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‘Snack Shack’ Review: The Kids Are Alright

Performances from the two main characters elevate this boisterous teen comedy to the level of raunchy art.

On the face of it, Adam Rehmeier’s “Snack Shack” is a fairly standard-issue teenage stoner comedy: Lifelong friends in small-town Nebraska spend a summer avoiding town bullies, hustling for cash and competing for the affections of a dreamy neighbor, while boozing, toking and amply cursing in their spare time. But with its rambling momentum and quick-witted, almost musical dialogue, it feels less like “Superbad” than a Robert Altman movie, sort of like a pint-size “California Split.” As if to drive home the comparison, “Snack Shack” starts at an off-track betting parlor.

The friends are A.J. (Conor Sherry), the bashful straight man, and Moose (Gabriel LaBelle), the easygoing party animal. It’s a familiar dynamic, but it’s made fresh by the performances, which are exemplary. Sherry plays A.J. with cringing self-loathing, inherited and desperate to be cast off. LaBelle, by contrast, is a whirlwind of manic adolescent enthusiasm: Brash and boisterous, a cross between Kevin McCallister and Steve Stifler, he’s the movie’s bawdy M.V.P. As he delivers the most artful swearing since Peter Capaldi in “In the Loop,” it’s hard to believe that this is the same LaBelle who was recently so wide-eyed and tender as Sammy Fabelman.

Rehmeier maintains a good handle on compelling if straightforward material, and he demonstrates commendable restraint: He avoids the easy period jokes that come with the movie’s early ’90s setting, and as the plot takes a dramatic turn in the last act, he keeps clear of sentimentality. He also has a keen sense of what to emphasize and what to downplay. He rushes through the stuff with the bullies, as if wary of clichés, but takes time to linger on moments that matter, like A.J. and his father (the great David Costabile) sharing a well-deserved beer.

Snack Shack
Rated R for strong language, drug and alcohol use, mild violence, some sexual content and wall-to-wall raunchiness. Running time: 1 hour 52 minutes. In Theaters.

Source: Movies - nytimes.com


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