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Stream These 12 Titles Before They Leave Netflix in September

A lot of great movies and TV shows are leaving for U.S. subscribers this month. Watch them while you can.

A wide array of terrific titles are leaving Netflix in the United States in September, including three beloved CW comedies, a movie musical classic, a recent family favorite and two of Eddie Murphy’s best. (Dates indicate the final day a title is available.)

Stream ‘Beverly Hills Cop’ here and ‘Beverly Hills Cop II’ here.

To supplement the July release of the Netflix original “Beverly Hills Cop: Axel F,” the service added the first two outings of the long-running franchise, quintessential examples of the ’80s action-comedy. (They didn’t bother with the much-derided “Beverly Hills Cop III,” to no one’s objection.) The 1984 original introduced Eddie Murphy as Axel Foley, a wisecracking Detroit street cop who invades the tony environs of 90210 to investigate a friend’s murder. The director Martin Brest cleverly mixes hard-hitting action sequences with flashes of character-based comedy, all held aloft by Murphy’s confidence and charisma. The 1987 sequel was directed by the master stylist Tony Scott, so it feels a bit more like a straight-up action picture (albeit a fine one), but Murphy still teases out big laughs where he can find them.

Stream it here.

The best TV comedies are frequently the outgrowth of a singular sensibility, like Larry David’s “Curb Your Enthusiasm,” Lena Dunham’s “Girls” and Tina Fey’s “30 Rock.” Add to that list this CW series from Rachel Bloom, the star and co-creator, who infuses the formula of the television rom-com with generous volts of manic, theater-kid energy. She stars as Rebecca Bunch, an unhappy Manhattan corporate lawyer who abandons her career to follow an old summer camp crush to California. With its oddball musical numbers, candid depiction of mental illness and winking inversions of romantic conventions, it’s a true, terrific original.

Stream it here.

That same year, the CW debuted this wryly funny and thankfully light addition to the seemingly endless canon of undead television entertainment. The charming Rose McIver stars as Liv, a young doctor whose ill-advised ride on a cursed booze cruise turns her into a flesh-eating zombie. She makes the best of it, taking a job at a morgue, where there’s an endless supply of fresh brains — which she soon discovers hold the memories of their deaths, turning the show into an unlikely but enjoyable crime procedural.

Stream it here.

Our CW trifecta concludes with this sparkling and screwy telenovela spoof, which ran on the network from 2014 to 2019. Gina Rodriguez found her breakthrough role as the title character, a waitress and would-be writer who takes a vow of chastity until marriage, then finds herself in a state of near-constant challenge to that vow. Rodriguez is a spark plug, playing Jane with equal emphasis on the heart, mind and libido, while Jennie Snyder Urman, the creator and showrunner, introduces endless and frequently preposterous romantic entanglements without subverting the genuine warmth at the story’s center.

Stream it here.

The director Halina Reijn assembles a gifted ensemble cast — including Maria Bakalova, Pete Davidson, Lee Pace, Rachel Sennott, Amandla Stenberg and Chase Sui Wonders — in this inspired mash-up of locked-room whodunit and “Spring Breakers”-style party movie. Davidson is a spoiled-rotten trust fund kid who hosts a rager for his friends as they ride out an incoming hurricane, and it’s all fun and games and drunken revelry until guests start turning up dead. Reijn threads a delicate needle here, making her characters flawed but not quite loathsome, and sending up current trends of online activism and halfhearted wokeness without punching down.

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Source: Movies - nytimes.com


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