Under Donna Langley’s leadership, Universal has managed the rare feat of achieving creative dominance and commercial supremacy at the same time.
“Queen!”
It was a Friday night in January, and Snoop Dogg had just rolled into a cocktail party hosted by Donna Langley, NBCUniversal’s chief content officer and studios chairwoman. His shouted greeting, paired with a jaunty deferential dance, seemed to leave her a bit embarrassed. “We’re here to celebrate filmmakers and films,” Langley told the room a few minutes later. “This is not about me.”
For an executive who ardently prefers to stay in the background — she declined to be interviewed for this article and dispatched a lieutenant to try and kill it — the 2024 Oscar trail has been an awkward one. Like it or not, this moment in Hollywood history is very much about her.
It was Langley who, in a wild bet on a three-hour period drama about a physicist, gave Christopher Nolan the money to make “Oppenheimer.” It won seven Oscars on Sunday, including the ones for director and best picture. Nolan started his acceptance speech for best director by saying, “Donna Langley — thank you for seeing the potential in this.”
Da’Vine Joy Randolph won the supporting actress Oscar for her performance as a grieving mother and boarding school cook in “The Holdovers,” which was released by Focus Features, a specialty film studio that Langley also oversees.
In a rare achievement, Universal’s creative dominance has coincided with commercial supremacy: The studio was No. 1 at the worldwide box office in 2023, selling nearly $5 billion in tickets and ending an eight-year reign by Disney. Moreover, Universal reached audiences the old-fashioned way — by serving up movies from a mix of genres, with nary a superhero to be found. “The Super Mario Bros. Movie” ($1.4 billion) led the way, followed by “Oppenheimer” ($958 million), “Fast X” ($705 million), “Five Nights at Freddy’s” ($291 million) and “Migration” ($279 million).
Why should you not thank your publicist if you win an Oscar?
The idea, some think, is that publicists work behind the scenes to promote you, so they should be kept in the background. But the Oscars are the ultimate promotion, so I agree that if they helped get you there, they are worth a thank you.
How did the award get the nickname “Oscars”?
There’s some debate. Some say the statue reminded academy librarian Margaret Herrick of her uncle Oscar. Others say Bette Davis said its derriere reminded her of her second husband, Harmon Oscar Nelson. Hollywood gossip columnist Sidney Skolsky said he gave the nickname. It’s not, as far as we know, named for the Grouch.
What’s the deal with the floating straps trend seen on the red carpet?
The working theory is that the straps were a design accent that allowed the actresses (Emily Blunt and Florence Pugh, both representing “Oppenheimer”) to safely stand out — to inject just the right amount of strangeness and direction into their look, without verging too far into risk-taking, worst-dressed territory. The futuristic floating straps were polarizing, but memorable. And at the end of the day, the gowns you remember are the gowns that won the night.
Why aren’t stunts an Oscar category?
They should be! (In my opinion.) The Screen Actors Guild Awards honor the stunt people for film and TV already. But adding a category to the Oscars is a fraught process, and has been known to go haywire. (Anyone remember the “achievement in popular film” Oscar, which was introduced in 2018 and then scrapped a week later after an outcry?) Still, there is hope: There have reportedly been talks within the academy about a stunt Oscar.
How do they choose presenters? Some folks, besides past winners, seem random.
This is part previous winners, part actors who were in some of the nominated films and part publicists working overtime. A number of presenters have projects to promote, so it’s good for them to get face time on the show for those future (and current) releases.
Do the actors announcing the nominees write their own introductions?
They usually do not. Often, their intros are put together by the show’s writers, and the actors don’t get much time with the material, which is why some read the lines so awkwardly. The exception is usually with comedian presenters, like John Mulaney, who no doubt wrote his funny/oddball bit about “Field of Dreams” that he delivered when presenting the Oscar for best sound this year.
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Source: Movies - nytimes.com
