In this moody epistolary film, a woman in Paris works through a close friend’s death with the help of video correspondences.
The title of “A Woman Escapes” references Robert Bresson’s 1956 classic “A Man Escaped” about a French Resistance fighter in a Nazi prison in Lyon. This intimate yet sometimes reserved epistolary film centers on a more contemporary moment in Paris as a woman named Audrey processes the death of a close friend. During what feels like a pandemic, she takes up correspondences that become lifelines out of the grief and creative block she’s feeling.
Her video and audio exchanges were made by the film’s co-directors, a supergroup of experimental filmmakers: Sofia Bohdanowicz, Burak Cevik and Blake Williams. The medium is partly the message here too, as the visual textures vary according to the directors’ predilections — 16-millimeter film, high-definition video, even 3-D.
The result joins a long lineage of personal-correspondence films, this one tinged with the “stuck” feeling of the isolating, screen-heavy stretches of the pandemic. Audrey (Deragh Campbell) putters about the apartment and pecks at work on her laptop, but the video letters can fling us outside — into the environs of Istanbul, for example, through Cevik’s missives — and include Williams’s exploration of Audrey’s neighborhood on Google Maps.
Campbell, unforgettable in the Canadian indie “Anne at 13,000 Ft.,” gives a more interior performance that evokes the thoughtful focus she brings to her collaborations with Bohdanowicz (“MS Slavic 7”), but tempered here by a stay-in-bed mood of withdrawal. Her Audrey does nothing less than enact a kind of communion through voice and image.
A Woman Escapes
Not rated. In English and Turkish, with subtitles. Running time: 1 hour 21 minutes. In theaters.
Source: Movies - nytimes.com
