More stories

  • in

    ‘Hamilton’ Cancels Kennedy Center Run Over Trump’s Takeover

    “Hamilton,” the musical theater juggernaut about the birth of American democracy, is canceling plans to perform next year at the John F. Kennedy Center for the Performing Arts in Washington, citing President Trump’s moves to impose his ideological and cultural values on the long-cherished venue.The musical had been slated to be part of the Kennedy Center’s celebration of the 250th anniversary of the Declaration of Independence. But after Mr. Trump ousted the Democratic members from the center’s once-bipartisan board, became its chairman and replaced its president, “Hamilton” decided not to come.“This latest action by Trump means it’s not the Kennedy Center as we knew it,” the show’s creator, Lin-Manuel Miranda, said in a joint interview on Wednesday with its lead producer, Jeffrey Seller. “The Kennedy Center was not created in this spirit, and we’re not going to be a part of it while it is the Trump Kennedy Center. We’re just not going to be part of it.”Mr. Seller said the “Hamilton” team believed that Mr. Trump “took away our national arts center for all of us.”“It became untenable for us to participate in an organization that had become so deeply politicized,” he said. “The Kennedy Center is for all of us, and it pains me deeply that they took it over and changed that. They said it’s not for all of us. It’s just for Donald Trump and his crowd. So we made a decision we can’t do it.”Richard Grenell, the Kennedy Center’s new president, called the cancellation “a publicity stunt that will backfire” in a post on social media. He accused Mr. Miranda of being “intolerant of people who don’t agree with him politically” and said that it was clear that he and Mr. Seller “don’t want Republicans going to their shows.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    A ‘Greatest Showman’ Musical Is Coming to the Stage, in Britain

    The show, developed by Disney with a Tony-winning creative team, will have an initial production in Bristol, England in the spring of 2026.“The Greatest Showman,” a hit 2017 film about the circus impresario P.T. Barnum, is being adapted for the stage by Disney Theatrical Group and will have an initial production in early 2026 in Bristol, England.The project is Disney’s first stage adaptation of a 20th Century Fox film since the Walt Disney Company acquired Fox’s assets in 2019.The musical has a credentialed creative team. The songs — a combination of those featured in the film and new ones written for the stage — are by Benj Pasek and Justin Paul, the duo behind “Dear Evan Hansen” who last year became EGOT winners — meaning they have won Emmy, Grammy, Oscar and Tony awards.The director and choreographer is Casey Nicholaw, a prolific Broadway theatermaker who won Tony Awards for directing “The Book of Mormon” and for choreographing “Some Like It Hot.” Nicholaw has become a favorite Disney collaborator — he also directed and choreographed the long-running “Aladdin” as well as the company’s most recent show, “Hercules,” which will have a West End production in June.The book is by Tim Federle, best known for television’s “High School Musical: The Musical: The Series.”The film had a starry cast, led by Hugh Jackman; the stage musical does not yet have a cast, and Disney said it would hold open auditions in Britain and Ireland. The show will be staged at the Bristol Hippodrome in the spring of 2026; if all goes well, Disney will then determine whether to transfer it to London, and, eventually, New York. More

  • in

    In ‘Deli Boys,’ Two Actors Find Dream Roles Playing No One’s Hero

    It had happened to Saagar Shaikh many times: He would audition for a part, get a callback, then never hear from anyone again. Later, when he would watch the show, movie or commercial he had auditioned for, the same guy always seemed to fill the role he had wanted.So perhaps it shouldn’t have surprised Shaikh when he got the bad news about “Deli Boys,” a new Hulu series about two pampered Pakistani American brothers who become entangled in a convenience-store crime ring. Shaikh had auditioned to play Mir, the buttoned-up business-school grad, and had even tested for the character.But now his manager was calling to tell him that the role had been offered to someone else.Was it Asif Ali, Shaikh asked? The manager sighed.“And here we are today,” Shaikh said last month, sitting within arm’s reach of Ali at a photo studio in Burbank, Calif. It was just a few weeks before the premiere of “Deli Boys” — which now stars them both. Ali had indeed gotten the role of Mir. But Shaikh wound up landing the other lead: the lazy, entitled, hard-partying brother, Raj.Shaikh and Ali play Raj and Mir, two sons of a convenience store mogul who discover that their father was also running a criminal operation. James Washington/Disney“Now I completely understand why he gets all the jobs,” Shaikh said of Ali, “because I worked with him for a whole season.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Late Night Is Underwhelmed by Trump’s Address to Congress

    Jimmy Kimmel noted that the president’s speech started late: “I guess they were waiting for that last coat of shellac to dry on his face.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘The White POTUS’President Trump addressed a joint session of Congress on Tuesday night. Jimmy Kimmel called it “a very special episode of ‘The White POTUS.’”“His speech started late. I guess they were waiting for that last coat of shellac to dry on his face.” — JIMMY KIMMEL“Members of the Trump family were there: Eric was there, Lara, Don Jr., Jared, Ivanka, even Melania showed up. So Democrats weren’t the only people who hate him there.” — JIMMY KIMMEL“Things got off to a big start when Trump and JD Vance held hands and sang a medley from ‘Wicked.’” — JIMMY FALLON“He laid out his MAGA-genda for the next four years. They include wildly unpopular tariffs, abandoning our allies, buddying up to Russia, tax cuts for the rich and turning Gaza into Atlantic City — all the reasons blue-collar America voted for this man.” — JIMMY KIMMEL“Trump said our momentum is back, our spirit is back, our pride is back. And not the gay kind, either: the regular pride.” — JIMMY KIMMEL“What he’s talking about, I have no idea. The stock market’s down, consumer confidence is down, the dollar is down. The only things that are high are egg prices and Elon Musk.” — JIMMY KIMMEL“In the end, Trump’s first address to Congress was much like his first six weeks: filled with useful lies, and applauded by useless idiots.” — STEPHEN COLBERT“He told our farmers to have a lot of fun and said the days of unelected bureaucrats are over, with Elon standing right there clapping like an imbecile. Yay for unelected bureaucrats.” — JIMMY KIMMEL“And the days of rule by unelected billionaires have just begun. Elon! Take a bow, Elon! You paid for it.” — STEPHEN COLBERT“It was quite a night. There were about 400 people in attendance — 300 were members of Congress, and 100 were Elon’s kids.” — JIMMY FALLON“Yeah, the night was pretty much a welcome back party for Trump, Republicans and measles.” — JIMMY FALLONThe Punchiest Punchlines (Bad Neighbor Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    ‘Daredevil: Born Again’ Review: Can You Fight City Hall?

    The sort-of-rebooted series from Marvel and Disney+ pits the blind vigilante against a chaos-inducing, revenge-minded office holder.In the new Marvel series “Daredevil: Born Again,” the gangster Wilson Fisk — a felon preoccupied with status, profit and revenge — embarks on a dark-horse, fear-mongering election campaign. It is for mayor of New York, not president of the United States, but the real-life resonance is hard to miss.And as the season, which premieres Tuesday on Disney+, proceeds through its nine episodes, the sense of familiarity only grows. The spuriously-populist Mayor Fisk rules by executive fiat, sidelines anyone who tries to rein him in and cultivates an atmosphere of violent chaos.Yes, Fisk, also known as the Kingpin, first became mayor of New York in the “Daredevil” comic books on which the series is based, and nothing in “Born Again” is at odds with his previous portrayals. But this is not a coincidence of character or timing. Long before the blind crime-fighting vigilante Daredevil intones, “This is our city, not his, and we can take it back,” it is clear that “Born Again” is summoning the specter of Donald Trump — perhaps as a statement of resistance, perhaps as a dramatic convenience, probably both.The problem is that in this case, real life has become stranger than fiction. “Born Again” is a deluxe comic-book adaptation, meticulously produced and filmed, and on that level it will delight a lot of people. But while it tries to get at something meaningful about social tumult, it does not rise above conventional comic-book ideas or emotions. It doesn’t carry the shock of the real.Within the multiverse of Marvel TV series, “Born Again” has a complicated provenance. “Daredevil” was one of the six shows made for Netflix, beginning a decade ago; it ran for three seasons and ended in 2018. After Marvel began making series for Disney+, the stars of the old show — Charlie Cox as Daredevil (real name Matt Murdock), and Vincent D’Onofrio as Fisk — popped up as supporting players in “Hawkeye” and “Echo,” biding their time.Now their new show is here, sort of a reboot and sort of a new season, with story lines that more or less track. If you haven’t checked in since the original “Daredevil” and certain things puzzle you, such as why Fisk is not in jail, then you may want to watch “Hawkeye” and “Echo.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    5 Takeaways From Meghan Markle’s Netflix Show ‘With Love, Meghan’

    The new streaming series from the Duchess of Sussex has arrived. It shows her cooking, creating and harvesting, and feels like a billboard for things to come.Meghan, the Duchess of Sussex, has returned to the small screen with a new cooking and lifestyle show that was released on Netflix on Tuesday.Filmed at a property near her home in sunny Montecito, Calif., the eight-episode series positions Meghan, 43, as a modern domestic goddess embracing the do-it-yourself delights of cooking, crafting and entertaining.“Love is in the details, gang,” she says on an episode of the show, while preparing her own lavender towels.The series, which Netflix has pitched as “inspiring,” saying it “reimagines the genre of lifestyle programming,” is directed by Michael Steed, who worked on “Anthony Bourdain: Parts Unknown.” It is executive produced by Meghan and is loosely organized around a series of creative projects — teaching a friend to make bread, throwing a game night for friends and planning a brunch — and offering tips along the way.“We’re not in the pursuit of perfection,” Meghan explains in the show as she makes crepes. “We’re in the pursuit of joy.”It has been about five years since Meghan, and her husband, Prince Harry, officially stepped back from their royal duties in Britain. The family is now firmly planted in Southern California. Prince Archie is 5 and Princess Lilibet is 3.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    ‘Dabba Cartel’ Is a Go-Go-Go Drama With Depth

    This Indian Netflix series isn’t the most original thing ever, but it comes loaded with brains, humor and electric performances.The Indian drama “Dabba Cartel,” on Netflix (in Hindi, with subtitles, or dubbed), is a lively spin on the “regular people do crimes … and like it?” genre. It incorporates sudsy twists, vicious domestic subplots, corporate malfeasance and social critiques, and its foot stays on the gas. In the course of its seven episodes, characters go from being not totally sure how one consumes marijuana to synthesizing a new street drug and rubbing shoulders with big-time baddies.Raji (Shalini Pandey) runs a lunch delivery service, and she has been sneaking in “herbal Viagra” for some of her customers. Her colleague Mala (Nimisha Sajayan) has a dirtbag boyfriend who coerces her into expanding the drug distribution to include the far more lucrative MDMA. “These are real drugs!” Raji worries.“Madam, all drugs are real,” the dirtbag says.Raji is trying to save money so she and her husband, who works in big pharma, can move to Germany. Beyond the food service, Mala works as a domestic laborer to support herself and her daughter, so every little bit helps. The delivery business also includes Shahida (Anjali Anand), a real estate agent who dreams of more. The three know they’re in over their heads, but their fear and desperation turn to shock and later industriousness when Raji’s mother-in-law, Sheila (Shabana Azmi), turns out to be a retired queenpin.Luckily, she has a plan. Unluckily, that plan is that they all become mega drug dealers together.Alongside our budding Walter Whites, “Dabba” follows a government investigator (Gajraj Rao) who is trying to prevent opioids from flooding the Indian market. They’re illegal in India, but some pharmaceutical companies manufacture the drugs for American distribution, and he is convinced that Fentanyl and its ilk are making their way to the people. No one takes his concerns seriously, and he is paired with a quirky female police officer (Sai Tamhankar) who is herself often overlooked. But she thinks he’s onto something.A little “Dopesick,” a little “Good Girls,” “Dabba” has brains and humor if not total originality. It feels fresh, though, because of its electric performances, especially from Sajayan, whose brusque and perceptive Mala has some of the show’s best lines. “Dabba” also pays sharp attention to all the little moments of social friction, the mounting indignities each character faces, all the various ways to be insecure.The show is visually ambitious, unlike so many drab crime dramas: fun overhead shots, bright umbrellas, lots of high-stress traffic Jenga. And there are no departure episodes in which we leave the main plot to learn sage wisdom from a sad side character. Everything connects — and it cooks. More

  • in

    Oliver Awards 2025 Nominations: ‘Fiddler on the Roof’ Earns 13 Nods

    The acclaimed revival, which is about to transfer to London’s Barbican, scored 13 nominations at Britain’s equivalent of the Tonys.A revival of “Fiddler on the Roof,” the much-loved 1964 musical, received the most nominations on Tuesday for this year’s Olivier Awards, Britain’s equivalent of the Tonys.The show got 13 nods — seven more than any other musical or play — including best musical revival, where it is up against a production of “Hello, Dolly!” starring Imelda Staunton, which ran at the London Palladium, as well as ongoing revivals of “Oliver!” at the Gielgud Theater and “Starlight Express” at the Troubadour Wembley Park Theater.Directed by Jordan Fein, “Fiddler on the Roof” is a stripped-back version of the tale of a Jewish milkman in Czarist Russia who is marrying off his daughters against a backdrop of antisemitic pogroms. It received rave reviews when it opened last August at the Regent’s Park Open Air Theater. (It transfers to the Barbican Center on May 24).Marianka Swain, writing in The Daily Telegraph, called the production “a masterclass in balancing innovation with tradition.” Fein resisted the temptation to draw out the musical’s parallels to contemporary events like Russia’s invasion of Ukraine or surging antisemitism, Swain wrote. “No need when they come through so powerfully anyway,” the reviewer added.Fein is nominated in the best director category, where he will face tight competition from the directors of three of the past year’s most critically acclaimed plays: Nicholas Hytner for “Giant,” about Roald Dahl’s antisemitism, staged last year at the Royal Court and opening in April on the West End; Robert Icke for a version of “Oedipus” that ran at Wyndham’s Theater; and Eline Arbo for “The Years,” running at the Harold Pinter Theater.From left, Anjli Mohindra, Deborah Findlay, Gina McKee, Romola Garai and Harmony Rose-Bremner in “The Years.”Helen MurrayWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More