In a new documentary, the actress talks about the prejudice and loneliness she faced after becoming the rare Hollywood star who is deaf.
Actors in documentaries about their own lives rarely — perhaps never — speak with the kind of candor that Marlee Matlin brings to Shoshannah Stern’s new film “Marlee Matlin: Not Alone Anymore” (in theaters). This kind of project all too often results in a cagey puff piece, lots of warmed-over memories accented by one mildly surprising revelation, which ensures the movie will make headlines.
Not this film. From the start, Matlin speaks with an unvarnished frankness about the loneliness and prejudice she encountered when she burst into public consciousness in “Children of a Lesser God,” for which she won the best actress Oscar in 1987. For 35 years, she was the only deaf performer with an Academy Award — a record finally broken in 2022, when Troy Kotsur won for “CODA,” in which he co-starred with Matlin. Now, she says, she isn’t alone anymore.
But the path to this point was littered with frustrations in a world that still treats deaf people as second-class citizens. Matlin talks about how solitary she often felt, set apart not just from the hearing world but at times from the deaf one, too. She speaks, with nuance but also pain, of her relationship with her “Children of a Lesser God” co-star William Hurt, who was 16 years older and, she says, abusive at times. (Hurt died in 2022. In 2009, he issued a public apology “for any pain I caused.”) She also addresses the clear anti-deaf bias that surfaces in the news media — demonstrated, pointedly, by archival clips of interviewers saying offensive things — and how it shaped her addiction struggles as well as the way she presented herself in the years following her Oscar win.
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Source: Movies - nytimes.com