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      Watch Jimmy Kimmel Target Trump's 'Perfect' Georgia Call

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyBest of Late NightLate Night Returns in Time for Another Perfect Trump CallJust as the hosts’ holiday break was ending, President Trump asked Georgia’s secretary of state to “find” some more votes for him.“Now, now, buckle up everybody, because this call is like if Watergate and the Ukraine scandal had a baby that they made on the ‘Access Hollywood’ bus,” Stephen Colbert said.Credit…CBSJan. 5, 2021Updated 3:10 a.m. ETWelcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. We’re all stuck at home at the moment, so here are the 50 best movies on Netflix right now.Another Perfect CallThe late-night hosts returned from holiday break on Monday, and the leading topic was the recording of President Trump’s call with Georgia’s secretary of state, Brad Raffensperger, in which the president pressed the official to “find” enough votes to overturn his loss in the state. The fallout put the hosts in mind of another phone call that landed Mr. Trump in hot water in 2019.“Now, now, buckle up everybody, because this call is like if Watergate and the Ukraine scandal had a baby that they made on the ‘Access Hollywood’ bus,” Stephen Colbert said. “When you’re a star, they let you do it.”“He had another perfect call over the weekend.” — JIMMY KIMMEL“He brought up all kind of crazy things — conspiracy theories he says he’s been hearing on what he calls ‘Trump media.’ It was the kind of call that makes you wonder, is he stupid or drunk? And then you remember he doesn’t drink.” — JIMMY KIMMEL“Trump claimed, among many other things, that there is no way he could have lost Georgia because he had bigger crowds than Joe Biden. As if it was some kind of dueling monster truck shows.” — JIMMY KIMMEL“One problem: Rally size does not decide an election. That’s why on the 20th, we won’t be swearing in President BTS.” — STEPHEN COLBERT, referring to the K-pop supergroup“The president of the United States sounded like an inveterate gambler begging his bookie to float him for one more race. [Imitating Trump] ‘I just need 11,000 bucks. I got a great horse. He’s a sure thing.’” — SETH MEYERS“Trump asked him to somehow find enough votes to flip Georgia, so that he would win the state by one vote. One vote. Trump was like, ‘Because if we’re going to do this, we can’t make it obvious.’” — JIMMY FALLON“That’s all he wants. He just wants them to ‘find’ exactly how many votes he needs to win by one. Nothing fishy about that.” — STEPHEN COLBERT“Trump’s call lasted for an hour, by the way. An hour. It was like one of his calls to ‘Fox & Friends’ except he actually cared what the other person had to say on this one.” — JIMMY FALLON“What a waste. Trump could have spent that hour not helping roll out the vaccine.” — JIMMY FALLONThe Punchiest Punchlines (Worse Than Watergate Edition)“Carl Bernstein, the reporter who broke the Watergate scandal back in the ’70s, said what Trump said on this tape was, quote, ‘far worse than Watergate.’ But I guess Trump figures, ‘I’ve only got two weeks left — what the hell?’” — JIMMY KIMMEL“It doesn’t mean much to Trump. He thinks Watergate is about toilets not flushing hard enough.” — JIMMY FALLON“That’s right, The Washington Post published an audio recording of President Trump asking the Georgia secretary of state to find enough votes to overturn his loss in the state. Wow, things have gotten a lot easier for The Post since they broke Watergate — now Deep Throat is just Trump himself.” — SETH MEYERS“Apparently every January, Trump’s New Year’s resolution is to find a new way to get impeached.” — JIMMY FALLON“He tried everything. He bragged, he challenged, he threatened. He told the secretary of state he would come to Georgia and eat all their peaches — nothing.” — JIMMY KIMMEL“He’s like a guy without a silver bullet brainstorming other ways to kill a werewolf. [As Trump] ‘What about two regular bullets? Is that something that might work?’” — SETH MEYERS“What you heard is definitely the voice of a man who’s been in debt before. He sounds like he’s begging the waiter at a steakhouse to let him skate on the bill.” — SETH MEYERS“It sounds like he’s trying to get someone to hook him up with a free refill of Dr Pepper, not a presidential election.” — JAMES CORDENThe Bits Worth WatchingJimmy Fallon spoofed Harry Styles’s latest music video, with Chloe Fineman of “Saturday Night Live” impersonating Phoebe Waller-Bridge, the creator and star of “Fleabag.”What We’re Excited About on Tuesday NightElizabeth Olsen will promote her new Disney+ series, “WandaVision,” on “Jimmy Kimmel Live.”Also, Check This OutTanya Roberts as Stacey Sutton, an earth scientist, in the 1985 James Bond film “A View to a Kill.” She had earlier starred in the last season of “Charlie’s Angels.”Credit…Keith Hamshere/Getty ImagesA miscommunication led to erroneous reports that the actress Tanya Roberts had died, her publicist said.AdvertisementContinue reading the main story More

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      'Jeopardy!' Boss Calls Alex Trebek 'Absolute Warrior' for Filming His Final Episodes

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      NBC

      Nearly two months after the TV game show host passed away from cancer, executive producer Mike Richards reveals that his late colleague was ‘in enormous pain’ when taping what now would be his last episodes.

      Jan 5, 2021
      AceShowbiz – ‘Jeopardy!’ boss has expressed adoration at Alex Trebek’s dedication to the show during his battle with pancreatic cancer. Nearly two months after the TV game show host passed away, executive producer Mike Richards described his late colleague as an “absolute warrior” for filming his final episodes amid his illness.
      “He was an absolute warrior and what he was able to do by getting himself back to the set to tape those final episodes,” Mike said of Alex during his virtual appearance on “Today” show on Monday, January 4. “We didn’t know it was going to be his final episodes and neither did he. But it was herculean. He was in enormous pain.”
      Mike revealed to co-hosts Savannah Guthrie and Hoda Kotb that Alex made a return to the set just around one week before he died. “He was, you know, 10 days away from passing away and you will not sense any of that in these episodes. He is strong. He sounds great. He’s funny and he’s amazing,” he gushed.
      “I think a normal person would have said I’m not going to show up a year and a half before those final episodes,” he claimed. “I mean, he was getting chemotherapy once a week. So, I think there was a level of professionalism. I think he really understood the importance of the show and what it meant to people, and to make what I have always said, he made being smart cool.”

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      Mike also mentioned that Alex insisted on shooting what would now be his last episodes on the show. “The week before we taped those episodes, he was in the hospital. This man was unbelievable. He calls me and he said, ‘Mike, I’m going to be fine. I’ll be in to tape. I was able to eat Jello today,’ ” he explained.
      “I went, ‘Alex, that’s great, but that doesn’t mean you’re going to be ready to host five episodes of a game show,’ which is an enormous amount of effort,” he continued recalling. “And he said, ‘Do not cancel. I will be there.’ ”
      Mike additionally divulged that Alex shared some powerful messages in one of his last episodes. “He comes out and gives this absolutely amazing speech about the tough times that we’re in and the importance of us as a country, as a community, humanity, coming together and being there for each other,” he said.

      “Usually in his monologue, he would come out, give a statement and then go to the categories,” he went on. “There’s not very many people in the studio because of COVID and we all burst into applause. You don’t see it on camera, but as he’s going to the categories, he sees us start to applaud and he kinda looks at us [like] ‘What are you guys doing?’ and we were so moved that we had to applaud.”

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      'The Bachelor' Premiere Recap: Matt James Meets the Ladies for the First Time in Overwhelming Night

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      ABC

      In the first episode of season 25, Matt is bonding with the ladies as he is having a rather intimate moment with one of the women who will be competing with each other for his heart.

      Jan 5, 2021
      AceShowbiz – “The Bachelor” season 25 featuring new Bachelor Matt James kicked off on Monday, January 4 on ABC. In the first episode of his season, the 28-year-old real estate worker met the ladies before going to his first overwhelming rose ceremony at the end of the outing that night.
      The women included professional ballerina Alicia. She was followed by client financial manager Abigail, who is deaf, attorney Kristin, pharmacist Magi and copywriter Anna who works at a bar at night. Also among the women who competed for Matt’s heart were broadcast journalist Sarah and corporate attorney Lauren.
      Matt admitted to host Chris Harrison that he felt extremely nervous about meeting the women, one of whom would potentially be his life partner. He said he was also pressured to be the first black bachelor, adding that it was hard to please everyone.

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      Later, the first limo with Rachael, Sarah, Jessenia, Chelsea and Mari inside arrived. Meanwhile, the second limo had Magi, Carolyn, Sydney, Kristin and Anna. Following it up was a pickup truck with Khaylah, Serena C., Serena P., Alicia, Alana and Saneh inside. Abigail, Corrinne, Marylynn, Emani, Lauren and Pieper. A pizza car then pulled up and MJ, Katie, Amber, Kimberly, Casandra, Illeana, Kit and Victoria got off the car.
      Matt, who is raised in a Christian family with a white mom and a black dad, started things off by asking the women to bow their heards for a prayer. He seemed stiff around them and lost his mind when he saw a vibrator. However, he quickly had fun with the women while having great conversations, playing chess and bowling.
      Ahead of the first impression rose, the mood immediately shifted. Victoria approached Matt for a one-on-one talk, so did Bri. Abigail also sat down with Matt to have a chit-chat before he leaned in for a kiss. Both Katie and Victoria expected the first impression rose but the special rose went to Abigail.
      Later during the first Rose Ceremony, Matt told the ladies that he had an amazing night with them. He presented the roses to Bri, Rachael, Chelsea, Sarah, MJ, Serena P., Khaylah, Kristin, Magi, Pieper, Mari, IIIeana, Kit, Jessenia, Kaili, Marylynn, Serena C., Lauren, Sydney, Katie, Alana, Anna and Victoria. Unfortunately, Alicia, Amber, Carolyn, Cassandra, Corrine, Emani, Kimberly and Saneh were sent home.

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      Surging Virus Prompts Call to Halt In-Person TV and Film Production

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storySurging Virus Prompts Call to Halt In-Person TV and Film ProductionSAG-AFTRA, the union representing 160,000 people who work in the industry, seeks a “temporary hold” in Los Angeles.A film crew in Los Angeles on Nov. 6. Credit…Etienne Laurent/EPA, via ShutterstockJan. 4, 2021Seven people working on “The Kelly Clarkson Show,” which was being shot at an NBC Universal stage in Studio City, Calif., tested positive for the coronavirus this fall. So did nine people working on the Netflix series “Colin in Black & White” in Gardena. And the Los Angeles County Public Health Department reported that a dozen people working on the sitcom “Young Sheldon” in Burbank got the virus, too.The entertainment industry is so vital to Los Angeles that film and television production were both allowed to continue even after outdoor dining was banned. But now, with the coronavirus surging across California and overwhelming hospitals, unions and industry groups are calling for in-person production to be suspended.“Southern California hospitals are facing a crisis the likes of which we have never seen before,” Gabrielle Carteris, the president of SAG-AFTRA, the union representing 160,000 people who work in film, television and radio, said in a statement. “Patients are dying in ambulances waiting for treatment because hospital emergency rooms are overwhelmed. This is not a safe environment for in-person production right now.”The union was joined in its call for a “temporary hold on in-person production in Southern California” by groups representing producers and advertisers.The recommendation, which was announced on Sunday, came as officials said that major studios in the area had already extended a standard holiday-related pause in production until at least mid-January in the hope that the number of new cases would subside by then, freeing up space in hospitals and intensive care units.By Monday night, “The Late Late Show” announced in a tweet that it had moved its production back into James Corden’s garage until it was “safe to return to our studio.” And a spokeswoman for “Jimmy Kimmel Live” confirmed a Deadline report that the Los Angeles-based late show would film remotely for the next two weeks. Officials from the groups calling for a pause — which also included a committee representing commercial advertisers and advertising agencies — said that they were encouraging their members to stay at home and not accept any on-set employment for several weeks. They noted that even workers who do not contract the virus put themselves at risk of becoming injured by stunts, falls or other mishaps, and that they could find it difficult to get treatment at hospitals.“It is too hard to say right now when the situation may improve,” said David White, national executive director of SAG-AFTRA.The Producers Guild of America said in its own statement that it was encouraging everyone “to delay production until the county health officials indicate it’s safe to resume.”Like sports, theater and much of the entertainment industry, film and television production has been forced to endure a turbulent year of stops and starts. The pandemic caused what was essentially a global shutdown in March, followed by a gradual phased reopening over the summer with a laundry list of new safety protocols in place that forced executives to reimagine how to make blockbuster movies safely, or how to finish uncompleted television seasons.The measures they have taken could not entirely stop the spread of the virus, however, and throughout the summer and fall, stars including Robert Pattinson and Dwayne Johnson tested positive. Mr. Pattinson’s positive test forced filming of “The Batman” at studios outside London to shut down. And last month, an audio recording of Tom Cruise emerged in which the actor could be heard scolding crew members on the set of “Mission: Impossible 7” for not following Covid-19 protocols.The restart, uneven and incomplete, has also forced the industry to slash budgets and lay off employees. FilmLA, the official film office for the city and county of Los Angeles, reported that filming in the area fell by more than 54 percent from July to September compared with the same period the previous year. (In New York City, only 35 of the nearly 80 series that were filming or planning to film were back at work by early November.)Then came the wave of infections that have staggered California since Thanksgiving. More than 35,000 new cases were reported in the state on Sunday, and the weekly average of new cases per day in Los Angeles County exceeded 16,000 last week — roughly 12 times higher than it was averaging on Nov. 1.The crisis has stretched the health care system so thin that at one Los Angeles hospital, incoming patients were recently being instructed to wait in an outdoor tent because the lobby was being used to treat patients, and gurneys filled the gift shop.The lack of hospital capacity prompted public health officials in Los Angeles to reach out to some members of the production industry on Dec. 24 to ask them to “strongly consider pausing work for a few weeks during this catastrophic surge in Covid cases,” FilmLA said. (An official at the Los Angeles County Department of Public Health said only that it had “recommended a voluntary pause on production activities” during a phone call with industry officials, but did not specify a time frame.)A database maintained by the county health department lists locations tied to CBS, NBC, Netflix and Warner Bros. as among the more than 500 workplaces, restaurants and stores that have reported three or more positive coronavirus cases. Officials for the studios declined to comment on the record.With the standard holiday break now expanded until mid-January because of the surge in cases and concerns about hospital capacity in Los Angeles, several shows that had been slated to resume production this week will not return until next week at the earliest, officials said.AdvertisementContinue reading the main story More

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      Quibi is selling content to Roku

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      AdvertisementContinue reading the main storySupported byContinue reading the main storyQuibi Is Dead, but Roku TV May Resurrect Its ContentThe failed streaming company led by Jeffrey Katzenberg and Meg Whitman is in talks with Roku about a deal.Christoph Waltz in Quibi’s “Most Dangerous Game.” The streaming service’s programming has attracted interest from Roku. Credit…Quibi, via Associated PressJan. 4, 2021Updated 4:19 p.m. ETQuibi was the biggest bust of the streaming boom. But it has something Roku wants — more than 100 original programs.Quibi, which announced that it was closing six months after a much-hyped introduction, is in talks to sell its content to Roku, the streaming device maker with a streaming app of its own.The deal is close to completion, said one person with knowledge of the discussions, who was not authorized to speak publicly. Quibi and Roku declined to comment.Started by Jeffrey Katzenberg and Meg Whitman, who raised more than $1.75 billion from major Hollywood studios and other investors, Quibi was a quixotic attempt to capitalize on the streaming boom. Its shows, chopped into installments no longer than 10 minutes, were meant to be watched on smartphones.The approach assumed that people wanted this kind of viewing experience to help them through their daily commutes or while they were in line for coffee, but the coronavirus pandemic meant that potential customers were out of their on-the-go workday routines when the platform went live in April.Mr. Katzenberg blamed the pandemic for Quibi’s quick downfall, while others cited its unusual format and some of its creative choices, including a show starring the Emmy-winning actress Rachel Brosnahan as a character obsessed with her own golden arm.Business & EconomyLatest UpdatesUpdated Jan. 4, 2021, 3:39 p.m. ETMore than 170 business executives urge Congress to certify Biden’s win.Haven, the health care venture of Amazon, Berkshire and JPMorgan, is shutting down.A trickle of trucks continues to ease Britain into life outside the E.U.Still, Quibi won two Emmy Awards in the short-form category, for the actors Laurence Fishburne and Jasmine Cephas Jones in the series “#FreeRayshawn.” Two of its other shows scored nominations: “Most Dangerous Game,” which starred Christoph Waltz and Liam Hemsworth, and a reboot of the comedy “Reno 911!”That’s where Roku comes in. The company needs material for its Roku TV app. And Quibi, which has not yet gone dark, will soon have plenty of material that could go unseen.Complicating the talks, which were first reported by The Wall Street Journal, is Quibi’s unusual business strategy. Mr. Katzenberg and Ms. Whitman didn’t pursue ownership of the platform’s content, instead buying exclusive rights from creators to stream their shows for seven years. The arrangement was attractive to producers, who retained the right to later resell the shows to another service, such as Netflix. It is unclear how a sale would affect the rights of content producers.Roku, known primarily for its easy-to-use streaming devices, generates almost two-thirds of its revenue from its media division. Roku TV, a free, ad-supported streaming channel, offers movies and shows made by other companies, without a significant lineup of its own original content.Despite the relatively low cost of digital platforms, streaming bills are starting to add up as the digital media industry matures and expands. The average household pays for only three services at a time, and exclusive content on a free app is likely to attract an audience.The latest entrant, Discovery+, a platform built on 55,000 hours of unscripted shows, went live on Monday, arriving in a crowded field that includes, in addition to Netflix, Peacock from NBCUniversal, HBO Max, Disney+, AppleTV+, CBS All Access (soon to be renamed Paramount+) and Hulu.Roku has become a streaming force by exercising its distribution power — it claims 46 million accounts — to lift its media business. After a long disagreement, Roku recently forged a deal with AT&T to carry its HBO Max service. Roku wanted more access to advertising inventory on AT&T’s forthcoming ad-based streaming platform as well as rights to Warner Bros. content.AdvertisementContinue reading the main story More

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      Jodie Whittaker Rumored to Leave 'Doctor Who' After Season 13

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      BBC

      Rumor has it, the actress who plays the thirteenth incarnation of the Time Lord will not return to reprise her role after completing the upcoming 13th season.

      Jan 5, 2021
      AceShowbiz – Jodie Whittaker is reportedly gearing up to leave “Doctor Who” at the end of the current series.
      The actress made history as the first female incarnation of the Time Lord, but is believed to have told BBC bosses that she’s hanging up her Sonic Screwdriver once and for all after the upcoming 13th season.
      “It’s all very hush-hush but it is known on set that Jodie is leaving and they are gearing up for a regeneration,” a source told Britain’s Daily Mirror newspaper. “Her departure is top secret but at some point over the coming months the arrival of the 14th Doctor will need to be filmed. It’s very exciting.”
      When contacted about the report, the BBC played coy, issuing a statement which read, “We won’t be commenting on any speculation around Jodie’s future on the show.”

        See also…

      If the report of Jodie’s departure is correct, she would be the third Doctor to leave the programme after three seasons – following in the footsteps of Matt Smith and Peter Capaldi.
      The report about her exit comes after it was announced that British comedian John Bishop is joining the show for the next season.
      Bishop made his debut on the show in an episode airing Friday, January 1. At the end of the outing, he was announced as the Time Lord’s companion for the next installment.
      “I have loved the last few months on set and I am looking forward to working with the brilliant team in 2021,” he tweeted after the episode. “Honour to join such a legendary show.”

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      What’s on TV This Week: ‘Mr. Mayor’ and ‘Tiger’

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyWhat’s on TV This Week: ‘Mr. Mayor’ and ‘Tiger’Ted Danson plays a Los Angeles mayor in a new NBC sitcom. And HBO debuts the first part of a documentary about Tiger Woods.Ted Danson, left, and Bobby Moynihan in “Mr. Mayor.”Credit…Mitchell Haddad/NBCJan. 4, 2021, 1:00 a.m. ETBetween network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Jan. 4-9. Details and times are subject to change.Monday30 COINS 9 p.m. on HBO. The Spanish filmmaker Álex de la Iglesia has blended the humorous and the horrific in movies like “Witching & Bitching” and “The Last Circus.” His latest project, the TV series “30 Coins,” is pure horror. It follows an exorcist (Eduard Fernández) who is sent by the church to serve as a priest in a remote Spanish village. He soon discovers that the town is a petri dish for the paranormal.TuesdayGORDON RAMSAY’S AMERICAN ROAD TRIP 8 p.m. on Fox. Gordon Ramsay, the acerbic celebrity-chef host of “Hell’s Kitchen,” doesn’t seem like the type to ask for directions. Luckily, the road trip he takes in this new special isn’t really about driving. “American Road Trip” finds Ramsay and two of his famous chef friends, Fred Sirieix and Gino D’Acampo, traveling North America by R.V. They guzzle gas and have gastronomic conversations over local delicacies.WednesdayRandy Jackson and Jane Krakowski in “Name That Tune.”Credit…Michael Becker/FoxNAME THAT TUNE 9 p.m. on Fox. “Name That Tune,” a competition show created in the early 1950s and rebooted in the ’70s and ’80s, challenged contestants to identify songs played by musicians onstage — sometimes using only a few notes. This reboot of the series, hosted by the actress Jane Krakowski (“30 Rock”) with a band led by Randy Jackson, is an opportunity to grill competitors on the decades of music that have been released since the show was last produced.DEATH ON THE NILE (1978) 8 p.m. on TCM. Kenneth Branagh’s new adaptation of the Agatha Christie mystery novel “Death on the Nile” was slated hit theaters this holiday season. It was delayed, so we’ll have to wait to find out how it compares to the 1978 adaptation, whose cast included Peter Ustinov, Bette Davis, Mia Farrow and Angela Lansbury. Branagh should hope his version compares favorably to the ’70s adaptation: In a review for The New York Times, Hilton Kramer called it “a big expensive, star‐studded bore.”ThursdayMR. MAYOR 8 p.m. on NBC. A year after “The Good Place” wrapped up, Ted Danson returns to the NBC sitcom realm in “Mr. Mayor,” a comedy series created by Tina Fey and Robert Carlock. Danson plays Neil Bremer, a businessman who runs for mayor of Los Angeles. When he wins, he has to juggle the demands of his job (Holly Hunter and Bobby Moynihan play members of his staff) while navigating a sometimes strained relationship with his teenage daughter (Kyla Kenedy).FridayThe documentary filmmaker Ramona S. Diaz looks at attempts by President Rodrigo Duterte of the Philippines to undermine the press.Credit…PBS/FrontlineFRONTLINE: A THOUSAND CUTS 9 p.m. on PBS (check local listings). The documentary filmmaker Ramona S. Diaz (“Don’t Stop Believin’: Everyman’s Journey”) looks at attempts by President Rodrigo Duterte of the Philippines to devalue the press. To do that, Diaz follows efforts by the journalist Maria Ressa (who founded the news site Rappler) to cover the abuses of Duterte’s presidency — an undertaking that puts Ressa and her fellow journalists in danger. The result is “absorbing and multipronged,” and “a kaleidoscopic dissection of how information courses through the country,” Ben Kenigsberg wrote in his review for The New York Times. “It illustrates social media’s capacity to deceive and to entrench political power.”SaturdayTHE KING OF STATEN ISLAND (2020) 8 p.m. on HBO. The “Saturday Night Live” star Pete Davidson filters his own back story through Judd Apatow’s lens in this comedy-drama. Davidson plays Scott, a couch-bound 24-year-old who lives with his mother, Margie (Marisa Tomei), on Staten Island. Scott’s father, a firefighter, has been dead for over a decade and a half — a loss that Scott is still grappling with. (Davidson’s own father, who was a firefighter, died responding to the terrorist attacks of Sept. 11, 2001.) Scott is forced to reckon with his father’s death and his own mental health after Margie takes up with a new boyfriend (played by Bill Burr).SundayTiger Woods in 2020. A two-part documentary about him, “Tiger,” debuts on HBO on Jan. 10.Credit…Phelan M. Ebenhack/Associated PressTIGER 9 p.m. on HBO. Tiger Woods’s career is famously full of peaks and valleys, so it makes sense that this HBO documentary about him runs three hours. Interviewees include Woods’s former caddie Steve Williams and other golf figures like the English player Nick Faldo. The first part debuts Sunday night; the second airs Jan. 17. The Times critic Mike Hale predicted that the documentary will be compared to ESPN’s 2020 hit “The Last Dance,” about Michael Jordan and the Chicago Bulls, but that “Woods’s story is more tragic and more complicated.”THE CIRCUS 8 p.m. on Showtime. When this political documentary series debuted in 2016, it offered a behind-the-scenes look at presidential campaigns. James Poniewozik, in a review for The Times, likened it to a reality show: The series, he wrote, is “a document and an example of the superficiality of today’s elections.” Its fifth season, which covered the 2020 election cycle, ended in November; the sixth season debuts Sunday, in the wake of the Georgia Senate runoffs.ALL CREATURES GREAT AND SMALL 9 p.m. on PBS (check local listings). If you’re looking for an escape, skip “The Circus” and instead spend your Sunday evening with actual animals — including prim dogs and horses — in this new TV adaptation of the James Herriot book “If Only They Could Talk.” The show follows a trio of veterinarians working in rural England in the 1930s.AdvertisementContinue reading the main story More

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      NeNe Leakes Dubs Andy Cohen 'Sociopath' and Drags Former 'RHOA' Star Kim Zolciak

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      WENN/Instar/Avalon

      NeNe calls out the franchise over the different treatment between her and Kim, her fellow OG star of ‘RHOA’, who is given a solo TV show ‘Don’t Be Tardy…’ after exiting ‘The Real Housewives of Atlanta’.

      Jan 4, 2021
      AceShowbiz – NeNe Leakes isn’t done blasting “The Real Housewives of Atlanta” and its executive producer Andy Cohen. Following her exit from the Bravo reality TV show, NeNe appeared to label Andy a “sociopath” in a series of Instagram Story posts.
      “That sociopath making sure he’s the only one that gets to shine,” NeNe wrote alongside a video of a lion strolling a parking lot. The Swagg Boutique owner continued in another post, “Everyone is manipulated.” While NeNe didn’t name anyone in her posts, people assumed that she was taking a jab at Andy.
      Additionally, she called out the franchise over the different treatment between her and Kim Zolciak, her fellow OG star of “RHOA”, who is given a solo TV show “Don’t Be Tardy…” after exiting the show. “How ironic is it that all the ORIGINAL BLACK housewives were all demoted, and the ONLY WHITE housewife promoted and still working today! Just food for thought,” NeNe wrote on December 22, 2020.
      The next day, she clapped back at a fan who seemingly thought that she was bitter for not being offered with a satisfying deal for season 13 of “RHOA”. “Someone help me out here. @NeNeLeakes is calling for a boycott of @BravoTV, who made her rich and famous,” the fan tweeted in response to NeNe calling for “RHOA” boycott earlier in December. “For over 11 years. Then she had a mental breakdown on camera, and all the women turned on her. But she is accusing them of what? Racism? Y’all help me out. @Andy,” the fan added.

        See also…

      Correcting the fan, NeNe wrote back, “I made them rich and famous.”
      This arrived after NeNe took to her Twitter account to ask her fans to boycott season 13 of RHOA which premiered on December 6 last year. “Y’all ready to start this boycott yet? What has happened behind the scenes is WRONG!” NeNe tweeted. “While others were being promoted, BLACK WOMEN who created shows, created genres, built franchise and built networks were being DEMOTED … TURN OFF YOUR TV’S.”
      In a separate tweet, the “Glee” actress went on to urge her fans, “Sign the petitions when you see them, repost the boycott flyers when you see them, turn off your TVs.”
      Speaking with Entertainment Tonight last October, NeNe detailed why she deciced to depart from “RHOA”. “I left the show,” NeNe explained. “I had an offer on the table. I did not think the offer was a fair offer.” When asked if she’s open to return to the Bravo show, NeNe appeared to shut down the possibility, saying, “I wish them all the best, really, I do. But I don’t think that’s the place for me.”

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      Olivia Jade Vows to Keep ‘the Vibes Good’ After Mom Lori Loughlin’s Prison Release

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