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    The Weeknd's Super Bowl Halftime Show Gets Documentary Treatment

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    Produced by Jay-Z’s Roc Nation and Jesse Collins, ‘The Show’ will offer a 90-minute look at months of hard work that went into putting together the ‘Blinding Lights’ hitmaker’s performance.

    Feb 13, 2021
    AceShowbiz – R&B superstar The Weeknd is taking fans behind the scenes of his Super Bowl Halftime Show spectacular in a new TV documentary.
    The “Blinding Lights” hitmaker wowed the nearly 100 million people who tuned in around the world to watch the half-time entertainment during the American football championship game between the Tampa Bay Buccaneers and the Kansas City Chiefs on 7 February, and the singer didn’t disappoint.
    Now fans will get to see the months of hard work that went into putting together his 13-minute performance – produced by officials at Jay-Z’s Roc Nation firm and Jesse Collins, the first black executive producer of the event, and staged in the midst of the COVID-19 pandemic – in “The Show”, a 90-minute film directed by Emmy nominee and “Becoming (2020)” helmer Nadia Hallgren.
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    Todd Kaplan, Vice President of Marketing for half-time show sponsors Pepsi, says, “The Pepsi Super Bowl Halftime Show is undoubtedly the world’s biggest stage, producing the most viewed and talked about moment in music every single year. The pressure to deliver an iconic, memorable and entertaining performance is felt well beyond the artist, as there are a number of people – behind the scenes – who are vital to its success.”
    “With our new documentary coming to Showtime, we are taking fans on the emotional and thrilling journey of what it takes to make the biggest show of the year – with the added complexity of doing so amidst a global pandemic.”
    “The Show” will debut on U.S. network Showtime later this year.
    Nearly 100 million people around the world tuned in to watch The Weeknd’s halftime performance, which he reportedly spent $7 million from his own pocket for.

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    Five-Time 'Jeopardy!' Winner Brayden Smith 'Unexpectedly' Dead at 24

    Jeopardy Productions

    The show announces the heartbreaking passing of Smith, who was also known as ‘Alex’s Last Great Champion’, on Twitter, calling him ‘kind, funny and absolutely brilliant.’

    Feb 13, 2021
    AceShowbiz – A five-time “Jeopardy!” winner has died “unexpectedly.” Brayden Smith, who was also known as “Alex’s Last Great Champion”, passed away at the age of 24 on Friday, February 5 in Las Vegas. His death was confirmed by his mother, Debbie Smith.
    On Friday morning, February 12, Debbie took Twitter to share a picture of her late son. She tweeted, “We are heartbroken to share that our dear Brayden Smith recently passed away unexpectedly. We are so grateful that Brayden was able to live out his dream on @jeopardy.”
    In the wake of Brayden’s passing, “Jeopardy!” offered condolences via Twitter by replying to his mother’s tweet. “The ‘JEOPARDY!’ family is heartbroken by the tragic loss of Brayden Smith. He was kind, funny and absolutely brilliant. Our deepest condolences go out to Brayden’s family. He will be missed,” so read the message.

    ‘Jeopardy!’ family offered their condolences following the death of Brayden Smith.

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    Brayden’s final appearance on “Jeopardy!” was in Alex Trebek’s final episodes, which aired in mid-December 2020 and early January 2021. He won $117,798 on the game show. In January, he opened up about his experience on the program. “It’s been a whirlwind,” he admitted.
    The late champion went on to tell the show’s correspondent Sarah Whitcomb Foss, “Thinking back, a few months, as I wait for my shows to air – it’s been really – I’ve been on pins and needles, I guess. I’m glad we were able to do it, and I’m glad I was able to show what I was capable of.”
    “I just wanted to stay there as long as possible. It’s really a great feeling to be on the set. To be around smart, nice, warm people,” he added. “And to be around Alex… who has been a mainstay of my life. To finally be on stage with somebody that I’ve seen five nights a week. Every week. For over a decade – was really a dream come true.”
    According to his obituary in The Las Vegas Review-Journal, Brayden was survived by his family including mother Debbie, father Scott, brothers Bryce, Brock and Brody, as well as his grandparents, aunt, uncle and his cousins. His cause of death has yet to be revealed.

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    Dave Chappelle Agrees to Let His Show Stream on Netflix After He Gets His License Back

    WENN

    The ‘Chappelle’s Show’ star thanks his fans, crediting them for helping him get his ‘name back’ after his show was allegedly licensed to Netflix without his consent.

    Feb 13, 2021
    AceShowbiz – “Chappelle’s Show” is returning to Netflix, the comedian has announced in a 10-minute video posted to Instagram on Wednesday (10Feb21).
    In the clip from a stand-up performance recorded at Stubb’s Waller Creek in Austin, Texas, he explained the show will be returning to the streaming service on Friday (12Feb) after he agreed a new licensing deal with Comedy Central bosses.
    “I asked you to stop watching the show and thank God almighty for you, you did. You made that show worthless because without your eyes, it’s nothing,” Chappelle told the audience. “And when you stopped watching it, they called me. And I got my name back and I got my license back and I got my show back and they paid me millions of dollars. Thank you very much.”

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    Chappelle’s Show was removed from Netflix last November (20), less than a month after its debut. He made the request after allegedly being unable to receive royalties for the show based on a contract he signed with Comedy Central and its parent company, ViacomCBS. He also claimed the show had been licensed without his consent.
    Chappelle opened the video, which shows him performing a standup set, discussing how he caught COVID-19 last year which he blamed on his eagerness to perform.
    “I did because in the beginning of the pandemic, I talked to a guy in the live entertainment business and I said, ‘When can we go back to work?’ He said probably some time in 2022,” Chappelle said. “And I said, ‘There’s no f**king way I can wait that long.'”
    He also touched on the Capitol riots in the U.S. “Watch that crowd that told Colin Kaepernick he can’t kneel during a football game try to beat a police officer to death with an American flag. … They carried a Confederate flag through the rotunda. The Confederate army didn’t even do that,” Chappelle said.

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    Justin Timberlake Apologizes for ‘Failing’ Britney Spears and Janet Jackson

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    ‘Sorry, Britney’: Media Is Criticized for Past Coverage, and Some Own Up

    #masthead-section-label, #masthead-bar-one { display: none }Britney Spears’s Legal BattleControl of Spears’s Estate‘We’re Sorry, Britney’Justin Timberlake ApologizesWatch ‘Framing Britney Spears’ in the U.S.AdvertisementContinue reading the main storySupported byContinue reading the main story‘Sorry, Britney’: Media Is Criticized for Past Coverage, and Some Own UpConversations about the relentless focus on the pop star’s mental health, mothering and sexuality have begun anew following The New York Times documentary “Framing Britney Spears.”Media outlets and fans are re-examining how Britney Spears was questioned and written about during the years leading up to her personal crises.Credit…Martin Bureau/Agence France-Presse — Getty ImagesFeb. 12, 2021Updated 1:50 p.m. ET“Help Me,” the cover of Us Weekly blared in all caps, below a photo of Britney Spears with her hair partly buzzed off. People Magazine promised to take readers “Inside Britney’s Breakdown,” teasing details of “wild partying, sobbing in public, shaving her head.” OK! Weekly tempted potential buyers with a firsthand account of an “emotional cry for help.”In 2007, the celebrity magazines stacked up in dentists’ waiting rooms or on the racks by supermarket checkout lines had a favorite cover story: the trials and tribulations of a 25-year-old Britney Spears. That breathless, wall-to-wall coverage of her travails by glossy magazines, supermarket tabloids, mainstream newspapers and television shows alike is now being re-examined in the wake of a new documentary about Spears and her troubles by The New York Times.Fourteen years after Spears’s most publicized crises, some see the hypercritical fixation on her mental health, mothering and sexuality as a broad public failing.“We’re sorry, Britney,” read a post on Glamour’s Instagram this week. “We are all to blame for what happened to Britney Spears.”Spears was a frequent cover star on celebrity weeklies in the mid-2000s.The tabloids had been obsessed with Spears since her days as a teenage bubble-gum pop sensation, but the coverage reached a new level of intensity during her mid-20s. There seemed to be a vicious cycle at play: The relentless paparazzi that followed Spears nearly everywhere left her exasperated and helped fuel public displays of frustration, which magazines then covered aggressively, interviewing a host of tangential characters, including the owner of the hair salon where she shaved her head and a psychologist who had never treated her.“Her story hit at a time when print magazines were hunting for the story of the week,” said Jen Peros, a former Us Weekly editor, “and when you found a celebrity — I hate to say it — spiraling or acting abnormally, that was the story. And we knew it would sell magazines.”A new episode of The New York Times Presents, on FX and Hulu, coming Friday, Feb. 5, at 10 p.m.CreditCredit…Ting-Li Wang/The New York TimesSome are now asking for direct apologies from people who made jokes at Spears’s expense or interviewed her in ways now viewed as insensitive, sexist or simply unfair. On social media, there have been calls for apologies from prominent media figures, including Diane Sawyer, who, in a 2003 interview grilled Spears on what she might have done to upset her ex, Justin Timberlake; Matt Lauer, who pointed to questions about whether she was a “bad mom”; and the comedian Sarah Silverman, who made off-color jokes about Spears at the 2007 MTV Video Music Awards.These demands are encapsulated in another phrase spreading on social media: “Apologize to Britney.”Silverman, who had joked on MTV that Spears’s children were “the most adorable mistakes,” did just that on an episode of her podcast that was released on Thursday, saying that, at the time, she had not understood that big-time celebrities could have their feelings hurt.“Britney, I am so sorry. I feel terribly if I hurt you,” Silverman said. “I could say I was just doing my job but that feels very Nuremberg Trial-y, and I am responsible for what comes out of my mouth.”And on Friday Timberlake issued an apology to Spears on Instagram, writing that he was “deeply sorry for the times in my life where my actions contributed to the problem, where I spoke out of turn, or did not speak up for what was right.” (He also apologized to Janet Jackson, with whom he appeared in 2004 at the Super Bowl halftime show.) The new documentary, “Framing Britney Spears,” which premiered on Hulu and FX last Friday, traces the origins of Spears’s conservatorship, the legal arrangement that has mandated that other individuals — primarily her father — have had control over her personal life and finances for the past 13 years, following her 2008 hospitalization after a three-hour standoff involving her two toddler sons and her ex-husband Kevin Federline.It wasn’t just the paparazzi and the tabloids that reported — sometimes breathlessly — on Spears’s marriages, children, substance abuse issues and mental health challenges: So did The New York Times, as well as other newspapers, television news outlets and late-night comedy programs. Even the game show “Family Feud” found a way to work Spears in, asking contestants to list things that she had lost in the past year (“her hair,” “her husband”).In an interview, Samantha Barry, the editor in chief of Glamour, said of society’s treatment of Spears, “Hopefully we’re in a place where we won’t do that again, where we won’t lift up these celebrities — in particular women — and then proceed to rip them down.”Spears onstage at the MTV Video Music Awards in 2016. In 2007, the comedian Sarah Silverman joked about the singer’s children at the awards show; this week, she apologized in a podcast.Credit…Charles Sykes/Invision, via Associated PressPeros, who started as a reporter for Us Weekly in 2006 and ultimately became editor in chief, believes that with a decade and a half of hindsight, the media would treat Spears differently now. Weekly magazines are “much more sensitive and handle stories like this more delicately,” she said, pointing to coverage of celebrities like Selena Gomez and Demi Lovato, who have spoken more openly about mental health and substance abuse. Part of the evolution stems from the fact that these subjects are less stigmatized, but it’s also the result of journalists and editors understanding that aggressive media coverage would inevitably receive backlash now, Peros said.Us Weekly was one of the magazines that poured resources into relentlessly covering Spears. In a March 2007 cover story that read like a play-by-play of a natural disaster and its aftermath, the magazine interviewed a diner at a sushi restaurant that Spears’s mother visited, a clubgoer at a karaoke party Spears dropped in on, and cited an anonymous source in Antigua, where Spears briefly checked into a rehab clinic.“That was a time when she was making so much money for these magazines that we had the money to send a reporter to Antigua,” Peros said.Back then, it was Peros’s job in New York to search for nuggets of insight into Spears’s life by interviewing dancers or lighting assistants on her tour, searching through the Yellow Pages for their contact information and typically granting them anonymity to share things that they probably shouldn’t. If the reporters had the same awareness about mental health that they have today, they might not have dug so aggressively, she said.The main difference between then and now is the rise of social media, which has diluted the power of weekly magazines as the primary way to learn about celebrities’ personal lives. In some ways, social media can give celebrities more control over what people see: For Spears, her Instagram account is a repository for improvisational dancing, photos of her and her boyfriend, silly skits and random curiosities — all blasted out to an audience of 27.7 million followers.There may be fewer professional photographers following celebrities like Spears around now, but at the same time, almost everyone is armed with a smartphone and has the potential to become an amateur paparazzi. Instead of sending a reporter to go to Antigua to find out what Spears was up to, Us Weekly would now be scouring social media for photos of her there walking around town or eating at restaurants.Dax Holt, who was a producer at TMZ for over a decade and now co-hosts a podcast about Hollywood, said that he doesn’t necessarily blame the media for Spears’s breakdown but rather an American public that had an incessant curiosity for all things Britney. Still, Holt, who used to sift through paparazzi photos of Spears in his time at TMZ, said it made him sad to watch the documentary and see all that Spears had to endure.“I can’t even imagine what it would be like being a focal point of the world’s attention for so many years,” he said. “One little misstep and the whole world is laughing at you.”So far, the public has heard little from Spears herself about the documentary and the reactions to it. On Tuesday, she seemed to indirectly address the film in social media posts when she wrote, “I’ll always love being on stage …. but I am taking the time to learn and be a normal person.”This time, more people seem to be accepting that she is one.AdvertisementContinue reading the main story More

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    ‘Chappelle’s Show’ Returns to Netflix After Dave Chappelle Gets Paid

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main story‘Chappelle’s Show’ Returns to Netflix After Dave Chappelle Gets PaidThe comedian had asked fans to boycott his sketch show from the mid-2000s because of what he described as a “raw deal” from Comedy Central.“When you stopped watching it, they called me,” Chappelle said to his fans in a clip posted on Instagram on Friday. “And I got my name back, and I got my license back, and I got my show back.”Credit…Charles Sykes/Invision, via Associated PressFeb. 12, 2021Updated 1:14 p.m. ETLast fall, Dave Chappelle asked his fans to boycott his old Comedy Central sketch show, “Chappelle’s Show,” in order to put pressure on ViacomCBS to rectify his grievances over a contract he signed as a young comedian, and prominent streaming services agreed to pull the show at his request. The tactic seems to have worked.As a result of that public pressure, Chappelle, in a video posted early Friday on his Instagram, said he was paid “millions of dollars.” And “Chappelle’s Show” is now returning to Netflix and HBO Max.“When you stopped watching it, they called me,” Chappelle, 47, said in the clip. “And I got my name back, and I got my license back, and I got my show back, and they paid me millions of dollars. Thank you very much.”The issue arose in November, when Chappelle posted a video of a stand-up set in which he voiced his complaints against ViacomCBS, which owns Comedy Central. He said that the company had licensed “Chappelle’s Show” to Netflix and HBO Max without providing him any additional compensation or even informing him about the deal, something he understood to be legal under his contract but which he saw as unethical. Netflix then pulled the show at Chappelle’s request, followed by HBO Max.In the new video posted Friday, Chappelle thanked Ted Sarandos, the co-chief executive of Netflix, for having the “courage to take my show off its platform at financial detriment to his company, just because I asked him.” And he thanked Chris McCarthy, the president of ViacomCBS’s MTV Entertainment Group.In a statement, McCarthy said, “After speaking with Dave, I am happy we were able to make things right.”Officials at ViacomCBS did not disclose the details of the new arrangement. Netflix did not immediately respond to a request for comment.“Chappelle’s Show,” which had been broadcast on Comedy Central from 2003 to 2006, lasted for two full seasons before Chappelle, the show’s star and creator, walked away from it, sparking questions about how he could have abandoned what could have amounted to a $50 million deal. In 2006, after his departure, Chappelle told Oprah Winfrey in an interview that he had left the show in part because of stress and in part because he felt conflicted about the material he was producing, saying, “I was doing sketches that were funny, but were socially irresponsible.”Chappelle said that he had been a broke, expectant father when he signed the contract with Comedy Central, describing it as a “raw deal.” He framed his experience as emblematic of an immoral corporate entertainment system that mistreats artists.Now, Chappelle seems to have forgiven the company.“Finally after all these years,” Chappelle said, “I can finally say to Comedy Central, ‘It’s been a pleasure doing business with you.’”AdvertisementContinue reading the main story More

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    Tia Mowry Made to Feel Insecure by TV Bosses at Auditions Because of Natural Hair

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    The former ‘Sister, sister’ actress opens up about growing up as a child star, claiming she started straightening her natural curls because she was told they were ‘distracting.’

    Feb 13, 2021
    AceShowbiz – Tia Mowry was told her natural curls were “distracting” by TV bosses.
    The 42-year-old actress and her identical twin sister, Tamera – who starred together in the hit sitcom “Sister, Sister” – started straightening their hair in their teens because they were made to feel insecure about their natural tresses at auditions.
    Tia told ELLE.com, “When we were younger, it was wonderful being able to wear our natural hair. People were always like, ‘Oh, you’re so cute. We love your curls.’ But as we went into adulthood, you could see that when we became teenagers in the show, we ended up straightening our hair. It was such a pivotal moment in the series because it was also a reflection of what was being pushed as ‘beautiful’ in society. When I straightened my hair, it damaged my hair and it damaged my natural curls. Again, there were those insecurities. In this business, if I had my hair curly, I was told, ‘Can you pull that back?’ On auditions, I was told, ‘It’s distracting.’ ”

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    However, Tia’s mother Darlene made sure her daughters didn’t let the remarks about their hair set them back.
    She continued, “But I thank God that my mom told us, ‘Do not allow this business to define you. Do not allow this business to define your happiness. Do not allow this business to define your value.’ I believe that’s what saved us from falling into the pit of childhood stardom.”
    Now, Tia is “unapologetic” when it comes to hair and beauty as she has learned to embrace “every part” of herself.
    She explained, “When you’re younger, you have insecurities about who you are and where you stand, but now I’m very unapologetic. I’m like, ‘This is who I am. I love every part of me. I love the wrinkles that I have. I love my smile. I love my gray hair. I love every part of who I am.’ ”

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    James Cameron Teams Up With 'Burn Notice' creator to Bring 'True Lies' to Small Screen

    WENN/Mario Mitsis

    CBS has given a pilot order to the TV adaptation of the ‘Titanic’ director’s classic action movie with filmmaker McG being attached to direct its first episode.

    Feb 12, 2021
    AceShowbiz – Filmmaker James Cameron is revisiting his classic action movie “True Lies” for a new TV adaptation.
    Cameron wrote and directed the 1994 Arnold Schwarzenegger and Jamie Lee Curtis film, and now he has signed on to executive produce a potential series for U.S. network bosses at CBS.
    A pilot order has been given to the project, which will be penned by “Burn Notice” creator Matt Nix, while filmmaker McG, who previously attempted to reboot “True Lies” for a TV series in 2017 and again in 2019, will direct the first episode. He will also serve as an executive producer.

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    Joining McG as executive produce for this TV reboot are his Wonderland Sound and Vision president Mary Viola and frequent Cameron collaborator Rae Sanchini of his Lightstorm Entertainment banner.
    The “True Lies” show will follow the same storyline as the movie, which starred Schwarzenegger as a secret international spy who struggles to balance his risky work life with his domestic duties at home with his family.
    The action comedy itself was based on the 1991 French release, “La Totale!”. A box office success, it earned $378.8 million worldwide, and gave Curtis her Golden Globe award for Best Actress – Comedy or Musical. In addition to Curtis and Schwarzenegger, it also has Tom Arnold, Bill Paxton, Eliza Dushku and Charlton Heston in the cast ensemble.
    “True Lies” series adds to CBS’ slate of shows based on feature franchises, following “Clarice” and “The Equalizer”. It is also the network’s third drama pilot order this season, joining Sophia Bush-starring “Good Sam” and Patrick Dempsey’s “Ways and Means”.

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    Jimmy Kimmel Knows How the Impeachment Sequel Will End

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyBest of Late NightJimmy Kimmel Knows How the Impeachment Sequel Will End“It’s kind of like ‘The Empire Strikes Back,’” Kimmel said. “We already know how it ends, but we’re watching it anyway.” Jimmy Kimmel isn’t expecting many Republican senators to vote against Donald Trump. “But a few of them, who knows? Maybe three ghosts will visit them in the middle of the night tonight.”Credit…ABCFeb. 12, 2021, 2:01 a.m. ETWelcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. We’re all stuck at home at the moment, so here are the 50 best movies on Netflix right now.Oops, He Did It AgainThe House impeachment managers wrapped up their case against Donald Trump on Thursday, but the late-night hosts weren’t optimistic about the verdict.“It’s kind of like ‘The Empire Strikes Back,’” Jimmy Kimmel said. “We already know how it ends, but we’re watching it anyway.” “Democrats could — at this point, they could produce a video of Trump looking straight into the camera saying ‘I, Donald Trump, hereby incite this insurrection of violence,’ and most of the Republican senators would be like, ‘But where’s the proof? We didn’t see proof.’” — JIMMY KIMMEL“House Democrats today concluded their impeachment case against former President Trump. ‘Well, you’ve given me plenty to not think about,’ said Rand Paul.” — SETH MEYERS“Yep, their presentation was so emotional and compelling that Republicans almost looked up from their phones.” — JIMMY FALLON“Most of them are lost causes. Like Tom Cotton, Bill Hagerty — these guys, they would eat the hair out of Donald Trump’s shower drain. But a few of them, who knows? Maybe three ghosts will visit them in the middle of the night tonight.” — JIMMY KIMMEL“These senators are a jury for a trial of the president, but instead, they’re acting like bored middle schoolers. What do Democrats have to do to make this interesting for them, bring in one of those math teachers who raps everything? ‘My name is Doug and I’m here to say, democracy was threatened in a major way.’” — TREVOR NOAH“Here’s the thing: if Americans cared as much about America as we do about Britney Spears, this would be a really great place to live.” — JIMMY KIMMELThe Punchiest Punchlines (Plead the 45th Edition)“Trump’s argument is basically, ‘Yes, maybe I did shout “fire” in a crowded theater, but the people trampling each other were acting on their own.’ And these people who acted on their own, I wonder if you can use stupidity as a defense? You can plead insanity, why not?” — JIMMY KIMMEL“Essentially they were using Trump’s own words against him. What they are arguing is that Trump — and I promise this is the only time you will hear me say this — knew what he was doing.” — JAMES CORDEN“Guys, come on, don’t call Trump in the middle of the riot. You just saw him at the rally a couple hours ago — you gotta be chill. You call the morning after the insurrection, you know? You gotta play the game!” — TREVOR NOAH“Also, how embarrassing is this for Trump? Even his supporters knew they could call him any time and he won’t be busy.” — TREVOR NOAH“Overall, these videos make it pretty obvious that Trump incited the rioters. They were wearing Trump hats, carrying Trump flags, and they all just watched Trump speak, and they were chanting, ‘Fight for Trump!’ Even that dog from ‘Blue’s Clues’ is like, ‘I need a challenge here, guys. We all know what this is, right?’” — TREVOR NOAH“I mean, if one guy stormed the Capitol because he thought you said it to him, maybe you just can blame him. But if an entire stadium of people misunderstood you in the exact same way, I don’t know, man, that [expletive] on you.” — TREVOR NOAHThe Bits Worth WatchingDesus and Mero got personal with their “life coach” Whoopi Goldberg.Also, Check This OutWiig and Mumolo in a musical number from the new film.Credit…Cate Cameron/LionsgateThe “Bridesmaids” co-writers Kristen Wiig and Annie Mumolo share the screen in their new collaboration, “Barb and Star Go to Vista Del Mar.”AdvertisementContinue reading the main story More