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    ‘Forever,’ Plus 7 Things to Watch on TV this Week

    The Netflix show based on a Judy Blume book comes to streaming. And tune into E! for all the red-carpet looks of the Met Gala.Between streaming and cable, there is a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that air or stream this week, May 5-11. Details and times are subject to change.Yearning.Judy Blume’s novel “Forever” has certainly made a splash in the literary world since its publication in 1975. The book, which focuses primarily on teenage sexuality, has often been banned or censored in schools and libraries because of the protagonist’s use of birth control. Now Netflix is coming out with a television adaptation, which is set in 2018 Los Angeles and follows the love story of two Black teenagers, Keisha Clark (Lovie Simone) and Justin Edwards (Michael Cooper Jr.), while they also explore their identities and aspirations. Streaming Thursday on Netflix.Lights, Camera, Fashion.Anna Wintour at the 2024 Met Gala.Jamie Mccarthy/Getty ImagesThe first Monday in May can only mean one thing: It is time for celebrities and fashion designers to adorn themselves in creative, lavish outfits and celebrate the Metropolitan Museum’s Costume Institute at the annual Met Gala. This year’s theme is “Tailored for You,” which is tied to the institute’s new exhibition “Superfine: Tailoring Black Style.” Alongside the Vogue editor in chief Anna Wintour, this year’s chairs are Colman Domingo, Lewis Hamilton, ASAP Rocky, Pharrell Williams and LeBron James. The Met Gala red carpet will be streaming live, so we can all sit back and admire (or judge) the looks from the comfort of our homes. Monday at 6 p.m. on E!Catching a liar.Natasha Lyonne returns for a second season of “Poker Face,” in which she stars as Charlie, a woman who has a special ability to detect when people are lying. And like the first one, this season will serve as a spotting exercise for all the familiar faces, including Cynthia Erivo, John Mulaney and John Cho. Charlie will be back on the road and investigating murders that happen at alligator farms, funeral homes, grade-school talent shows and more. Streaming Thursday on Peacock.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Best Movies and Shows Streaming in May: ‘Poker Face,’ ‘Murderbot’ and More

    “Duster,” “Summer of 69,” “Overcompensating,” “‘Deaf President Now!” and more are arriving, and “Poker Face” returns.Every month, streaming services add movies and TV shows to their libraries. Here are our picks for some of May’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘Overcompensating’ Season 1Starts streaming: May 15The comedian and social media content creator Benito Skinner both created and stars in this raunchy campus comedy, about freshmen trying desperately to fit in with their peers — while hiding their actual personalities and desires. Skinner plays Benny, a former high school athlete who does not want his family or his classmates (or maybe even himself) to realize he’s gay. On the first day of college, Benny meets Carmen (Wally Baram), who is recovering — poorly — from a bad breakup. The two bond immediately, but while Carmen thinks she just met her next boyfriend, Benny thinks he has found someone who can pretend to be his girlfriend. “Overcompensating” is set in a broadly comic version of university life, where everyone is sex- and status-obsessed. But Skinner also sincerely explores what it’s like for young people to use a new environment to reinvent themselves.‘The Better Sister’Starts streaming: May 29This twisty mini-series stars Jessica Biel as Chloe, a rich and successful New York City media mogul who calls the cops from her family’s summer house after her husband, Adam (Corey Stoll), is found murdered. While the homicide detectives Nancy (Kim Dickens) and Matt (Bobby Naderi) investigate the crime, Chloe seems unusually interested in keeping them from learning about certain aspects of her life — like her strained relationship with her sister Nicky (Elizabeth Banks). Nicky, a reckless free spirit, is also Adam’s ex and the biological mother of Adam and Chloe’s teenage son, Ethan (Maxwell Acee Donovan). Cocreated by Olivia Milch and Regina Corrado, “The Better Sister” (based on an Alafair Burke novel) is both a mystery with lots of red herrings and the study of a sad sibling rivalry.Also arriving:May 1“Another Simple Favor”May 6“David Spade: Dandelion”May 8“Octopus!”May 20“Motorheads” Season 1May 22“Earnhardt”May 27“The Second Best Hospital in the Galaxy” Season 2From left, Tim Rarus, Bridgetta Bourne-Firl, Greg Hlibok and Jerry Covell in “Deaf President Now!,” a documentary film directed by Nyle DiMarco and Davis Guggenheim.Apple TV+New to Apple TV+‘Deaf President Now!’Starts streaming: May 16Back in 1988, Gallaudet University’s students drew international headlines when they shut the college down for a week, angrily rejecting the appointment of yet another hearing president — at a time when the institution had never had a deaf one. For the documentary “Deaf President Now!,” the Oscar-winning filmmaker Davis Guggenheim (“An Inconvenient Truth”) and co-director Nyle DiMarco (a Gallaudet alum) have collected rarely seen student-shot footage of those protests, and combined them with news clips, re-creations and fiery new interviews with the campus leaders. The film delivers a fascinating look back at a pivotal moment in civil rights history that doubles as a gripping political thriller, piecing together the details of the demonstration and how, day by day, these courageous young adults turned the tide of public opinion.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Natasha Lyonne’s Success Is Driven by a Sense of Mortality

    Natasha Lyonne has her funeral all planned out.Not just planned, really, but choreographed, produced and directed, complete with music cues and writing prompts, to calibrate the emotion just right. “Otherwise it can run long,” she explained. So Lyonne, the downtown vivant actress, writer and director, has diligently assigned her passel of famous friends “jobs that they didn’t want.”There will be a month of commemorative screenings at Film Forum and songs by Karen O of Yeah Yeah Yeahs (“I have a sworn promise that she performs; I’m very grateful”) and the “Color Purple” star Danielle Brooks, because her voice “breaks my heart.” The comedian John Mulaney will be on hand to punch up material. “I actually tasked him with writing speeches for people that wouldn’t want to get onstage,” Lyonne said, like her BFF Chloë Sevigny. “I was like: You need to give Chloë some jokes.”The plot she acquired, at the Hollywood Forever cemetery, alongside her boyfriend at the time, Fred Armisen, she has now graciously ceded to his wife, Riki Lindhome. “I probably don’t want to be buried in Los Angeles anyway, if I’m honest,” she allowed. But she’s still making him the funerary musical supervisor.That Lyonne, at 45, has thought at length about her own demise is, to anyone who knows her or her oeuvre, not surprising. All of her recent, most celebrated projects — including “Russian Doll,” the Emmy-winning Netflix series; “Poker Face,” the retro crime procedural on Peacock; and her latest role, in the Netflix drama “His Three Daughters” — find her confronting life’s end. She does it with a spectacular, bewitching buoyancy. Even in “His Three Daughters,” in which she displays an unexpected reserve (but exuberant hair) opposite Carrie Coon and Elizabeth Olsen as estranged sisters caring for their father in his last days. It’s earning her Oscar talk.As a producer, Lyonne “likes the grind and the hustle, and the hard work that comes with it,” said Amy Poehler. “That’s not always the case.”OK McCausland for The New York TimesSo, when we found ourselves in an East Village restaurant on a drizzly Friday night, ordering a dessert made of Pop Rocks and talking about death, it felt just as the universe — or New York City, same difference — intended.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Comfortable Problem of Mid TV

    A few years ago, “Atlanta” and “PEN15” were teaching TV new tricks.In “Atlanta,” Donald Glover sketched a funhouse-mirror image of Black experience in America (and outside it), telling stories set in and around the hip-hop business with an unsettling, comic-surreal language. In “PEN15,” Maya Erskine and Anna Konkle created a minutely observed, universal-yet-specific picture of adolescent awkwardness.In February, Glover and Erskine returned in the action thriller “Mr. & Mrs. Smith” on Amazon Prime Video. It’s … fine? A takeoff on the 2005 film, it updates the story of a married duo of spies by imagining the espionage business as gig work. The stars have chemistry and charisma; the series avails itself of an impressive cast of guest stars and delectable Italian shooting locations. It’s breezy and goes down easy. I watched several episodes on a recent long-haul flight and they helped the hours pass.But I would never have wasted an episode of “Atlanta” or “PEN15” on in-flight entertainment. The work was too good, the nuances too fine, to lose a line of dialogue to engine noise.I do not mean to single out Glover and Erskine here. They are not alone — far from it. Keri Russell, a ruthless and complicated Russian spy in “The Americans,” is now in “The Diplomat,” a forgettably fun dramedy. Natasha Lyonne, of the provocative “Orange Is the New Black” and the psychotropic “Russian Doll,” now plays a retro-revamped Columbo figure in “Poker Face.” Idris Elba, once the macroeconomics-student gangster Stringer Bell in “The Wire,” more recently starred in “Hijack,” a by-the-numbers airplane thriller.I’ve watched all of these shows. They’re not bad. They’re simply … mid. Which is what makes them, frustratingly, as emblematic of the current moment in TV as their stars’ previous shows were of the ambitions of the past.What we have now is a profusion of well-cast, sleekly produced competence. We have tasteful remakes of familiar titles. We have the evidence of healthy budgets spent on impressive locations. We have good-enough new shows that resemble great old ones.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Natasha Lyonne on Her Emmy Nomination for ‘Poker Face’

    In the Peacock murder-of-the-week procedural “Poker Face,” Natasha Lyonne plays Charlie Cale, a former cocktail waitress and poker hustler with a difference: Charlie is a human lie detector in a trucker hat, able to spot a falsehood from across the casino floor.Also among Charlie’s powers? She helped earn Lyonne an Emmy nomination on Wednesday, Lyonne’s third as a performer, for best lead actress in a comedy series.Charlie’s unusual ability in the series — a reverse whodunit, or “howcatchem,” created by Rian Johnson — is a wonky blessing that sends her out on the lam after she upsets a Nevada casino boss. As she shambles across the country, Charlie, the sole constant in every episode, stumbles on diverse crimes and then intuits how they were committed.But Lyonne’s job requires more than intuition. For each episode, she memorizes a 60-page script and helps guide the guest actors through the particular rhythm of Johnson’s style.“It’s really moving when the work is actually acknowledged,” she said by phone just after the Emmy nominations were announced. “Because I do put in quite a good deal of work to make it seem so loose.”Lyonne — who has a mess of red-gold hair and a voice that sounds like she’s perpetually just waking up, and isn’t especially happy about it — hadn’t watched the nominations. But she had already reached out to Johnson to ask if she could bring his wife, the podcaster and critic Karina Longworth, as her date for the ceremony.In a brief interview, Lyonne discussed Charlie’s multilayered spirit as desert rat, idealist and puzzle maven. These are edited excerpts from the conversation.Congratulations. I like to see this nomination as a win for raspy-voiced women everywhere. What’s the fun of playing Charlie? And how does the nomination feel?Rian really built this bespoke character on our shared love of Peter Falk and of Elliott Gould in “The Long Goodbye.” But with this added twist of the Dude from “Big Lebowski” or like a lazy, late-in-life Gene Hackman. Well, not really late in life, but more “Night Moves” than “French Connection.” Just a back-foot character who’s sort of a desert rat who’s got the sun on their face. And with the hairdo, I sometimes feel like I’ve archetyped a Mae West character for myself.But I’m building the character from the inside out. A thread in my work is this John Lennon quote: “Just give me some truth.” There’s a lineage of people who’ve had that desire to communicate truth through their work. The deep need to communicate the human experience is what I’m after. Sometimes I worry that because of my surrealist bent, that kind of gets lost in the shuffle.How hard-boiled is Charlie? What motivates her?I don’t know. How hard-boiled a musician is Bob Dylan? Charlie’s somebody who just really has a need to right a wrong, or when she sees an injustice, to name it and call it out. She’s not like, “I can’t wait to put cuffs on you.” Because she’s not a cop. It’s a need instead to look out for the little guy and make sure that nobody’s being taken advantage of, which is obviously something I resonate with.Rian and I have this shared love of crossword puzzles. So in many ways, we built Charlie as less hard-boiled and more as someone who wants to crack the case, to get to the end of the puzzle. If she sniffs out something rotten in the state of Denmark, she has to get to the bottom of it, without realizing that as she gets there, she’s looking into the barrel of a gun. More