In the director Robert Clem’s documentary about gospel quartets and their undeniable influence on rock ’n’ roll, Sister Rosetta Tharpe has competition.
Sister Rosetta Tharpe nearly steals the show in “How They Got Over,” the director Robert Clem’s documentary about the gospel quartets of the 1920s, ’30s and ’40s and their undeniable influence on rock ’n’ roll. But she has competition.
Among those who championed the quartets, Tharpe, the first gospel artist to sign with a major label, was instrumental in introducing her audience to groups like the Dixie Hummingbirds. The longtime lead of that group, Ira Tucker, bookends the documentary with reminiscences that gently touch on faith, economics and craft.
The singer Dennis Edwards explains the shifts in the genre. But it’s a clip featuring Joe Ligon of the Mighty Clouds of Joy stylishly spinning and sliding that draws a smile-inducing connection from the spiritual to the secular, from the quartet Edwards performed in to the group he became a frontman for: The Temptations.
Other interviewees include Clarence Fountain of the Blind Boys of Alabama, Isaac Freeman of the Fairfield Four, and JoJo Wallace of the Sensational Nightingales.
“How They Got Over” traces the music from its exquisite jubilee-style harmonies to tugging “smooth gospel.” (The singer Sam Cooke was among the smooth gospel singers who crossed over to mainstream success.)
Joyce Jackson, a historian, and the roots music chronicler Jerry Zolten offer insights into a devotional art form that often responded to the energy of churchgoers. With a trove of archival performance footage, much of it from the television show TV Gospel Time, and the wisdom to let those images breathe, the film leans into the maxim about showing not telling. Among the highlights: the Blind Boys of Mississippi joined by the Barrett Sisters in a hand-clapping rendition of “I’ll Be Singing Up There” and Inez Andrews pressing hard on the pedal of her wail and prophesying the rock to come.
How They Got Over
Not rated. Running time: 1 hour 27 minutes. In theaters and on virtual cinemas.
Source: Movies - nytimes.com
