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Lucy Moss Unwinds With Songwriting and TikTok Cleaning Tutorials

The Tony Award-nominated co-director of “Six” shares the corners of the internet she haunts to help her stay productive.

At 26, Lucy Moss became the youngest woman ever to direct a Broadway musical: the global hit, “Six,” which she had co-written at 23 with Toby Marlow, and co-directed with Jamie Armitage. The show, structured as a pop concert battle in which the wives of Henry VIII compete to see who suffered the most, began at the Edinburgh fringe festival in 2017 and now has six productions running worldwide.

At 28, Moss is now up for best direction and best original score at the Tony Awards, and just directed a reimagined revival of “Legally Blonde” at London’s Regent’s Park Open Air Theater, running through July and starring a largely queer, mostly Black and brown cast.

“At first I was quite a snob about movie adaptations, thinking they’re usually not good, even though that’s not true,” she said on a recent Zoom call from her apartment in London. “It also wasn’t very queer, so I didn’t know if it was my vibe. Then I saw the original’s MTV recording and thought it was the best thing I’d seen in my life.”

The London native discussed the diverse bits of culture — pop, online, and IRL — that propel her. These are edited excerpts from the conversation.

1. A Weeping Willow in Regent’s Park When you walk in from the Baker Street Underground station, there’s a bridge and then this lone tree on the bank of the little lake. I’m usually on the tube stressing about something, trying to send 20 emails or whatever, so to then go into the park is just so beautiful, particularly when I was going in for auditions and meetings in the winter. I love weeping willows, I feel a very kindred spirit in them. They’re just falling over, like, “Ugh, everything is so difficult.” I can just look at it and go, “Yeah, same.”

2. “Circle Jerk” by Fake Friends — Onstage I paid for, like, three tickets for the digital version of it in 2020 and kept watching it afterward — maybe 40 times? I immediately became their biggest fan from across the internet, and then we did “Ratatouille the Musical” together and became friends. I love how dense it is, textually. It’s such a rich rewatch, and just so funny and nuanced and stupid.

I know it quite well at this point — the performances and choices and all that — and I imagine there’ll be new TikTok references [in the new production]. I just can’t believe I get to see it in the flesh. I’ve never been more excited to see a live show.

3. Basketball Shorts They’re a great length; you can wear them high-waisted and still not have them be super short. I feel like myself in them. I went to a vintage shop and bought a bunch, so now I have a pair for every day of the week. Now I’m dabbling in wearing them lower, but high-waisting my underwear line, with a crop top. Although, last night, I had to give my phone to a friend because it kept pulling them down.

4. Her Cousin Max My mom’s sister’s son is my best friend, and the baby of the family. I love that he has a phone now so I can send him sort of memes of geese and stuff. He texts like a grandma, with correct capitalization and punctuation. I texted him to remind him of the time he fell into the pond at my mom’s house and he replied, “Oh gosh! That brings back memories.” It’s like a novel.

5. Cleaning TikTok (“CleanTok”) I watch these when I’m going to bed, when I should be reading a book or something. It’s so soothing and relaxing to see videos of people cleaning their bathrooms — especially the ones from Japan, because they have gadgets that click in and out of place. I watch and fall asleep, though, I’ve absolutely not learned anything from them. Actually, I realized how clean you can actually get things to be.

6. The “Contrapoints” YouTube Channel She is just the queen of nuance. Her videos are such a weird, amazing combo of academia made really accessible, and comedy and dress-up. They’re only about an hour but still so thorough, and she’s so empathetic. Sure, she’ll mock people but she’s ultimately discussing the roots of what’s going on in society. She doesn’t place herself higher than anybody else.

7. @ZeeWhatIDid I guess she’s kind of like an influencer? She’s a British teenage TikToker who is so charismatic and sweet. She does cosplay and makeup tutorials and Marvel stuff, which I’m not even into, but I’m just happy that TikTok exists for her. She’ll be doing highlighter on her face and talking about blinding your enemies; she’s so gorgeous and funny. I love that she’s living her best life online.

8. Writing Songs It’s a good way to unwind without feeling like I’m wasting my life. I don’t have plans to do anything with them, and I often put in little personal in-jokes. I just like the actual process of writing something just for myself, particularly as someone who is usually writing with other people, and always to a specific end. If I was writing with Toby, they’d be like, “Oh no, that rhyme should be at the end of the line,” or something to actually improve it, but I don’t have to do that alone.

9. The Bush Theater in London Lynette Linton was made its artistic director a few years ago, and I admire her so much. She runs this building in such an incredible way; the way that everybody in the building interacts with her and each other, it’s such good vibes. And the actual space is amazing: The library is gorgeous, there’s a nice little cafe, and the shows they put on are always championing and nurturing young, different voices that other theaters wouldn’t necessarily do. And it’s in west London, which is where I grew up. So it’s kind of the only cool thing in west London, basically.

10. A 2014 Video of Russell Brand Giving Away a Croissant

I used to watch his show, “The Trews,” where he would discuss the news, and it got a bit more serious. And then, in the middle of that, there’s this video of him trying to give away a luxury croissant on the motorway. I watch it so often and quote it all the time, which obviously nobody even knows. It makes me so happy, I just love the way he says “croissant” and sings about this segment being his “trafficky bit.” I’ve been obsessed with this video since then and I don’t think it’s going away anytime soon.

Source: Theater - nytimes.com


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