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    Morris, Alligator of ‘Happy Gilmore’ Fame, Dies at 80 (or More)

    The 640-pound, 11-foot gator memorably played a golf-ball-stealing, hand-chomping terror in the 1996 Adam Sandler film.Morris, an alligator who appeared in numerous films and television shows, most notably in the movie “Happy Gilmore,” died on Monday in Mosca, Colo. He was at least 80.The cause was old age, according to the Colorado Gator Farm, which announced his death.“His exact age was unknown, but he was nine feet long in 1975, and by his growth rate and tooth loss, we can estimate his age at over 80 years,” the farm said.“He started acting strange about a week ago; he wasn’t lunging at us and he wasn’t taking food,” Jay Young, the farm’s operator, said in a video accompanying the announcement. Tearfully stroking the gator’s head, he said, “I know it’s strange to people that we get so attached.”Morris was 10 feet 11 inches long and weighed 640 pounds at the time of his death.He was discovered in Los Angeles, but not at Schwab’s Pharmacy like so many actors of yore. Rather, he was found in a backyard, where he was being kept as an illegal pet. His acting career began in 1975 and ended in 2006, when he retired to the farm.His most memorable onscreen role came in the rollicking 1996 comedy “Happy Gilmore,” with Adam Sandler in the title role as a failed hockey player who becomes an unlikely sensation on the professional golf circuit.Morris’s big scene comes when he grabs a golf ball, leading Happy to confront him with an iron. Happy notices that the gator has one eye, recognizing it as the same one that had bitten off the hand of his mentor, Chubbs, played by Carl Weathers. (“Damned alligator just popped up, cut me down in my prime,” Chubbs says in one of the film’s many beloved quotes.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Mission: Impossible — The Final Reckoning’ Review: Tom Cruise Defies All

    For the eighth installment of this stunt-spectacular franchise, the star returns to fight off A.I. planetary domination, the bends, gravity and maybe mortality itself.For nearly three decades, Tom Cruise has been running, soaring, slugging and white-knuckling it through the “Mission: Impossible” series. It’s been fun, on and off, but it’s no wonder he looks so beaten up on the poster for the latest edition, “The Final Reckoning.” Cruise — who turns 63 this year — long seemed impervious to ordinary time, with a boyishness that lasted well into middle age. His early stardom had already granted him a kind of immortality. Yet as the lines on his face discreetly deepened, and he kept pushing himself to lunatic extremes in this series, it seemed as if he were challenging physical death itself.Cruise is at it again in “The Final Reckoning” — the enjoyably unhinged follow-up to “Dead Reckoning Part One” (2023) — plunging into deep waters, hanging off an airborne plane and insistently defying the odds as well as his own mortality. It’s unclear why the title changed between the two parts. It might have been a marketing decision; dead is a bummer, of course, and the word implied that Cruise’s Ethan Hunt, an American operative extraordinaire, was heading toward the sort of bleak sign-off that capped Daniel Craig’s run as James Bond. Whatever the case, the change suits Cruise’s Ethan, whose abilities have grown so progressively super since the series began in 1996 they seem quasi-mystical.“Dead Reckoning” ended with Ethan and his team trying to stop an artificial intelligence called the Entity that’s set on destroying Earth. (Why? Why not?) The A.I.’s plan is the ultimate power grab, although it also seems like overkill, given that humanity is already hurtling toward self-destruction. But the Entity’s exceedingly possible mission keeps everyone busy, including Ethan’s right-hand whizzes, Luther (Ving Rhames) and Benji (Simon Pegg), along with his love interest, Grace (Hayley Atwell), and the giddily anarchic one-woman wrecking machine Paris (Pom Klementieff). Mostly, though, the Entity’s annihilating designs mean that Ethan has to step up his game from superhero to global redeemer.So, once more, Ethan et. al. go unto the breach as they try to stop the Entity, which has thrown the world into chaos, inspired a doomsday cult and is trying to seize the world’s nukes — the usual. One of the dividends of the better big-studio productions is that they tend to be crowded with talented performers who can keep a straight face when delivering nonsense and sometimes bring feeling to the proceedings. So, as the clock runs down, characters enter and exit, including Angela Bassett’s tight-jawed American president and an army of appealing supporting players: Tramell Tillman, Janet McTeer, Shea Whigham, Holt McCallany, Nick Offerman and Hannah Waddingham.This is the fourth “Mission: Impossible” movie directed by Christopher McQuarrie, who keeps the machinery well-oiled and smoothly running, even when cutting among multiple lines of action. (He shares screenwriting credit with Erik Jendresen.) Shrewdly, he often uses a similar approach when the pace slows and characters convene to explain what’s going on and why (mainly to us), cutting from one person to another, as each delivers a helpful sentence or two. This conversational turn-taking livens up all the information-heavy explanations and helps feed the forward momentum. None of it makes any sense, of course, no matter how sincerely the actors say their lines, yet everything flows.Logic isn’t the reason movies like this exist or why we go to them, and one of the sustaining pleasures of the “Mission: Impossible” series has been its commitment to its own outrageousness. Cruise’s stunts have always been among the most outlandish and most memorable attractions in the series, which was spun off from the 1960s television show of the same title. He stepped into the role by escaping a wall of water and descending spiderlike into a luminously white, high-security vault, hanging by an unnervingly thin rope. The entire thing popped with cool stunts, striking locations, exotic doings and the sheer spectacle of Cruise’s intense physical performance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Cassie Says of Sean Combs Abuse: ‘You Treat Me Like You’re Ike Turner’

    Casandra Ventura’s second day of testimony included her blunt response to the mogul about his pattern of physical abuse and details of her fear of blackmail.Casandra Ventura, the singer and model known as Cassie, testified on Wednesday in the federal trial of Sean Combs, her former boyfriend and label boss, about living with the fear of going against his wishes — and especially his sexual desires.In her second day of testimony, Ms. Ventura said she went along with the increasingly extreme and frequent “freak-offs” demanded by Mr. Combs because she worried that he would respond with anger or physical violence and follow through on his threats to leak explicit videos of her in degrading sexual encounters.Mr. Combs is accused of sex trafficking, racketeering conspiracy and transportation to engage in prostitution, and the government contends that Ms. Ventura and others had been coerced into participating in freak-offs and other sexual encounters with Mr. Combs. He has pleaded not guilty to the charges, and his lawyers have argued that Ms. Ventura, and other women who are part of the case, were willing participants and that his sexual arrangements were all consensual.Ms. Ventura testified that Mr. Combs would take videos of the freak-offs — marathon sex sessions — that she participated in and that he later threatened to release what she called “blackmail material.”During a 2013 flight from Cannes, France, she testified, Mr. Combs pulled up videos on his laptop of her in freak-offs, which she thought had been deleted. He threatened to release the videos to embarrass her.“I just felt trapped,” she said.During freak-offs, she said, Mr. Combs would grab her, push her down, kick her and hit her on the side of her head. At one point, she texted him, “You treat me like you’re Ike Turner,” referring to Tina Turner’s abusive husband and bandleader.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Cannes Reacts to Gérard Depardieu Verdict With Soul-Searching and Shrugs

    The actor, who was found guilty of sexual assault on Tuesday, was a festival stalwart and had brought nearly 30 movies to the event.In the French film industry, there are perhaps no two bigger institutions than the Cannes Film Festival and the movie star Gérard Depardieu. And on the first day of this year’s festival, Depardieu, who won the best actor prize here in 1990, was found guilty of sexual assault.Depardieu’s conviction was seen as a victory for the #MeToo movement in France, which took hold more slowly than in the United States. He was given an 18-month suspended sentence on charges of assaulting two women in 2021 on the set of the movie “Les Volets Verts.”In the seaside sun of Cannes, Depardieu’s conviction was met with serious consideration by some and a nonchalant shrug by others.But whatever their view, everybody was talking about it, including at a news conference on Tuesday to introduce the competition jury to the media. Reporters asked Juliette Binoche, the French actress who leads this year’s jury, about the verdict multiple times.Depardieu’s conviction was a result for the #MeToo movement, she said, which was also having an effect on the inclusion of women in the competition and jury lineup at Cannes. “I think that the festival is increasingly in step with what’s happening today,” Binoche said, adding that in France, “our #MeToo wave took some while to gain strength.”Many in France took a skeptical view of the movement at first. In a 2018 open letter to Le Monde newspaper, Catherine Deneuve and more than 100 other Frenchwomen in the entertainment industry complained that a wave of public accusations was creating a totalitarian climate.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Seven Takes on the Lurid Dance of the Seven Veils in Strauss’s ‘Salome’

    “I’m ready,” Salome sings. And then she dances.Her predatory stepfather has promised her anything she wants if she performs for him. She obliges with the alternately wild and delicate Dance of the Seven Veils, one of the most famous numbers in all opera.The Dance of the Seven VeilsChicago Symphony Orchestra; Fritz Reiner, conductor (Sony)A highlight of Strauss’s “Salome,” which the Metropolitan Opera will broadcast live to movie theaters on Saturday, it is also one of the art form’s greatest challenges. Few sopranos capable of singing the daunting role have much experience with dance, let alone with carrying a sensual nine-minute solo.Is it a seduction? A striptease? A cry for help? Performers have taken this intense, lurid scene in many different directions, bringing out undercurrents of sexual awakening and violence. The Met’s new production inverts the traditional portrayal, uncovering the wounded girl beneath the stereotypical femme fatale.Here are (yes) seven memorable versions from the long history of opera’s boldest dance.Silent SalomeAlla Nazimova.Nazimova ProductionsNot quite 20 years after the opera’s 1905 premiere, a silent film version of “Salome” — really an adaptation of the Oscar Wilde play on which the opera is based — embraced the material’s perfumed, verging-on-surreal Orientalism. The actress Alla Nazimova’s Salome is a spoiled, petulant teenager.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What Are the ‘Freak-Offs’ at the Core of the Sean ‘Diddy’ Combs Case?

    Casandra Ventura, the mogul’s former girlfriend, has described them as marathon sexual encounters that he directed, involving drugs and hired male prostitutes.The term first came to public awareness in November 2023, when the singer Cassie filed a lawsuit accusing Sean Combs, her onetime boyfriend and record label boss, of years of sexual and physical abuse: “freak-off.”According to the suit by Cassie, who was born Casandra Ventura, this was what Mr. Combs called the highly choreographed sexual encounters that he directed “to engage in a fantasy of his called ‘voyeurism.’” They involved costumes, like masks and lingerie. “Copious amounts of drugs,” including Ecstasy and ketamine. The hiring of male prostitutes. Mr. Combs watching and recording the events on a phone while he masturbated.Freak-offs have become a central part of the government’s case, which charges Mr. Combs with sex trafficking, racketeering conspiracy and transportation to engage in prostitution. Mr. Combs has pleaded not guilty, and his lawyers have strongly denied that any of his sexual encounters with women were not consensual.In much-anticipated court testimony this week, Ms. Ventura — who is visibly pregnant with her third child — described the freak-offs in sometimes excruciating terms. During hours of testimony on Tuesday, she cried and occasionally dabbed her eyes with tissue.The first freak-off happened when she was 22, when Mr. Combs hired a male stripper from Las Vegas to come to a home that Mr. Combs was renting in Los Angeles, she testified. Ms. Ventura said she wore a masquerade-style mask and provocative clothing from a “sex store,” and that she and the man took Ecstasy and drank alcohol before they had sex and Mr. Combs watched.The freak-offs “made me feel worthless,” Ms. Ventura testified, “like I didn’t have anything else to offer” Mr. Combs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Cassie will continue testimony about the videotaped hotel assault in 2016.

    Casandra Ventura, the singer and model known as Cassie, said that the relentless sexual demands and routine violence she experienced from Sean Combs over the course of their decade-plus relationship left her emotionally devastated and led her to consider suicide. In dramatic testimony on Wednesday, Ms. Ventura spent a full day of Mr. Combs’s federal trial describing physical violence that she said culminated in a rape after she left him in 2018.Ms. Ventura is widely considered the star witness at the trial, where Mr. Combs is charged with sex trafficking and racketeering conspiracy. He has pleaded not guilty, and his lawyers have vehemently denied that any of his sexual arrangements were not consensual.After maintaining her composure for most of her two days on the stand, where she had remained largely dispassionate, Ms. Ventura finally broke down while discussing why she entered drug rehab and trauma therapy in 2023. “I was spinning out,” she said. “I didn’t want to be alive anymore at that point.”Beginning to cry, Ms. Ventura recalled putting their children to bed one night and telling her husband, “You can do this without me. You don’t need me here anymore.” She tried to walk out of the door into traffic, she said, but he stopped her.It was the emotional peak of a day of testimony that saw Ms. Ventura spend lengthy stretches responding to a prosecutor’s questions about individual instances of physical violence delivered by Mr. Combs. Her testimony on Wednesday afternoon began with her recollection of the first time that he physically abused her in 2007 or 2008. It was early in their relationship, she said, and she had caught him flirting with someone else at dinner. Later, in a car, he hit her on the side of her head, in view of the driver and security guard, sending her flying onto the floor.“I was just shocked,” she said.Answering questions about events that did not always follow a linear timeline, Ms. Ventura appeared weary, even resigned at times, as she cataloged her injuries — bruises on her body, a gash on her eyebrow, a busted lip — which were documented in photos that were shown to the jury as evidence.She testified that there were times she initiated violence against Mr. Combs and fought back against his abuse but, Ms. Ventura said, it did not stop his attacks.During one night out early in their romance in 2009, Ms. Ventura testified, she punched him in the face after he insulted her. His demeanor changed. “I remember his eyes went black,” she said, and he beat her in a car, stomping on her face with his foot. She said she was then sneaked into a hotel to heal in secrecy.When she went with some friends to a party in Los Angeles where Prince was to perform — a “once-in-a-lifetime experience” — she was afraid to tell Mr. Combs, she said. According to her account, he appeared at the event and she rushed out, falling into some bushes in out front, and fled to a hotel. He burst into the room, she said, where they fought, and he beat her. “He was throwing luggage at me, just calling me all kinds of names,” she testified.Ms. Ventura also testified about Mr. Combs’s reaction when he learned — by looking through her phone during a freak-off — that she had begun dating the rapper Kid Cudi, whose real name is Scott Mescudi. Mr. Combs, furious, told her he was going to hurt both of them, and that Mescudi’s car would be “blown up.”Later, the three had a meeting to “discuss the relationship that we were no longer in.” According to Ms. Ventura, Mr. Mescudi said, “‘What about my vehicle?’ And Sean said, ‘What vehicle?’” Ms. Ventura recounted. “And that was the end of the meeting.”Mr. Combs was also violent with other people, Ms. Ventura said. She testified that she witnessed him assaulting employees and assistants, punching one man in the head and dragging another, a woman — known at trial as Mia, or Victim-4 — out of bed once during a vacation.During the afternoon testimony, she repeatedly mentioned wanting to hide the abuse from her mother. After a fight led to her recuperating at a hotel, Ms. Ventura said, her mother sent her a blind item from a gossip publication that Ms. Ventura testified had reported the incident accurately. Her mother asked if it was her, and she denied that it was.A couple of years later, in late 2011, she wrote an email to her mother saying that Mr. Combs had threatened to release two sexually explicit tapes of her around Christmas, and that he would arrange to have someone “hurt” her and Mr. Mescudi, while Mr. Combs was out of the country.According to her testimony, Ms. Ventura was visiting her mother’s house in Connecticut at Christmas and showed her the bruises on her backside and thigh that were the result of Mr. Combs’s abuse. She said she lied and told her mother that it had been the first time he physically hurt her.She wasn’t ready to tell her mother about the freak-offs yet.“You can’t justify it to anyone,” she said. “Especially not your mom.”Near the end of her testimony, Ms. Ventura described a sort of farewell dinner in 2018 for her and Mr. Combs, seeking closure at the end of their relationship. She said that after a pleasant night, he raped her in her home. “I just remember crying and saying no, but it was very fast,” she said.After suing Mr. Combs in 2023, Ms. Ventura reached a $20 million settlement in one day, but that did not prevent her from becoming the central witness in the criminal case against him.As the last hour of her testimony reached a tearful climax at its conclusion on Wednesday, Ms. Ventura addressed why she was choosing to testify. “What’s right is right and what’s wrong is wrong,” Ms. Ventura said on the stand. “I’m here to do the right thing.”When Ms. Ventura finished her direct testimony, Mr. Combs turned to his family members in the spectators’s gallery. He mouthed to them, “I’m OK.”Olivia Bensimon More

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    Will Sean Combs testify?

    At trial, Sean Combs will be represented by a large and varied defense team — one that has grown even larger and more varied in recent days.Since early in the government’s investigation, Mr. Combs has retained Marc Agnifilo and Teny Geragos of the firm Agnifilo Intrater.Mr. Agnifilo is a longtime criminal defense attorney who has represented high-profile figures like the former pharma executive Martin Shkreli; Keith Raniere, the leader of the Nxivm sex cult; and Dominique Strauss-Kahn, the former managing director of the International Monetary Fund, who in 2011 was accused of sexually assaulting a hotel maid in New York. (The case against Mr. Strauss-Kahn was dismissed before a trial.) Along with Karen Friedman Agnifilo, his wife, Mr. Agnifilo is also part of the defense team for Luigi Mangione, who has been charged with murder in the killing of a health care executive.In and out of the courtroom, Mr. Agnifilo has been perhaps the strongest voice in Mr. Combs’s defense. At a hearing last month, he reiterated the defense’s argument that Mr. Combs’s “freak-offs” — sexual encounters that the government contends were coerced — were consensual, with Mr. Combs’s ex-girlfriend Casandra Ventura a willing participant. “Call it ‘swingers,’ call it whatever you will,” Mr. Agnifilo said.In media interviews, he has called the case an “unjust prosecution” and said that Mr. Combs is “an imperfect person but is not a criminal.”Mr. Agnifilo was a longtime lawyer at the firm Brafman & Associates but left last year to help start Agnifilo Intrater. With him, he brought Ms. Geragos, whose father is Mark Geragos, the celebrity lawyer who has represented Mr. Combs in the past. Ms. Geragos has also spoken publicly about the case, including in a series of TikTok videos that she posted before Mr. Combs was arrested in September.The team also includes Alexandra Shapiro, a prominent appellate court lawyer at the firm Shapiro Arato Bach who was once a prosecutor in the U.S. Attorney’s Office for the Southern District of New York, which is prosecuting the Combs case. She graduated from Columbia Law School and was one of the first clerks for Justice Ruth Bader Ginsburg at the Supreme Court. She also wrote a novel, “Presumed Guilty.”Ms. Shapiro is widely recognized for her success rate at trial and on appeals. “If you want to maximize your chances of either prevailing at trial or on appeal against the S.D.N.Y., then you should call Alexandra Shapiro (if you can afford her),” the legal newsletter Original Jurisdiction wrote last year.Given her specialty, Ms. Shapiro may be keeping a close eye during the trial on any issues that might be useful if the defense appeals a verdict.Mr. Combs’s defense also includes Jason Driscoll of Shapiro Arato Bach and Anna Estevao of Harris Trzaskoma.In the last few weeks, Mr. Combs has added several other lawyers.Most prominent is Brian Steel, who defended the rapper Young Thug in a long-running racketeering trial in Georgia. Young Thug, whose real name is Jeffery Williams, pleaded guilty to participating in criminal street gang activity, and was released with time served. But Mr. Steel — who was recently profiled in The New Yorker — drew wide notice, in legal circles and beyond, for a courtroom showdown where he accused a judge of improperly meeting with a witness. He was held in contempt but later vindicated when the judge was ordered to recuse himself from the case.Mr. Combs’s team has also recently added Xavier Donaldson, a New York lawyer whose LinkedIn profile describes him as “litigator, professor, speaker, crisis manager,” and Nicole Westmoreland, who represented one of Young Thug’s co-defendants in his trial.In April, Mr. Combs’s legal team asked for a two-month delay of the trial to consider what it said was newly produced evidence by the government. The judge denied the request, noting that Mr. Combs had four law firms working for him, giving him ample resources to prepare.Since then, Mr. Combs has added two more. More