery’s.TuesdayMAYANS M.C. 10 p.m. on FX. This “Sons of Anarchy” spinoff has offered a distinctive blend of gasoline and adrenaline since its debut in 2018. The third season, which premieres on Tuesday night, continues the story of Ezekiel “E.Z.” Reyes (J.D. Pardo). It picks up after the events of the show’s intense Season 2 finale, which included a consequential murder.WednesdayThe singer Leon Bridges performing in 2016. Bridges is one of several artists slated to appear in the TV special “A Grammy Salute to the Sounds of Change.”Credit…Amy Harris/Invision, via Associated PressA GRAMMY SALUTE TO THE SOUNDS OF CHANGE 9 p.m. on CBS. The hip-hop artist Common will host this two-hour special, which will pay tribute to music’s ability to catalyze social change. Artists slated to appear include Yolanda Adams, Andra Day, Cynthia Erivo, John Fogerty, Gladys Knight, Patti LaBelle, Brad Paisley, Leon Bridges, Billy Porter and Gloria Estefan. The ongoing criticism of the Grammys’ lack of diversity, including its poor record of recognizing people of color, is bound to create some dissonance — but the power of the artists, including those involved here, was never in question.FINIAN’S RAINBOW (1968) 5:30 p.m. on TCM. Four years before “The Godfather,” Francis Ford Coppola helmed this film adaptation of the 1947 fantasy musical “Finian’s Rainbow.” The story follows an Irish father (Fred Astaire) and daughter (Petula Clark) who steal a leprechaun’s pot of gold, then flee to the United States. While the film has its fans — including the Coen Brothers, who have expressed a love for it — it was largely panned by critics, including Renata Adler, who in her review for The Times in 1968 referred to the film as a “cheesy, joyless thing.”ThursdaySHREK (2001) 6 p.m. on Freeform. This spring marks 20 years since Mike Myers, Eddie Murphy and Cameron Diaz teamed up in the original, animated, tongue-in-cheek “Shrek” fairy tale. Its original audience might enjoy revisiting it for a dose of nostalgia — or perhaps to show it to their own children.FridayRenée Fleming and Robert Ainsley in “Great Performances at the Met.”Credit…Metropolitan OperaGREAT PERFORMANCES AT THE MET 9 p.m. on PBS (check local listings). The New York performing arts venue the Shed announced last week that it will be reopening for indoor performances next month, with a lineup that includes a concert from the soprano Renée Fleming. But even most people who feel ready to return to indoor performances won’t get to go — the size of the virus-tested audience will be limited. Instead, they can get their Fleming fix remotely on Friday, when PBS airs this episode of “Great Performances at the Met.” The recorded program includes arias by Puccini and Massenet, plus works by Handel and Korngold. PBS is pairing it with “Live From Lincoln Center Presents: Stars In Concert” with Andrew Rannells, which airs at 10 p.m.SaturdayRELIC (2020) 8 p.m. on Showtime. Emily Mortimer, Bella Heathcote and Robyn Nevin play three generations of women haunted by one case of dementia — and perhaps more — in this horror debut from the director Natalie Erika James. The plot revolves around Edna (Nevin), an octogenarian who goes missing from her rural home. When Edna’s daughter (Mortimer) and granddaughter (Heathcote) go looking for her, they discover a sinister presence within the home’s dusty walls. In her review for The Times, Jeannette Catsoulis wrote that the film creates a “surpassingly creepy atmosphere and a patiently ratcheting unease.” The story, she added, “deftly merges the familiar bumps and groans of the haunted-house movie with a potent allegory for the devastation of dementia.”SundayCynthia Erivo in “Genius: Aretha.”Credit…Richard DuCree/National GeographicGENIUS: ARETHA 9 p.m. on National Geographic. The first two seasons of this National Geographic anthology series focused on the lives of Pablo Picasso (Antonio Banderas) and Albert Einstein (Geoffrey Rush). The third season, debuting Sunday night, dramatizes the life of Aretha Franklin (Cynthia Erivo). It was originally slated to air in May of last year, but was pushed back after the pandemic caused production delays. The new timing offers an interesting opportunity for viewers — the playwright Suzan-Lori Parks, who was the showrunner for this season of “Genius,” also wrote the just-released historical drama “The United States vs. Billie Holiday.” Watch both back to back to see Parks revisit the lives of two giants in 21st century music.AdvertisementContinue reading the main story More

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    Netflix Tests a Clampdown on Password Sharing

    AdvertisementContinue reading the main storySupported byContinue reading the main storyNetflix Tests a Clampdown on Password SharingThe company said a feature was being tested with a limited number of users, a move that might signal a broader crackdown on the common practice of password sharing among family and friends.Netflix has been asking some users of the popular streaming service to verify that they live with the holder of the account.Credit…Jenny Kane/Associated PressMarch 14, 2021Updated 11:43 a.m. ETWant to watch “The Queen’s Gambit” or “Lupin”? If you’ve been borrowing a Netflix password from a family member or friend, you may now have to pay up.Netflix has started testing a feature that could prod users who are borrowing a password from someone outside their household to buy a subscription.The company said the feature was being tested with a limited number of users. It may signal a broader clampdown on the common practice of sharing passwords among relatives and friends to avoid paying for the popular streaming service.“The test is designed to help ensure that people using Netflix accounts are authorized to do so,” the company said in a statement.Some users began to notice the feature recently when they logged onto a shared Netflix account and saw a message on their screen that read, “If you don’t live with the owner of this account, you need your own account to keep watching.”To continue watching, these users were asked to either verify that it was their account by entering a code that was sent to them by text or email, or join with their own account to Netflix. They also had the option to complete the verification process later.A basic Netflix subscription, which allows customers to watch on one screen at a time, costs $8.99 a month. Customers who pay more can watch on additional screens simultaneously.Netflix declined to discuss its new feature, previously reported by The Streamable, an industry news site, in detail. But industry analysts said it might be part of an effort to enforce Netflix’s frequently overlooked terms of use, which state that its service and content “are for your personal and noncommercial use only and may not be shared with individuals beyond your household.”The test also appears to be more of a nudge to buy a subscription than an iron-fisted crackdown. For example, someone who was borrowing a password from a friend or family member could ask for the verification code that had been sent by Netflix.“I’m not convinced this is an all-out assault,” said Michael D. Smith, a professor of information technology and marketing at Carnegie Mellon University in Pittsburgh. “It could be a warning shot over the bow of some pirates.”But, he said, merely reminding people that password sharing is not allowed could persuade some people to buy subscriptions, rather than continue to use the ones that are paid for by their friends or relatives.“Even minor signals that piracy isn’t acceptable could change people’s behavior,” he said.The test comes as Netflix viewership has drastically risen during the coronavirus pandemic.The company said in January that it had added 8.5 million customers in the fourth quarter, for a total of 203.6 million paying subscribers by the end of 2020. The company has about 66 million customers in the United States and anticipated adding six million total subscribers in the first three months of this year.Netflix had earlier hinted that it was looking at ways to stop password sharing. Gregory K. Peters, the company’s chief product officer, said during a call to review the company’s earnings in October 2019 that Netflix was “looking at the situation.”“We’ll see, again, those consumer-friendly ways to push on the edges of that,” Mr. Peters said, adding that the company had “no big plans to announce at this point.”Professor Smith said the company clearly loses a significant amount of revenue through people using the service but not paying for it.“Sharing your password is piracy, and it could be costing Netflix a good deal of money if people who would otherwise subscribe are using their friends’ passwords, so that’s no doubt a problem,” he said. “The real challenge for them is finding who the password sharers and who the legitimate accounts are.”Beyond the business concerns, requiring users to enter a code that is texted or emailed could also have security benefits, said Lorrie Faith Cranor, a professor of computer science and engineering and public policy at Carnegie Mellon.Hackers could in theory change the settings of a customer’s Netflix account and start charging the person more, she said. They could also gain access to information that could help them break into other accounts, especially if the customer uses the same password for multiple accounts. “That’s a very common thing,” she said.But requiring a user to enter a code that is sent via text or email — a process known as two-factor authentication that is used by many social media and banking apps — makes it harder for attackers to break in.“I’m not sure it’s a huge benefit,” Professor Cranor said, “but there is some benefit.”AdvertisementContinue reading the main story More

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    Subway Product Placement Makes It a Star of Korean TV

    AdvertisementContinue reading the main storySupported byContinue reading the main storyKorean TV’s Unlikely Star: Subway SandwichesThe sandwich chain’s aggressive use of product placement has made it a ubiquitous presence on the country’s television shows.Subway has appeared in at least 17 Korean shows, according to an informal tally by The New York Times.March 14, 2021, 5:00 a.m. ETIn an episode of the Korean television show “The K2,” which takes place in a world of fugitives and bodyguards, a man is being treated with a defibrillator when he enters into a dream state. On the fringe of death, he recalls taking a past love to a Subway restaurant and to a park for a picnic, where he gently feeds her a sandwich and soft drink with the Subway logo facing the camera.The detail is not a narrative quirk. It is a result of South Korea’s broadcasting regulations and the aggressive use of product placement in the country’s shows by Subway, the American sandwich chain famous for its $5 foot-longs.“People joke, ‘If I had a drink every time Subway popped up, I’d be drunk before the first half is over,’” said Jae-Ha Kim, a journalist in Chicago who reviews Korean dramas. “Everyone here’s like, ‘I never got a Subway sandwich that looked that good, with that much meat.’”Product placement in TV shows is a reality the world over. But South Korea’s terrestrial stations are prevented from inserting commercial breaks during programming, meaning many Korean companies must be creative about getting their wares in front of viewers. As Korean dramas have become more popular with international audiences, global brands have pushed to be part of the action.And no company has pushed harder than Subway, which has grown into the world’s largest fast-food chain by store count since its founding in 1965 in Bridgeport, Conn.Colin Clark, the country director for Subway in South Korea, said product placements in popular dramas like “Descendants of the Sun” had a positive impact on global sales, specifically citing markets in China, Taiwan and Singapore.“I swear to you, it was a difference between night and day — before the product placement and after the product placement — the effect it had on the customers,” said Mr. Clark, who declined to provide specific sales figures.Subway’s country director in South Korea credits product placement in Korean dramas with a positive impact on global sales.Credit…Jean Chung for The New York TimesSubway did not provide a total of how many Korean dramas its products had appeared in, but an informal tally by The New York Times counted appearances on 17 shows. That can add up to a lot of people seeing the company’s cold cuts. Netflix, with over 203 million worldwide members, has become a leading portal for Korean dramas. When the highly anticipated Korean drama “Sweet Home” was released on Netflix in December, 22 million viewers watched the show in its first month.By sleekly presenting its products on Korean dramas as a harbinger of cool, Subway is also presenting a fresh image to American viewers who are increasingly watching the shows.Recently, the company has faced scrutiny of its bread, which an Irish court ruled is not bread, and its tuna, which a lawsuit claimed is “anything but tuna.”But on TV, pristinely clean Subway shops pop with bright colors serve as the setting for business meetings, social gossip and dates for beautiful couples. Instead of cookies and tea, elderly Korean TV characters keep freshly wrapped Subway sandwiches at the ready — you never can know when an unexpected guest will drop by and crave an Italian sub.On the popular Korean drama “Crash Landing on You,” North Korean soldiers and a South Korean businesswoman find common ground through Subway sandwiches.Product placement in Korean shows began in earnest in 2010, when South Korea’s stringent broadcasting laws eased restrictions on the practice in an effort to increase network revenues and promote Korean goods. In 2018, South Korea’s networks sold $114 million worth of product placement, up 15 percent from the previous year, according to Soobum Lee, a mass communication professor at Incheon National University.Shows collect an average of about $900,000 from product placements, although 2016’s “Descendants of the Sun” sold triple that amount, Mr. Lee said. It was also criticized by some viewers for excessive product placement.Other American companies, like Papa John’s Pizza, have used product placements in Korean dramas, but none are as ubiquitous as Subway.Ms. Kim said these kinds of shoehorned ads had become popular topics of discussion online, with some fans claiming they disrupt plots and threatening to stop watching altogether.She pointed to criticism of the show “Guardian: The Lonely and Great God” (also known as “Goblin”) and a scene where it’s inferred that the protagonist prevents a man from committing suicide; in an effort to cheer him up, the suicidal man is handed a Subway sandwich. Subway is also celebrated in death; in another episode, the Grim Reaper is shown enjoying a meal from the chain.“I know in the U.S. people are sick of it,” Ms. Kim said of the product placement. “We’ve had Subway, we know it’s not good. Stop trying to make it seem good.”While American viewers may roll their eyes at Subway’s being portrayed as haute cuisine, Seung-Chul Yoo, a communications professor at Ewha Womans University in Seoul, said product placement had been proved to work.Subway “tastes way better in South Korea,” said Seung-Chul Yoo, a communications professor at Ewha Womans University in Seoul.Credit…Jean Chung for The New York TimesWhen the actress Jun Ji-hyun wore red lipstick on the 2013 series “My Love From the Star,” similar products sold out in stores throughout Asia. Books featured on Korean dramas have become best sellers.Marja Vitti, who covers Korean television for the website Dramabeans, said some fans had watched dramas to spot new products from companies before they were released to the public.“I seem to notice a new Samsung feature in every drama,” Ms. Vitti said. “It’s like, ‘Oh, I guess we’re getting folding phones soon.’”Keeping up with trends, Subway has begun teasing new sandwiches on shows. In October, the company released its own mini-drama on YouTube, “Someway,” about a young woman who develops a crush on a Subway employee and regularly eats at his location to win his affection.Each episode begins with a character expressing fondness for a new sandwich variety, like one made with Altermeat, a meat substitute. The first episode of “Someway” has more than 1.3 million views.“There’s humor in the advertising we’re doing,” Subway’s Mr. Clark said. “As a brand, if you take yourself too seriously, you’re going to end up always getting into trouble.”Subway opened its first South Korea location in 1992. Now there are more than 430 Subways in the country, its second-largest footprint in Asia behind China.To continually appeal to its target demographic of 15- to 25-year-olds, Subway is also becoming more inventive with how it is presented. On the drama “Memories of the Alhambra,” gamers competing in an augmented reality game collected valuable swords and coins by going to Subway.In real life, newer restaurants with digital menu boards display the chain’s appearances on shows.Product placement “was a relatively cheap way to get us brand awareness,” said Mr. Clark, who has also overseen collaborations with the K-pop star Kang Daniel and a limited-edition Subway streetwear release with Fila. “It was something the other brands were doing, but weren’t really kind of owning that space the way Subway started doing.”Mr. Yoo said that in South Korea, Subway was generally viewed as a healthier option than burger chains, which added to its appeal. During the decade he lived in the United States he rarely ate at Subway, he said, but now he regularly enjoys its sandwiches in Seoul.“To be honest, it tastes way better in South Korea,” Mr. Yoo said.Brands like Subway will soon be able to do more traditional advertising on South Korean television. In January, the Korea Communications Commission announced plans to allow commercial breaks on terrestrial stations.Product placement is not likely to disappear, though.Mr. Clark said that terrestrial advertising was too expensive and that those stations didn’t reach Subway’s desired young customer base, who frequently stream episodes on their phones.Besides, the practice of product placement has already become a plot point.On the show “Because This Is My First Life,” the lead character dreams of becoming a television writer. When she lands a job in the industry, her assignment is to jam product placements into the scripts of popular Korean dramas.In Subway’s YouTube mini-drama, a young woman develops a crush on a Subway employee and regularly eats at his location to win his affection.Credit…Jean Chung for The New York TimesAdvertisementContinue reading the main story More

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    Snoop Dogg Joins 50 Cent's New Series 'Black Family Mafia'

    WENN

    The ‘Doggystyle’ rapper has been added to the cast ensemble of the upcoming Starz drama series based on the true-life story of Detroit’s drug trade in the 1980s.

    Mar 14, 2021
    AceShowbiz – Snoop Dogg has signed on for 50 Cent’s new Starz drama “Black Family Mafia”.
    The rapper and actor will have a recurring role as spiritual leader Pastor Swift on the series, which will also feature La La Anthony, Serayah, Tyshon Freeman, Stormy Meriweather, Michole Briana White, Ajiona Alexus, and Eric Kofi-Abrefa.
    Anthony, who also appeared in 50 Cent’s hit show “Power”, will play the wife of a flamboyant drug dealer, according to Deadline.
    “Black Family Mafia” is based on the true-life story of Detroit, Michigan’s drug trade in the 1980s.
    50 will executive produce.
    The rapper is also busy developing spinoffs to his hit series “Power”.

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    The first to come out was “Power Book II: Ghost” which saw the return of the original stars like Michael Rainey Jr., Shane Johnson, and Naturi Naughton. It was picked up for a second season following a record-breaking premiere.
    In addition, Starz ordered “Power Book III: Raising Kanan” and “Power Book IV: Force” as the original show concluded in 2019 after six seasons.
    In another news, Marc Anthony has signed on to executive produce the soundtrack to Sofia Vergara’s upcoming animated comedy, “Koati”.
    The singer will collaborate with Grammy-winning producer and songwriter Julio Reyes Copello on 10 original songs, which will be recorded by well-known Latin stars.
    Vergara, who will executive produce the film, will voice a coral snake named Zaina in the film while her husband, actor Joe Manganiello, will also feature.
    The film, which follows the adventures of three unlikely heroes, a racoon-like coati, a monarch butterfly, and a glass frog, will be released later this year (21).

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