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    Fernando Hidalgo, Cuban-Born TV Host, Dies at 78

    #masthead-section-label, #masthead-bar-one { display: none }The Coronavirus OutbreakliveLatest UpdatesMaps and CasesVaccine RolloutSee Your Local RiskNew Variants TrackerAdvertisementContinue reading the main storySupported byContinue reading the main storyThose We’ve LostFernando Hidalgo, Cuban-Born TV Host, Dies at 78For 14 years, “El Show de Fernando Hidalgo,” a racy variety show with a Cuban flair, was appointment viewing in Latino households across the United States.Fernando Hidalgo in Los Angeles last year. His Spanish-language variety show, “El Show de Fernando Hildago,” aired from 2000 to 2014.Credit…GP/Star Max, via GC ImagesFeb. 22, 2021Updated 3:22 p.m. ETThis obituary is part of a series about people who have died in the coronavirus pandemic. Read about others here.Every weeknight for 14 years, Fernando Hidalgo burst into the living rooms of Spanish-speaking households across the United States to lively Cuban fanfare, as dancers in colorful lingerie shimmied to bongos and trumpets and a theme song bearing his name.Broadcasting from a studio in Hialeah Gardens, Fla., just outside Miami, Mr. Hidalgo filled his show with interviews, monologues, skits with winking double entendres, scantily clad dancers who shocked abuelas and a generous helping of live Cuban music for nostalgic abuelos. At 7 p.m. or 11 p.m., “El Show de Fernando Hidalgo,” which aired on América TeVé and later on MegaTV, was appointment viewing in Latino households, particularly in South Florida, New York and Puerto Rico.Mr. Hidalgo produced and starred in an English-language film, “Ernesto’s Manifesto,” in 2019.Credit…Nereida DellanMr. Hidalgo died on Feb. 15 at Doctors Hospital in Coral Gables, Fla. He was 78. His death was confirmed by his son Marlon Corona, 28, who said the cause was complications of Covid-19.América TeVé said in a statement that Mr. Hidalgo showed an “enormous talent for interpreting the sensibilities of our community, as well as his impressive capacity for improvisation and thematic renewal.”Fernando Corona was born in Marianao, Cuba, on Sept. 18, 1942, to Robert Corona, a Cuban soldier who later owned a flower business, and Concepción (Hidalgo) Corona, a homemaker, his son said.He was an adolescent when he moved with his family from Cuba to Chicago, where he got a job reading poems about Cuba on the radio, said Nereida Dellan, his former wife.As he established himself as a performer and a broadcaster, Mr. Hidalgo took his mother’s maiden name as a stage name, Ms. Dellan said.His career took him to Puerto Rico and Venezuela and back to the United States as he acted in and hosted shows, including a situation comedy, “Cómo Ser Feliz en el Matrimonio,” or “How to Be Happily Married.” He also hosted a game show similar to “The Newlywed Game” called “Los Casados Felices,” or “The Happy Married Couples.”The Coronavirus Outbreak More

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    How Britain Is Reacting to ‘It’s a Sin’

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyHow Britain Is Reacting to ‘It’s a Sin’The show, which aired last month in the U.K., has broken a viewing record and revived conversations about how the country handled the AIDS crisis in the 1980s.From left, Omari Douglas, Lydia West, David Carlyle, Calum Scott Howells and Nathaniel Curtis in “It’s a Sin.”Credit… Ben Blackall/HBO MaxFeb. 22, 2021Updated 12:39 p.m. ETLONDON — In what may be a perfect formula for helping a well-made TV show go viral, all five episodes of “It’s a Sin” arrived on a British streaming service in late January, on the Friday before a snowy weekend, during a national lockdown.Since becoming available on HBO Max on Thursday, viewers in the U.S. have been binge watching the show, but in Britain, the show has dominated national conversations over recent weeks.The drama, created by Russell T Davies, tells the story of a group of friends navigating gay life in 1980s London, as AIDS moves from a whispered American illness to a defining aspect of their young lives. Episodes aired weekly on television on Channel 4, and the show broke records for the channel’s accompanying streaming service, with 16 million streams.Below is a roundup of how people in Britain have been reacting to “It’s a Sin,” including sharing their own experiences of the AIDS crisis, improving understanding of the H.I.V. treatments available today and lamenting the epidemic’s absence from school curriculums. This piece contains some spoilers.A critical successDavies has had a long and celebrated career in British television, including the relaunch of “Doctor Who” and making other hit L.G.B.T.Q. shows like “Queer as Folk” and “Cucumber.”“It’s a Sin” earned numerous five star reviews from British critics, along with praise for Davies’s writing. In The Telegraph, Anita Singh noted that he makes viewers “care about these characters from the first minute we see them,” adding that “as in so much of his work, he switches seamlessly between tragedy and humor.”In the show, activists stage a “die in” in London to protest the government’s handling of the AIDS crisis.Credit…Ben Blackall/HBO MaxWriting in The Times of London, Hugo Rifkind said, “It is a drama that could only have been made once stories of gay love and gay lives had become an uncontroversial fixture of mainstream popular culture, and it’s obviously thanks in large part to Davies that they have.”There was also praise for the actors’ performances, and how relatable many of the characters felt. In the TV magazine Radio Times, David Craig saw himself in multiple characters.“I remember feeling the same timidity as Colin (Callum Scott Howells) when I first attempted to explore my sexuality,” he wrote. “Likewise, I can recall making fraught phone calls home while still closeted, unable to discuss that which was truly weighing on my mind, similar to Ritchie (Olly Alexander).”Discussions of H.I.V. today“It’s a Sin” has also sparked a renewed public focus on H.I.V. prevention and treatment. The Terrence Higgins Trust, an H.I.V. and sexual health charity, said it had seen a huge boost in donations through its website, a boost to the number of H.I.V. tests requested at the start of H.I.V. Testing Week and a 30 percent increase in calls to its help line.“It’s genuinely been phenomenal,” Ian Green, the chief executive of the charity, said in a telephone interview. “It’s rekindled the narrative around H.I.V. in the United Kingdom.”On the popular daytime show “This Morning” a couple of weeks ago, Dr. Ranj, one of the show’s contributors, took an H.I.V. test live on air. Nathaniel J. Hall, who plays Donald in “It’s a Sin,” talked about living with H.I.V. on the chat show Lorraine. “I’m on medication and my viral load is what is known as undetectable,” he said. “That means I can’t transmit the virus on, so my partner, Sean, remains H.I.V. negative.”After concerns were raised that the drama could lead to misconceptions around contemporary H.I.V. treatments, Channel 4 now advises viewers after each episode on where to find further information.A celebration of ‘Jills’“It’s a Sin” has also sparked praise for the allies of people affected by the disease: friends who visit people in hospital when their families failed to turn up, march in protest and campaign on behalf of H.I.V.-positive people.The character of Jill (Lydia West) embodies these loyal friends, and is loosely based on a real woman, Jill Nalder, who lived in London in the ’80s and is a friend of Davies. On the show, Nalder plays the character of Jill’s mother. Remembering the period in the Metro newspaper, she wrote: “The L.G.B.T.Q. community ought to be remembered as trailblazers because not only were they fighting for their lives, they were medical guinea pigs — sometimes taking 30 pills a day just to survive.”Jill (Lydia West), right, is a loyal friend to Ritchie (Olly Alexander) throughout the years. Credit… Ben Blackall/HBO Max“If you are a gay man, I hope you have a Jill,” wrote Guy Pewsey in Grazia.However, some viewers have been frustrated at the lack of representation of women affected by AIDS in the show. Lizbeth Farooqi, a fictional Muslim lawyer played by Seyan Sarvan, is one example, but is a relatively minor character. “It infuriates me that a lot of coverage of the show has concentrated Jill as the avatar of good womanhood and being this lovely, soft, supportive person,” Lisa Power, a co-founder of the British L.G.B.T.Q. charity Stonewall, told The Guardian. “I want to hear more about the stroppy lesbian solicitor, who most people have not even managed to read as a lesbian.”Institutionalized stigmaThe drama also touches on legislation around the L.G.B.T.Q. community in Britain at the time. In particular, the consequences of Section 28, a 1988 law introduced by Margaret Thatcher’s Conservative government banning teaching that promoted the “acceptability of homosexuality as a pretended family relationship.”In one scene, Ash (Nathaniel Curtis) is asked to check a school library’s books to make sure they comply with the law, only to find that they did. “I looked at all the vast halls of literature and culture and science and art,” he said. “There is nothing.”Section 28 was repealed in 2003, but some say its consequences are still being felt in Britain today. Speaking to The Telegraph, Howells, who plays Colin, lamented that the AIDS crisis was not taught in schools. “Why? How? How can this thing happen, literally kill millions of people, and yet they can’t even implement it in education?” he asked.Some people have also drawn parallels between the stigma that gay, lesbian and bisexual people received in the 1980s and the experience of trans people in Britain today. On Twitter Michael Cashman, another of Stonewall’s co-founders, wrote that some lesbian, gay and bisexual people who lived through that period “are now visiting the same stigmatization, misrepresentation and dehumanization of trans people particularly trans women.”The power of ‘La’During the first episode of the show, Ritchie steps in front of a crowd at a house party, dressed in drag, to sing just one syllable: “La!”“Is that it?” someone in the crowd shouts back. His friends react in hysterics. From that point onward, the characters say “La!” as a greeting and a goodbye. Speaking to “It’s a Sin: After Hours,” an accompanying Channel 4 show, Davies said that “La” was a joke among his friends when he was growing up in Swansea.Philip Normal, a London artist, decided to make and sell a T-shirt emblazoned with the word, with proceeds going to the Terrence Higgins Trust. “For me, it really underpins the love the characters have in the show and the respect and love that I’ve experienced in the L.G.B.T. community when I moved to London as a young gay man,” he said in a telephone interview.He said he had now raised £200,000 for the charity, adding: “I didn’t think it was going to take off! I thought I would sell, like five.”AdvertisementContinue reading the main story More

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    'RHOA': Kenya Moore Claims She Heard Sex Noises Amid StripperGate

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    Kenya grills everyone if they heard similar noises after Cynthia Bailey’s wild bachelorette party and concludes that it must have been Porsha Williams and Tanya Sam who hooked up with a male stripper.

    Feb 22, 2021
    AceShowbiz – The Sunday, February 21 episode of “The Real Housewives of Atlanta” chronicled Cynthia Bailey’s wild bachelorette party that saw the ladies enjoying a raunchy performance by male stripper Michael “B.O.L.O THE ENTERTAINER” Bolwaire. Porsha Williams appeared to get carried away as she threw some dollar bills his way.
    Not stopping there, she was also seen rubbing her backside up against his erect penis. Everyone shared the sentiment as they begged him to stay and party with them even after the cameras stopped rolling.
    After the crew left the house, the Housewives excitedly covered every camera that they saw so that they could go as wild as they wanted to. However, they missed one camera that was put outside as it captured some of what happened inside the house. The male stripper could be seen doing some wild dancing on newbie Drew Sidora, while Porsha was making out with LaToya Ali.

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    The night continued but Kenya Moore, Cynthia and a few others decided to call it a night and go to bed earlier while some others still enjoyed the party. Around 6 A.M. the next morning, Kenya woke up and said that she heard sex noises coming from Porsha’s second bedroom. B.O.L.O. apparently stayed the night as he was seen leaving the house later.
    Kenya then grilled everyone if they also heard what she heard. After examining everyone’s answers, she concluded that it must have been Porsha and Tanya Sam who hooked up with the stripper. Kenya, however, didn’t specifically name any names in the episode.
    In an interview with Entertainment Tonight in December 2020, Kenya made the same claims. “I heard a lot — and other people heard a lot, very specific things. Very specific things and very specific voices,” so she shared.
    Kenya revealed that she found it unfair “that people will call that pot-stirring” as she argued, “We are a cast, and we are in a cast house, and if something happens like that in a cast house while you are working, then it should be discussed. You can’t do that at McDonald’s! You can’t go in the bathroom at McDonald’s and have sex with someone and think it’s OK because hey, you know, you were in the closet. No. You’re at work.”

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    Woody Allen and Soon-Yi Previn Condemn HBO's 'Allen v. Farrow' as a 'Hatchet Job'

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    In the first episode of the four-part docuseries, Mia’s daughter Dylan Farrow details the allegations of incest that she leveled against Woody, claiming that the filmmaker groomed her from a young age.

    Feb 22, 2021
    AceShowbiz – Woody Allen and his wife Soon-Yi Previn have responded to HBO’s docuseries “Allen v. Farrow” that explores his notorious relationship with ex-wife Mia Farrow. Following the release of the first episode of the docuseries on Sunday, February 21, Woody and Soon-Yi released a joint statement, denying sexual molestation claims made against the Oscar-winning auteur.
    “These documentarians had no interest in the truth. Instead, they spent years surreptitiously collaborating with the Farrows and their enablers to put together a hatchet job riddled with falsehoods,” the statement read. “Woody and Soon-Yi were approached less than two months ago and given only a matter of days ‘to respond.’ Of course, they declined to do so.”
    The statement continued, “As has been known for decades, these allegations are categorically false. Multiple agencies investigated them at the time and found that, whatever Dylan Farrow may have been led to believe, absolutely no abuse had ever taken place. It is sadly unsurprising that the network to air this is HBO – which has a standing production deal and business relationship with Ronan Farrow. While this shoddy hit piece may gain attention, it does not change the facts.”

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    In the first episode of the four-part docuseries, Mia’s daughter Dylan detailed the allegations of incest that she leveled against Woody. The episode further elaborated the claims that Woody, who was Mia’s partner during Dylan’s young childhood, groomed her since she was young.
    “Allen v. Farrow” is also set to offer intimate home-movie footage, court documents, police evidence, revelatory videotape and never-before-heard audio tapes. Hailing from Oscar-nominated documentarians Kirby Dick and Amy Ziering, it also features exclusive, in-depth interviews on the matter with Mia Farrow, Dylan Farrow, Ronan Farrow, family friend Carly Simon, prosecutor Frank Maco, relatives, investigators, experts and other firsthand eyewitnesses.
    Producing the project were Impact Partners, Chicago Media Project and Jane Doe Films Production for HBO Documentary Films. Meanwhile, Dick, Ziering, Dan Cogan, Tara Lynda Guber, Artemis Rising Foundation, Maiken Baird, Ian Darling, Steve Cohen & Paula Froehle, The Lozen Foundation, Debbie L. McLeod, Jenny Raskin and Geralyn White Dreyfous served as executive producers.

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    What’s on TV This Week: ‘Mr. Soul!’ and the Golden Globes

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyWhat’s on TV This Week: ‘Mr. Soul!’ and the Golden GlobesA documentary on the pioneering variety show “Soul!” is on PBS. And the Golden Globes air on NBC from both coasts.A scene from the documentary “Mr. Soul!”Credit…Shoes in the Bed ProductionsFeb. 22, 2021, 1:00 a.m. ETBetween network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Feb. 22-28. Details and times are subject to change.MondayINDEPENDENT LENS: ‘MR. SOUL!’ (2020) 10 p.m. on PBS (check local listings). A documentary about the variety show “Soul!” which aired on PBS from 1968 to ’73. “Soul!” was created and hosted by theater producer Ellis Haizlip, and produced by a Black, women-led crew. In a New York Times interview, Felipe Luciano, who worked on the production team, explained, “‘Soul!’ gave viewers the first genuine sense of the expansiveness of Black culture.” This documentary, directed by Melissa Haizlip, the niece of the show’s creator, features Sidney Poitier, Blair Underwood and Patti LaBelle.AMERICAN GREED 8 p.m. on CNBC. This documentary series about scams reaches its season finale by exploring the world of social media scammers and crowdfunding. One of the schemes in the episode involves Katelyn McClure and her boyfriend Mark D’Amico, who made headlines for setting up a misleading GoFundMe campaign in 2017 along with Johnny Bobbitt, a U.S. Marine Corps veteran the couple claimed they were trying to help.TuesdayTHE BOURNE IDENTITY (2002) 8 p.m. on AMC. Matt Damon stars as Jason Bourne, a man suffering from amnesia and rescued by a fishing boat. He can’t recall details of his life, including his own name. Bourne begins to remember some, and realizes that he can speak French and German. He’s also an expert in hand-to-hand combat, which comes in handy once he begins to outrun authorities targeting him. “Mr. Damon at first seems too moody and cerebral to be an action hero, but he grasps Bourne’s predicament perfectly, and takes it seriously enough to make the film’s improbable conceit seem more interesting than it might otherwise have been,” A.O. Scott wrote in his review for The Times.WednesdayZac Efron, left, and Hugh Jackman in “The Greatest Showman.”Credit…Niko Tavernise/20th Century FoxTHE GREATEST SHOWMAN (2017) 7:40 p.m. on FXM. P.T. Barnum is a name synonymous with the long-running circus bearing his name. The circus took its final bow in 2017, but audiences can still experience it through “The Greatest Showman,” which introduces audiences to the man behind the show. The film is a rag-to-riches tale, starting in Barnum’s childhood as a penniless orphan full of ideas and imagination. He is drawn to wax museums, then live performance. “‘Showman’ has the ingredients of a splashy good time, since it has the perfect star in Hugh Jackman, the most charismatic Broadway leading man of his generation,” Jason Zinoman wrote in his review for The Times.A SOLDIER’S STORY (1984) 10 p.m. on TCM. Set during World War II, this Academy Award-nominated film, based on a play by Charles Fuller, takes place on an all-Black Louisiana military base. When a sergeant is murdered, his death is investigated by Capt. Richard Davenport, a lawyer and one of the few highly ranked Black officers in the entire United States military. As the captain investigates the tensions between Black soldiers and the white officers who run combat basic training are revealed. The original stage work, “A Soldier’s Play,” belatedly debuted on Broadway last year; in an interview at the time, Fuller explained why he chose World War II for a setting. “Whenever you think about World War II and World War I, you think about white people,” he said. “Aren’t we worth some kind of interest — all those deaths of Africans, African-Americans, Black people from all over the world?”ThursdayCharlize Theron in “Snow White and the Huntsman.”Credit…Alex Bailey/Universal PicturesSNOW WHITE AND THE HUNTSMAN (2012) 8 p.m. on HBO. This retelling of the Snow White tale features Kristen Stewart in the title role and Charlize Theron as the queen, Ravenna. The film is a departure from the 1937 Disney version, with a much-darker approach. “Though it is an ambitious — at times mesmerizing — application of the latest cinematic technology, the movie tries to recapture some of the menace of the stories that used to be told to scare children rather than console them,” A.O. Scott wrote in his review for The Times. “Its mythic-medieval landscapes are heavily shadowed and austere, and its flights of magic are summoned from a zone of barely suppressed rage and dangerous power.”FridayMISS CONGENIALITY (2000) 7 p.m. on Bravo. Gracie Hart (Sandra Bullock), an F.B.I. agent, realizes a major terrorist’s next target is a Miss United States pageant. Since there are no other female agents, Hart is asked to go undercover and take part in the pageant to help prevent the attack. She’s a far cry from the traditional candidate, though. “The problem of course,” A.O. Scott wrote in his review for The Times, “is that in spite of her name, she’s spectacularly graceless, utterly lacking in the poised femininity that the pageant celebrates.”SaturdayCHARIOTS OF FIRE (1981) 5:45 p.m. on TCM. The two men in this tale, set during the 1924 Olympic Games in Paris, are sprinters representing Britain. But their similarities end there. One, Harold Abrahams, is the son of a Lithuanian Jew and works to navigate where exactly he fits in as part of British society. (Being athletic gives him an advantage.) The other, Eric Liddell, was born in China to Christian missionaries and sees running as a platform for him to spread the word of God.SundayTina Fey, left, and Amy Poehler hosting the Golden Globe Awards in 2015. The pair will return to host this year’s ceremony on Sunday.Credit…Paul Drinkwater/NBC, via Associated PressTHE 78TH ANNUAL GOLDEN GLOBE AWARDS 8 p.m. on NBC. The Golden Globes will be broadcast from both coasts. Tina Fey will host a portion from the Rainbow Room in New York, and Amy Poehler will host from the Beverly Hilton in Los Angeles. The nominees for best drama include “The Father,” “Mank,” “Nomadland,” “Promising Young Woman” and “The Trial of the Chicago 7.” Netflix leads with 42 nominations, including for series like “The Queen’s Gambit,” “Ozark” and “The Crown.”AdvertisementContinue reading the main story More

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    Olivia Rodrigo Digging 'Drivers License' Skit on 'SNL': 'Best Birthday Present Ever'

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    The 18-year-old singer takes to her Twitter account to share her excitement, writing to her followers, ‘DRIVERS LICENSE SNL SKETCH IS THE BEST BIRTHDAY PRESENT EVER IM SHAKING.’

    Feb 22, 2021
    AceShowbiz – Olivia Rodrigo’s hit song “Driver License” was featured in a new episode of “Saturday Night Live”. In the February 20 episode, which had “Bridgerton” star Rege-Jean Page as the host, the show incorporated a sketch that was based on the singer’s song.
    In the said skit, Rege-Jean could be seen playing a round of billiards with “manly men,” who were played by cast member Beck Bennett, Pete Davidson, Mikey Day, Alex Moffat, Kenan Thompson and Bowen Yang. Later, they went to the jukebox to play favorite song as “Drivers License” later played.
    After listening to the song, all the men praised the heartbreaking ballad. “I gotta hear that freaking bridge again, man,” one of them said before they sang along to the song.
    Olivia herself didn’t miss the episode. The singer, who turned 18 that day, took to her Twitter account to share her excitement. “DRIVERS LICENSE SNL SKETCH IS THE BEST BIRTHDAY PRESENT EVER IM SHAKING,” she wrote to her followers. Additionally, she shared on Instagram Story that she was “losing my mind a snl sketch ab drivers license omg.”

      See also…

    Olivia Rodrigo shared excitement over ‘Drivers License’ skit on ‘SNL’.
    Olivia’s single is a huge success as it peaked at No. 3 on on Apple Music’s chart and debuted at No. 1 on the Billboard Hot 100. Fans believed that “Drivers License” was about her ex-boyfriend and “High School Musical: The Musical: The Series” co-star Joshua Bassett.
    Olivia previously revealed to Apple Music’s Zane Lowe that she got an approval from Taylor Swift for the song. “I wrote the bulk of the song literally crying in my living room, and I think that it definitely has that feel to it,” she shared. “I was driving around my neighborhood, actually listening to really sad songs and crying in the car, and I got home and I was like, ‘Maybe I’ll write a song about this, crying in the car.’ ”
    “So, I just sat down at my piano and plucked out some chords that I liked and it kind of happened that way,” the star went on saying. “But it was really, really natural and organic. [It was] very much me writing in the depth of my emotion.”
    “The pain is definitely real in that song,” Olivia further explained. “I definitely think I try to approach recording all of my music from a place of emotion. I think the emotional performances are the best, even if they’re not technically the best sound.”

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    Gina Carano Praises Pedro Pascal, Claims Disney Bullies Conservatives After 'Mandalorian' Firing

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    In an interview for ‘The Ben Shapiro Show’, the former stuntwoman discusses her exit from the ‘Star Wars’ spin-off as well as the #FireGianCarano hashtag that went viral before Disney decided to cut ties with her.

    Feb 22, 2021
    AceShowbiz – Gina Carano has addressed her firing from “The Mandalorian” following her controversial social media posts. In an interview for “The Ben Shapiro Show”, the former stuntwoman discussed her exit as well as the #FireGianCarano hashtag that went viral before Disney decided to cut ties with her.
    “I’m not like you, I’ve never really been interested in politics,” Carano told conservative commentator Shapiro. “And then as soon as I started seeing things happening, I guess in 2020, I started looking up, ‘Well maybe the adults don’t have it under control? And maybe I’m an adult now, and maybe I have a responsibility to pay attention.’ ”
    In the interview, Carano was asked about fans calling out Disney for not firing co-star Pedro Pascal, who also made an offensive remark about Holocaust in a 2018 tweet. In the said tweet, the “Game of Thrones” alum compared undocumented children being confined in cages to Jews being locked away in concentration camps.
    Of the actor, Carano said, “I adore Pedro. I adore him. I know he’s said and done some hurtful things. I don’t think posting anybody’s number on social media is okay.” She referred to the actor sharing Senator Ted Cruz’s publicly listed office phone number on Twitter in early January. “But we had an agreement after we realized we were a little bit politically different. We had an agreement that, first and foremost, you’re a human being. And you’re my friend first,” she added.

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    The actress also believed that both democrats and republicans were “trying to drag [them] apart.” She went on to say, “That’s what’s been really crazy. You see these people [on one side] being so passionate and you see people [on the opposing side] being so passionate. I just love that we’re both passionate. We think a little bit differently, I think, through our different experiences. I know that we both have misstepped on our tweets. We’re not perfect. We’re human beings. But he’s not a bad human being. He’s a sweet person.”
    Later in the sit-down, Carano accused Disney of “bullying” conservatives. “They’ve been all over me and they’ve been watching me like a hawk,” she claimed. “And I’m watching people on the same production and they can say everything they want, and that’s where I had a problem. I had a problem because I wasn’t going along with the narrative.”
    The former MMA fighter shared that she “was prepared at any point to be let go because I’ve seen this happen to so many people.” She added, “I’ve seen the looks on their faces. I’ve seen the bullying that takes place, and so when this started, they point their guns at you, and you know it’s only a matter of time. I’ve seen it happen to so many people, and I just thought to myself, ‘you’re coming for me, I know you are.’ They’re making it very obvious through their employees who were coming for me, and so I was like, ‘I’m going to go down swinging and I’m going to stay true to myself.’ ”
    Adding that she’s “not the only one that’s ever been bullied” by Disney, Carado said, “I know that so deeply. I could share a story which would turn things around in the media but I can’t because it would sell out a friend… Everyone is afraid of losing their job.”

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    ‘Batman: The Animated Series’ Predicted the Bat-Future

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyCritic’s Notebook‘Batman: The Animated Series’ Predicted the Bat-FutureThis Saturday morning cartoon, now streaming on HBO Max, redefined the caped crusader years before he became one of the world’s most popular and endlessly recycled characters.“Batman: The Animated Series,” which premiered in September 1992, was a departure from earlier TV incarnations of the superhero.Credit…DC ComicsFeb. 21, 2021, 10:00 a.m. ETBefore Robert Pattinson and Ben Affleck and Christian Bale, there was Kevin Conroy and the Gotham City of “Batman: The Animated Series.” The Warner Bros. series, which ran from 1992-1995 on Fox Kids, arrived on HBO Max in January. A Saturday morning cartoon that was also a super-stylized foray into the noir genre, it brought the Dark Knight version of the caped crusader to television, redefining a formerly earnest, occasionally silly TV hero and foreshadowing the ever darker iterations to come.“Batman” was both timeless and incredibly specific, creating a sense of a fully filled-in world. Its wonderfully perplexing, anachronistic landscape combined Art Deco accents with sleek supermodern architecture. Cars that looked cribbed from the 1930s and ’40s shared a world with gadgetry that tiptoed into the realm of steampunk.Batman has been swinging around since 1939, when he first appeared in Detective Comics, but he shot to popularity in the 1960s with Adam West’s relentlessly campy “Batman.” (I personally adore that time capsule of a series). During the 1970s and ’80s, Batman appeared in animated shows like Hanna-Barbera’s “Super Friends,” “The New Scooby-Doo Movies” and the short-lived “The New Adventures of Batman,” from 1977. These Batmen, who were often voiced by West, were direct descendants of the 1960s series.The viewing public got its first look at a moody Batman when Tim Burton stamped the bat with his signature gothic style in “Batman” in 1989. But the haunted, violent version of the character that dominates pop culture now sprang largely from the comics writer Frank Miller, whose groundbreaking work in the 1980s, including the series “Batman: The Dark Knight Returns,” is an obvious influence on “Batman: The Animated Series.”Unlike his TV predecessors, the hero in “Batman: The Animated Series,” which debuted in September 1992, fought real crime and took himself seriously. The show featured mobsters with guns and knives and tackled difficult themes involving murder, revenge, poverty, greed, exploitation and more. Some episodes, like the stunner “Perchance to Dream,” in which Batman is trapped in a dream version of his life where he isn’t the dark hero, dive into the dark psyche of the character.(It could have skewed darker: One episode script, about the gun that killed Bruce Wayne’s parents, never made it to the drawing board because the network found it too bleak, according to the writer and producer Alan Burnett.)For years, Adam West’s campy Batman was the defining portrayal of the character (pictured with Burt Ward).Credit…20th Century Fox Film CorporationNot quite the typical Saturday morning cartoon fare. But it was that, too: Despite its adult themes, “Batman: The Animated Series” didn’t make the mistake many DC properties have made in overdoing the brooding antihero bit. Rather, the series held onto its sense of humor in the banter between Batman and his loyal butler, Alfred; in Batman’s many flirtations; and his deadpan interactions with his antagonists.As in most “Batman” iterations, the villains were what shined most. Mark Hamill’s rollicking laugh in his performance as the Joker became one of the character’s most definitive qualities. The series revamped some villains from the comics, like Mr. Freeze, who was given a sympathetic back story. (A few years later, Arnold Schwarzenegger offered a saccharine take on the character in the widely maligned “Batman and Robin,” from 1997.) It also introduced a villain that has become fundamental to the Batman mythology, Harley Quinn, who somersaulted her way into the canon and, decades later, into her own irreverent television series and film.Kevin Conroy’s voice work showed a range not every actor in the role has been able to replicate, distinguishing Conroy, for many, as the one and only true Batman. (He went on to voice the character in nearly every subsequent DC animated spinoff, including the beloved 1993 film “Batman: Mask of the Phantasm” and the stylish cyberpunk sequel series, “Batman Beyond,” both on HBO Max.) Stately without being stiff, playful without being juvenile, Conroy’s performance captured the gravitas of the character without ever losing track of the fact that he’s a billionaire playboy who runs around in bat-tights at night.“Batman: The Animated Series” was canny about how it mined the hero’s lore. It adapted characters and plots from the comics, drew tonal inspiration from the Burton films and then went on to influence Batman properties that followed.Batman is an onscreen staple at this point: Pattinson’s “The Batman” arrives next year, but Affleck’s Justice League Batman and Bale’s Batman are hardly distant cultural memories (not to mention Will Arnett’s sidesplitting Lego Batman).But years before Disney and Warner Bros. executives even dreamed of streaming platforms and cinematic universes, “Batman: The Animated Series” pointed the way forward for what was to become one of world’s most ubiquitous franchises. While some bats will fly off into the caverns of pop culture past, forgotten and disregarded, this one will remain one of the best and most influential incarnations of everyone’s favorite emo bat hero.AdvertisementContinue reading the main story More