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    Margo Martindale Pours It On in ‘The Sticky’

    The esteemed character actress has spent decades enlivening films and series in just a few scenes or episodes. In this new Amazon heist comedy, she is first on the call sheet.Let’s say you need a woman who can slit someone’s throat, who can poison someone’s whiskey, who can smash her son’s fingers with a hammer, who can commit armed robbery with precision and glee. Perhaps you are responsible for “The Sticky,” a new Amazon heist comedy, premiering on Dec. 6, and you require an actress who can reliably crash most of a maple tree through the glass doors of a provincial office building.Then you should absolutely call the three-time Emmy winner Margo Martindale.So it was a mild shock, one morning in mid November, to find Martindale — just back from Toronto, where she is shooting a Richard LaGravenese series — tucked away at a tasteful Manhattan brunch spot. A further surprise: Martindale, 73, has lived nearby since 1978. She arrived for breakfast looking elegant in a black-and-white caftan, the picture of an Upper West Side matron, a matron without a sizable body count.“I am a wimp,” Martindale confessed as she pushed some eggs around her plate. “I’m scared of my own shadow. I’m afraid of the dark.” Those dangerous women? That’s acting.An esteemed character actress — in the Netflix animated comedy “Bojack Horseman,” in which she voiced a felonious version of herself, she was typically introduced as “Esteemed Character Actress Margo Martindale” — she has spent the last two decades playing a deluxe assortment of baddies, women with steel wool and spite where their hearts should be. She’ll often show up for only a few scenes in a movie or a handful of episodes on a show, just long enough to make the extremes of human behavior seem wholly plausible.In “The Sticky,” Martindale plays a farmer seeking revenge on the bureaucrats trying to take her farm.Jan Thijs/Amazon StudiosBut in “The Sticky,” she is the star of the series, first on the call sheet. Martindale plays Ruth Landry, a reluctant maple syrup farmer who plots to steal millions of dollars of syrup from the bureaucrats who are trying to seize her farm. (Landry is an invented character, but the series is based — very loosely — on actual events.) To hear her tell it, Martindale approached this lead the same as she would any of her character parts — all acting should be character work, she said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘The Agency’ Is a Slick and Pleasing Spy Drama

    Based on the French show “The Bureau,” the new Showtime series stars Michael Fassbender as a spy who must readjust to life after living undercover.Pity the C.I.A. agents deploying their enhanced interrogation techniques, beating hostages and meddling; truly it is they who suffer. It’s hard work being a spy — but the hardest work of all is loving yourself.“The Agency,” beginning Friday on Paramount+ (and debuting on Showtime at 9 p.m. Sunday), is set mostly within the London office of the C.I.A., where one of the primo dudes (Michael Fassbender), code name “Martian,” has been abruptly yanked back from a mission in Ethiopia. He was undercover there for six years, living as Paul and falling in love with Sami (Jodie Turner-Smith), a Sudanese historian and political activist. He wasn’t ready for the mission to end, and he is definitely not ready for their relationship to end — but c’mon, what are a few bent rules in the interest of hot-people diplomacy?“This isn’t national security; this is personal,” Martian insists to his boss (Jeffrey Wright). “It’s the agency,” the boss bellows back. “Nothing is personal!” Ooooh!The series is based on the terrific French show “The Bureau,” and in the four episodes (of 10) made available for review, it deploys a lot of spy-show standards: the rookie to whom everything must be explained, the ambitious but naïve flunkies, the secretly cooperative foreign attaches, the higher-ups who seem institutional and out of touch until they drop some monologue wisdom on our heroes.Fassbender’s mesmerizing performance is the biggest draw here, giving viewers a real taste of what it’s like to love a liar. We’re never quite sure what his angle is, how much of his seemingly vulnerable moments are all part of the game. He finds an intriguing sparring partner in the agency’s therapist (Harriet Sansom Harris), with whom he is required to meet on account of how hard it is to reintegrate into real life after living undercover for so long. Other story lines for secondary and tertiary characters feel comparatively unmoored.But on the whole, it’s all very slick and overtly, pleasingly fancy-schmancy. The show’s reflective-surfaces budget alone puts some national G.D.P.s to shame. The London of “The Agency” is a pallid grayscape where even the mall is dreary, where real life is the same color as CCTV footage. Every move here is surveilled, and the show revels in that constant unease. As the saying goes, just because you’re paranoid doesn’t mean they aren’t after you. More

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    Seth Meyers Wishes You a Happy Frozen-Pizza Thanksgiving

    Meyers tried out a few catchphrases for DiGiorno’s seasonal offering, while Jimmy Fallon suggested some last-minute Turkey Day substitutions.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.It’s Not Delivery, It’s …Seth Meyers tried out several catchphrases for DiGiorno’s frozen Thanksgiving pizza, which features roasted turkey, green beans, cranberries and gravy.“Because some years, Dad gets the kids on Thanksgiving,” Meyers offered.“But don’t worry: I’m sure next year you’ll have something to be thankful for.” — SETH MEYERSFor those going the more traditional route, Jimmy Fallon had a few suggestions for last-minute Turkey Day substitutions on “The Tonight Show.”“For instance, if you can’t find a turkey, you can slap two booties on a Costco rotisserie chicken,” Fallon said.“If you can’t find wine, you can bust out the expired Robitussin — it works!” — JIMMY FALLON“If you can’t find a gravy boat, get this, you can run your neti pot through the dishwasher and call it a day.” — JIMMY FALLON“Next up, if you can’t find mashed potatoes, corn, and mac and cheese, you can DoorDash Boston Market, then put a finger to the delivery guy’s lips and whisper, ‘Our little secret.’” — JIMMY FALLON“And, finally, if you can’t find salad, you can forget about it, ’cause nobody really wants salad.” — JIMMY FALLONThe Punchiest Punchlines (Black Friday Eve Edition)“Yep, Thanksgiving is just hours away. Right now, people are looking at the turkeys left in the grocery store, like, ‘What’s wrong with you?’” — JIMMY FALLON“I read that Abraham Lincoln declared Thanksgiving an official holiday in 1863. During the Civil War, Lincoln saw all the fighting and was like, ‘This, but with cranberry sauce.’” — JIMMY FALLON“A record number of Americans are traveling for Thanksgiving, and today was expected to be the busiest travel day of the year. But here’s the good news: If you’re currently at the airport, you will make it home for Christmas.” — JIMMY FALLON“Bargain hunters are gearing up for Black Friday. In fact, right now at Walmart, there’s already a half-hour wait to get trampled to death.” — TOM SHILLUE, guest host of “Gutfeld”“Organizers have announced that Amazon workers in more than 20 countries are planning to go on strike between Black Friday and Cyber Monday, which could affect Amazon’s ability to get your Christmas gifts to you two weeks late.” — SETH MEYERSThe Bits Worth WatchingBen Stiller and Katie Holmes played a game of “Catchphrase” on Wednesday’s “Tonight Show.”What We’re Excited About on Thursday NightThe Meyers family will appear on Seth Meyers’s Thanksgiving episode of “Late Night.”Also, Check This OutDaniel Craig, left, and Drew Starkey in “Queer.” Yannis Drakoulidis/A24Daniel Craig is sensitive and seductive in “Queer,” Luca Guadagnino’s feature film adaptation of the William S. Burroughs novella. More

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    Helen Gallagher, Winner of Two Tonys and Three Emmys, Dies at 98

    She was honored on Broadway for roles in “Pal Joey” and “No, No, Nanette” and then turned to TV, where she won three Daytime Emmys for her work on “Ryan’s Hope.”Helen Gallagher, who parlayed her song-and-dance skills into Tony Award-winning performances in revivals of the musicals “Pal Joey” and “No, No, Nanette,” and who turned to television to play the matriarch on the long-running soap opera “Ryan’s Hope” when theater no longer provided her a living, died on Sunday in Manhattan. She was 98.Her death, in a hospital, was confirmed by Patti Specht, a friend and the executor of her will.Ms. Gallagher was 18 when she made her Broadway debut in 1944, in the chorus of a Cole Porter revue, “Seven Lively Arts.” Over the next several decades, she worked with an A-list group of choreographers, including Jerome Robbins (“High Button Shoes”), Agnes de Mille (“Brigadoon”), Bob Fosse (“Sweet Charity”) and Donald Saddler (“No, No, Nanette”).Ms. de Mille nearly fired her from “Brigadoon” in 1947. “Agnes wanted very lyrical work, and I’d just done ‘Billion Dollar Baby’ and everything came out bumps and grinds,” Ms. Gallagher told The New York Times in 1971.But in 1958, when she played Ado Annie, her favorite role, in a revival of Rodgers and Hammerstein’s “Oklahoma!” at New York City Center, she unexpectedly earned Ms. de Mille’s praise.“She came in and restaged ‘All Er Nuthin’ for me, and she made it a little dance beside the song,” Ms. Gallagher said on the Behind the Curtain theater podcast in 2017.“She sent me an orchid on opening night,” she added, with a note saying, “‘You are truly a star.’”By then, Ms. Gallagher had been a Tony Award winner for six years. In 1952, she had portrayed the bitter chorus girl Gladys Bumps in a revival of “Pal Joey,” the Richard Rodgers-Lorenz Hart musical about a notorious, womanizing nightclub owner, Joey Evans (Harold Lang), who is targeted by Ms. Gallagher’s character and a mobster in a revenge scheme.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Rain Expected at Macy’s Thanksgiving Parade

    Over half an inch of rain could accumulate throughout Thursday in Manhattan.Spectators attending Macy’s Thanksgiving Day Parade on Thursday can expect light, steady rain throughout the event, according to the National Weather Service.Rain will begin before dawn, accompanied by light winds, as the parade travels south through Manhattan, according to William Churchill, a forecaster at the National Weather Service. Rain is expected to end around noon, the same time the parade will come to a close.“We can say confidently it will be more than the average amount for Thanksgiving,” Mr. Churchill said, but mainly because it’s a typically dry time of year.With windchill factored in, temperatures are expected to be in the 30s and 40s. So dress accordingly, and bring a raincoat. (Macy’s said in a statement that spectators should avoid bringing umbrellas.)Early morning rainfall for the area is expected to be less than a tenth of an inch, with a total accumulation of just over a half inch.A light easterly wind of about 10 miles per hour was forecast to become more gusty after the parade, reaching as high as 25 or 30 m.p.h. More

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    Holiday Shows to See in N.Y.C.: ‘Elf,’ ‘A Christmas Carol’ and More

    “Elf the Musical,” inventive spins on “A Christmas Carol” and classic family fare: Here are some of our favorite shows of the season.The end of the year marks the return of eggnog and latkes, gifting and regifting — and holiday-themed shows to bask in tradition, communal spirit and, yes, fun. In New York, we can always count on well-timed offerings on stages of all sizes.One of the biggest, the Marquis Theater, is hosting “Elf the Musical” (through Jan. 4) in which Grey Henson gets the title role “delightfully, entirely right,” according to Laura Collins-Hughes’s review for The New York Times. And then, at the cavernous Theater at Madison Square Garden, Whoopi Goldberg’s Miss Hannigan will do her darnedest to prevent the darling orphan girls of “Annie” from enjoying Christmas at Oliver Warbucks’s mansion (Dec. 4-Jan. 4, with Goldberg joining the cast on Dec. 11).In the middle is the Big Apple Circus, which once again pitched its tent in Damrosch Park at Lincoln Center. The company members may come from all over the globe, but the new show, “Hometown Playground,” is about New York City (through Jan. 5). And don’t overlook the jewel box New Victory Theater, which is presenting “Yuletide Factory” (through Dec. 29) by Cirque Mechanics, a Las Vegas troupe with, as Alexis Soloski described it in her review, “a giddily steampunk aesthetic.”And there is more, so much more — with some selections from around the country because New York can’t have all the fun.From left, Una Clancy, Mary Beth Peil, Kate Baldwin and Christopher Innvar in Irish Rep’s immersive, site-specific production of “The Dead, 1904.”Carol RoseggWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    In ‘Yuletide Factory,’ Cirque Mechanics Manufactures a Family Holiday Show

    It’s Christmas at the sweatshop, but the mood fluctuates between ho ho ho and ho hum.Since the 1840s, some people have complained about the commercialization of Christmas. Others have embraced it. “Yuletide Factory,” a circus show at the New Victory Theater, splits the difference, locating its cheer inside a sweatshop churning out seasonal doodads. Nothing says Christmas like a repetitive stress injury?Cirque Mechanics, a troupe with a giddy steampunk aesthetic, has produced five previous shows at the New Victory. This wordless entertainment is an adaptation, not especially inspired, of its first, “Birdhouse Factory (2008).” The holiday version, conceived by the Cirque Mechanics creative director, Chris Lashua, stages its circus acts on and around the factory floor — and the ceiling and occasionally a back wall. While the performers are all indisputably on the nice list, there’s a certain lack of spirit to the show, Christmas or otherwise. The mood fluctuates between ho ho ho and ho hum.In the first act, the workers arrive at a Depression Era plant. They’re an exuberant bunch, especially Chase Culp’s shambling clown. But their somber boss (Steven Ragatz, also a writer and a co-director) quashes any holiday revelry. (This is the 1930s, which means that human resources departments that can address religious discrimination haven’t been invented yet.) Still, the employees sneak in a rope act (Jeremy Cifonie and Erika Radcliffe) and a contortionist routine (Mariama Kouyate). And the boss might not be such a killjoy after all. In a sweet sequence — and the rare circus act that kids absolutely should try at home — he juggles several balls and then his own hat, briefcase and cane. Alas, juggling skills don’t guarantee solvency and the factory goes under, which allows for an intermission.Still, this is a circus, so bankruptcy doesn’t last long. In the second act the clown has bailed out the factory (too flexible to fail?) and the unusually nimble workers can now celebrate without fear of management reprisal. Some of the subsequent routines too closely echo the ones in the first act, though there is a delightful German wheel number (Cifione again), the only sequence that meaningfully exploits the eclectic machinery that Cirque Mechanics is known for.Apparently it’s hard to be the boss. There are a couple of entr’actes in which the clown, teased by his former supervisor, inclines toward the Grinchy. If this sophisticated critique of the corrupting power of capitalism goes over the heads of some of the New Victory’s littler attendees, they may yet intuit that seizing the means of production is even better with a few back handsprings.Jeremy Cifonie, on the German wheel, in the Cirque Mechanics’ production.Maike SchulzWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jimmy Kimmel Doubts Trump’s Grasp of Economics

    Kimmel called the president-elect’s plan to hit Mexico, Canada and China with sweeping tariffs “the dumbest thing he’s come up with since Don Jr.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Just Tariff-icPresident-elect Donald J. Trump said he would impose sweeping tariffs on all goods from Canada, Mexico and China on his first day in office.As Jimmy Kimmel noted, economists say that would lead to higher prices. “Almost everyone who knows anything about economics believes these tariffs to be a terrible idea,” Kimmel said.“Some say this is the dumbest thing he’s come up with since Don Jr.” — JIMMY KIMMEL“Whoever would have guessed that the mail-order steak salesman who declared bankruptcy six times would be so bad with money?” — JIMMY KIMMEL“If you want to purchase a tie from the Donald J. Trump collection, you’d better get it immediately, or it’s going to cost an extra 10 percent.” — JIMMY KIMMEL“Apparently, Trump’s tariffs on Mexico will cause the price of Modelo and Corona beer to go up. Every MAGA supporter heard and was like, ‘Well, guess it’s time to forgive Bud Light.’” — JIMMY FALLON“So by next year, if you want extra guacamole, it’ll be cheaper to go get it.” — SETH MEYERS“And poor Canada is like, ‘What did we do? I mean, be honest: Is this because of Drake?’” — JIMMY KIMMELThe Punchiest Punchlines (Thanksgiving Edition)“Over the next 48 hours, millions of Americans will travel back to their family homes to be reminded once again of why they left in the first place.” — JIMMY KIMMEL“I read that the most popular time to eat Thanksgiving dinner is between 2 and 3 p.m. It’s strange. It’s like for one day we all become President Biden.” — JIMMY FALLON“Serving dinner at 2 p.m. is a polite way of telling your guests, ‘We’d love to get you out of here as soon as possible.’” — JIMMY FALLON“Luckily, there’s no turkey shortage this year, though. Yeah. I remember the year Biden had to walk up to the turkeys he’d just pardoned and said, ‘Fellas, I’ve got some bad news.’” — JIMMY FALLONThe Bits Worth WatchingGwen Stefani joined Jimmy Fallon and the Roots for a spirited rendition of her hit “Hollaback Girl,” played on classroom instruments.What We’re Excited About on Wednesday NightJennifer Hudson will appear on Wednesday’s “Late Night with Seth Meyers.”Also, Check This OutMattel’s version of Glinda from “Wicked.”MattelThe “Wicked” merchandising juggernaut includes Barbies, Crocs and hair dryers. More