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‘Andor’ Season 2 Premiere Recap: Rebel Rebel

The “Star Wars” series, back for its final season, shows how a revolution takes hold and how even in times of radical change, people have to keep living their lives.

Want to escape from the real world by watching a “Star Wars” TV show? Can I interest you in Season 2 of “Andor,” which begins this week with stories about refugees being evicted from a safe haven, resistance fighters tearing each other apart, and the obscenely powerful plotting to destroy a whole planet?

Maybe a touch too real? I get it. But let me add that the first three episodes of the season, the show’s last, are remarkably entertaining and thoughtful television. It’s provocative stuff, but satisfyingly stirring.

This series is about how a revolution takes hold, in fits and starts, with a lot of disagreement about how to proceed. Season 2’s first set of episodes also shows how even in times of radical change, people have to keep living their lives.

In Season 1, the show’s creator, Tony Gilroy, divided his saga into multiepisode arcs, each presented in a slightly different style. Gilroy and Disney+ are retaining that structure for Season 2 and leaning further into the “movie of the week” concept by releasing three episodes at a time.

But the first thing fans may notice about the opening three episodes (of 12 total) is how they jump around between locations and genres, to tell essentially four different stories, all set over the course of a few days one year after Season 1 ended. The date is “BBY 4,” four years before the Battle of Yavin, the big space-fight in the original “Star Wars” that ends with the Death Star exploding. Reminder: That triumphant rebel attack was made possible by the events of the film “Rogue One,” for which “Andor” is a prequel. (Rampant franchise expansion can make for confusing timelines.)

The series’s namesake, the mercenary-turned-rebel Cassian Andor (Diego Luna), bounces between two of these stories. The new season gets off to a strong start in its opening sequence, in which Cassian steals an imperial fighter ship, posing as a test pilot. After a lot of dramatic buildup to him getting into the pilot’s seat, Cassian pushes the wrong button and goes rocketing backward instead of forward. He then accidentally engages the ship’s blasters, shooting laser bolts indiscriminately around the hangar. It’s a funny bit of slapstick, but also exciting, filled with the fine design and special effects “Star Wars” is known for.

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Source: Television - nytimes.com


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