Aurelia Butler

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    JD Souther, Who Wrote Hits for the Eagles, Dies at 78

    JD Souther, who crafted many of the biggest hits to come out of the Southern California country-rock scene of the 1970s, including for the Eagles, Linda Ronstadt and James Taylor, and who later played a wizened music industry veteran — in other words, a version of himself — on the hit television show “Nashville,” died on Tuesday at his home in Sandia Park, N.M., in the hills east of Albuquerque. He was 78.His death was announced on his website. A cause was not provided.Beginning in the late 1960s, Mr. Souther was part of a coterie of musicians around Los Angeles who found themselves circling the same sort of peaceful, easy, country-inflected rock sound. They played at the same venues — among them the Troubadour, the famous West Hollywood nightclub — and lived and partied in the same canyons in the Hollywood Hills.Mr. Souther played with or wrote for most of them. Though he was brought up on jazz and classical music, he easily mastered the country-rock vernacular on songs like “Faithless Love” and “White Rhythm and Blues,” for Ms. Ronstadt; “The Heart of the Matter,” which he wrote with Don Henley; and “Her Town Too,” a collaboration with Mr. Taylor that they sang as a duet.He also played a central role in the formation of the Eagles, encouraging Ms. Ronstadt, his girlfriend at the time, to hire his friend Glenn Frey as part of her backup band. After Mr. Henley joined, he and Mr. Frey decided to form their own group, along with two other members of Ms. Ronstadt’s ensemble, Bernie Leadon and Randy Meisner.Mr. Souther, third from left, onstage with the Eagles in San Diego in 1979. With him are, from left, Joe Vitale, Timothy B. Schmit, Glenn Frey, Don Henley, Joe Walsh and Don Felder.George Rose/Getty ImagesMr. Souther was almost the fifth Eagle: He joined the quartet for an afternoon tryout at the Troubadour, but he decided that the band was already perfect, and that he’d rather write for them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Sean Combs Must Remain in Jail Until Trial After Judge Denies Bail Appeal

    The judge said Mr. Combs posed a risk of witness tampering and was a danger to the community while awaiting his sex trafficking and racketeering conspiracy trial.A federal judge on Wednesday ordered Sean Combs to remain in jail until his trial for sex trafficking and racketeering conspiracy, rejecting an appeal by the music mogul’s lawyers requesting that he be released on bail.Judge Andrew L. Carter Jr. said at a hearing in Lower Manhattan that Mr. Combs posed a risk of witness tampering and was a danger to the safety of the community. He rejected an unusual proposal from Mr. Combs’s legal team in which he would have remained at his mansion in Florida, monitored around the clock by a private security force. The lawyers had offered a $50 million bond for his release.Arguing that Mr. Combs was prone to violence, prosecutors spoke at length about a leaked surveillance video from 2016 in which he was seen physically assaulting Casandra Ventura, his former girlfriend, who is known as Cassie. She filed a sexual assault lawsuit against him last year that was quickly settled.The judge said “that video is quite disturbing,” after which Mr. Combs, seated between his lawyers, nodded several times.Marc Agnifilo, one of Mr. Combs’s lawyers, said his client should not be detained based on an assault from eight years ago that led him to go to rehab. “Mr. Combs has the unfortunate reality that the worst thing he ever did is on videotape,” the lawyer said.The government’s concern that Mr. Combs might intimidate witnesses was a theme of the hearing.“His influence makes it so difficult for witnesses to share their experiences and trust that the government can keep them safe from him,” said Emily A. Johnson, one of the prosecutors.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Making ‘The Wild Robot’ Even Wilder

    Roz, the beloved protagonist of Peter Brown’s popular children’s book, gets a glow-up for the big-screen adaptation.On the cover of Peter Brown’s best-selling children’s book “The Wild Robot” are massive evergreens and a matching dark green seascape. Atop a pile of enormous boulders is a tiny but unmistakable image of a robot: Roz, the book’s protagonist, with her bucket-shaped head, squared-off shoulders and two headlights for eyes.“With a book, the cover is often all you’ve got to pull the reader in,” Brown said in an interview. “I very deliberately designed Roz to look simple, so that when people saw the book cover they would immediately know that it’s a robot.”Movies, however, have a bit more freedom when it comes to automatons. “There’s motion, there’s sound effects, there’s all this other stuff that can tell viewers pretty quickly that they’re looking at a robot,” he added.So when the artists and designers at DreamWorks Animation set about adapting Brown’s book and its mechanical star for the big screen, they let their minds run free. In place of the static, unblinking silhouette of Brown’s book cover, DreamWorks created a leaping, whirling, battling protagonist who can scuttle up steep cliffs like a crab and swing from place to place via long telescoping arms.As the movie unfolds, Roz’s tools are revealed: claws that can climb sheer cliffs; fingers that shoot flames; arms that function as vacuums and leaf blowers; a homing beacon that emerges from the top of her head; DreamWorks AnimationFor a studio like DreamWorks, makers of the “Kung Fu Panda” and “How to Train Your Dragon” franchises, coming up with the dramatic action sequences and cool character design was relatively easy. The challenge for the film, which opens on Sept. 27: keeping the soul of a character that millions of readers had fallen in love with over the course of Brown’s trilogy, a character that was, yes, a robot who could stand alongside Hollywood’s and anime’s most exciting droids and bots, but was also, at heart, an adoptive mother trying her best to care for an orphaned gosling.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Sean Combs, Music Mogul Known as Diddy, Denied Bail on Sex Trafficking Charges

    A day after his arrest, the music mogul known as Diddy was accused of running a “criminal enterprise” that threatened and abused women. He pleaded not guilty.Sean Combs, the embattled music mogul, was denied bail on Tuesday after pleading not guilty to charges of sex trafficking, racketeering conspiracy and transportation to engage in prostitution.In a federal indictment unsealed on Tuesday, Mr. Combs, 54, was described as the boss of a yearslong criminal enterprise that threatened and abused women, coercing them to participate against their will in drug-fueled orgies with male prostitutes and threatening them with violence or the loss of financial support if they refused.The 14-page indictment against Mr. Combs, a producer, record executive and performer who is also known as Diddy and Puff Daddy, came a day after he was arrested in a Manhattan hotel room, following an investigation that has been active since at least early this year. Prosecutors said Mr. Combs and his employees engaged in kidnapping, forced labor, arson and bribery, and kept firearms at the ready.In asking a magistrate to deny Mr. Combs’s request to be released on bail, prosecutors argued that he was a threat to the community. One of the prosecutors, Emily A. Johnson, called him a “serial abuser and a serial obstructer,” and said his wealth would make it easy for him to escape undetected. She noted that after Mr. Combs was arrested, law enforcement found what they suspected to be narcotics in his hotel room, in the form of pink powder.Mr. Combs’s lawyers suggested a $50 million bond. But Judge Robyn F. Tarnofsky denied their request, citing Mr. Combs’s anger issues and history of substance abuse, and ordered Mr. Combs detained while he awaits trial.“My concern,” the judge said, “is that this is a crime that happens behind closed doors.”As Mr. Combs walked out of the courtroom, he looked toward his supporters in the room, including his three adult sons, and put his hand on his heart.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Why Was Sean Combs Arrested? Read the Full Indictment.

    commit at least two acts of racketeering activity in the conduct of the affairs of the Combs
    Enterprise.
    Notice of Special Sentencing Factor
    15. From at least in or about 2009, up to and including in or about 2018, in the Southern
    District of New York and elsewhere, as part of his agreement to conduct and participate in the
    conduct of the affairs of the Combs Enterprise through a pattern of racketeering activity, SEAN
    COMBS, a/k/a “Puff Daddy,” a/k/a “P. Diddy,” a/k/a “Diddy,” a/k/a “PD,” a/k/a “Love,” the
    defendant, agreed to, in and affecting interstate and foreign commerce, knowingly recruit, entice,
    harbor, transport, provide, obtain, advertise, maintain, patronize, and solicit by any means a person,
    knowing and in reckless disregard of the fact that means of force, threats of force, fraud, and
    coercion, as described in Title 18, United States Code, Section 1591(e)(2), and any
    combination
    of such means, would be used to cause the person to engage in a commercial sex act, in violation
    of Title 18, United States Code, Section 1591(a)(1) and (b)(1).
    (Title 18, United States Code, Section 1962(d).)
    COUNT TWO
    (Sex Trafficking by Force, Fraud, or Coercion)
    (Victim-1)
    The Grand Jury further charges:
    16.
    From at least in or about 2009, up to and including in or about 2018, in the Southern
    District of New York and elsewhere, SEAN COMBS, a/k/a “Puff Daddy,” a/k/a “P. Diddy,” a/k/a
    “Diddy,” a/k/a “PD,” a/k/a “Love,” the defendant, in and affecting interstate and foreign
    commerce, knowingly recruited, enticed, harbored, transported, provided, obtained, advertised,
    maintained, patronized, and solicited by any means a person, knowing and in reckless disregard of
    the fact that means of force, threats of force, fraud, and coercion, as described in Title 18, United
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    ‘Sirocco and the Kingdom of Winds’ Review: Flights of Fantasy

    Two sisters get transported to a new world and transformed into cats in this whimsical and thoughtful animated feature.You can discover a lot about a fantasy world from its mode of entry: an English wardrobe, a disappearing train platform, a rabbit hole. The means to the phantasmagorical dream world of “Sirocco and the Kingdom of Winds,” available on demand, is as playful and fanciful as the destination: You have to hopscotch there.“Sirocco” begins with two sisters, Juliette and Carmen, getting dropped off at a family friend’s house for the weekend. This friend, Agnès, is the author of a popular fantasy book series about an ill-tempered wizard named Sirocco who summons devastating winds to destroy whole towns. When Agnès is distracted, a sentient toy — a testy little fellow with magical powers and a treasure trove of absurd lines — hopscotches the sisters into the kingdom of winds, where they’re transformed into cats. That’s not the end of their problems: Carmen’s at risk of getting married against her will and Juliette is offered as a pet to Selma, an elegant avian adventurer turned opera singer. With the help of Selma, the two sisters set out to find Sirocco to figure out a way to get back home.Directed by Benoît Chieux, who wrote the screenplay with Alain Gagnol, “Sirocco” feels drawn from the same extended family of stories as those from the great Hayao Miyazaki — contemporary fairy tales that skip genre clichés and conventions to provide novel plots where the next step in the journey is always a mystery.The intrigues of this film begin with the animation, which recalls such psychedelic classics as “Yellow Submarine” and “Son of the White Mare.” A town of amphibious residents live in gravity-defying skyscrapers made by Jenga-stacked geometric blocks. Selma travels in a flying opera house kept afloat by a hot-air balloon resembling a jellyfish. And in the sky, clouds churn and move like sentient gobs of putty. The various landscapes of this fantastical world are also marked with expressive coloring-book palettes: The cherry reds and watermelon pinks of a town’s architecture and cliffs are starkly contrasted with the honey and amber browns of desert sands.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    New York Philharmonic Opens Its Season Amid Labor Talks and Troubles

    The orchestra is working to negotiate a new contract with musicians, resolve a misconduct inquiry and hire a new chief executive.On a recent night at Lincoln Center, a group of New York Philharmonic musicians, dressed in matching black shirts and carrying union leaflets, fanned out and began to evangelize.“Support the musicians!” Thomas Smith, a trumpet player, told a crowd of concertgoers.It was one of the New York Philharmonic’s first concerts of the fall, and the musicians, in the middle of high-stake labor talks, were alerting their audience to what they hoped would be embraced as startling facts.The orchestra’s players have not had a raise since 2019, and they are paid substantially less than colleagues in Boston, Chicago and Los Angeles.“We need your help,” Alina Kobialka, a violinist, said as she handed out leaflets.The scene was a reminder of the stark challenges this season for the Philharmonic, which not so long ago seemed to be beginning a vibrant new chapter.The labor agreement between management and the musicians expires on Friday, only a few days before the orchestra’s opening gala, a major fund-raising event.The Philharmonic lacks a permanent president and chief executive, after the sudden resignation in July of its leader, Gary Ginstling. An investigation into sexual harassment and misconduct at the Philharmonic has dragged on. And the ensemble, which is awaiting the arrival in 2026 of the star conductor Gustavo Dudamel, has no full-time music director this season or next.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Bad Bunny and Karol G Are Most Nominated Artists for Latin Grammys

    These streaming titans earned eight nods apiece for the 25th annual awards, although the Mexican American songwriter and producer Edgar Barrera received the most nominations overall, with nine.When the first Latin Grammy Awards were held in 2000, they celebrated the diversity of sounds from throughout Latin America, and arrived with the hype — and hope — that a new generation of stars would cross over into the American pop mainstream. Among the big names that year were Ricky Martin, Marc Anthony and a rising young singer-songwriter named Shakira.Now, for the show’s 25th annual iteration, the indefinably broad category of Latin music represents a sprawling segment of the industry that, thanks largely to streaming, has become a truly global phenomenon. The latest nominations, announced on Tuesday by the Latin Recording Academy, are dominated by Bad Bunny and Karol G, who sell out arenas, draw clicks by the billions and have eight nods apiece.Juan Luis Guerra, a veteran Dominican songwriter, has five nominations. Coming in with four each are Kany García, a Puerto Rican singer; Feid, from Colombia; Carin León, from Mexico; and Kali Uchis, a Colombian American singer-songwriter. For the second year in a row, however, the top nominee overall is a behind-the-scenes figure: Edgar Barrera, a Mexican American songwriter and producer, who has a total of nine nods.Another songwriter, Kevyn Mauricio Cruz, known as Keityn, who often works with Barrera, has six nominations.A mere list of the nominees gives a sense of the geographic diversity of the Latin field, and of the cross-pollination among genres and regions that has become increasingly common (and popular).Barrera — also known as Edge — has worked closely with Karol G, the neon-maned Colombian singer who has quickly become an A-list pop star. (At the MTV Video Music Awards last week, she danced in the audience with Taylor Swift and Camila Cabello while performing a recent track, “Si Antes Te Hubiera Conocido.”) Among the nominations that Barrera and Karol G share are song and record of the year for her track “Mi Ex Tenía Razón” (“My Ex Was Right”).We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More