Prisons and Prisoners

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    ‘Paint Me a Road Out of Here’: Faith Ringgold’s Gift to Prisoners

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    In this documentary, the artist depicts what a more just and beautiful world might look like.In 1971, the artist Faith Ringgold received a grant to make a painting for a public institution in New York City. She decided to ask the prisoners in the Women’s House of Detention on Rikers Island what they wanted to see in a painting. “I want to see a road leading out of here,” one incarcerated woman told her.Ringgold took that idea and ran with it. She didn’t paint a literal road. Instead, her canvas — entitled “For the Women’s House” and installed at the prison in January 1972 — is divided into eight sections. In each, women are depicted performing jobs traditionally held by men at the time: bus driver, construction worker, basketball player, president. The road is implied: Seeing women in positions and roles they don’t always occupy can open up the viewer’s world. She might be in a prison for now, but there’s a place for her worth aspiring to beyond these walls.This was Ringgold’s imagination at work, always depicting what a more just and beautiful world might look like, particularly for the people whom the powerful prefer to ignore. Ringgold and “For the Women’s House” both appear in the documentary “Paint Me a Road Out of Here” (in theaters), directed by Catherine Gund, and hearing and seeing her talk is reason enough to see the film. Ringgold died in 2024 at 93, and is widely considered one of the most important American artists of the 20th century, a native New Yorker who was unflagging in her activism and commitments to dismantle racism wherever it surfaced. As a Black woman and an artist, she insisted on coupling political meaning with her work, which is suffused with curiosity and joy.“Paint Me a Road Out Of Here” is not a biographical film about Ringgold, even though you’ll learn a lot about her biography from it. The film has bigger aspirations, connecting art, prisons, activism and an expansive life. One major subject in the film is the artist Mary Enoch Elizabeth Baxter, an executive producer of the film whose prison reform work often draws on her own experiences while incarcerated. Shortly after her own arrest, for example, Baxter went into labor — 43 hours while shackled to a bed.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Nature of the Crime’ Review: Yearning for a Second Chance

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      Two incarcerated men navigate parole boards in a documentary that asks the question: Should the guiding principle of criminal justice be retribution or rehabilitation?Peering into the heart of the beast we call the justice system, the directors Ricki Stern and Jesse Sweet zero in on parole, a part of the process that usually unfolds behind closed doors. “Nature of the Crime” offers rare glimpses of the make-or-break interviews that, in more cases than not, deny petitioners their longed-for second chance. As it traces, over a four-year period, the cycles of hope and despair for two incarcerated men — both in New York prisons for crimes committed in the state — this quiet and affecting documentary is at once an argument for reform and a soul-searching question: Should the guiding principle of criminal justice be retribution or rehabilitation?The men at the center of the film have been behind bars for more than 30 years. Todd Scott was 19 when he was charged, alongside three others, with the killing of a rookie police officer in Queens. Chad Campbell was charged at 14 with committing a horrific double murder in his upstate hometown. Speaking to the filmmakers, and in conversations with their devoted pro bono attorneys, they are thoughtful and sincere. When they also recall the abuse they suffered as children, they provide context, not excuses.For Scott and Campbell, the past is not mere prologue, but an ever-present, insurmountable barrier. The film’s title refers to a boilerplate bit of legalese that many New York parole boards invoke, a catch-22 that essentially denies the possibility of redemption. When Scott asks, “How can you be more remorseful?,” he’s speaking in terms both practical and philosophical. “Nature of the Crime” doesn’t sugarcoat the offenses, but, looking head-on at the offenders and where they are now, it asks that we do the same.Nature of the CrimeNot rated. Running time: 1 hour 29 minutes. Watch on Max. More

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      in Music

      Seeking Release on Bail, Sean ‘Diddy’ Combs Downplays Risk of Witness Tampering

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      In an appeal, lawyers for Mr. Combs wrote that a judge’s decision to withhold bail was not based on evidence that he had sought to interfere with the sex trafficking investigation.Sean Combs, the embattled music mogul fighting racketeering and sex trafficking charges, filed an appeal on Tuesday of a judge’s decision to deny him bail, arguing that concerns he would intimidate witnesses if released from jail were unfounded.Mr. Combs has been incarcerated at the Metropolitan Detention Center in Brooklyn for three weeks, since the federal case against him was revealed to the public. Judge Andrew L. Carter of Federal District Court in Manhattan ordered that Mr. Combs be detained ahead of his trial, ruling that he posed a danger of witness tampering and a safety risk to others.In their appeal to the U.S. Court of Appeals for the Second Circuit, lawyers for Mr. Combs, who has pleaded not guilty to the charges, wrote that the government’s argument that their client posed a risk of obstructing justice was based on speculation, not evidence that he had sought to interfere with the criminal investigation into his conduct.The lawyers, Alexandra A.E. Shapiro and Jason A. Driscoll, argued in the court filing that Mr. Combs’s decision to travel to New York to face the charges, coupled with an intricate proposal for monitoring outside the government’s custody, helped support his release from jail ahead of his trial.“Mr. Combs is presumed innocent,” they wrote in the filing. “He traveled to New York to surrender because he knew he was going to be indicted. He took extraordinary steps to demonstrate that he intended to face and contest the charges, not flee. He presented a bail package that would plainly stop him from posing a danger to anyone or contacting any witnesses.”Prosecutors have accused Mr. Combs of running a “criminal enterprise” that helped him carry out a decades-long pattern of physical and sexual violence, alleging that he coerced women into “highly orchestrated” sexual encounters with prostitutes through the use of drugs, physical and emotional abuse, and financial pressure.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean Combs Will Try Another Appeal of Judge’s Decision to Deny Bail

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      Mr. Combs is in a Brooklyn jail awaiting trial on federal charges of sex trafficking and racketeering conspiracy.The music mogul Sean Combs has given notice that he will file a second appeal of a judge’s order that denied him bail and sent him to a Brooklyn jail while he awaits trial on charges of sex trafficking and racketeering conspiracy.In a brief form filed with federal court in Manhattan, lawyers for Mr. Combs indicated that they would be appealing to the U.S. Court of Appeals for the Second Circuit. Judge Andrew L. Carter Jr. had denied Mr. Combs’s first appeal of a federal judge’s order that he be held in the detention facility until trial.Attorneys for Mr. Combs did not immediately respond to a request for further information about his appeal.As recently as last week, Mr. Combs’s lawyers had informed Judge Carter that they did not, at that point, intend to ask for Mr. Combs to be moved from the Metropolitan Detention Center, a federal facility in Brooklyn.The M.D.C., as that facility is known, has been harshly criticized by lawyers and advocates for what they say are poor conditions and chronic understaffing. But in a statement last week, Marc Agnifilo, a lawyer for Mr. Combs, spoke positively about the facility, saying the “dedicated professionals at the M.D.C. are doing everything possible to help him and his lawyers prepare his defense, and I personally thank them.”“I can’t say enough good things about the M.D.C.,” Mr. Agnifilo added, “which has been responsive to our and his needs.”In arguing for Mr. Combs’s release on bail, his lawyers have suggested a variety of measures to ensure he would not flee before trial, including offering to post a $50 million bond as security if he were released. They have emphasized that their client has been cooperating with the prosecutors’ investigation for months, and that he had taken steps to fund the bond offer. Under an unusual proposal, which a federal judge rejected, Mr. Combs would have agreed to remain at his mansion in Florida, monitored around the clock by a private security force.But prosecutors have fought to keep Mr. Combs behind bars, citing concerns that he will tamper with witnesses if given the opportunity and that he is prone to violence. Judges have so far sided with the government, leaving him in the same unit of M.D.C. as Sam Bankman-Fried, the crypto mogul convicted of fraud. More

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      in Music

      Strange Cellmates in a Brooklyn Jail: Sean Combs and Sam Bankman-Fried

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      Mr. Combs is sleeping in the same dormitory-style room as Mr. Bankman-Fried, the crypto mogul who was convicted of fraud.Sean Combs is living in the same unit of a Brooklyn jail as Sam Bankman-Fried, the crypto mogul convicted of fraud, sleeping in a dormitory-style room with a group of other defendants assigned to the same section, according to a person familiar with the living arrangements.Mr. Combs has been held in the jail, the Metropolitan Detention Center, for nearly a week, since federal prosecutors unsealed an indictment charging him with racketeering conspiracy and sex trafficking in what the government has called a “decades-long pattern of physical and sexual violence.”He has pleaded not guilty to all charges, and his lawyers argued strenuously for him to be released on bail, proposing to a judge that he put up a $50 million bond and hire a security team to monitor him at all hours. The judge rejected the proposal, saying that he had concerns about Mr. Combs attempting to witness tamper, landing him in a special housing unit that often holds high-profile inmates.A spokeswoman for the Bureau of Prisons said the agency “does not provide information about conditions of confinement, including housing assignments or internal security practices for any particular incarcerated individual.”Mr. Bankman-Fried has been housed in the jail, known as M.D.C., since last year, when his bail was revoked after a judge ruled that he had violated conditions of his release. In the lead-up to his trial, his lawyers complained that he had only intermittent internet access and could not adequately prepare for his case. They said that Mr. Bankman-Fried, a vegan, was subsisting on a diet of water, bread and peanut butter.Mr. Bankman-Fried, who founded the FTX cryptocurrency exchange, was convicted of masterminding a sweeping fraud in which he siphoned billions of dollars of his customers’ money into venture capital investments, political contributions and other lavish spending. He was sentenced to 25 years in prison.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean Combs Is Denied Bail and Held at M.D.C., a Troubled Brooklyn Jail

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      The music mogul, who is charged with sex trafficking and racketeering conspiracy, was denied bail and ordered held at a federal detention center. His lawyers are appealing.When Sean Combs flew from Miami to New York this month to prepare for an expected federal indictment, he left behind his expansive mansion with multiple pools, a spa and a guesthouse on a man-made island.Going forward, though, home for Mr. Combs will most likely be the Metropolitan Detention Center, a hulking concrete structure in Brooklyn that houses more than 1,200 people and has a reputation for poor conditions.Mr. Combs was ordered held in federal detention on Tuesday and taken to the Brooklyn jail after a judge denied him bail. A grand jury had indicted him on sex trafficking and racketeering charges, and prosecutors said he was a dangerous person who would be at risk to flee if released.It was a sudden change of circumstances for a music producer, known in the industry as Diddy and Puff Daddy, who has been wealthy since becoming one of the most prominent record label founders of the 1990s. Jail records now have him registered under the number 37452-054.The M.D.C., as it is known, has been troubled by deaths and suicides and an electrical fire that once left inmates without heat for days in the dead of winter. A lawyer for Edwin Cordero, a detainee who died there in July from injuries he sustained in a fight, called the prison “an overcrowded, understaffed and neglected federal jail that is hell on earth.”The Bureau of Prisons responded to criticism in a statement that said it “takes seriously our duty to protect the individuals entrusted in our custody, as well as maintain the safety of correctional employees and the community.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      He Wants People Restarting Their Lives to See Themselves Onstage

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      Tarell Alvin McCraney, the artistic director of the Geffen Playhouse in Los Angeles, is focused on bringing marginalized people to the theater.At a time when nonprofit theaters are still recovering from the pandemic shutdown and are looking to connect with their communities, Tarell Alvin McCraney is looking in unorthodox places: prisons, homeless shelters and the foster care system.One year into his tenure as the artistic director of the Geffen Playhouse in Los Angeles, McCraney, 43, doesn’t just want to expand his audience, he wants the theater to be a place where the marginalized and struggling see themselves onstage and feel welcome.“The first thing we do is make sure that they can see plays that reflect their lives,” McCraney said in a recent interview, “plays that deal with folks who are in the system, formerly incarcerated, trying to rebuild their lives.”It is with this priority in mind that McCraney decided to start this season with his own play, “The Brothers Size,” which began previews Aug. 14 and explores the complicated but loving relationship between Oshoosi, just out of prison, and his older brother Ogun. The Geffen has offered free tickets to “populations impacted by incarceration” through its Theater as a Lens for Justice initiative, which McCraney started shortly after his arrival.The Geffen, which has an annual operating budget of about $15 million and a staff of 45 full-time employees, will do the same with its upcoming productions of “Waiting for Godot,” which opens in November, and “Furlough’s Paradise,” which opens next April.These types of outreach efforts might not necessarily translate into ticket sales. But nonprofit theaters all over the country are eager to build their audiences at a time when subscriptions have declined; the Mark Taper theater in Los Angeles suspended productions last year.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      For This Drama, Some Actors Had to Return to Prison by Choice

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      Alongside Colman Domingo and Paul Raci, ex-inmates shot “Sing Sing” in a decommissioned correctional facility. Then came the screening in the actual prison.Between the jangle of keys and the beeps of walkie-talkies, the men watched.The occasion was an advance screening of the new A24 film “Sing Sing,” and at the prison it’s set in, the men were taking in a fictional version of their lives.Amid a heat wave, the audience — a mix of the studio’s guests and incarcerated men in hunter-green pants — crowded into the correctional facility’s chapel-turned-cinema. With the sun streaming through a stained-glass window of Christ kneeling before the cross, the viewers fanned themselves with paper plates.It was the first time Clarence “Divine Eye” Maclin had been to the prison in Ossining, N.Y., since 2012, when he finished serving more than 17 years for robbery.While incarcerated, Maclin had starred as Hamlet in the prison’s makeshift auditorium. Now he was free and returning for his screen debut. He entered the chapel with a grin and a triumphant bounce.Based on the work of the nonprofit Rehabilitation Through the Arts, “Sing Sing,” directed by Greg Kwedar, follows the production of a prison troupe’s first comedy, a fever dream of a play featuring time travel, ancient Egypt and Shakespeare. Maclin and the recent Oscar nominee Colman Domingo star as fellow prisoners alongside Paul Raci (also an Oscar nominee) as their earnest director.Maclin watching himself at the screening. “I always knew I wanted to act,” he said, but “I thought I would be doing it for free somewhere.”Hiroko Masuike/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      John Sinclair, 82, Dies; Counterculture Activist Who Led a ‘Guitar Army’

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      His imprisonment for a minor marijuana offense became a cause célèbre. He was released after John Lennon and Yoko Ono sang about him at a protest rally.John Sinclair, a counterculture activist whose nearly 10-year prison sentence for sharing joints with an undercover police officer was cut short after John Lennon and Yoko Ono sang about his plight at a protest rally, died on Tuesday in Detroit. He was 82.His publicist, Matt Lee, said the cause of his death, in a hospital, was congestive heart failure.As the leader of the White Panther Party in the late 1960s, Mr. Sinclair spoke of assembling a “guitar army” to wage “total assault” on racists, capitalism and the criminalization of marijuana. “We are a whole new people with a whole new vision of the world,” he wrote in his book “Guitar Army” (1972), “a vision which is diametrically opposed to the blind greed and control which have driven our immediate predecessors in Euro-Amerika to try to gobble up the whole planet and turn it into one big supermarket.”He also managed the incendiary Detroit rock band the MC5. Their lyrics — “I’m sick and tired of paying these dues/And I’m finally getting hip to the American ruse” — were a kind of ballad for the cause.Mr. Sinclair, right, with members of the MC5, the rock group he managed, and friends in 1967.Leni Sinclair/Michael Ochs, Archive, via Getty ImagesMr. Sinclair’s command of this “raggedy horde of holy barbarians,” as he described them in his book, was upended in 1969 when Judge Robert J. Colombo of Detroit Recorder’s Court sentenced him to nine and a half to 10 years in prison for giving two joints to an undercover police officer.During the hearing, Mr. Sinclair argued that he had been framed.“Everyone who is taking part in this is guilty of violating the United States Constitution and violating my rights and everyone else that’s concerned,” he said. He added, “There is nothing just about this, there is nothing just about these courts, nothing just about these vultures over here.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More