The comedian and actor talks about his new romantic comedy, the importance of Charlie and Eddie Murphy and why bombing onstage is a good thing.
Jay Pharoah has more than 200 impressions in his staggering repertory — most famously, President Barack Obama, Jay-Z, Will Smith, Eddie Murphy and Denzel Washington.
But the person he’s channeling in Netflix’s “Resort to Love,” starring Christina Milian as a singer who ends up performing at the Mauritius wedding of her ex-fiancé — that would be Pharoah — is, rather surprisingly, himself.
“I can’t say it wasn’t hard, it was just something that I had lived before,” he said of the role, his first romantic lead. “Maybe not marriage-wise, maybe not engaged, but I’ve had those conversations with my exes. I’ve had somebody say to me, ‘If you were the one for me, it wouldn’t be as hard.’ I’ve had people say, ‘I’m scared.’ They were literally moments in my life that I was pulling from.”
But if Pharoah’s amorous life is moving at a deliberate pace (“I’m narrowing it down,” he said. “I don’t date anymore. I go on interviews.”), his professional one is speeding ahead. After freestyling a new voice for the “Family Guy” staff last year, he was asked whether he wanted a writing job on the show, starting with the season premiering this fall.
“The folks at ‘Family Guy’ were like, ‘Listen, we know you go on tour, we know you do movies, so we will work with your schedule. We value you,’” he said. “And that makes me feel good, makes me feel wanted — unlike high school.”
In a call from New York, where he was hitting some comedy clubs before returning to Los Angeles, Pharoah talked about the people, places and things instrumental to that transformation. These are edited excerpts from the conversation.
1. His Faith I used to work at Burlington Coat Factory. I remember in 2008, there was a gentleman who came through the line, and he said: “Listen, don’t worry about it. Everything that you want to happen in your career is about to happen. Just don’t give up on your talent. The spirit of God told me to tell you that.” I was like, “What?” I’d never seen this man before. He’d never seen me. But he told me that. And I was like: “OK, I’m not going to give up on my talent. But I am going to quit Burlington.”
2. Shaina Farrow, his sister and manager My sister definitely made the ultimate sacrifice taking a chance on me. She could have easily got a job doing something else. In 2009, when we decided to go on the road, she pawned her jewelry so we had gas money to get up to New York.
And she’s not somebody who I put in the position just because they were a family member — because my dad was my manager before, and he didn’t have the skills. It’s good to have people in your corner that really care about you, but it’s better to have people who care about you and know what they’re doing.
3. Eddie Murphy’s “Delirious” It’s the greatest comedy special ever, next to “Richard Pryor: Live in Concert.” You want to talk about family stories, perfect impressions, callbacks, racial observation, racial humor — it’s the buffet of comedy. Nobody’s special has been better than that, and that came out in 1983. And until this day I can watch that stand-up and laugh the same way every time, even if I know that the punchline is coming.
4. Charlie Murphy Charlie Murphy [Eddie’s older brother] is somebody who took a chance on me. Being young in the comedy game and killing onstage is intimidating for anybody who’s older. He saw me when I was 19 years old. He was like: “Yo man, that was hilarious. I want to take you on the road with me, man. You want to go?”
He told me about the game. He told me to never lie. He’d say, “As long as you tell them the truth, they will walk with you.” He also said: “No matter what you do, whether it’s your cross, whether it’s a thought, whatever it is, always take God onstage with you.” And number three, and this was a big one, he said: “If you don’t have butterflies or you’re not nervous before you get on that stage, you’re nothing. Because that means you don’t give a [expletive] about your craft anymore.”
5. Carolines on Broadway Charlie Murphy took me to Carolines on Broadway, my first comedy club in New York, and it was an amazing weekend. I remember the third show on Saturday night. It was late. I was tired. Uncle Ray [Murphy], rest in peace, was hosting. I do my set. I got a standing ovation and I’m like, whoa. As I’m trying to leave the stage, I trip. Uncle Ray is sitting in the back, and he goes: “That was good work out there. But we got to work on your balance.”
6. Bombing onstage You have to bomb to become better. You know, all of the greats have bombed and if you haven’t bombed, you’re not great. You will become comfortable in something and you’re perpetuating it, whereas if you bomb, you have to dig in yourself and find something out. There’s no other options.
7. Jay-Z and Chris Martin’s “Beach Chair” I don’t talk about this a lot, but I was depressed in 2007. There was a lot going on. And then good things started happening, and Jay-Z’s “Beach Chair” was the soundtrack for that. That song put me on the Jay-Z wagon. Oh, he’s dope, he’s the G.O.A.T. And that’s the blueprint for my impression. His voice was lucid. It was strong, but it was soothing.
8. Battle Rap Battle rap is so similar to stand-up comedy — setup, punchline, delivery, execution, swag, verbiage. Everything counts in battle rap the same way that everything counts on the stage. It’s the same science, but it’s a different form of that science. I like Loaded Lux, Murda Mook, Calicoe, X-Factor, Aye Verb. Of the new school you’ve got your Rum Nitty, JC, Geechi Gotti. You have Ave. You got Nu Jerzey Twork. I love the aggression. I love the wordplay. I love the creativity. And it just makes me happy to watch it.
9. Ludacris’s “Back for the First Time” That’s the first rap album that I ever owned. I remember I burned the CD — I bootlegged it, that’s what I did. And it made me want to rap. Ludacris was a good balance of fun and lyrical, kind of like a Busta Rhymes but more contemporary.
Coming from a heavy Christian household, there’s certain things your peoples don’t put up with. And my dad didn’t appreciate [Ludacris’s profanity]. So he took the album from me and put it in his room. But I found it, and I just swapped out an unburned disc, and he didn’t even know the difference. He’d leave the house and I would play it as loud as I could. I played it until it had so many scratches, I couldn’t play it anymore.
10. Will Smith’s “I Am Legend”
Just like Tom Hanks did in “Cast Away,” Will Smith showed that you can captivate an audience for an hour and change with just you. And that was the beauty of it. It was so much emotion. It showed his range. And to me it solidified him as one of the greatest actors of all time.
And it showed me, if Will Smith could get ripped like that, I could get ripped like that too. Now I look like Black Bane. I am not slacking a minute. I know that they’re out here looking for Black Superman and if I don’t land that, I’m going to get somebody close. I don’t care if the Falcon’s got a little brother. I don’t care if they come out with a character called the Pigeon. I will play that role.
Source: Television - nytimes.com
