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The Enduring Simplicity of Galaxie 500

The pioneering 1980s dream-pop band has now unveiled its entire studio catalog, mistakes and all.

Dean Wareham has a Google Alert set for his first full-time band, Galaxie 500, named after a friend’s vintage Ford. With Wareham as its guitarist and lead singer, the band lasted a little over three years — from 1987 to early 1991 — and made just three albums for an indie label that went bankrupt.

Galaxie 500’s biggest headlining gigs were appearances for only club-sized audiences. Its music never reached the American album charts. And Wareham and the other two band members, the bassist and singer Naomi Yang and the drummer Damon Krukowski — who are married — haven’t spoken or been in the same room since 1991, when Wareham quit the band on the verge of a tour of Japan. (They deal with Galaxie 500 business via email.)

But decades later, Google Alerts for Galaxie 500 keep arriving.

“Sometimes it’s a car for sale, but a lot of times it’s a review,” Wareham said in a video interview from his home studio in Los Angeles. “And yeah, every week there’s a review of something that thinks it sounds like Galaxie 500. There’s a lot of that. But they don’t, really.”

This Friday, the final remnants of Galaxie 500’s brief but luminous studio recording career will be released as “Uncollected Noise New York, ’88-’90.” The new album adds eight previously unreleased songs to a group of non-album tracks that were included in 1996 as part of a Galaxie 500 boxed set, then reissued separately in 2004 as the album “Uncollected.”

“When we made these records, if you had told me that 30 years later, 35 years later, people would still be excited about them, I would be most surprised,” Wareham said.

The added tracks reveal how rigorously Galaxie 500 judged its music, even from the beginning. “I think we were good editors. I still think these were the right tracks to reject,” Krukowski said by video from his and Yang’s home in Cambridge, Mass. “I don’t think it’s hidden gems. It’s more like telling the story in a different way. It’s a narrative thing, which I think is why we were all OK with it.”

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Source: Music - nytimes.com


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