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The National Endowment for the Arts Begins Terminating Grants

The endowment told arts organizations that it was withdrawing or canceling current grants just hours after President Trump proposed eliminating the agency in the next fiscal year.

The National Endowment for the Arts withdrew and canceled grant offers to numerous arts organizations around the country on Friday night, sending a round of email notifications out just hours after President Trump proposed eliminating the agency in his next budget.

The move, although not unexpected, was met with disappointment and anger by arts administrators who had counted on the grants to finance ongoing projects.

In Oregon, Portland Playhouse received an email from the endowment just 24 hours before opening a production of August Wilson’s “Joe Turner’s Come and Gone,” an acclaimed work that is part of the playwright’s series of 10 dramas about African Americans through the course of the 20th century. The N.E.A. had recommended a $25,000 grant for the show, which would have paid about one-fifth of the production’s personnel costs.

“Times are tough for theaters — we’re already pressed, and in this moment where every dollar matters, this was a critical piece of our budget,” said Brian Weaver, the theater’s producing artistic director. “It’s ridiculous.”

The emails were sent to arts administrators from an address at the endowment that did not accept replies. “The N.E.A. is updating its grantmaking policy priorities to focus funding on projects that reflect the nation’s rich artistic heritage and creativity as prioritized by the president,” the emails said. “Consequently, we are terminating awards that fall outside these new priorities.”

The emails went on to say that the endowment would now prioritize projects that “elevate” historically Black colleges and universities, and colleges that serve Hispanic students. The emails also said the endowment would focus on projects that “celebrate the 250th anniversary of American independence, foster A.I. competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support the military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.”

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Source: Theater - nytimes.com


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