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Kinky Friedman, Musician and Humorist Who Slew Sacred Cows, Dies at 79

He and his band, the Texas Jewboys, won acclaim for their satirical takes on American culture. He later wrote detective novels and ran for governor of Texas.

Kinky Friedman, a singer, songwriter, humorist and sometime politician who with his band, the Texas Jewboys, developed an ardent following among alt-country music fans with songs like “They Ain’t Makin’ Jews Like Jesus Anymore” — and whose biting cultural commentary earned him comparisons with Will Rogers and Mark Twain — died on Thursday at his ranch near Austin, Texas. He was 79.

The writer Larry Sloman, a close friend, said the cause was complications of Parkinson’s disease.

Mr. Friedman occupied a singular spot on the fringes of American popular culture, alongside acts like Jello Biafra, the Dead Milkmen and Mojo Nixon. He leered back at the mainstream with songs that blended vaudeville, outlaw country and hokum, a bawdy style of novelty music typified by tracks like “Asshole From El Paso” and “We Reserve the Right to Refuse Service to You.”

With a thick mustache, sideburns, a Honduran cigar and a broad-brimmed cowboy hat, he played his own version of Texas-inflected country music, poking provocative fun at Jewish culture, American politics and a wide range of sacred cows, including feminism — the National Organization for Women once gave him a “Male Chauvinist Pig Award.”

Mr. Friedman in performance in 1975.Richard E. Aaron/Redferns, via Getty Images

Behind the jokes, he had serious musical talent. He sang with a clear, deep voice, modulated with a gentle twang, and played guitar in a spare, straightforward style borrowed from one of his idols, Ernest Tubb.

He toured widely in the 1970s, with his band and solo, including on the second leg of Bob Dylan’s Rolling Thunder Revue in 1976. He performed on “Saturday Night Live” and at the Grand Ole Opry — Mr. Friedman claimed to be the first Jewish musician to do so (though in fact others, including the fiddler Gene Lowinger, had beat him to it).

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Source: Music - nytimes.com


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