Hozier Was Never a One-Hit Wonder. But Now He Has a Second Smash.

A decade ago, the Irish singer-songwriter Andrew Hozier-Byrne, who performs as Hozier, scored a surprise global hit with his debut single, “Take Me to Church,” thanks in large part to its black-and-white music video depicting an intimate relationship between two gay men, one of whom is attacked by a masked mob. The soulful, octave-hopping track, written as a rebuke to the Catholic Church’s stance on homosexuality, established Hozier as a serious, socially conscious artist. It peaked at No. 2 on the Billboard Hot 100 and earned a Grammy nomination for song of the year.

Though Hozier hardly disappeared — his second album, “Wasteland, Baby!” from 2019, debuted at No. 1 on the Billboard 200, and its 2023 follow-up, the concept record “Unreal Unearth,” became his first U.K. No. 1 — for years afterward he operated at a lower public profile, tagged by some as a one-hit wonder. But Hozier, now on the road with a nine-piece band, is once again having a moment, courtesy of a younger generation of fans and a new hit song.

“We’re selling more tickets now than when I was in the charts with ‘Take Me to Church,’” Hozier, 34, said in an interview this month while onboard his tidy tour bus, which was parked on the grounds of Forest Hills Stadium, a 13,000-capacity amphitheater in Queens, N.Y. The 6-foot-5 artist — dressed in a brown corduroy jacket and Adidas track pants, his shoulder-length hair pulled back in a bun — was just a few hours from playing the third of four sold-out nights there, a record-breaking run at the venue. In August, he will co-headline the first day of Lollapalooza in Chicago, with Tyler, the Creator.

In April, Hozier reached No. 1 on the Hot 100 with the bouncy “Too Sweet,” becoming the first Irish artist to claim the top spot since Sinead O’Connor, with “Nothing Compares 2 U,” in 1990. Sung from the vantage of the hard-partying half of a mismatched couple, “Too Sweet” is featured on Hozier’s “Unheard,” a recent EP of songs that didn’t make the cut for “Unreal Unearth,” which was inspired by Dante’s “Inferno.” The track was at No. 7 for a second consecutive week in mid-June.

Both Hozier and his manager, Caroline Downey, who’s been with him since the beginning, noted that all four Forest Hills shows sold out well before the release of “Too Sweet” and credited his surge in popularity to Gen Z listeners who discovered his music on TikTok. Songs featuring acoustic instruments, passionate vocals and dramatic dynamic shifts are ripe for heartstring-tugging clips about weddings, bucket-list trips and beloved pets, and Hozier has more than a few in his arsenal, including “Would That I,” from his second LP.