Hear tracks by Alejandro Sanz and Shakira, St. Vincent, Stereolab and others.
Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.
Karol G: ‘Latina Foreva’
The Colombian singer and rapper Karol G cheerfully fends off some unwanted male attention by praising Latin women instead: “Those curves don’t even exist in NASCAR.” The inventive pop-reggaeton production stays light and changeable, with little keyboard blips and string lines making sure the familiar beat is always laced with bits of melody.
Alejandro Sanz featuring Shakira: ‘Bésame’
Husky meets breathy in “Bésame” (“Kiss Me”), the new duet by Alejandro Sanz, from Spain, and Shakira, from Colombia: a 20-years-later reconnection after their 2005 megahit “La Tortura.” They trade endearments over a track that connects Latin pop to Nigerian Afrobeats — and, in the bridge, tosses in some flamenco handclaps for more trans-Atlantic fusion.
Guedra Guedra: ‘Drift of Drummer’
Abdellah M. Hassak, the Moroccan electronic producer, records as Guedra Guedra. Guedra is a Tuareg dance that shares its name with a cook pot that becomes a drum when covered with an animal skin. “Drift of Drummer” mixes field recordings that Hassak gathered in his travels across Africa with hand drum machines and synthesizers. Juggling ever-changing layers of percussion over a brisk implied pulse and a terse bass line, the song is a cauldron of rhythms, humanized by snippets of speaking voices.
St. Vincent featuring Mon Laferte: ‘Tiempos Violentos’
St. Vincent is joined by another high-drama songwriter and singer, Mon Laferte, for a third iteration of “Violent Times,” which appeared on her 2024 album “All Born Screaming” and its Spanish-language version, “Todos Nacen Gritando.” The ominous horns, looming drumbeats and James Bond-theme chords of the original track remain. Where Laferte takes over certain lines, she brings her own sharp-clawed sweetness.
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Source: Music - nytimes.com