Leif Segerstam, Provocative Finnish Conductor and Composer, Dies at 80

Leif Segerstam, a Finnish conductor and composer whose hundreds of symphonies were as mysterious as his pronouncements about them, died on Oct. 9 in Helsinki. He was 80.

His son Jan said he died in a hospital after a brief bout of pneumonia.

In a small country with a unique musical culture, Mr. Segerstam occupied a singular place: He was the “king of our country’s cultural industry,” the newspaper Helsingin Sanomat wrote after his death. He himself said he was “the Jesus of music,” explaining, “In the world of music I have truths that are just as valuable as the teachings of Jesus.”

He led Finland’s principal orchestras as well as other major orchestras in Europe; he shaped his country’s world-leading crop of conductors; and he was an unequaled interpreter of its greatest musician, Jean Sibelius, bringing a composer’s creativity to his uncompromising, barren scores.

“The conductor was at the summit of the art of rubato” — the practice of expanding and contracting rhythm — “which made absolutely exquisite the slightest melodic curve,” Pierre Gervasoni of Le Monde wrote in a review of Mr. Segerstam’s 1998 Paris performance of Sibelius works with the Helsinki Philharmonic Orchestra. That was typical of the way critics reacted to Mr. Segerstam’s instinctive accounts of Sibelius.

“Music is in time, but you shouldn’t stop and find out, because then you lose the time, because time doesn’t exist,” Mr. Segerstam said, mysteriously, to the music journalist Bruce Duffie in 1997.

Mr. Segerstam “is an alarming person to interview,” James Jolly, the editor in chief of Gramophone magazine, wrote in 2002. “He doesn’t speak in sentences or even paragraphs: instead his ‘thoughts’ come streaming out in torrential pages.”