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    ‘Suits L.A.,’ Plus 7 Things to Watch on TV This Week

    A reboot of the popular law series airs on NBC. And the second season of the “Yellowstone” prequel “1923” returns to Paramount+.Between streaming and cable, there is a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that air or stream this week, Feb. 17-23. Details and times are subject to change.A reboot six years later.From the original iteration of “Suits” came a princess, a Netflix phenomenon and endless YouTube edits of relationships on the show — so what will the reboot, “Suits L.A.,” bring? Whereas the original was set at a corporate law firm in New York City, the new version takes place in Los Angeles with attorneys dealing with entertainment law. But of course, there is still cockiness, borderline inappropriate flirting and the glitz and glam that comes with being a rich lawyer. Sunday at 9 p.m. on NBC.Award season continues.Dave Chappelle will be honored at the N.A.A.C.P. Image Awards.Kenny Holston/The New York TimesAs we head further into winter, though also an inch closer to spring, award season is still in effect. First, there is the 56th N.A.A.C.P. Image Awards, which celebrates the achievements of people of color across entertainment. The comedian Dave Chappelle is set to receive the N.A.A.C.P. President’s Award. Kendrick Lamar, who has had a big month after taking home five Grammys and performing at the Super Bowl halftime show, is nominated for entertainer of the year, alongside Cynthia Erivo, Keke Palmer, Kevin Hart and Shannon Sharpe. Saturday at 8 p.m. on BET.The next night, Kristen Bell is hosting the 31st Annual Screen Actors Guild Awards, which could give us a good idea of which movies might win at the Oscars. The difference between this award show and others is that it honors exclusively actors, which this year includes the nominees Kieran Culkin, Mikey Madison and Jonathan Bailey, to name a few. Sunday at 8 p.m. on Netflix.There’s never a lack of true crime stories.A memorial for Gabby Petito.Brittainy Newman/Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘The White Lotus’ Season 3 Premiere Recap: Thai Up

    The premiere of the new season of the HBO anthology drama, set in Thailand, suggests that Mike White’s formula retains plenty of pop.Season 3, Episode 1: ‘Same Spirits, New Forms’Take a moment. Focus on your breathing. Calm your mind. Let the sounds of the external world fade away. Did you just hear gunshots? Ignore them. Embrace the now. Find in your minds what is timeless. Pay no attention to the corpse floating by you.If you watched either of the previous two seasons of the HBO hit “The White Lotus,” you probably were not surprised to see Season 3 kick off with a dead body. This show is effectively an anthology drama, with each new edition following a different set of rich tourists and well-meaning service industry employees at high-end international resorts. The writer-director Mike White has developed a sturdy blueprint for this series, combining beautiful locations, talented actors, dark social satire, gentle humanism and just a little bit of mystery. Think “Fantasy Island,” but with a TV-MA twist.Because White takes his time establishing characters and telling their stories, he hooks the audience in the opening minutes of each season with a tease of where the plot is headed. Someone — as yet unidentified — is going to die. Please stay tuned.In the Season 3 premiere at least, this formula retains plenty of pop. We begin in a sun-dappled Thailand jungle, where one of the White Lotus chain’s wellness-centered seaside getaways is nestled among thick groves of trees filled with monkeys and wild birds. There, a stress-management session is interrupted by some loud pops and a cadaver. And away we go, rewinding to the start of the story, one week earlier.Once again, White has assembled a stellar cast, easily sorted into four different groups who will all, no doubt, interact before the season’s over.The largest is the Ratliff family, North Carolina blue bloods led by Timothy (Jason Isaacs), a business bigwig with no interest in any of the resort’s spiritual healing exercises. Parker Posey plays Tim’s wife, Victoria, a brassy belle who thinks everything her children do is a hoot. Patrick Schwarzenegger plays the eldest son, Saxon, a beefy finance bro who works for Tim and is on a constant hunt for sexual partners. Sarah Catherine Hook is Piper, the daughter, a University of North Carolina student working on a thesis project about eastern religions (and who is the reason the other Ratliffs are, semi-reluctantly, in Thailand). And Sam Nivola is the youngest son, Lochlan, a high school senior who just got into Duke but isn’t sure he wants to follow in his father’s and brother’s heavy footsteps.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How to Watch the ‘S.N.L.’ 50th Anniversary Special

    The venerable sketch show is throwing itself a big star-studded party on Sunday night. Here’s everything you need to know about it.“Saturday Night Live” is celebrating its golden anniversary this weekend with a star-studded special in its Studio 8H at 30 Rock. You have questions? We have answers.When is the big ‘Saturday Night Live’ anniversary special?“SNL50: The Anniversary Special,” a three-hour event celebrating a half-century of comedy sketches, celebrity hosts, musical guests, standup monologues, fake commercials, performers losing it on national television, driving cats that get into car accidents and whatever the heck “Tiny Horse” is about, will be shown Sunday at 8 p.m. Eastern on NBC and Peacock. And yes, it is airing live.When did ‘S.N.L.’ broadcast its first episode?Back when it was simply called “Saturday Night” — because, at the time, ABC had a variety series called “Saturday Night Live” — the NBC show made its debut on Oct. 11, 1975.So ‘Saturday Night Live’ is celebrating its 50th anniversary on a Sunday months before its actual 50th anniversary?Well, it is currently the 50th season of “S.N.L.” Running the special on a Sunday night in February mirrors a strategy from 2015, when “S.N.L.” held its 40th anniversary show, and gives “SNL50” its own lane on a Presidents’ Day weekend following the hoopla of the Grammys and the Super Bowl, and ahead of the Oscars (March 2). Airing in prime time allows the special to reach a wider viewership and to wrap up in time for Tom Hanks to get his beauty rest.Who are some of the other celebrities scheduled to appear?You can expect venerated “S.N.L.” alums, veteran hosts and friends of the show including Adam Sandler, Eddie Murphy, Tina Fey, Will Ferrell, Chevy Chase, Amy Poehler, Steve Martin, Chris Rock, Maya Rudolph, Martin Short and Robert De Niro, according to NBC.Who were some of the guests who appeared in the 40th anniversary special?The 2015 celebration included sketches and tribute segments featuring Robert De Niro, Martin Short, Maya Rudolph, Chris Rock, Steve Martin, Amy Poehler, Chevy Chase, Will Ferrell, Tina Fey, Eddie Murphy and Adam Sandler.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Lea Salonga Is Never Getting Tired of Sondheim

    Nobody doubted that Lea Salonga could sing.She had won a Tony Award at the age of 20 for her breakout role as the besotted Vietnamese teen Kim in “Miss Saigon,” and sung her heart out as Éponine, and later Fantine, in Broadway productions of “Les Misérables.” She provided the crystalline vocals of not one but two Disney princesses: the warrior heroine of 1998’s “Mulan” and the magic carpet-riding Princess Jasmine in 1992’s “Aladdin.”But could the singer handle Sondheim — a composer heralded for creating some of the most challenging, idiosyncratic work seen on the American stage — on Broadway? Could she inhabit a character like Momma Rose, the monstrous, pathologically ambitious stage mother from “Gypsy”? Or Mrs. Lovett from “Sweeney Todd,” the butcher/baker who breaks down the marketing challenges of hawking pies filled with human meat, in a Cockney accent, no less?“Some of it’s hard,” Salonga admitted.But she is doing all that and more in “Stephen Sondheim’s Old Friends,” currently playing at the Ahmanson Theater here in Los Angeles after a 16-week run in London’s West End. Scheduled to begin previews on Broadway at the Samuel J. Friedman Theater next month, the show features more than three dozen songs from some of Sondheim’s biggest musicals, including “West Side Story,” “Gypsy,” “A Little Night Music” and “Into the Woods.” The tribute revue also stars Bernadette Peters, who, no stranger to Sondheim, put her own indelible stamp on the character of Momma Rose in 2003.Salonga, center, stars in “Stephen Sondheim’s Old Friends” with, from left, Jasmine Forsberg, Beth Leavel, Bernadette Peters, Kate Jennings Grant, Bonnie Langford, Maria Wirries and Joanna Riding.Matthew MurphySalonga, Peters said, “has one of the great Broadway voices, and she just brings down the house.”For Salonga, “I’m getting the chance to sing some of the most incredible lyrics ever written. I’m getting to dip, not just a toe, but my entire body, into this incredible work.”“Nobody was surprised how terrific she was as a performer,” said the show’s producer Cameron Mackintosh, who also cast Salonga in “Miss Saigon” and “Les Misérables.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘S.N.L.’ Weekend Update: An Oral History of 50 Seasons

    Roughly midway through the first “Saturday Night Live” broadcast, in October 1975, Chevy Chase, dressed in a suit and seated behind a simple desk with a telephone, read a joke about the new Detroit headquarters for the International Brotherhood of Teamsters.The union’s president, Chase said, had remarked that Jimmy Hoffa would “always be a cornerstone in the organization.”Thus was born Weekend Update, the satirical news segment and institution-within-an-institution at “S.N.L.,” a fundamental part of the series for virtually all of its 50 years.While hardly the first TV news parody, Weekend Update is the most enduring franchise of its kind, giving “S.N.L.” its most direct platform to make fun of politics, presidents, global crises and daily oddities.Like “S.N.L.” itself, Weekend Update has been a launchpad for comedy careers. It has also been a crucible of controversy, particularly when its iconoclastic performers have come into conflict with NBC executives who weren’t laughing at their pointed routines.Weekend Update was designed to a satisfy a young audience that was craving topical commentary. “We were following Watergate, the end of the Vietnam War,” said Lorne Michaels, the “S.N.L.” creator and longtime executive producer. “There was a lot going on.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Tramell Tillman of ‘Severance’ Gives Himself a Performance Review

    This interview contains spoilers from Season 2, Episode 5 of “Severance.”It’s hard to imagine Seth Milchick being late for anything.The manager of the “severed” floor in Apple TV+’s darkly satirical workplace thriller “Severance,” Mr. Milchick, as he is mostly known, is the consummate company man. He is a silky-voiced, coldhearted enforcer and is punctilious to the point of menace.Much less is known about the actor who plays him, Tramell Tillman. Before “Severance,” his résumé consisted mostly of minor TV roles and theater. So when he agreed to meet on a recent weekday afternoon at Manhattanville Coffee, near his apartment in Upper Manhattan, I couldn’t help but half expect him to be waiting for me there, hands folded on the table, wearing a mouth-only smile that barely cloaked his disappointment that I hadn’t shown up earlier.Instead something much more charming, less android-like, had happened: Tillman had gone to the wrong Washington Heights location of Manhattanville.He texted: “I’ll come to you.” Ten minutes later, he blew in the door, apologetic as he unwrapped himself from a thick scarf, ski cap and tan utility jacket. “My bad,” he said. “It’s been a crazy week.”One got the impression it had been a crazy few years for Tillman since the debut of his breakout role in “Severance,” a disturbingly allegorical sci-fi series that follows a group of workers who have had their consciousness “severed” into discrete work and home selves. The show was an instant cultural phenomenon, and a critical darling, when it premiered in 2022 — a particularly claustrophobic time for many, when distinctions between home and office life were rapidly collapsing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Ken Wydro, Who Helped Create an Off Broadway Phenomenon, Dies at 81

    He and his wife, Vy Higginsen, poured all they had into “Mama, I Want to Sing,” a long-shot musical that became an enduring staple of Black theater.Ken Wydro, a playwright, director and producer who with his wife, Vy Higginsen, poured their life savings into the Off Broadway gospel musical “Mama, I Want to Sing,” an enduring work of Black theater that ran for more than 2,800 performances, died on Jan. 21 at his home in Harlem. He was 81.The cause was heart failure, his daughter, Ahmaya Knoelle Higginson, said.“Mama, I Want to Sing” tells the tale of a minister’s daughter who rises to international fame as a soul singer. The show is loosely based on the life of Ms. Higginsen’s older sister, Doris Troy, who honed her singing chops at her father’s Pentecostal church in Harlem and later tasted the big time by co-writing and recording “Just One Look,” which was a Top 10 single for her in 1963 and later became a hit for both the Hollies and Linda Ronstadt.Ms. Troy also made her mark as a backup singer on rock anthems like the Rolling Stones’ “You Can’t Always Get What You Want,” and in 1970 she released a solo album on the Beatles’ label, Apple Records, with a supporting cast that included George Harrison, Eric Clapton and Billy Preston.“Mama, I Want to Sing” is “a Black Cinderella story,” Mr. Wydro said in a 2013 interview with Call Me Adam, an entertainment website. “Coming from behind, finding oneself through loss, pain and family love.”A 1988 performance of “Mama, I Want to Sing” at the Heckscher Theater in East Harlem. Nearly every major theatrical producer in New York rejected the show before it found a home there.Martha SwopeAlthough “Mama” ultimately had a marathon run, success was anything but guaranteed. Nearly every major theatrical producer in New York rejected the show, fearing that a gospel-heavy musical would attract a limited audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Yellowjackets’ Season 3, Episode 2 Recap: New Friends

    An unexpected visitor shows up on Adult Shauna’s doorstep, prompting Callie to get ideas. Young Shauna makes a new friend.Season 3, Episode 2: ‘Dislocation’I’ll admit: I had to Google the name of the blonde Yellowjacket (Jenna Burgess) who starts making out with Shauna in this week’s jaw-dropping “Yellowjackets” conclusion. It’s Melissa.Up until this point, Melissa has been one of those Yellowjackets whose presence seemed sort of pointless. She was almost a glorified extra, there just to fill out the scenes in the woods. (She also didn’t show up till Season 2, which we apparently weren’t supposed to notice — and mostly didn’t.)Even the show acknowledged her lack of character development in the premiere this season. After Melissa cracks a mean joke about Mari to Shauna, Shauna says, “Wait, do you, like, actually have a personality?”That’s just what we were all thinking.But Episode 2 confirms that Melissa not only has a personality but is also set to become a major part of the woodland (and likely the present-day) narrative. The final moments set it all up with a sequence in which both timelines collide.In the woods, Melissa follows Shauna with the aim of complimenting her on her resilience. Shauna’s reasonable response? To draw a knife on her. But instead of balking at that threat, Melissa goes in for a kiss. Shauna, shockingly, responds by kissing her back.This is all intercut with a scene of the present day Shauna on a phone call to the manager of the restaurant where she accompanied Jeff to a disastrous work dinner. During that evening, Shauna retreated to the bathroom where, in truly “Yellowjackets” form, something freaky happens. Someone entered, turned off the lights and left a phone in an adjoining stall. The background on the device features a picture of some very familiar looking mountains. And the when the phone rings from an unknown number, it plays the song “Queen of Hearts” by Juice Newton.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More