Aurelia Butler

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    What to Stream After You’ve Seen ‘F1’

    Once you’ve spent some time on the track with Brad Pitt, steer your way toward these other suspenseful racing movies and shows.For racing fans, Brad Pitt fans and those in between, the drama “F1” has made its way to theaters. Pitt stars as Sonny Hayes, an aging driver enlisted to save a failing team fronted by a young hot shot (Damson Idris). The fast-paced movie aims for authenticity with help from a notable pro: Lewis Hamilton — the face of Formula One and a seven-time world champion — advised on technical details and has a producer credit. For those who have seen “F1,” and are looking to get their next full-throttle fix, these movies and shows, all available to stream, are worth a spin.‘Grand Prix’ (1966)James Garner in “Grand Prix.”MGMStream it on Watch TCM. Rent or buy it on major platforms.Heralded as the lead car to which all racing films follow, John Frankenheimer’s movie broke ground with its innovative use of vehicle-mounted cameras, jarring real-life footage and quick-jump editing (now a staple in the genre). “Grand Prix” throws viewers into the action with first-person driver perspective; the camera cars reached nearly 200 miles per hour during shoots. The film’s star, James Garner, drove in every race and even caught fire during a filmed crash. Viewers would be forgiven for fast-forwarding through the sleepy love stories to skip right to the action, which earned “Grand Prix” three Oscars in technical categories. This racing-movie primer checks many boxes: speed, glamour, drama and a slick opening sequence in Monaco, F1’s undisputed Valhalla.‘Senna: No Fear. No Limits. No Equal.’ (2011)Ayrton Senna in the documentary “Senna.”Universal PicturesStream it on Netflix.No documentary captures the heart of F1 better than “Senna,” which won two BAFTAs and masterfully weaves the story of Ayrton Senna da Silva, the Brazilian racer who figures prominently on F1’s Mt. Rushmore. Including never-before-seen footage from the Formula One archive, along with personal footage, the doc follows young Ayrton, seemingly born to race, as he relocates to Europe, battles discrimination and later, battles Formula One itself for driver safety. The model-handsome Senna typified the daring nature of F1 as he quickly became unstoppable in the rain, which can debilitate drivers. His three world championship wins made him a one-word brand and put Brazil on the racing map. Sadly, Senna’s determination to keep drivers safe was marked by his own tragic death in a 1994 crash. Poignant and powerful, “Senna” transcends racing as it documents a worldwide icon gone too soon.‘Rush’ (2013)Chris Hemsworth, center, as James Hunt in “Rush.”Jaap Buitendijk/Universal PicturesRent or buy it on major platforms.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Kneecap Brings Pro-Palestinian Politics Back Onstage at Glastonbury

    The band landed in trouble over anti-Israel statements, and a member faces a terrorism charge. But at Britain’s biggest music festival, tens of thousands cheered it.About 20 minutes into Kneecap’s set at the Glastonbury music festival on Saturday, the Irish-language rap group stopped the show to discuss a topic that has made it one of Britain’s most talked about — and infamous — pop acts.“I don’t have to lecture you people,” Mo Chara, one of the band’s rappers, told tens of thousands of onlookers at the festival. “Israel are war criminals,” he said.He then led the crowd in a chant of “Free, free, Palestine.”Kneecap’s set at Britain’s largest music festival on Saturday was so popular that organizers had to shut access to the arena to stop overcrowding. But it came after two head-spinning months for the group.In April, Kneecap lost its U.S. visa sponsor after making anti-Israel statements at Coachella. The police in Britain then charged Mo Chara with a terrorism offense for displaying the flag of Hezbollah, the militant group based in Lebanon, onstage at a London show. Several festivals and venues dropped the band from their lineups.The Board of Deputies of British Jews wrote to Glastonbury urging it not to give Kneecap a platform that could make the band’s views appear acceptable, and Prime Minister Keir Starmer said last week that it was “not appropriate” for Kneecap to play at the festival, or for the BBC to broadcast the performance. (The BBC, which provides live coverage from Glastonbury, did not broadcast Kneecap’s set, and the festival press office did not respond to a request for comment.)Yet unlike lawmakers, Jewish groups and prosecutors, few in the crowd on Saturday appeared to have concerns about the band or its politics. Amy Pepper, 46, a health worker from Northern Ireland, said the band was “really inspirational, particularly for my kids.” She had seen Kneecap live several times before, she said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Rust’ Crew Members Settle Civil Suit With Producers, Court Papers Show

    The lawsuit accused the producers of negligence in the fatal shooting of the cinematographer Halyna Hutchins on the movie’s set in 2021.Three crew members who worked on the Western movie “Rust” reached a settlement this week in a lawsuit arising from the 2021 fatal shooting of a cinematographer on the film’s set, according to court documents and lawyers.They were seeking compensation from the producers of the movie, including Alec Baldwin as the lead actor and co-producer. The suit accused the film’s producers of negligence and failing to follow industry safety rules, allegations that the producers denied.The full terms of the settlement were not immediately available. Lawyers for the producers did not comment or were not immediately available on Saturday.The three crew members were independent contractors in New Mexico, where “Rust,” which was released last month, was filmed on a set outside Santa Fe. One was a dolly operator responsible for building and operating the apparatus for camera movement; another was the costumer; the third managed all the nonelectric support gear.All three were on the set when Mr. Baldwin positioned an antique-style revolver for the camera on Oct. 21, 2021. Mr. Baldwin had been told that the gun was “cold,” meaning it had no live ammunition.But as he practiced drawing the gun — in a scene in which his character was cornered by the authorities in a small church when he decides to shoot his way out — the revolver went off, discharging a live bullet, which killed Halyna Hutchins, the movie’s cinematographer, and wounded the director Joel Souza.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Audience Report: Celebrating 50 Years of ‘Jaws’ on Martha’s Vineyard

    It was Day 3 of “Amity Homecoming Weekend” on Martha’s Vineyard, and like thousands of other “Jaws” superfans celebrating the movie’s 50th anniversary on the island where it was filmed, David Scanlon was living his dream.Scanlon, 30, of Savannah, Ga., has loved “Jaws” since his first viewing, at age 3, from which he somehow emerged more enchanted than petrified. At 10, he begged his mother to take him to Martha’s Vineyard, seven miles off Cape Cod in Massachusetts, for the 30th-anniversary festivities. “Not this time,” she had told him. “We’ll go for the 50th.”People lined up to jump off “Jaws Bridge,” on Martha’s Vineyard, to escape the heat.And so it was that Scanlon and his mother — along with his sister, brother-in-law and 15-month-old nephew, Georgie — sat by the sparkling harbor on Sunday afternoon, steps from a replica of the Orca, the fishing boat where the movie’s terrifying climax unfolds, savoring an experience two decades in the making.“It’s a perfect film,” Scanlon said, “and from a very young age, you understand that — long before you have any technical understanding of why.”The anniversary festivities included V.I.P. meet-and-greets, book signings, film screenings, and lectures about sharks.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What Happened in the Closing Arguments of the Sean Combs Trial

    The jurors will begin deliberating on Monday. The music mogul has pleaded not guilty to sex trafficking and racketeering conspiracy.The federal government and Sean Combs’s defense team presented their closing arguments this week after extensive testimony in which the music mogul’s ex-girlfriends said they were pressured to have sex with male escorts in drug-dazed marathon sessions.Mr. Combs is charged with sex trafficking, racketeering conspiracy and transportation to engage in prostitution, and has pleaded not guilty, saying the sexual encounters were consensual. Jurors are expected to begin deliberating on Monday, which will mark the eighth week of the trial in Federal District Court in Manhattan.Here are some key observations from the closing arguments:The ChargesSex TraffickingThe federal prosecutor who delivered the government’s closing argument on Thursday, Christy Slavik, emphasized to jurors that convicting Mr. Combs of sex trafficking required only one example of him coercing his girlfriends into sex with prostitutes.For examples of such coercion, Ms. Slavik pointed to Mr. Combs’s 2016 assault on Casandra Ventura at a Los Angeles hotel that was captured on surveillance video, and a fight between “Jane” and Mr. Combs in 2024 before he directed her to have sex with another man.Jane, who was identified by a pseudonym, testified that she repeatedly said “I don’t want to” before Mr. Combs asked, “Is this coercion?”The next day, the defense lawyer Marc Agnifilo argued that Ms. Ventura, the singer known as Cassie, was a willing participant in the frequent sex sessions that Mr. Combs called “freak-offs.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Priyanka Chopra Jonas Is OK Sitting With Idris Elba and John Cena

    A scene in their new movie “Heads of State” involved a car chase and close quarters. “It was the smallest space for the two biggest guys I’ve ever worked with,” she said.Priyanka Chopra Jonas gets a kick out of action — the stylistic long shots, the slow-motion explosions, the stunts.And if there are a couple of hilarious sparring partners in the mix, all the better.In her new film “Heads of State,” which begins streaming on Prime Video on July 2, Chopra Jonas plays Noel Bisset, an MI6 operative on a mission to rescue the prime minister of Britain (Idris Elba) and the president of the United States (John Cena) from a global menace.After starring in shows like “Citadel” and “Quantico,” “I trust myself when it comes to action, and I get to do some really fun things,” she said. “I love learning from the stunt department. Their experience and expertise is very exciting to me.”But the most insane scene to shoot in “Heads of State” involved Elba, Cena and a tight squeeze into a vehicle known as the Beast.“It’s just the three of us and a couple of bad guys, and it’s raining bullets and bombs at us, and we’re driving through the streets,” she said. “It was the smallest space for the two biggest guys I’ve ever worked with. We used to chat about everything because you couldn’t leave the vehicle in between shots often.”In a call from her home in Manhattan, Chopra Jonas sent Malti Marie, her 3-year-old daughter with her husband, the singer and actor Nick Jonas, out on a play date before revealing why self-care days, Magna-Tiles and signature scents top her list of essentials.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Oasis Ends a 15-Year Pause With a Familiar Goal: Conquering America

    Last August, when Oasis announced a reunion for its first tour since 2009, the fractious British band led by the brothers Liam and Noel Gallagher released a statement filled with exactly the sort of full-throated grandeur and bravado that marked its rise in the 1990s: “The guns have fallen silent. The stars have aligned. The great wait is over. Come see. It will not be televised.”When the band trumpeted the North American leg of the tour a few weeks later, the tone was a bit more passive-aggressive: “America. Oasis is coming. You have one last chance to prove that you loved us all along.”The distance between those two proclamations says a lot about the trans-Atlantic legacy of this combative band, which performs the first show of its sold-out reunion tour in Cardiff, Wales, on Friday. Oasis will play 17 stadium concerts in the U.K. and Ireland before arriving in North America in late August for a nine-show run; two additional London gigs will follow, then dates in Asia, Australia and South America.When tickets went on sale for the U.K. shows last August, a reported 14 million people tried to buy them, crashing ticketing websites and angering fans. In October, seats for the gigs in North America went fast too, selling out in an hour. Michael Rapino, the chief executive of Live Nation, later called it “the biggest on-sale in history.”Reunions generate interest, and the improbability of this one, with the Gallaghers sniping at each other for a decade-plus, almost certainly turbocharged it. The music has also aged well: So much of the band’s seven-album catalog, which stretched from 1994 to 2008, already sounded like classic rock when it first emerged.“Wonderwall,” in particular, has become an inescapable anthem. On Spotify, it’s the third-most played song from the 1990s, with over 2.3 billion streams. Covers of the track in every imaginable style — rap-rock, country-soul, punk-pop, chillwave, metalcore, big band, lounge-pop, electro-funk, cool jazz, bossa nova, dubstep, mariachi — have tallied hundreds of millions more plays. The wistful singles “Don’t Look Back in Anger” and “Champagne Supernova” are nearly as popular and have proven similarly durable to wide-ranging reinterpretation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More