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    What’s on TV This Week: ‘9to5: The Story of a Movement’ and ‘The Equalizer’

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyWhat’s on TV This Week: ‘9to5: The Story of a Movement’ and ‘The Equalizer’A new documentary on PBS looks at the roots of a women’s rights organization. And Queen Latifah stars in a reboot of “The Equalizer” on CBS.“9to5: The Story of a Movement” revisits an organization that fought for better treatment of women in the workplace.Credit…Richard BermackFeb. 1, 2021, 1:00 a.m. ETBetween network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Feb. 1-7. Details and times are subject to change.MondayINDEPENDENT LENS: 9TO5 — THE STORY OF A MOVEMENT 10 p.m. on PBS. The filmmakers Julia Reichert and Steven Bognar (“American Factory”), co-directed this new documentary about the founding of 9to5, National Association of Working Women. The organization was started by a group of secretaries in Boston in the 1970s. The documentary revisits its roots, and the larger groundswell of feminist activism from which it grew. It includes interviews with the organization’s founders and others related to the movement — including Jane Fonda, who starred alongside Lily Tomlin and Dolly Parton in the 1980 farce “Nine to Five,” which took inspiration from the organization’s back story.TuesdayA scene from “Fake Famous.”Credit…HBOFAKE FAMOUS (2021) 9 p.m. on HBO. Nick Bilton, a journalist who has written extensively about technology for publications including Vanity Fair and The New York Times, is the director of this new documentary. The film follows Bilton as he gathers a trio of relatively unknown young people — an actress, a real-estate professional and a fashion designer — and helps them try to become “famous” social-media influencers. He uses a variety of artificial tactics to do that, like setting up photo shoots that make the subjects’ lifestyles appear lavish, and helping them purchase fake Instagram followers. The documentary includes at least one scene in which one of its subjects drives a car while holding two smartphones.GROUNDHOG DAY (1993) 8 p.m. on AMC. Real-life Groundhog Day is on Tuesday, so naturally AMC is showing this classic comedy about an ornery weatherman (Bill Murray) reliving the same day over and over and over. You can also see it at 10 a.m., 12:30 p.m., 3 p.m., 5:30 p.m. and 10:30 p.m. (seriously).WednesdayA RAISIN IN THE SUN (1961) 10 p.m. on TCM. The first week of Black History Month is a fitting time to revisit “A Raisin in the Sun.” Lorraine Hansberry made history with it in 1959, when she became the first Black woman with a play produced on Broadway. The original Broadway cast — including Sidney Poitier, Ruby Dee and Claudia McNeil — later starred in this classic film version. Its screenplay, which Hansberry adapted from her original play, retells the story of the Youngers, a Black family that has to decide what to do with a large insurance payment, and faces relentless discrimination when its members try to buy a home in a fictional white neighborhood in Chicago.ThursdayCynda Williams and Denzel Washington in “Mo’ Better Blues.”Credit…David Lee/Universal City StudiosMO’ BETTER BLUES (1990) 6:50 p.m. on Showtime. You can watch a trio of Spike Lee movies on Showtime on Thursday night, beginning with Lee’s 1994 Bed-Stuy coming-of-age story “Crooklyn” at 4:55 p.m., and ending with Lee’s 1989 opus “Do the Right Thing” at 9 p.m. In between those two, the network will show “Mo’ Better Blues,” Lee’s music-heavy comedy-drama about a jazz trumpeter, Bleek Gilliam (Denzel Washington). The music in the movie is largely by Lee’s father, the jazz bassist and composer Bill Lee; its plot involves Bleek’s complicated love life and his band’s financial issues, which are driven by their gambling-addicted manager (Lee), and which raise questions about the relationship between art and money. “An artist has to be a businessman today,” Lee explained in an interview with The Times in 1990. “Money means a lot. It equals power. If my films did not make the money they make, I couldn’t make the demands I make. A studio knows I’ll have final cut.”FridayBADLANDS (1973) 6:15 p.m. on TCM. Terrence Malick took inspiration from a brief, bloody real-life episode for this, his directorial debut. Based loosely on a string of murders committed in the 1950s, “Badlands” casts Martin Sheen as a 25-year-old Midwestern garbage collector and Sissy Spacek as an underage girl who runs off with him. The two take a murderous road trip across the Midwest. The film, Vincent Canby wrote in his review for The Times in 1973, is “ferociously American.”SaturdayRose Byrne and Steve Carell in “Irresistible,” a satire about a political operative.Credit…Daniel Mcfadden/Focus FeaturesIRRESISTIBLE (2020) 8 p.m. on HBO. After years of staying away from the social media center of couch commentary, Jon Stewart finally joined Twitter last week, weighing in on — of all things — the internet-fueled stock market kerfuffle revolving around the video-game retailer GameStop. Stewart’s voice has largely been absent from the political-commentary realm since he stopped hosting the “Daily Show” in 2015, but he dipped his toe back into it last year with “Irresistible,” a satire about a savvy political consultant in Washington, D.C., named Gary Zimmer (Steve Carell), who swoops into a small Wisconsin town to run a mayoral campaign. Gary’s quest to get his candidate — a farmer and retired Marine played by Chris Cooper — elected is complicated by the arrival of a Republican adversary (Rose Byrne). The result is a film that feels like “a stale corn chip trampled into Party-convention carpeting,” Jeannette Catsoulis wrote in her review for The Times. But, she notes, Byrne “gives Faith a bitingly droll politesse that tells us she has Gary’s number: She knows he’s as comfortable with his privilege as she is with hers.”SundayIn “The Equalizer,” Queen Latifah stars as a fresh version of the show’s fleet-footed vigilante.Credit…Barbara Nitke/CBSTHE EQUALIZER 10 p.m. on CBS. The 1980s action series “The Equalizer” got a pair of ultraviolent film adaptations during the 2010s, with Denzel Washington taking over for the original series’s star, Edward Woodward, on laying-waste-to-bad-guys duty. The franchise comes full-circle with this new TV reboot, which stars Queen Latifah as a fresh version of the show’s fleet-footed vigilante. CBS clearly has high hopes for the new series; they’re airing it right after the Super Bowl, which begins on the network at 7 p.m.AdvertisementContinue reading the main story More

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    'SNL': John Krasinski Kisses Pete Davidson While Reminiscing 'The Office' Character

    NBC

    A new episode of the NBC show also tackles the the U.S. Capitol riot as a skit sees an FBI agent arresting the ‘Jack Ryan’ star and one of his friends for participating in the January 6 riot.

    Feb 1, 2021
    AceShowbiz – The first episode of “Saturday Night Live” aired on January 30 with John Krasinski as the host. During his monologue, the “A Quiet Place” actor/director shared that he felt honored to be able to host his favorite show.
    “I am so honored to be hosting the first show of 2021. I genuinely cannot tell you what a huge deal it is to be here right now,” the “Jack Ryan” star said on stage. “I have been watching this show since I was 8 years old… So to be here on this stage is nothing short of mind blowing to me.”
    The audience members, however, interrupted him as they flooded him with questions about “The Office” with cast member Alex Moffat asking him where Pam (Jenna Fischer) was. “I have a question. … So my question is you’re Jim from ‘The Office’?” he asked.

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    To that, John replied, “Nope, I’m actually John. Hello.” He continued saying, “Pam is a fictional character.” Despite his answer, Ego Nwodim told John to stop working out because “Jim is soft,” while Kenan Thompson said that he needed to see John kissing Pam “today.”
    That was when a fan of “The Office”, played by Pete Davidson, appeared and made a proposition. “I think they really need for someone to be Pam,” Pete told John, adding, “I think we’ve got to give them what they want. Jim, I think you have to kiss Pam.” The two then shared a kiss in front of the crowd who quickly cheered on them.
    Later in the episode, the cast members tackled the the U.S. Capitol riot on January 6 in a skit. The said skit saw John joining his five other pals at a friend’s home for a game night when an FBI agent visited them to arrest their friend Brad for participating in the riot. When asked why he did that, Brad told his friends, “I care about our nation and its Constitution, so I wiped jelly on a statue and put (Nancy) Pelosi’s phone down my pants.”
    “Are you Keith Reynolds?” the undercover FBI officer later asked John, who responded, “Yes, or QDaddy on Facebook.” He then left with the officer while carrying what appears to be the lectern of House Speaker Nancy Pelosi in attempt to mimic Adam Christian Johnson a.k.a. “Podium Guy” from the riot.

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    How to Improve the Oscars? We Asked Five Culture Journalists

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonNetflix’s First Winner?Our Best Movie PicksNew Diversity RulesOscar-Winning DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main storyTimes InsiderHow to Improve the Oscars? We Asked Five Culture JournalistsYes, even in a year when the show will be held during a pandemic, the question is predictable. But these answers aren’t.The Academy Awards, which will be held on April 25, could do more to be fan-friendly.Credit…Matt Petit/Getty ImagesJan. 31, 2021, 5:00 a.m. ETTimes Insider explains who we are and what we do, and delivers behind-the-scenes insights into how our journalism comes together.The New York Times’s Culture desk recently looked at how the 93rd Academy Awards, scheduled for April 25, will take shape during the pandemic. One article features five Hollywood insiders talking about ways the Academy of Motion Picture Arts and Sciences could make the Oscars more entertaining. Below, five of the journalists on the desk offer their thoughts on the same topic — well, four of them do.Live from … New Orleans?I’m in the camp that believes the Oscars would benefit from brevity, or at least finishing on time. (We on the East Coast have tight deadlines and work in the morning!) But aside from that, my dream is for the academy to host the ceremony in a different location each year, like the Super Bowl. The film industry has expanded in Atlanta, New Orleans and Austin, Texas — it could be another economic boon for those cities. Hollywood is often criticized for being out of touch with regular people. What better way to combat that notion? And fans would get a kick out of it. — Maira Garcia, digital news editorTime to retuneRethink the musical numbers. Songs in movies are written to help tell stories, not to be bellowed, devoid of context, by off-key pop stars backed by phalanxes of chorines. The orchestral arrangements and attempts at dance are too often informed by a generic idea of Hollywood spectacle — or, on the other hand, of pop spirituality. Get more specific! And since the Oscars take place in a theater, get a theater choreographer to stage them. — Jesse Green, chief theater critic‘I’d like to start my puzzling tangent immediately’After nominations have been announced, all finalists would have to submit to the academy the names of agents, managers, publicists, assistants and any other professional colleagues that they would have otherwise thanked in their acceptance speeches; these names would then be posted on the academy’s website or displayed alongside the eventual winner during the Oscars broadcast. Winners would thus have to focus their acceptance speeches on inspirational lessons gleaned from the making of their movie; ribald needling of rival nominees in their category; endorsement of fringe political beliefs that they are trying to articulate for the first time; and heartfelt expressions of gratitude to parents, mentors and school-age children watching at home. (Any violations of these rules would be enforced by catapult.) — Dave Itzkoff, culture reporterBest (loved) pictureAt a time when Hollywood has lamented the loss of moviegoing (I sorely miss it, too), wouldn’t it be nice if the Academy Awards celebrated moviegoers? One way to do that would be to let audiences nationwide vote on their favorite film and award a new Oscar to the winner. This wouldn’t be the same as the academy’s proposed prize for “achievement in popular film.” That short-lived, much maligned idea would have left the decision up to the organization’s members. This would give fans a voice. And who knows? Their favorite could match up with best picture. A win all around. — Stephanie Goodman, film editorLet Oscar be OscarI’m not sure the Oscars need to be, or can be, “improved,” at least as a TV show. (Whether they really measure the best work in movies is another question.) They will always be a mixed bag on average. They inevitably have to serve a casual audience along with a smaller audience of movie buffs. You can hire good producers and cast good talent and make room for spontaneous moments, but beyond that, it’s a matter of chance and whether lightning strikes. It’s easier to make an awards show bad — with ill-conceived stunts, e.g. — than to make one good. But I also don’t think there was any golden age when awards shows were better than they are now. This may be a terrible thing for a TV critic to say. But, just watch them or don’t! If you’re dissatisfied with the Oscars, you may just not be a person who likes awards shows very much, and that’s fine. — James Poniewozik, chief television criticAdvertisementContinue reading the main story More

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    Groundhog Day Movies

    @media (pointer: coarse) { .at-home-nav__outerContainer { overflow-x: scroll; -webkit-overflow-scrolling: touch; } } .at-home-nav__outerContainer { position: relative; display: flex; align-items: center; /* Fixes IE */ overflow-x: auto; box-shadow: -6px 0 white, 6px 0 white, 1px 3px 6px rgba(0, 0, 0, 0.15); padding: 10px 1.25em 10px; transition: all 250ms; margin-bottom: 20px; -ms-overflow-style: none; /* IE 10+ */ […] More

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    Philippa Goslett Replaces Joss Whedon on HBO's 'The Nevers'

    HBO

    The ‘Mary Magdalene’ director has been enlisted to fill in the vacant spot left by the former Marvel filmmaker after he quit following ‘Justice League’ woes.

    Jan 31, 2021
    AceShowbiz – British filmmaker Philippa Goslett has stepped in to replace Joss Whedon on HBO sci-fi drama “The Nevers”.
    Whedon exited the project last year (20), citing work pressures while insisting the show was too big for him.
    This will be “Mary Magdalene” director Goslett’s first major television gig. She will also serve as an executive producer.
    The drama follows a group of Victorian women with superpowers.

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    It was set to be Whedon’s first TV series since he co-created “Agents of S.H.I.E.L.D.” and the first solely created by him since the cult 2009 Fox drama “Dollhouse”, according to Deadline.
    When announcing his exit from the new TV project last year, Joss Whedon said, “This year of unprecedented challenges has impacted my life and perspective in ways I could never have imagined, and while developing and producing The Nevers has been a joyful experience, I realize that the level of commitment required moving forward, combined with the physical challenges of making such a huge show during a global pandemic, is more than I can handle without the work beginning to suffer.”
    “I am genuinely exhausted, and am stepping back to martial my energy towards my own life, which is also at the brink of exciting change.”
    Whedon’s exit came after “Justice League” actor Ray Fisher accused him of “abusive” and “unprofessional” behaviour on the set of the film, prompting an investigation at Warner Bros. which, like HBO, is a part of WarnerMedia.

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    Ryan Reynolds to Learn Multiple New Skills on New Snapchat Series

    Snapchat

    The ‘Deadpool’ actor is going to learn new skills from ‘a group of talented emerging artists and creators from an array of fields’ in the upcoming ‘Ryan Doesn’t Know’.

    Jan 31, 2021
    AceShowbiz – Ryan Reynolds will be “learning some extremely useful skills” in his new Snapchat series “Ryan Doesn’t Know”.
    The “Deadpool” star has teamed up with the social media app for the new series, which debuts on Saturday (30Jan21) under Snapchat’s Discover feature with a new episode airing every other day.
    In a trailer for the show, which Ryan shared on his Instagram page, the actor says, “I’m Ryan Reynolds, and you could fill a gymnasium with things that I don’t know.”
    According to a description for the series, Reynolds will be joined “by a group of talented emerging artists and creators from an array of fields” as he tries out some new tricks – including ice sculpting with Shintaro Okamoto, visual trickery with VFX expert Trevor Bell, floral sculpting with creative designer Aurea Molaei, and even axe throwing.

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    The description added that the father-of-three will take “some time for some self-improvement, learn some extremely useful skills, and meet some new friends” in “Ryan Doesn’t Know”.
    [embedded content]
    The project is just one of the many original shows being launched by Snapchat.
    Will Smith has hosted “Will From Home” on the social media platform. He talked to family members, guest stars like Tyra Banks, and members of the public who were staying home due to social distancing measures.
    Will’s son Jaden Smith additionally fronted a new racial and justice series on Snapchat ahead of the Presidential election last year. He invited a number of his famous friends and family members such as Hailey Baldwin, Common, his sister Willow Smith, Janelle Monae, Yara Shahidi, and Lena Waithe to discuss topics like criminal justice and education reform and voting access.

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    Sonny Fox, Whose ‘Wonderama’ Mixed Fun and Learning, Dies at 95

    #masthead-section-label, #masthead-bar-one { display: none }The Coronavirus OutbreakliveLatest UpdatesMaps and CasesSee Your Local RiskVaccine InformationWuhan, One Year LaterAdvertisementContinue reading the main storySupported byContinue reading the main storyThose we’ve lostSonny Fox, Whose ‘Wonderama’ Mixed Fun and Learning, Dies at 95He was not a comic or a clown, just a smart and genial TV host who for almost a decade spoke to children, not at them. He died of Covid pneumonia.Sonny Fox in an undated photo. “Wonderama,” the popular New York children’s TV show he hosted from 1959 to 1967, was a dazzling mixture of cartoons, games and many other elements.Credit…BettmannJan. 30, 2021, 5:18 p.m. ETSonny Fox, who as the host of the children’s television show “Wonderama” presided over a four-hour combination of fun and learning on Sunday mornings from 1959 to 1967, died on Jan. 24 in Encino, Calif. He was 95.The cause was Covid pneumonia, his son Dana said.Mr. Fox was a veteran of television when he was hired for “Wonderama” by the New York station WNEW-TV (now WNYW). He had hosted a live local educational program in St. Louis and “Let’s Take a Trip,” on CBS, on which he took two youngsters on a field trip each week.In 1956, CBS named Mr. Fox the M.C. of “The $64,000 Challenge,” but he was fired a few months after accidentally giving a contestant an answer. He was not embroiled in the scandal that emerged two years later when it was discovered that several quiz shows, including “Challenge,” had been rigged by their producers.No such problems existed at “Wonderama,” where Mr. Fox’s mission was to tack away from the silly show it had become under previous hosts. But he was too serious at first, focusing on subjects like space exploration. Ratings began to fall.“I became so ponderously educational that the kids who had been watching turtle races” — under the previous hosts — “had no idea what I was doing,” he said in a Television Academy interview in 2008.The show, which was taped before an audience of about 50 youngsters, soon found its footing. It became a dazzling mixture of cartoons, spelling bees, games like “Simon Says,” joke-telling (by the children), contests, dramatizations of Shakespeare plays and magic. In 1964, the show held a mock Republican convention. Mr. Fox also interviewed newsmakers like Mayor John V. Lindsay of New York and Senator Robert F. Kennedy, and opened the floor to questions from the children.“Do you think all the money that we’ve been spending on this nation’s space program should be spent on this or on poverty bills and such?” an earnest boy with glasses asked Senator Kennedy in 1965.“We can make the space effort,” Mr. Kennedy said, adding that both could be done: “If there’s ever an unknown, man will search the unknown.”Mr. Fox was not a comic performer like Chuck McCann, Sandy Becker or Soupy Sales — stars of their own daytime children’s shows on WNEW at the time — and did not wear funny costumes. He was a smart and genial host who wore a suit and tie.He viewed the children in the studio not as passive observers of “Wonderama” but as integral to it, whether they were trying to stump him with a riddle or delivering news segments.Mr. Fox with two members of the “Wonderama” audience in 1961. He viewed the children in the studio not as passive observers of the show but as integral to it, Credit…Wagner International PhotosHe said Mr. Becker and Mr. Sales resented his popularity because he was not a performer.“I did nothing, apparently!” he told the online Observer in 2017. “That’s the contrast: For them, the kids were the audience; for me, the kids were the show.”The popularity of “Wonderama” meant children waited years for tickets to tapings at its studio on East 67th Street in Manhattan. Mr. Fox’s mother, Gertrude (Goldberg) Fox, sent him notes each Monday insisting that tickets be set aside for certain children.The Coronavirus Outbreak More

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    'Sex and the City' Reboot Will Have Covid-19 Pandemic as Part of the Storyline

    New Line Cinema

    According to Sarah Jessica Parker, the upcoming Carrie Bradshaw series ‘And Just Like That…’ is expected to make reference to the ongoing coronavirus health crisis.

    Jan 31, 2021
    AceShowbiz – Sarah Jessica Parker has shared the “Sex and the City” reboot will make reference to the ongoing COVID-19 pandemic.
    The 55-year-old actress – who will resume her role as Carrie Bradshaw in the upcoming series, titled “And Just Like That…” – has revealed the show will make the coronavirus crisis part of the storyline.
    Speaking about the coronavirus pandemic, she said, “It will obviously be part of the storyline, because that’s the city (these characters) live in. And how has that changed relationships once friends disappear? I have great faith that the writers are going to examine it all …”

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    “I think that Cynthia, Kristin, and I are all excited about the time that has passed. You know, who are they in this world now? Have they adapted? What part have they played? Where have they fallen short as women, as friends, and how are they finding their way? Did they move with momentum? Are they like some people who are confused, threatened, nervous (by what’s happening in the world)? I’m so curious and excited to see how the writers imagine these women today.”
    And Sarah also revealed the show will examine the characters’ modern day lives.
    Speaking to Vanity Fair magazine, she added, “What is their relationship to social media? What has changed? … What is their life like? For Carrie, who doesn’t have family beyond her friendships, where is she professionally? How have all of these political changes affected her work? Is she still writing a column? Has she written any more books? Or does she have a podcast? What does fashion mean to her now? How have the friendships changed or not changed, and has her social circle grown?”

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