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    What’s on TV This Week: Olympic Specials and ‘Big Brother’

    ABC and CNN gear up for the Games. CBS airs the season premiere of the reality competition show.For those who still enjoy a cable subscription, here is a selection of cable and network TV shows, movies and specials that broadcast this week, July 15-21. Details and times are subject to change.MondayTHE REPUBLICAN NATIONAL CONVENTION starting at 8 p.m. on various channels. Republican delegates will be gathering in Milwaukee through Thursday to nominate the party’s candidate for president. Former President Donald Trump is the only candidate since Nikki Haley, Ron DeSantis and Vivek Ramaswamy dropped out of the race. The Democratic National Convention will be held in mid-August.TuesdayCATFISH 8 p.m. on MTV. Nev Schulman and Kamie Crawford have another successful season in the books after doing what they do best — catching people who are lying about who they are online. And it truly never gets old — anyone who watches the show can immediately tell you their favorite episode (mine is a tie between the infamous Kelly Price one or the one with the slow-clapper on crutches).WednesdayBIG BROTHER 9 p.m. on CBS. As “Love Island USA” is wrapping up its run this year, this prototypical reality show is coming back for its 26th season. In a somewhat haunting, “Black Mirror” type twist, the theme will be artificial intelligence, or what the producers are referring to as “B.B.A.I.” In the newly redone house, each room is designed based on a prompt like “sci-fi rocky planet setting” or “futuristic bedroom for the year 2500.” I’m a little creeped out, but at least it’s inventive.A scene from “Wild Wild Space.”Courtesy of HBOWILD WILD SPACE 9 p.m. on HBO. With the rom-com “Fly Me to the Moon” newly released and the 55th anniversary of the lunar landing looming, the moon is on our minds. But, as this documentary points out, the new and more valuable frontier is low Earth orbit. This area, at an altitude of 1,200 miles or less, could serve as the future of communication, transportation and observation. This documentary follows Chris Kemp and Peter Beck and their rocket companies, which are competing to be the overlord of L.E.O.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘House of the Dragon’ Season 2, Episode 5 Recap: The Eye Has It

    Prince Aemond makes a move — another move, that is, after the one where he blasted his own brother with dragonfire.In his series of epic fantasy novels A Song of Ice and Fire, the author George R.R. Martin has based a trio of men-at-arms on Curly, Moe and Larry, the Three Stooges. He has used the superheroes Blue Beetle and Green Arrow as the basis for noble houses’ emblematic sigils. During the events depicted in “House of the Dragon,” the important House Tully is variously ruled over by Lords Grover, Elmo, and Kermit, with a Ser Oscar thrown in for good measure, as if “Sesame Street” had come to the Seven Kingdoms.So do I think it’s possible that in his book “Fire and Blood,” the basis of “House of the Dragon,” Martin put Prince Aemond Targaryen in control of Westeros just as a cheeky way to illustrate the maxim “In the land of the blind, the one-eyed man is king”? I wouldn’t put it past him.Compared to the all-out dragon warfare of last week’s outing, this week’s episode was a low-key affair, though not an inconsequential one. Aemond One-Eye’s ascension to the regency as his comatose brother, Aegon, clings to life in a burned and battered body is an alarming development in several respects. Already in possession of the Targaryen civil war’s deadliest weapon, the ancient dragon Vhagar, Aemond now has the political power to match his firepower. That sort of consolidation of control can’t bode well for any of the other prominent voices on the small council, particularly that of Aemond and Aegon’s increasingly marginalized mother, the dowager Queen Alicent.Even his nominal supporters visibly chafe at their choice of regent, though they feel that choice is limited at best. Ser Criston Cole saw firsthand how Aemond tried to kill his brother, first with Vhagar and then up close and personal, but he tells none of this to Alicent. He goes along with Aemond’s rise not despite the horror he witnessed but because of it. This is now a war of dragons, he tells Alicent, and as such they must be led by a dragon rider.The logic of Ser Larys Strong is more political than martial. How would it look, he asks, if they rejected the claim of Rhaenyra on the grounds of her sex, only to raise up another woman, Alicent, as Queen Regent? The legal and sociopolitical waters would be muddied considerably, and support put at risk. With the exception of Grandmaester Orwyle (Kurt Egyiawan), a habitual voice of reason, the men of the council all back the male candidate over the female.The episode’s director, Clare Kilner, lets the camera linger on the face of the actor who plays Alicent, Olivia Cooke, at this point. As the music of the composer Ramin Djawadi strikes an ominously modern tone, the camera draws ever closer, as Queen Alicent struggles to contain her … anger? Embarrassment? Fear? Pain, especially over her abandonment by both her lover and her son? All of the above are visible in Cooke’s extraordinarily communicative eyes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Shannen Doherty, ‘Beverly Hills, 90210’ and ‘Charmed’ Star, Dies at 53

    Shannen Doherty, the raven-haired actress known for playing headstrong characters in the 1990s television dramas “Beverly Hills, 90210” and “Charmed,” and who had tried in recent years to shed her rebellious reputation, died on Saturday at her home in Malibu, Calif. She was 53.The cause was cancer, her publicist, Leslie Sloane, said in an emailed statement.Ms. Doherty learned she had breast cancer in February 2015 and had been open about her struggle with it in the years since. In the summer of 2016, she shaved her head as a group of friends stood by, and in 2017, she announced that the cancer was in remission. It returned in 2020, and in June 2023 Ms. Doherty announced that the cancer had spread to her brain. In November, she said it had spread to her bones.But she continued to work and started a podcast that month.“I’m not done with living. I’m not done with loving. I’m not done with creating. I’m not done with hopefully changing things for the better,” she told People magazine. “I’m not done.”Doherty in 1996. “I have felt misunderstood my whole life,” she told People that year.Gary Null/NBCShannen Maria Doherty was born on April 12, 1971, in Memphis to John Doherty Jr., a mortgage consultant, and Rosa (Wright) Doherty, a beautician. By age 10, Shannen had established herself as a child actress, appearing as Jenny Wilder in 18 episodes of “Little House on the Prairie” and acting alongside Wilford Brimley and Deidre Hall in the NBC drama “Our House.”Those were quickly overshadowed by her performance as the acid-tongued, red-scrunchy-wearing Heather Duke in the 1988 movie “Heathers,” a campy comedy-thriller that starred Winona Ryder, Christian Slater and Ms. Doherty as students who fight for lunchroom domination as the body count begins to rise.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Shannen Doherty Films and TV Shows: How to Watch Her Most Notable Work

    The actress, who died on Saturday, was best known for “Beverly Hills, 90210,” but she wasn’t only a teen idol.Shannen Doherty died Saturday, at 53, after a long battle with cancer. She left behind a legacy as a touchstone of 1990s television thanks to her role as the Midwestern new girl Brenda Walsh in “Beverly Hills, 90210.” But before she became a teen TV idol — as well as a tabloid fixation — she warmed hearts as a child in “Little House on the Prairie.”Here’s where to stream some of Doherty’s most notable work, including, of course, “Beverly Hills, 90210.”‘Little House on the Prairie’Years before Doherty began shaking things up at West Beverly Hills High School, she did so in “Little House on the Prairie.” Doherty joined the long-running series as Jenny Wilder, the niece of Melissa Gilbert’s Laura Ingalls Wilder and her husband, Almanzo Wilder, played by Dean Butler. Doherty appeared as Jenny, a pigtail-wearing girl whose father dies, throughout the ninth and final season of the show, and in subsequent “Little House” TV movies.Stream it on Peacock.‘Heathers’The first sign of Doherty’s star power came with the release of “Heathers,” the pitch-black comedy directed by Michael Lehmann and written by Daniel Waters. Doherty plays Heather Duke, a member of the title clique of mean girls who terrorize their high school and all share the same name. (Well, except for the protagonist, Veronica Sawyer, played by Winona Ryder.) When the lead Heather, Heather Chandler (Kim Walker), is murdered by a new kid in school, J.D. (Christian Slater) — a death that is passed off as a suicide with help from Veronica —Doherty’s Heather sees a path to power. She claims her dead friend’s red scrunchie as her crown, but her status obsession also makes her an easy target for J.D.’s manipulations.Stream it on Tubi, Pluto TV, the Roku Channel and Amazon Prime Video.Doherty with Winona Ryder in “Heathers.”New World, via Everett Collection‘Beverly Hills, 90210’Doherty remained best known for “Beverly Hills, 90210,” the influential teen series that debuted on Fox in 1990, created by Darren Star and executive produced by Aaron Spelling. Doherty played Brenda Walsh, a Beverly Hills newcomer who arrives with her twin brother, Brandon (Jason Priestley). Doherty told The New York Times in 2008: “Whereas her brother would feel a little more confident and secure, and just fit in automatically, I think for Brenda there was always a little more of, ‘Is this the place for me?’ I think she probably struggled through that, subconsciously, throughout the show.” Brenda’s relationship with the cool guy Dylan McKay (Luke Perry) was one of TV’s defining romances of the 1990s. Doherty left “90210” after four seasons, but would later reprise her role in the 2000s reboot.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Shannen Doherty’s ‘Let’s Be Clear’ Podcast Put It All Out There

    Over the past eight months, the “90210” and “Charmed” star spoke frankly and candidly about her cancer and her tumultuous career.It did not take long for Shannen Doherty to establish that hers was a different sort of celebrity podcast.Doherty began recording episodes of “Let’s Be Clear” from her home in November 2023, as she received treatment for a recurrence of breast cancer. As the podcast’s title suggests, the assertive star of “Beverly Hills 90210,” “Heathers,” “Mall Rats” and “Charmed” — as famed for her acting as for reports of her on-set infighting and partying — reckoned with her life and career with a candor that distinguished her project amid a glut of often aimless celebrity podcasts.Doherty was similarly confrontational as she wrestled with her own mortality — not in the abstract, but in wrenching specifics. She matter-of-factly recounted getting rid of her collection of antique furniture so her mother wouldn’t be faced with clearing out a storage unit after her death. On another episode, Doherty described selling off a property in Tennessee and choked up over what the decision meant.“I felt like I was giving up on a dream and what did that mean for me?” she asked rhetorically before taking a deep breath. “Did it mean that I was giving up on life? Did it mean that I was, like, throwing in the towel?”Doherty, who died Saturday at 53, didn’t do rewatches or share cute behind-the-scenes stories. Neither did she make oblique references to unnamed power brokers. Doherty faced the past and present head on, hosting former co-stars, directors, an ex-boyfriend and an ex-husband in conversations that sometimes exonerated her and that other times offered her the chance to assume culpability.In one of the earliest episodes, Doherty dived deep into the dispute with her former “Charmed” co-star Alyssa Milano that led to Doherty’s departure after the third season of the show, which was reported at the time as a voluntary decision.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Richard Simmons, Exercise and Fitness Personality, Dies at 76

    With his exuberant can-do spirit, Mr. Simmons appealed to a wide following to get moving with exercise videos like “Sweatin’ to the Oldies.”Richard Simmons, who for years was the face of home fitness through his wildly popular videos and energetic personality, died on Saturday morning in Los Angeles. He was 76.A representative for Mr. Simmons, Tom Estey, confirmed Mr. Simmons’s death.The Los Angeles Fire Department and the Los Angeles Police Department responded to an address linked to Mr. Simmons at 10 a.m. on Saturday. A Fire Department spokesman said personnel at the scene determined he died of natural causes.At his Beverly Hills exercise studio, Slimmons, and in his videos and DVDs, Mr. Simmons exuded an enthusiastic can-do spirit to inspire people of all ages and fitness levels to get moving.Mr. Simmons stretched and jumped in contrast to other fitness gurus of the 1980s, such as Arnold Schwarzenegger, who exuded movie-star looks and charm.Mr. Simmons’s approach was perhaps more noticeable, and relatable, than his counterparts as he spoke directly to audiences in his aerobics videos.One video features him clapping and singing in unison with students as they entered his studio.“You’re actually inside my real exercise studio, ‘Slimmons,’ and these are my honest-to-goodness teachers,” he said, looking to the group around him.In 2017, Mr. Simmons was the subject of a popular podcast, “Missing Richard Simmons,” which became a cultural phenomenon.In March, Mr. Simmons said he had been treated for basal cell carcinoma, which he said first appeared as a “strange looking bump” under his eye.This is a developing story. More

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    Ruth Westheimer, the Sex Therapist Known as Dr. Ruth, Dies at 96

    Frank and funny, the taboo-breaking psychologist said things on television and radio that would have been shocking coming from almost anyone else.Ruth Westheimer, the grandmotherly psychologist who as “Dr. Ruth” became America’s best-known sex counselor with her frank, funny radio and television programs, died on Friday at her home in Manhattan. She was 96. Her death was announced by a spokesman, Pierre Lehu.Dr. Westheimer was in her 50s when she first went on the air in 1980, answering listeners’ mailed-in questions about sex and relationships on the radio station WYNY in New York. The show, called “Sexually Speaking,” was only a 15-minute segment heard after midnight on Sundays. But it was such a hit that she quickly became a national media celebrity and a one-woman business conglomerate.At her most popular, in the 1980s, she had syndicated live call-in shows on radio and television, wrote a column for Playgirl magazine, lent her name to a board game and its computer version, and began rolling out guidebooks on sexuality that covered the field from educating the young to recharging the old. College students loved her; campus speaking appearances alone brought in a substantial income. She appeared in ads for cars, soft drinks, shampoo, typewriters and condoms.She even landed a role in the 1985 French film “One Woman or Two,” starring Gérard Depardieu and Sigourney Weaver and released in the United States in 1987. (“Dr. Ruth will never be mistaken for an actress,” Janet Maslin wrote in her New York Times review, “but she does have pep.”)Dr. Westheimer with Gérard Depardieu, left, and Michel Aumont in the 1985 movie “One Woman or Two.” “Dr. Ruth will never be mistaken for an actress,” one critic wrote of her performance, “but she does have pep.”Moune Jamet/Orion Pictures Corp., via Everett CollectionThese days, some effort may be needed to recall that Ruth Westheimer had a radical formula and considerable influence on social mores. Talk shows abounded in the 1980s, but until she came along none had dealt so exclusively and clinically with sex. Nor could anyone have anticipated that the messenger of Eros would be a 4-foot-7 middle-aged teacher with a delivery that The Wall Street Journal described as “something like a cross between Henry Kissinger and a canary.” We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    At Salzburg Festival, Ancient Greek Tragedy Gets Modern Context

    At the Salzburg Festival, a new adaptation of “The Oresteia” will put a classic story of war, democracy and revenge into a modern context.Staging “The Oresteia,” Aeschylus’s epic Greek tragedy, is a daunting task for any theater company, especially if you add a dash of Sophocles and Euripides when portraying one of history’s most dysfunctional families.The Thalia Theater in Hamburg, Germany, will premiere its nearly four-hour production “Die Orestie” at the Salzburg Festival for eight performances Aug. 3-15 (and in Hamburg starting Oct. 30). It is adapted and directed by Nicolas Stemann, who has staged two plays at the festival: a nine-hour adaptation of Goethe’s “Faust” in 2011 and “Die Rauber” (“The Robbers”) by Friedrich Schiller in 2008.This production, which takes its name from the Aeschylus three-part epic and is to be performed in German with English supertitles, combines three playwrights’ versions of the tragedies that befall the fabled house of Atreus. In the Aeschylus play, first staged in 458 B.C., Agamemnon, the king of Mycenae, returns from the Trojan War but is killed by his wife, Clytemnestra, to avenge the sacrifice of their daughter Iphigenia in an effort to win the war. Their son, Orestes, urged by the god Apollo, kills Clytemnestra, only to be pursued by the Furies, the goddesses of vengeance. Only when the goddess Athena intervenes is he granted justice and allowed to live.The Sophocles play “Electra” (its exact date is unknown, but most scholars put it around 420 to 414 or 416 B.C.) explores his sister’s revenge against their mother. And the Euripides play “Orestes,” first staged in 408 B.C., gives a more cynical take on his fate: Only after a bloody rampage and an intervention by Apollo are the condemned siblings allowed to live.In a video interview, Stemann discussed the challenge — and the excitement — of combining these nearly 2,500-year-old plays. The following conversation has been edited and condensed.Nicolas Stemann, who adapted and is the director of “Die Orestie” that will premiere at the Salzburg Festival in August.Diana PfammatWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More