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    10 Wild Clips to Help You Understand Andy Kaufman’s Greatness

    The standup, who’s the subject of a new documentary, expanded the ambition of comedy. These videos show how far ahead of his time he was.Andy Kaufman became one of the most influential comedians ever in a brief amount of time — really only a decade, from his first national television appearance to his death from lung cancer in 1984 at 35. In between, his comic stunts blurred the lines of reality and fiction and found a variety of ways to provoke audiences and upend expectations, while doing more than any club performer to expand the conceptual ambition of comedy, turning stand-up into performance art. What makes this even more remarkable is that he did almost none of it via regular roles in movies or high-profile television, with the exception of the sitcom “Taxi.”And yet, Kaufman and his many characters were a constant presence in popular culture, clubs and wrestling matches and on talk and variety shows, many of which are long forgotten. These bits have lived on the internet, divorced from the context in which they appeared. Now on YouTube, the Andy Kaufman rabbit hole is deep and packed with pleasures. A new documentary on his life, “Thank You Very Much,” was made by artists who clearly spent a long time exploring it. Here are 10 of the best examples that show how Kaufman broke from the past and anticipated the future.Foreign ManThe first Kaufman character to break out was the tentative, thick-accented immigrant from the Caspian Sea known as Foreign Man, an antecedent to Borat but sweeter, more sensitive and deluded. He mangled Borscht Belt jokes that fizzle like this one-liner: “My wife’s cooking is so bad, it’s terrible.” Before he turned into Latka Gravas on “Taxi,” Foreign Man showed up in short sets on shows like “Van Dyke and Company.” In one of the first, Foreign Man loses a Fonzie look-alike contest, becoming upset at Dick Van Dyke, who, unlike some television hosts who interacted with him (see Dinah Shore), clearly delights in Kaufman. To make things right, the host offers him the opportunity to tell some jokes. Playing an overly enthusiastic innocent with a shaky grasp on English and an even looser grasp on American humor, Kaufman fumbles through some bits and a terrible Ed McMahon impression. Somehow his errors endear him to the audience. Kaufman’s large, anime-like eyes do a lot of the work.Celebrity InterviewerSilence. Kaufman uses it as well as any comedian, building suspense, tension and most of all, awkwardness. On his ABC special taped in 1977 but broadcast two years later, he used that technique magnificently in a spoof of a disastrous talk-show interview that anticipated everything from “The Eric Andre Show” to “Between Two Ferns.” As the host, looking down on his guest, the “Laverne & Shirley” star Cindy Williams, from a desk towering high above her, (a disparity he would take to more extreme heights later in his career), he stops talking entirely, and the banter ends. Then the camera moves from him to her and back again, unease building. It’s almost a minute of dead air but seems much longer. Then he asks: “You have hobbies? You have any diseases?”Bongo PlayerWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    With ‘The Life List,’ Sofia Carson Is a Go-To Netflix Star

    Sofia Carson had just come back to earth.On a recent March morning, the actress-singer awoke at 3 to take a sunrise hot-air balloon ride over the rolling hills of Temecula, Calif. The adventure had been arranged by Netflix as a promotional stunt for the streamer’s new film, “The Life List,” in which Carson stars as a languishing teacher who must complete her childhood bucket list before she can receive the inheritance left to her by her mother (played by Connie Britton).Now back at her hotel, Carson delicately adjusted her black turtleneck as she settled in front of her laptop for our video interview.“It was really special,” she said of the skyward voyage. “I wasn’t scared at all.”In fact, Carson seems to belong in another realm entirely.“I’m 10 years into my career,” Carson said, “yet, it still feels, and I say this with my heart, that it’s just the beginning.”Kobe Wagstaff for The New York TimesUnlike many millennial stars, the 31-year-old doesn’t share much about her private life in interviews or get too candid with her nearly 20 million Instagram followers. Her red carpet looks are a parade of opulent gowns and elbow-length gloves. She cites Audrey Hepburn as her “end-all be-all inspiration.” Even her given name, Sofia Lauren — like the actress Sophia Loren — is partly a tribute to Old Hollywood royalty.It’s an elegant persona for an actress who not long ago was known primarily for her role as Evie, the blue-haired teenage daughter of the Evil Queen in Disney Channel’s “Descendants” TV movies. That wildly popular musical franchise spawned lunchboxes, dolls, throw pillows and endless merchandise featuring Carson’s likeness.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Secret Mall Apartment’ and the Case for Art in Unexpected Places

    Jeremy Workman’s documentary looks back at a project that may sound like a joke but had serious underpinnings.What is art? Everyone has a different definition, not just at this moment in history but across eras. Art is a pretty picture. Art is what’s in a museum. Art is what makes us human. Art is something to sell, or buy, or make, or make fun of. Art is everything, or nothing at all.Defining art isn’t the stated aim of “Secret Mall Apartment” (in theaters), Jeremy Workman’s new documentary about artists who in 2003 managed to create and live undetected for four years in an apartment nestled in a shopping mall in Providence, R.I. That sounds bizarre because it is.Inspired by a commercial for the mall, Providence Place, in which a mother claims she wishes she could live there because it would make shopping so convenient, the artists found an empty, secluded space away from the retail corridors and planned a kind of performance art happening: They’d live there for a week, documenting it, subtly poking fun at developers’ obsessions with so-called underutilized spaces.It seems like a practical joke, but the context was deadly serious, as Workman shows by structuring the film akin to a spiderweb. At the center is the mall apartment itself and the reasons the artists ended up staying several years. This story is built out with interviews with the participants — many of whom had never revealed their involvement — and with footage they shot on the tiny digital cameras we used to tote around back in the mid-aughts, small enough to fit in an Altoids tin.Sprawling from this central story — full of funny anecdotes about almost getting caught and their solutions to problems like an undetectable wall — is a sober set of concerns. Chief among them is the way that city officials and developers were addressing urban decay in Providence, and how the centerpiece of their solution was meant to be the mall. Workman makes ample use of news video to demonstrate how locals talked about the project at the time, including working-class residents who noted that the planned shops and the positioning of the mall entrance away from the less affluent part of the city signaled that it wasn’t meant for them at all. He also enlists a crew to construct a full-scale model of the apartment so that the original dwellers can experience it again.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘The Ballad of Wallis Island’ Had a Long Journey Back to the Big Screen

    Almost two decades ago a pair of fresh-faced British sketch comedians armed with a good idea and an able director with a cache of film stock made a charming short film called “The One and Only Herb McGwyer Plays Wallis Island.” The 25-minute outing won a prize at the 2008 Edinburgh Film Festival, was nominated for a BAFTA and announced the arrival of Tim Key and Tom Basden. The two spent the intervening years turning their penchant for absurdist humor into sketch comedy shows, radio episodes, stand up poetry tours and sidekick roles in film and television.But they never returned to Wallis island.Until now. Older, grayer and maybe a little wiser, the friends, onetime roommates and longtime collaborators have expanded their initial concept into a feature film, “The Ballad of Wallis Island.” The film, which ruminates on love and loss, revolves around a musician who is hired by a two-time lottery winner to perform a private gig on an isolated island. It feels like it could have been created only by filmmakers with a little road beneath their feet.“I don’t really regret us not making it 17 years ago, because we just might not have been able to do it right,” said Key, who wrote the script with Basden and plays the rich eccentric, Charles Heath, who prattles through conversations with a stream of nonsensical puns. “I think when we came back to it, we were more ready to make a decent fist of it.”Basden, Mulligan and Key in “The Ballad of Wallis Island.”Focus Features The original director, James Griffiths, returns, and the main conceit of the short remains: The musician, Herb McGwyer (Basden), arrives at the harborless, fictional Wallis Island (portrayed in and around Carmarthenshire, Wales) to perform a concert for his eager audience of one (Key’s Heath). To build out the story, Basden and Key introduce Nell Mortimer, played by Carey Mulligan, McGwyer’s former singing partner and lover from their short-lived duo McGwyer Mortimer. When she shows up on the island unbeknown to McGwyer — whose solo career hasn’t gone as planned — the film gains its emotional heft.“You get a window into what they were like when they were young and into the way that life has or hasn’t messed with their expectations as young people in the music industry, and as a young couple in love,” said Basden, who also wrote the songs for the film. “When you engage with that meaningfully, I think you’re always going to end up having to write about the loss, the heartbreak and the regret that goes with relationships in your 20s.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Best True Crime to Stream: 1970s and ’80s Kidnappings

    Across television, film and podcasting, here are five stories of child abductions that shook parents across the United States.Documentary Film“Chowchilla”It took just a few minutes into this 2023 documentary for me to be dumbfounded that I had never heard about this chapter in American history, when an entire school bus of children and their driver, 27 people in total, disappeared mid-route on a hot summer day in 1976 in the small California town of Chowchilla.What unfolded from there and the motivation behind the kidnapping are beyond imagination. In fact, those responsible for the crime were inspired in part by the Clint Eastwood movie “Dirty Harry.”In this documentary, from CNN Films and streaming on Max, we hear from some of the abductees, who recall the experience in great detail. Unlike many other such stories, we learn quickly that no one died in the ordeal, but that doesn’t make the decades-long fallout less tragic.The trauma was so acute that the survivors were able to help catapult the field of child psychology forward. “Chowchilla children are heroes,” Lenore C. Terr, a child psychiatrist who has studied the victims in depth, said in the film. “And they continue to teach us what childhood trauma is.”Documentary Series“The Beauty Queen Killer: 9 Days of Terror”For this three-part 2024 docuseries from ABC News, Tina Marie Risico — who survived a nightmarish nine days with the serial killer Christopher Wilder in 1984 before he made the astonishing decision to release her — sits down to tell her story for the first time.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Under Trump, Kennedy Center’s Classical Offerings Will (Mostly) Go On

    The Kennedy Center’s flagship opera company and symphony orchestra announced Thursday that they plan to present robust and fairly typical programs next season, the first full season since President Trump took over the institution.But one prominent work was missing from the lineup: Gregory Spears and Greg Pierce’s “Fellow Travelers,” an opera set in the 1950s about two men working for the government who become lovers. The work was withdrawn by its creators because of concerns about Mr. Trump’s takeover, according to a letter obtained by The New York Times.Washington National Opera said the 2025-26 season would include classics like Verdi’s “Aida” and less commonly heard works like “Treemonisha,” an opera by the ragtime composer Scott Joplin. The National Symphony Orchestra is planning warhorses by Tchaikovsky and Shostakovich and world premieres by Carlos Simon, the Kennedy Center’s composer in residence; Valerie Coleman; and others.In a sign of the political sensitivities at the Kennedy Center, the leaders of the opera and the symphony declined to be interviewed about the new season.The center has been in flux since Mr. Trump purged its previously bipartisan board of Biden appointees and had himself elected chairman. The president’s actions have prompted an outcry, leading some artists to cancel engagements there in protest. The musical “Hamilton” scrapped a planned tour there next year.The classical field, in which seasons are planned years in advance, has largely been unaffected. But the creators of “Fellow Travelers,” an opera based on the 2007 novel by Thomas Mallon, confirmed this week that they were pulling the work, which was supposed to have its Washington premiere next year.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Clive Revill, Original Voice of Emperor Palpatine in ‘Star Wars,’ Dies at 94

    His voice can be heard for only a minute in “The Empire Strikes Back,” but it provided the first draft of a character that would be a mainstay of the franchise for decades.It was a minute that changed the course of the “Star Wars” franchise. In “The Empire Strikes Back,” the now-celebrated 1980 sequel, audiences were treated to the first on-camera sighting of Emperor Palpatine.After receiving only a glancing mention in the first movie, he could have looked and sounded like anything. A human. A Wookiee. A droid. A turtle. There was, instead, a disfigured, robed face — portrayed by the actress Marjorie Eaton — that terrified fans and etched the character into “Star Wars” lore.But Palpatine’s voice — cool, crisp and commanding — belonged to Clive Revill, who in about 60 seconds set the stage for one of the most feared and infamous characters in science fiction. Mr. Revill died on March 11 in Sherman Oaks, Calif., his daughter, Kate Revill, said on Thursday. The cause, she said, was complications of dementia. He was 94.Palpatine’s appearance, however brief, is pivotal. In the conversation with Darth Vader it is established that Vader, already an iconic villain, has a boss — one whom Vader himself fears. Additionally, Palpatine recognizes Luke Skywalker as a true threat.In just a few lines, Mr. Revill established Palpatine as a cold, dominant figure.When the original trilogy was rereleased in 2004, his voice was replaced by that of Ian McDiarmid, who played Palpatine in subsequent “Star Wars” films, starting with “Return of the Jedi” (1983). But in various iterations of Palpatine since the original — including the franchise films, the video game “Fortnite” and even Lego re-enactments — the character’s voice is built on Mr. Revill’s work.“Those voices are all influenced by this first example,” said Greg Iwinski, a writer on the animated “Star Wars” series “Young Jedi Adventures.” “That was 45 years ago. That’s the importance of that legacy. He was the first guy to do it.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Selena’s Killer Is Denied Parole 30 Years After Murder

    The Tejano music icon was fatally shot by the founder of her fan club, who has been serving a life sentence in Texas. On Thursday, a panel denied her first attempt at parole.A panel in Texas on Thursday denied parole for the woman who killed Selena, a 23-year-old trailblazing Mexican American singer who was making it big in the popular music scene. The decision came a few days shy of the 30th anniversary of the killing, which shocked her fans and spurred a cultlike following.Yolanda Saldívar, the woman who fatally shot her, was the founder of Selena’s fan club; she killed Selena after a confrontation in a motel in Corpus Christi, Texas, on March 31, 1995. A jury convicted Ms. Saldívar of first-degree murder, and she was sentenced to life in prison with the possibility of parole after 30 years.Ms. Saldívar’s case had gone into the review process approximately six months before she was to first become eligible for parole this Sunday, the Texas Board of Pardons and Parole said in a statement. She won’t be eligible for parole for five more years.“After a thorough consideration of all available information, which included any confidential interviews conducted, it was the parole panel’s determination to deny parole to Yolanda Saldivar and set her next parole review for March 2030,” the statement said.The panel cited the violent nature of the killing as the reason for its denial.“The record indicates that the instant offense has elements of brutality, violence, assaultive behavior or conscious selection of victim’s vulnerability indicating a conscious disregard for the lives, safety, or property of others, such that the offender poses a continuing threat to public safety,” the statement said.When she was killed, Selena had just come off a Grammy Award win. She was on the verge of making a breakthrough that could have brought her songs about heartbreak and new love to wider Spanish- and English-speaking audiences.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More