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Adam Driver in ‘Hold On to Me Darling,’ a Satire of Sincerity

A country music star embodies the clichés of celebrity in an Off Broadway revival of Kenneth Lonergan’s 2016 comedy.

Women fall hard and fast for Strings McCrane, the “third biggest crossover star in the history of country music.” He dates supermodels “at will.” Fangirls who flirt with him at night send him sex tapes in the morning. A hotel masseuse, kneading his sculptural glutes, exclaims: “I’ve had a crush on you since I was in trade school.”

Playgoer, he marries her. But not before seducing a young relative at his mother’s funeral. Coming clean to the masseuse, he later owns his indiscretion. “I went to see Essie as a cousin,” he says. “But I stayed there with her as a man.”

Did the clichés of country music make Strings (Adam Driver) such a melodramatic, self-justifying, emotional boomerang? Or are his pre-existing gifts in that department what made him a country music star in the first place?

These are among the questions you may find yourself asking, in want of much else to do, while watching the baggy, overlong “Hold On to Me Darling,” a comedy by Kenneth Lonergan now being revived at the Lucille Lortel Theater. Well, not so much revived as — like Strings’s mother — embalmed.

Other than a few cast changes, most notably Driver in the role first played by Timothy Olyphant, the show is pretty much what it was when it debuted at the Atlantic Theater Company in 2016. The physical production looks as if it had been preserved since then in mothballs, with the same cramped, slowly revolving set by Walt Spangler. The few tweaks to the script are almost invisible. Neither Lonergan nor the director, Neil Pepe, seems to have felt the need for refinement.

And why should they have? Lonergan has proved himself a terrific dramatist many times over: “This Is Our Youth,” “The Waverly Gallery,” “Lobby Hero.” This play, too, was well received by most critics, if not by me. It is certainly funny in places, and droll in others; it is occasionally even stinging in its satire of show-business sincerity. We learn that Strings’s most recent celebrity fiancée, making “a statement of solidarity and sexual enlightenment on behalf of the women of Afghanistan,” wore a see-through mesh burqa on a junket there.

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Source: Theater - nytimes.com


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