A bereaved young woman faces terrible choices in this dreamily uncertain blend of science fiction and moral philosophy.
The French filmmaker Jérémy Clapin seems drawn to stories of loss. His animated feature debut, “I Lost My Body” (2019), followed the vivid, sometimes gruesome journey of a severed hand seeking to reconnect with its owner. And though his new film is called “Meanwhile on Earth,” it might well be titled “I Lost My Brother,” the movie’s sense of dislocation and desire for reconnection so reminiscent of its predecessor.
The brother in question is Franck (voiced by Sébastien Pouderoux), an astronaut who disappeared while on a mission three years earlier. Since then, his younger sister, Elsa (Megan Northam), has been frozen in place. A talented artist, she exists in a daze of bereavement, unable to move on from her temporary job as a caregiver at a retirement facility. At home with her parents and younger brother, she sketches the daydreams that consume her until, one day, she hears Franck’s distressed voice emanating from a hilltop antenna.
Part science-fiction drama, part morality tale, “Meanwhile on Earth” works best as an offbeat scrutiny of the intersection of extreme grief and mental health. When an extraterrestrial (voiced by Dimitri Doré) telepathically informs Elsa that her brother can be returned to Earth only in exchange for five of her fellow humans, the movie shifts from feelings to philosophy. Whom should she sacrifice? Whose life has value?
Small and strange, “Meanwhile on Earth” seduces with its soft, barren beauty (the chilled cinematography is by Robrecht Heyvaert) and Dan Levy’s surreal score. Wobbling uncertainly between the inside of Elsa’s head and Earth’s outer limits, the movie demurs. Are we experiencing Elsa’s breakdown, or an alien invasion? Even the director appears unsure.
Meanwhile on Earth
Rated R for abduction by aliens and mutilation by chain saw. In French, with subtitles. Running time: 1 hour 29 minutes. In theaters.
Source: Movies - nytimes.com
