A documentary delves into the responses to the 1960s protests, revealing uncomfortable truths about that time and ours.
The mid-1960s saw a conspicuous rise in civil unrest in the United States. The war in Vietnam, substandard living conditions for people of color, and a larger shift in consciousness all contributed to people wielding violence as a tool of protest. The new documentary “Riotsville, USA.,” shows the federal government’s response to this tactic as both sinister and, in some sense, laughable.
The Riotsville of the title is the name of a fake town built as a training ground for law enforcement, in which riot story lines were enacted by soldiers and police forces. More than one of these towns were built by the U.S. government in collaboration with local police departments, with the events filmed for official review. The documentary’s director, Sierra Pettengill, uses a variety of archival footage here. There are government films of Riotsville exercises, clips from talk shows, and a mini-narrative of a public television station whose progressive politics led to its defunding by the Ford Foundation. And of course, searing images from riots in Los Angeles, Chicago, Newark, Memphis and Miami.
A federal government advisory commission on civil disorder actually concluded that the rioters had something to riot about. They recommended sweeping policies to redress inequities. The activist H. Rap Brown, who was in jail when the report came out, said the people on the commission ought to be in a cell too, as “they’re saying what I’ve been saying.” The only recommendation lawmakers acted on, however, was to increase police budgets.
The film’s tone, largely defined by narration written by the essayist Tobi Haslett and read by Charlene Modeste, is often one of weary exasperation. At times, though, Haslett’s words are charged with indignation, which arguably overwhelms the reportage, as in Haslett’s heated account of the media coverage of the 1968 Democratic Convention in Chicago. To this complaint, one imagines Haslett might respond, “Too bad.” This is not an objective film. It is a polemic, a work of activism, a challenge to the viewer.
Riotsville, USA
Not rated. Running time: 1 hour 31 minutes. In theaters.
Source: Movies - nytimes.com
