Aurelia Butler

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    Rare Beatles Audition Tape Surfaces in a Vancouver Record Shop

    The recording appears to be from the band’s 1962 audition for Decca Records, which notably rejected the group.The tape sat unremarkably on a shelf behind the counter, collecting dust for five, maybe 10 years — so much time that Rob Frith says he lost track.Frith, 69, could not seem to recall how it had found its way to Neptoon Records, his store in Vancouver, British Columbia, which in its 44 years has become a repository for tens of thousands of vinyl records and other musical relics.The label on the cardboard box said it was a Beatles demo tape, but, having heard enough bootleg recordings over the decades, Frith was skeptical until he enlisted a disc jockey friend, Larry Hennessey, to load it onto his vintage tape player a few weeks ago.It was just before midnight on March 11 when they pushed play on the mystery tape. From the opening guitar riff and the intonation of a 21-year-old John Lennon, Frith said he could not believe his ears as he listened to the Beatles performing a cover of the Motown hit “Money (That’s What I Want).”“Right away, we’re all kind of looking at each other,” Frith said. “It seems like the Beatles are in the room. That’s how clear it is.”Frith said the tape appeared to be a professionally edited recording of the Beatles’ New Year’s Day 1962 audition for Decca Records in London, a session that notably ended with the band’s rejection.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Val Kilmer, Film Star Who Played Batman and Jim Morrison, Dies at 65

    A wide-ranging leading man who earned critical praise, he was known to be charismatic but unpredictable. At one point he dropped out of Hollywood for a decade.Val Kilmer, a homegrown Hollywood actor who tasted leading-man stardom as Jim Morrison and Batman, but whose protean gifts and elusive personality also made him a high-profile supporting player, died on Tuesday in Los Angeles. He was 65.The cause was pneumonia, said his daughter, Mercedes Kilmer. Mr. Kilmer was diagnosed with throat cancer in 2014 but later recovered, she said.Tall and handsome in a rock-star sort of way, Mr. Kilmer was in fact cast as a rocker a handful of times early in his career, when he seemed destined for blockbuster success. He made his feature debut in the slapstick Cold War spy-movie spoof “Top Secret!” (1984), in which he starred as a crowd-pleasing, hip-shaking American singer in Berlin unwittingly involved in an East German plot to reunify the country.He gave a vividly stylized performance as Jim Morrison, the emblem of psychedelic sensuality, in Oliver Stone’s “The Doors” (1991), and he played the cameo role of Mentor — an advice-giving Elvis as imagined by the film’s antiheroic protagonist, played by Christian Slater — in “True Romance” (1993), a violent drug-chase caper written by Quentin Tarantino and directed by Tony Scott.Val Kilmer as the rock singer Jim Morrison in the 1991 film “The Doors.”Sidney Baldwin/TriStar PicturesMr. Kilmer had top billing (ahead of Sam Shepard) in “Thunderheart” (1992), in which he played an unseasoned F.B.I. agent investigating a murder on a South Dakota Indian reservation, and in “The Saint” (1997), a thriller about a debonair, resourceful thief playing cat-and-mouse with the Russian mob. Most famously, perhaps, between Michael Keaton and George Clooney he inhabited the title role (and the batsuit) in “Batman Forever” (1995), doing battle in Gotham City with Two-Face (Tommy Lee Jones) and the Riddler (Jim Carrey), though neither Mr. Kilmer nor the film were viewed as stellar representatives of the Batman franchise.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Val Kilmer: Six Memorable Movies to Stream

    Kilmer’s film career ranged from slapstick comedy to some of the most memorable films of the 1980s and ’90s.Val Kilmer, who died at 65 on Tuesday, donned Batman’s cape, starred as a gunslinger, flew supersonic fighter jets in “Top Gun” and held the screen as a bumbling singer in a slapstick comedy about the Cold War.Kilmer was a leading man in Hollywood during the 1980s and ’90s and then exited stage left for more than a decade. His career was disrupted by throat cancer and a tracheotomy, but he had already left his mark with a series of notable performances.“Once you’re a star, you’re always a star,” he said in an interview with The Hollywood Reporter in 2012.Here are six of his most memorable roles:‘Batman Forever’Kilmer replaced Michael Keaton as Batman, stepping into the film franchise as it transitioned from the gloomy atmosphere of Tim Burton to the campier direction of Joel Schumacher. Kilmer’s Caped Crusader in “Batman Forever” (1995) was stoic enough. But the tone of the film was set early, when Batman’s butler, Alfred, asked him if he needed a sandwich as he got into the Batmobile. “I’ll get drive-through,” Kilmer deadpanned.Stream, rent or buy it on Max, Prime, YouTube, Apple TV or Fandango.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    At New Directors/New Films, the Faces Tell the Story

    They’re the great cinematic landscape in stories as diverse as “Familiar Touch,” about dementia, and “Timestamp,” about Ukrainian schoolchildren.In “Familiar Touch,” Kathleen Chalfant plays a woman whose inner life alternately burns bright and suddenly dims. Her character, Ruth, has an inviting smile and natural physical grace, though at times she falters midstep. A former cook and a cookbook author now in her 80s, she lives alone in a pleasant modern home cluttered with shelves of books and just-so personal touches that convey the passage of time in a full, well-lived life. Ruth seems thoroughly at ease in her own skin when she first appears, bustling in her kitchen. She’s preparing lunch for a visitor who, you soon learn, is the son she no longer recognizes.Written and directed by Sarah Friedland, “Familiar Touch” is the opening-night selection Wednesday in the New Directors/New Films festival and a terrific leadoff for the annual event. Ruth’s openly loving and hurting son soon hurries her to his car — she thinks that they’re en route to a hotel — and into an assisted living facility. There, she settles into a new reality as she struggles with her memory, connects with other residents and finds support among the staff. In Chalfant’s mesmerizing, eloquently expressive face, you see both Ruth’s piercing loss and a soul safely settling into the eternal now as her past, present and future fade away.Kathleen Chalfant as a woman with dementia in “Familiar Touch.”Armchair Poetics LLCChalfant’s is just one of the memorable faces in the annual New Directors/New Films series, a collaboration of Film at Lincoln Center and the Museum of Modern Art that gathers movies from around the world. Established in 1972, the event was designed to draw attention to the kind of nonmainstream work that didn’t always make it into commercial theaters. That’s one reason that I always look forward to it; the other is that its programmers take film seriously. That’s clear throughout the lineup, which could use more genre variety, yet, at its finest, offers you personal, thoughtful, imaginative, adult work of the kind that plays in art houses and on more adventurous streamers. These are movies made and chosen by people who love the art.That love is also evident in the great diversity of men, women and children in the program, a variety that underscores the centrality of the human face as the great cinematic landscape. This year, partly because of the dystopian chatter about A.I., I was struck anew by the deep, signifying power of smiles, frowns and sneers, and how watching movies usually means watching other people. No matter if their directors tug at your heart (as in the documentary “Timestamp”) or keep you at an intellectual distance (the drama “Drowning Dry”), these movies present an astonishment of humanity. In selection after selection, old and young visages, some untroubled and others wrenched in pain, bring you face-to-face with the world.“Timestamp” follows Ukrainian classes near the front and in the center of the country.2Brave Productions/a_Bahn/Rinkel DocsWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    5 Minutes That Will Make You Love Billie Holiday

    Billie Holiday is one of the foremost vocalists in jazz, whose emotional depth and unique phrasing inspired generations of singers to experiment with form and pitch fluctuation. Nicknamed “Lady Day” by the saxophonist Lester Young, her star brightened in the 1930s behind a string of hit songs and notable live performances in Harlem. In what was the hottest jazz scene in the country, Holiday stood out, and in 1937 she joined the famed Count Basie Orchestra; a year later, the clarinetist Artie Shaw asked her to join his orchestra, making Holiday the first Black woman to work with a white big band.Billie Holiday in the spotlight.Charles Hewitt/Getty ImagesHoliday’s legend grew in the late ’30s during her residency at the Café Society in Manhattan. She was introduced to “Strange Fruit,” a song by Abel Meeropol about lynching in the American South based on a poem he had written. Barney Josephson, the proprietor of Café Society, heard the song and brought it to Holiday, who first performed it there in 1939. It was a watershed moment for the singer: It’s not only the most famous song in her repertoire, it’s considered one of the most important in history, the track’s vivid imagery a strong indictment of racism in the country. Holiday was officially a star after the recording of “Strange Fruit,” and followed it with an impressive run of tracks in the early ’40s that cemented her fame.While there’s been a notion to only associate Holiday with pain and struggle, these accounts have dimmed her light as a firebrand artist whose creative bravery encouraged others to take similar risks. We asked 10 musicians and writers to share their favorite Holiday songs: Enjoy listening to their choices, check out the playlists and be sure to leave your own selections in the comments.◆ ◆ ◆‘Autumn in New York’José James, vocalistWithin the first two seconds of this song it’s impossible not to be drawn into the spell of Billie Holiday’s voice. Sailing confidently over lush chords by the pianist Oscar Peterson, Holiday pulls back the curtain on the beating heart of everyone who has loved, lost, loved again and (finally) lost themselves in that great city. A superb storyteller, Holiday explores every nuance of Vernon Duke’s paean to autumnal introspection in the city that never sleeps. Through her knowing delivery, every detail becomes vivid, cinematic: couples holding hands in Central Park, clouds reflecting off endless steel buildings, sundown in Greenwich Village, the wry smile of the maître d’hôtel at the Ritz, a lipstick-stained empty cocktail glass left behind at the bar. Billie was queen of it all, one of the highest-paid Black entertainers of her time, who left no stone unturned on her journey toward the self. This is beyond jazz singing; this is mastery in its highest form. With this song, Billie takes her place among the greatest of all balladeer improvisers in the jazz canon, creating the definitive version of an American classic.▶ Listen on Spotify, Apple Music or YouTubeWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    In ‘The Friend,’ A Great Dane and His Co-Star, Naomi Watts, Learn New Tricks

    Typically on movie sets, only big stars get those fancy, oversized trailers for dressing rooms. But on “The Friend” an unknown was a really big star. Even bigger than his fellow actor Naomi Watts.Quite literally: The newcomer, Bing, is the Harlequin Great Dane at the center of “The Friend,” the new film based on Sigrid Nunez’s National Book Award-winning novel. At around 150 pounds, he needed the substantial accommodations between scenes so he could rest and move his pony-like frame without overstimulation. His trailer request was approved.“The Friend” tells the story of a writer named Iris (Watts) who is grieving the death by suicide of her mentor, Walter (Bill Murray). The difficult process of mourning is compounded when she learns that Walter has asked that she look after his dog, the huge Apollo (Bing), who is mired in sorrow himself. Apollo initially is resistant to Iris’s affections, longing for his dead master and taking over her small New York City apartment. Eventually they heal together.When Watts got the script, she was skeptical that the movie would even work.Bing and his co-star, Naomi Watts, in a scene in “The Friend.”Bleecker Street Media“In the film industry we know the old adages: More time, more money if you add animals and children, and this was a small budget in New York City,” she said in a video interview. “What was being presented on the page, it just seemed like, ‘How will we be able to achieve this?’”But the film’s directors, Scott McGehee and David Siegel, were undeterred and set about finding the perfect pup for the part. For that, they went to the veteran animal trainer William Berloni, who also had his doubts. He thought it would be impossible to find a dog that fit the requirements of the role: A black-and-white spotted Dane with his testicles still intact who had a movie-star quality.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A Pack of April Fools

    A survey of the many fools who have been immortalized in song, featuring Aretha Franklin, Bow Wow Wow, the Stone Roses and more.Aretha Franklin, who was not known to suffer fools.Richard Perry/The New York TimesDear listeners,Happy April Fools’ Day, when you can’t believe anything you read on the internet! Trust that this playlist is a prank-free space, though: We’re just gathering up some of the many fools who have been immortalized in song over the years, by soul singers (Aretha Franklin), blues legends (Bobby “Blue” Bland) and new wavers (Bow Wow Wow). Country and classic rock are in the mix, too — there’s a little something for everyone who’s ever fooled around and fell in love. So hit play, give those dubious corporate social media posts a miss and we’ll try to ride this out together.Everybody plays the fool sometime,DaveListen along while you read.1. Aretha Franklin: “April Fools”Dionne Warwick sang this Burt Bacharach-Hal David theme song for a 1969 romantic comedy starring Jack Lemmon and Catherine Deneuve before Aretha Franklin covered it on her “Young, Gifted and Black” LP three years later. The intro to the Queen of Soul’s arrangement is giving “Jingle Bells,” but it quickly settles into a soulful boogie with a soaring chorus where new love is trailed by doubt: “Are we just April fools / who can’t see all the danger around?”▶ Listen on Spotify, Apple Music or YouTube2. The Doobie Brothers: “What a Fool Believes”What a chorus on this one: Michael McDonald’s blue-eyed soul swoops upward into a falsetto that’s almost Bee Gees-level. Does it matter that absolutely no one can tell what they’re singing on the high part? It does not. (For the record, it’s “No wise man has the power to reason away.”)▶ Listen on Spotify, Apple Music or YouTube3. Led Zeppelin: “Fool in the Rain”My interest in Led Zeppelin has waxed and waned; I needed an extended post-high school detox after years of hearing the St. Louis classic rock station “get the Led out” every afternoon at quitting time. But listening with fresh ears — and digging deeper than what you’d find in a Cadillac commercial — it’s undeniable that Led Zep has dozens of slappers, like this cut from “In Through the Out Door” (1979). Maybe I need to catch that “Becoming Led Zeppelin” movie after all.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Beatles Movies Cast Revealed, Including Paul Mescal and Barry Keoghan

    The director Sam Mendes announced the stars of his four-film series, each told from the perspective of a different Beatle, set to be released in 2028. There has been no shortage of movies about the Beatles. But the director Sam Mendes is embarking on a project that stands apart for its ambition — four films, each from a different band member’s perspective — and now we know who will be playing the Fab Four.The films will star Paul Mescal as Paul McCartney, Harris Dickinson as John Lennon, Joseph Quinn as George Harrison and Barry Keoghan as Ringo Starr, according to Mr. Mendes’s production company.The four films, which will tell the story of one of the world’s most influential and adored bands, will be released together in April 2028, “creating the first bingeable theatrical experience,” the company wrote. In announcing the films last year, Mr. Mendes, the British director best known for films like “American Beauty” (1999) and “Revolutionary Road” (2008), said he was “honored to be telling the story of the greatest rock band of all time, and excited to challenge the notion of what constitutes a trip to the movies.”He announced the cast at the CinemaCon convention in Las Vegas on Monday, according to The Hollywood Reporter. While the Beatles have been big-screen subjects before — including in Danny Boyle’s “Yesterday” (2019) and Sam Taylor-Johnson’s “Nowhere Boy” (2009) — this is the first time that the members of the band and their estates have granted full life story and music rights for a scripted film, according to Sony Pictures.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More