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    'Bachelor' Women Tell-All: Brittany and Anna Reconcile Following Escort Girl Rumors

    ABC

    Before getting sent home in Matt James’ season, Anna Redman received backlash online after she started rumors that Brittany Galvin worked as an escort in Chicago.

    Mar 2, 2021
    AceShowbiz – “The Bachelor” aired the Women Tell-All special on Monday, March 1. The special episode featured all ladies that have been eliminated by Matt James gathering, including Brittany Galvin and Anna Redman who were beefing over escort girl rumors.
    Before getting sent home, Anna received backlash online after she started rumors that Brittany worked as an escort in Chicago. Brittany denied the allegations but it didn’t stop the rumors from further circulating.
    “When I first got back, I didn’t even want to be around my family,” she shared in the episode. “It was really hard to even text my friends back the first couple of weeks. It’s embarrassing — when people Google my name now, it’s about me being accused of being an escort.”
    She continued, “I didn’t get signed up to be bullied or have my name slandered. This is forever going to have an association to my name, which is kind of unfair. It’s really f***ed that I have to constantly defend my name from now on.”

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    Brittany also revealed that she was disappointed that she hadn’t heard from Anna since the show aired, though Anna did apologize to her before that. “Nothing I can say can justify what I did,” Anna responded. “There’s no reason to ever take down another woman without thinking of the consequences, especially in that moment. It was awful and after watching the aftermath, I am a hundred times more sorry.”
    “I know I’m getting a glimmer of it and I can’t even imagine what it’s like to be you. It sucks that I did that to someone else. Everything in the situation I did was wrong and I’m sorry,” she added. Anna admitted that “it all stemmed from my own insecurities. I was insecure about myself and my time with Matt and even being next to these amazing women in the house. There wasn’t a motive. I know that sounds stupid.”
    Anna concluded, “I know what I said can’t be unsaid and the damage can’t be undone but I’d love to help repair some of that damage. I want you to know I’m 100 percent sincere when I say I am so, so sorry for that.”
    Brittany decided to accept her apology, noting that she didn’t want “people to destroy your life.” She added, “That’s not my intention at all. I do accept your apology, but I want people to take away from this that words can actually affect you. I don’t want people to feel bad for me and I don’t want Anna to get hated on. People make mistakes. And I want to address people in the sex work industry – no one deserves more or less based on the industry they’re in.”

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    The Best Movies and TV Shows New to Netflix, Amazon and Stan in Australia in March

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Best Movies and TV Shows New to Netflix, Amazon and Stan in Australia in MarchOur streaming picks for March, including ‘Biggie: I Got a Story to Tell,’ ‘Bill & Ted Face the Music’ and ‘Coming 2 America’‘Biggie: I Got a Story to Tell’Credit…NetflixMarch 2, 2021, 12:05 a.m. ETEvery month, streaming services in Australia add a new batch of movies and TV shows to its library. Here are our picks for March.New to NetflixMARCH 1‘Biggie: I Got a Story to Tell’, Director Emmett Malloy draws on a wealth of rare home videos and in-depth interviews in this revealing documentary, finding some fresh angles on rapper Christopher Wallace (a.k.a. Biggie Smalls and the Notorious B.I.G.). “Biggie: I Got a Story to Tell” devotes a lot of its running time to Wallace’s teenage years in Brooklyn, where he made money as a crack dealer while honing his musical style. Malloy doesn’t focus as much on Wallace’s tragic murder, except to frame his story as a case study in wasted potential.MARCH 3‘Moxie’Unlike the typical Netflix adaptation of a Young Adult novel, the movie “Moxie” isn’t so much about relationships and romance (though there’s plenty of both) as it is about high school girls standing up for themselves. Based on Jennifer Mathieu’s book, “Moxie” stars Amy Poehler (who also directed) as the divorced mother of Vivian (Hadley Robinson), who discovers her mom used to be a feminist punk rocker in the ’90s. Frustrated with her sexist male peers, Vivian channels her mother’s spirit and starts an anonymously authored ‘zine in hopes of starting a revolution.MARCH 5‘City of Ghosts’In this odd and charming children’s show, a band of young Angelenos investigate paranormal activity around the city by interviewing friendly ghosts and the people they haunt. The episodes aren’t exactly plot-driven; they’re more like mini documentaries, teaching kids about the history and residents of L.A.’s neighborhoods. Animation fans should note that the series was created by Elizabeth Ito, who previously worked on “Phineas and Ferb” and “Adventure Time.” Here she’s come up with something visually striking, combining simplified characters with photographed backgrounds.MARCH 12‘The One’ Season 1In our era of advanced genetic testing, DNA can reveal everything from people’s ancestry to their criminal culpability. But can it connect soul mates? That’s the question posed by the John Marrs novel “The One,” now adapted by the writer-producer Howard Overman into a TV series. The show features multiple interwoven story lines, following both the troubles faced by the CEO of a DNA-matched dating service and the problems her customers encounter as they get to know their scientifically determined true loves.MARCH 17‘Operation Varsity Blues: The College Admissions Scandal’The documentary filmmaker Chris Smith should be well-known to Netflix subscribers as the director of “Fyre,” a fascinating expose of what went wrong at an infamous music festival. Smith now turns his attention to another tale of hubris and privilege with “Operation Varsity Blues,” an examination of the 2019 scandal in which several wealthy Americans were caught trying to buy their kids’ way into elite colleges. The documentary details the nuts and bolts of a scheme that involved expensive tutors, cheating on exams and bribing university staff.‘The Irregulars’Credit…NetflixMARCH 26‘The Irregulars’Sir Arthur Conan Doyle’s Sherlock Holmes mythology gets a radical reimagining in this crime series, which focuses on the gang of streetwise youngsters known as “the Baker Street Irregulars.” Created by Tom Bidwell, “The Irregulars” imagines an irreverent version of the Holmes saga in which the detective stays in a constant drugged-out fog while his disreputable assistants do all the actual mystery-solving. Bidwell also adds some supernatural elements to the story.Also arriving: “Murder Among the Mormons” (March 3), “Pacific Rim: The Black” (March 4), “Sentinelle” (March 5), “Bombay Rose” (March 8), “The Houseboat” (March 9), “Dealer” (March 10), “Last Chance U: Basketball” (March 10), “Marriage or Mortgage” (March 10), “Paper Lives” (March 12), “Yes Day” (March 12) “The Lost Pirate Kingdom” (March 15), “Zero Chill” (March 15), “RebellComedy: Straight Outta the Zoo” (March 16), ‘Waffles + Mochi” (March 16), “Under Suspicion: Uncovering the Wesphael Case” (March 17), “Nate Bargatze: The Greatest Average American” (March 18), “Country Comfort” (March 19), “Sky Rojo” (March 19), “Navillera” (March 22), “Who Killed Sara?” (March 24), “Bad Trip” (March 26), “Nailed It!: Double Trouble” (March 26), “A Week Away” (March 26).New to Stan‘Bill & Ted Face the Music’Credit…StanMARCH 2‘My First Summer’Katie Found wrote and directed this film about the bond between two teenage girls, who find each other right when they’re on the precipice of emotional maturity and caught between love and friendship. The accomplished young Australian actresses Markella Kavenagh and Maiah Stewardson play Claudia and Grace, who try to keep their relationship hidden away from anxious adults and their prying questions for as long as possible. With its striking visual style and its rich performances, “My First Summer” captures the beautiful fragility of adolescent romance.MARCH 4‘Shirley’Elisabeth Moss plays the reclusive author Shirley Jackson in the disturbing and moving period drama “Shirley.” The story is told largely from the perspective of a young faculty wife named Rose (Odessa Young), who becomes an aide and confidant to the acerbic and depressive Jackson, slowly becoming overwhelmed by the writer’s cynicism. The director Josephine Decker and the screenwriter Sarah Gubbins adapt a Susan Scarf Merrell novel, which is mostly fictional yet heavily influenced by Jackson’s life and work — capturing her sour, soulful take on human weakness.MARCH 9‘Bill & Ted Face the Music’The long-awaited third movie in the “Bill & Ted” series re-teams Keanu Reeves and Alex Winter — for the first time since 1991 — as the fun-loving, dimwitted, time-traveling best buds Theodore Logan and William Preston. In “Face the Music,” the boys have grown into middle-aged men, but still believe they’ll one day change the world through rock ’n’ roll. When they hear reality itself will be destroyed if they don’t get their act together immediately, Bill and Ted (and their daughters, Thea and Billie) have another adventure across the timeline, with the help of some of humankind’s greatest musicians.MARCH 10‘She Dies Tomorrow’Written and directed by Amy Seimetz, this arty horror film takes an unusual approach to a post-apocalyptic story, dramatizing the eerie premonitions that herald the end of everything. Kate Lyn Shell plays an ordinary woman who becomes convinced she’s living through her last day on Earth. Her strange behavior proves infectious, passing from friend to friend, leaving them either devastated, agitated or oddly calm. “She Dies Tomorrow” has the quality of a dream, but it’s a disturbingly realistic one.‘The Legend of Baron To’a’Credit…AmazonMARCH 14‘The Legend of Baron To’a’In the energetic action-comedy “The Legend of Baron To’a,” Uli Latukefu plays a Tongan New Zealander named Fritz who found his fortune in Australia but has returned home to defend his family’s legacy. The movie’s title refers to Fritz’s father: a former pro wrestler who also served as his neighborhood’s unofficial protector. When gangsters start bullying the locals, Fritz has to learn the fundamentals of combat in order to finish the job his dad started.MARCH 19‘Save Me Too’In the sequel to the thrilling crime drama “Save Me,” the British actor Lennie James returns to a role he wrote for himself, playing a luckless lad named Nelly who has a habit of being accused of crimes he didn’t commit. “Save Me Too” picks up about a year after the events of the first series and sees Nelly tying up some loose ends from old mysteries, while also trying to prove that he’s innocent of a murder. Part procedural and part character sketch, James digs deep into the soul of a stubborn individualist.MARCH 29‘City on a Hill’ Season 2The first season of this Boston-set crime series told a complete story, about an ambitious attorney (Aldis Hodge) and a corrupt FBI agent (Kevin Bacon), reluctantly working together and navigating the choppy waters of local politics to take down a local gang in the early 1990s. In season two the two lawmen are back to being rivals, but their paths cross again when trouble erupts at a drug-plagued housing project. Though the show takes place nearly 30 years ago, the issues it raises — about policing, race relations and institutional rot — remain timely.Also arriving: “The Affair” Season 5 (March 1),“The Handmaid’s Tale” Season 3 (March 1), “Sick of It” Season 2 (March 2),“Secret Safari: Into the Wild” (March 3), “Bethany Hamilton: Unstoppable” (March 4), “A Murder of Crows” (March 4),“Manhunt: Deadly Games” (March 5), “Bloods” (March 11), “Cryptid” (March 11), “Black Hands” Season 1 (March 17), “Close to the Enemy” Season 1 (March 18), “The Disappearance” (March 18), “Safe House” Seasons 1 & 2 (March 25), “Between Black and Blue” (March 26), “Outback” (March 29).New to Amazon‘Coming 2 America’Credit…AmazonMARCH 5‘Coming 2 America’Eddie Murphy and Arsenio Hall reprise their roles from the hit 1988 comedy “Coming to America” in this sequel, which picks up the story of an African ruler and his trusty aide decades later. Like the original, “Coming 2 America” is filled with comic situations that allow Murphy and Hall to play multiple roles that riff on Black culture from the perspective of insiders and outsiders. The film also features appearances by some very funny comics — like Leslie Jones and Tracy Morgan — who have followed in the footsteps of Murphy and Hall.MARCH 26‘Invincible’The superhero cartoon “Invincible” looks charmingly retro, like something that would’ve aired on TV in the 1990s. But the series has a much more adult vibe than the likes of “X-Men” and “Superman.” Based on a long-running comic book written by Robert Kirkman (who also cocreated “The Walking Dead”), “Invincible” has Steven Yeun voicing a famous superhero’s teenage son, who’s enlisted into a series of fights to save the world almost as soon as he starts developing superpowers of his own. Like the comic, the show is fast-paced, colorful and clever — and also incredibly violent and shockingly bloody.Also arriving: “Honest Thief” (March 12), “Making Their Mark” (March 12), “Words on Bathroom Walls” (March 19), “La Templanza (The Vineyard)” (March 26).AdvertisementContinue reading the main story More

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    'The Voice' Season 20 Premiere Recap: Singers Perform for Blind Auditions

    NBC

    The first episode of brand new season 20 of the long-running NBC singing competition show kicks off with contestant Kenzie Wheeler performing for the Blind Auditions.

    Mar 2, 2021
    AceShowbiz – “The Voice” returned with brand new season 20 on Monday, March 1. The new season featured coaches Blake Shelton, John Legend, Nick Jonas and Kelly Clarkson returning. The first episode kicked off with contestant Kenzie Wheeler performing for the Blind Auditions.
    For his first performance, Kenzie opted to sing “Don’t Close Your Eyes” by Keith Whitley. He earned a four-chair turn but Blake was blocked by Kelly. “This guy has the triple threat mullet. I got screwed, but Kelly lost her block so that makes me happy,” Blake said.
    “Nothing has given me more pleasure than hearing your voice and Blake blocked. I tried to block Blake too, but it was already done. Blake is the best coach on this show, second to me, so it is an obvious choice,” Nick added. Kenzie eventually went to Team Kelly.
    The next singer was Dana Monique from Houston, Texas who sang “Freeway of Love”. Nick and John turned their chair for her. “Obviously you got the vocal power which makes me think that you have been singing for a long time. That was unbelievable and you have a choice to make between right and wrong. … I think you are absolutely exceptional,” Nick raved. The pitch apparently worked because Dana chose Nick as her coach.
    Cam Anthony from North Philadelphia then took the stage to sing “Lay Me Down”. Nick, John and Blake turned for him but John blocked Nick. “Your voice is so smooth. I mean it was incredible. You are probably thinking why would I pick Blake Shelton when Nick Jonas is there in a fresh Windexed jacket. I would be honored if you would be on Team Blake and I will keep that lane open for you,” Blake told Cam. The latter was convinced as he became the first member of Team Blake.

      See also…

    Following it up was Christine Cain from Pasadena, California. Singing “Watermelon Sugar”, she got Kelly and John turned their chair. Of her performance, John said, “I love that song and that was the most soulful version of that song. I just was captured by your tone, the energy of your voice, and the crackle. I would love to coach you. You don’t want to be on Kelly’s team.” Christine indeed went to Team John.
    Singing “Don’t Worry, Be Happy” was Madison Curbelo, though unfortunately no one turned for her. Up next was Pete Mroz from Nashville, Tennesse. He belted out “Can’t Find My Way Home” and it made both John and Blake hit their button. The coaches tried to get him on their respective team, but Pete eventually chose Blake.
    Devan Blake Jones then performed “Hard Place” and Nick was the only one who turned his chair. Later, Raine Stern hit the stage to sing “Electric Feel”. Everyone but Kelly turned their chair. Blake admitted to being speechless after the performance, while Nick said, “That was so electrifying, no pun intended. I am going to fight for you because you are the most unique and creative that we have seen on the show.” Devan went to Team Nick.
    Madison Marigold sang “If The World Was Ending” but no one hit their button. Corey Ward followed it up with a performance of “Dancing on My Own” and John and Kelly turned their chairs. Corey picked Team Kelly.
    Rounding out the night was Victor Solomon ifrom Peoria, Illinois. He performed John’s song “Glory” as John, Nick and Blake turned their chair. He received praises from John as he said, “You did some things that were better than I do for that song, you were better than me.” Victor chose to be on Team John.

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    Royal Expert Dubs Meghan Markle and Prince Harry's Oprah Interview 'Ridiculous'

    CBS

    Royal biographer Robert Jobson claims in a new interview that the trailers for ‘Oprah with Meghan and Harry: A CBS Primetime Special’ are filled with ‘over the top, melodramatic nonsense.’

    Mar 2, 2021
    AceShowbiz – “Oprah with Meghan and Harry: A CBS Primetime Special” has yet to air, but Meghan Markle and Prince Harry have already received backlash following the release of its promos. In a new interview, royal biographer Robert Jobson claimed that it was “nonsense.”
    Speaking with Daily Mail on Monday, March 1, Jobson added that the promos were filled with “over the top, melodramatic nonsense.” He continued, “The queen and the royal family are not the Corleone family of Windsor.”
    “There are no hitmen or heavies going around silencing people. Meghan, whilst a working royal, was always protected by a team of Scotland Yard officers. Thankfully, she was never in danger physically and Harry knows that,” he went on to say.
    In one of the trailers, host Oprah Winfrey could be seen asking the Duchess of Sussex, “Were you silent or were you silenced?” In response to that, Jobson said, “Talk of being ‘silenced’ is just ridiculous. It suits a narrative, I suppose, but at what cost to the queen, Prince Philip and the royal family and our reputation as a country?”

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    In the explosive trailers, Prince Harry also voiced concern about whether the tragedy, which killed his mother Princess Diana, would happen once again to his wife. “I’m just really relieved and happy to be sitting here talking to you with my wife by my side because I can’t begin to imagine what it must have been like for her going through this process by herself all those years ago,” the 36-year-old shared.
    The Duke of Sussex then admitted that “it’s been unbelievably tough for the two of us. But at least we have each other.”
    According to CBS, “Oprah with Meghan and Harry” features Oprah speaking with “Meghan, The Duchess of Sussex, in a wide-ranging interview, covering everything from stepping into life as a Royal, marriage, motherhood, philanthropic work to how she is handling life under intense public pressure.”
    The pair will later be joined by Prince Harry as they speak about their move to the United States and their future hopes and dreams for their expanding family.
    “Oprah with Meghan and Harry” is set to air on CBS on Sunday, March 7 at 8 P.M. PT/ET and 7 P.M. CT.

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    Taylor Swift Rips Netflix for 'Deeply Sexist Joke' in 'Ginny and Georgia'

    WENN/Netflix/Instar

    The Sarah Lampert-created drama series upsets the ‘Shake It Off’ hitmaker and her fans after its season one finale features 15-year-old Ginny taking a jab at the pop star’s love life.

    Mar 2, 2021
    AceShowbiz – Taylor Swift has laid into Netflix bosses and writers behind TV show “Ginny & Georgia” for including a “deeply sexist” joke about her love life in the season one finale.
    The pop superstar’s fans initially took issue with the throwaway line on Sunday night, February 28, after viewing episode 10 of the comedy-drama, which focuses on the life of a mixed race teenager and her young mother in a fictional New England town.
    The instalment in question was written by creator Sarah Lampert and Debra J. Fisher, and featured the mother and daughter arguing about relationships, as 15-year-old Ginny quipped, “What do you care? You go through men faster than Taylor Swift.”
    The backlash was swift as the singer’s devotees took to social media and turned “#RespectTaylor” into a trending topic, and the “Shake It Off” hitmaker herself has now weighed in on the controversy, making it clear she wasn’t laughing.

      See also…

    “Hey Ginny & Georgia, 2010 called and it wants its lazy, deeply sexist joke back,” Taylor tweeted on Monday. “How about we stop degrading hard working women by defining this horse s**t as fuNny (sic).”
    She then turned on Netflix officials, with whom she had worked for her hit 2020 documentary “Miss Americana”.
    “Also, (Netflix) after Miss Americana this outfit doesn’t look cute on you,” she added, alongside an emoji of a broken heart. “Happy Women’s History Month I guess.”

    Taylor Swift called out ‘Ginny and Georgia’ for taking a jab at her love life.
    Representatives for Netflix or the “Ginny & Georgia” writers have yet to comment on the uproar.

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    Tracy Morgan Jokes About Pizza When Apologizing for ‘Soul’ Slip-Up at 2021 Golden Globes

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    Golden Globes: The Projectionist’s Takeaways

    Golden Globes: The Projectionist’s TakeawaysSacha Baron Cohen with his wife, Isla Fisher.Christopher Polk/Agence France-Presse — Getty ImagesWant a catch-up on last night’s Golden Globes? It was a weird one — and considering how weird a typical Globes ceremony is, that’s saying something.Watch the standout moments → More

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    Golden Globes 2021: Where to Stream the Winners

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedBest and Worst MomentsWinners ListStream the WinnersRed Carpet ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyGolden Globes 2021: Where to Stream the WinnersNearly all of the big winners from the evening are available to stream. Here’s a look at where to find them and what The Times first had to say about them.Sacha Baron Cohen in “Borat Subsequent Moviefilm,” which won the award for best musical or comedy at the Golden Globes.Credit…Amazon StudiosMarch 1, 2021, 11:31 a.m. ETDuring a normal year, when many of the awards-contending movies are released late in the season, home viewers often have to wait for a month or two to catch the winners on various streaming services. But the one benefit to an awards show during a pandemic year is that all the winners are immediately available — or so we might have assumed.To the surprise of many Golden Globes prognosticators — and to the actress herself — Jodie Foster won best supporting actress for “The Mauritanian,” a 9/11-themed legal drama that’s currently in theaters, but will arrive on VOD on Tuesday, March 2nd. (Our critic, Jeannette Catsoulis, would advise you to proceed with caution.) Otherwise, the night’s big winners on the film side are scattered among the streaming giants, with “Nomadland” and “The United States vs. Billie Holiday” on Hulu, “Borat Subsequent Moviefilm” on Amazon Prime and “The Trial of the Chicago 7,” “Ma Rainey’s Black Bottom” and “I Care a Lot” on Netflix.The awards were not distributed quite so democratically for the TV slate, where the fourth season of Netflix’s “The Crown” took best drama as well as prizes for three of the four acting categories. Netflix also has The Queen’s Gambit,” which won for best limited series or TV movie and for Anya Taylor-Joy’s performance as an American chess grandmaster of humble origins. And the service is streaming all six seasons of the best musical or comedy winner “Schitt’s Creek.”Here’s a guide to the major-category winners that are currently a click away, along with excerpts from their New York Times reviews or features.Movies‘Nomadland’Won for: Best picture, drama; best director“In a fine Emersonian spirit, the movie rebels against its own conventional impulses, gravitating toward an idea of experience that is more complicated, more open-ended, more contradictory than what most American movies are willing to permit.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Hulu.‘Borat Subsequent Moviefilm’Won for: Best musical or comedy; best actor, musical or comedy“Would I call this the best movie of 2020, from the standpoint of cinematic art? Look, I don’t know. It’s been a weird year. But I would insist that this sequel to a cringey, pranky, 14-year-old classic is undeniably the most 2020 movie of all time.” (Read the full Times article on the Best Movies of 2020, in which A.O. Scott put Sacha Baron Cohen’s satire at #1.)Where to watch: Stream it on Amazon Prime.‘The Trial of the Chicago 7’Won for: Best screenplay“‘The Trial of the Chicago 7’ is a mixed bag. While [Aaron] Sorkin draws some of his dialogue from court transcripts, he also exercises the historical dramatist’s prerogative to embellish, streamline and invent. Some of the liberties he takes help to produce a leaner, clearer story, while others serve no useful purpose.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Netflix.‘Ma Rainey’s Black Bottom’Won for: Best actor, drama“Of course it’s hard to watch Levee — to marvel at [Chadwick] Boseman’s lean and hungry dynamism — without feeling renewed shock and grief at Boseman’s death earlier this year. And though ‘Ma Rainey’s Black Bottom’ has been around for a long while and will endure in the archive, the algorithm and the collective memory, there is something especially poignant about encountering it now.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Netflix.‘The United States vs. Billie Holiday’Won for: Best actress, drama“Andra Day, who plays Holiday, is a canny and charismatic performer, and the film’s hectic narrative is punctuated with nightclub and concert-hall scenes that capture some of the singer’s magnetism. Rather than lip-sync the numbers, Day sings them in a voice that has some of Holiday’s signature breathy rasp and delicate lilt, and suggests her ability to move from whimsy to anguish and back in the space of a phrase.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Hulu.‘I Care a Lot’Won for: Best actress, musical or comedy“An unexpectedly gripping thriller that seesaws between comedy and horror, “I Care a Lot” is cleverly written (by the director, J Blakeson) and wonderfully cast. Marla is an almost cartoonish sociopath, and [Rosamund] Pike leans into her villainy with unwavering bravado.” (Read the full Times review by Jeannette Catsoulis here.)Where to watch: Stream it on Netflix.‘Judas and the Black Messiah’Won for: Best supporting actor“‘Judas and the Black Messiah’ represents a disciplined, impassioned effort to bring clarity to a volatile moment, to dispense with the sentimentality and revisionism that too often cloud movies about the ’60s and about the politics of race.” (Read the full Times review by A.O. Scott.)Awards Season More

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    The Best and Worst of the Golden Globes

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedMoments and AnalysisGlobes WinnersGolden Globes ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Best and Worst of the Golden GlobesAmid deeply moving moments (like the speech by Chadwick Boseman’s widow), there were technical difficulties and the strange sight of long-distance hosts pretending to be on the same stage.March 1, 2021, 4:57 a.m. ET More