‘Borderlands’ Review: Shoot First, Ask Questions Never

In Eli Roth’s “Borderlands,” a cluttered caper flick based on the best-selling video game series of the same name, Cate Blanchett plays a trigger-happy bounty hunter who keeps killing the other characters midsentence before they can fill in the plot. Shoot first, ask questions never — even though the audience has questions of its own: What caused the delay that’s taken this big-budget movie three years to get released? And is it possible that Roth’s credited co-writer, Joe Crombie, who otherwise has no other screenplays or online presence, might be a pseudonym for someone who doesn’t want their real name on this haphazard script?

Like the original first-person shooter game, “Borderlands” is set on a junkyard planet named Pandora that was once a home base for an advanced alien species, but has since been overrun by violent marauders and women with formidable push-up bras. Blanchett’s Lilith was born here and begrudgingly returns under the employ of a tycoon (Edgar Ramírez) who’s hired her to track down his daughter, an unhinged teenager named Tiny Tina (Ariana Greenblatt). To Lilith’s annoyance, her one-woman squad swells with new members: a sassy robot (voiced by Jack Black), an autistic xeno-archaeologist (Jamie Lee Curtis), a mostly mute meathead (Florian Munteanu) and a noble soldier (Kevin Hart). When Hart is playing the straight man, you know you’re watching a film that’s throwing everything at the screen.

The style is Chernobyl chic. Anything that can have spikes does have spikes — even the terrain. The scrapheap aesthetic is so maximalist that, at one point, our leads take a joyride in a dumpster. The film itself feels salvaged from the properties it aspires to bowdlerize, chief among them “Star Wars.” Key messages are transmitted as Princess Leia-esque holograms; Black’s robot spouts pessimistic survival statistics; Hart barges onscreen in a gothy Stormtrooper get-up that he immediately discards, sneering, “What a stupid helmet.”