In Arnaud Desplechin’s sly adaptation of Philip Roth’s 1990 novel, a middle-aged writer draws inspiration for his next book from discussions with his mistress.
Leave it to the French to idealize adultery in the name of artistic freedom — which is not to say that “Deception,” the latest feature by Arnaud Desplechin, should be dismissed as only a navel-gazing masculine reverie.
True, its hero is a philandering middle-aged novelist; he has an affair with a divine younger woman; and there’s even an imaginary trial where said novelist stands before a jury of women accusing him of misogyny.
But, if you can tolerate these passé indulgences, there’s also something slyly compelling about this ethereal, pillow-talk-heavy drama.
“Deception” is a fairly faithful adaptation of Philip Roth’s 1990 novel — a book that Desplechin has long desired to commit to screen. No wonder, the two men share a fixation with unsavory intimacies and narcissistic-but-tender protagonists.
Divided into 12 chapters, it follows an American expatriate, Philip (Denis Podalydès), who is working on a new book, though we hardly ever see him write. Mostly, he’s wrapped up in discussions with his nameless English mistress (Léa Seydoux). These talks are his writing process, his mistress, his muse.
Philip also reconnects with past lovers — like the cancer-ridden Rosalie (a vibrant Emmanuelle Devos). At the same time, his actual wife (Anouk Grinberg) remains in the margins, tucked away at home.
At a certain point, one character observes, writers stop “translating reality into fiction” and begin to “impose fiction on reality.” Philip technically travels between New York and London, but the film plays like a chamber drama, with dreamy fade-outs and occasional strokes of fantasy contributing to the idea that what we see is a version of Philip’s novel.
At the film’s beginning, Seydoux’s paramour describes Philip’s office in expert detail, and retorts with a challenge: “Now let’s see how well you’ve been paying attention.” It’s an intriguing comment that opens up a question as the film unfolds: attention, yes, but of what kind?
Deception
Not rated. In French, with subtitles. Running time: 1 hour 45 minutes. Watch on Mubi.
Source: Movies - nytimes.com
