Eliana Willis

The cast of “Hamilton” on Sunday returned to the room where it happened, at least metaphorically.To mark the 10th anniversary of the show’s opening, 28 members of the original cast — the show’s creator, Lin-Manuel Miranda, along with the other stars, ensemble members, swings and standbys — gathered onstage at Radio City Music Hall and performed a medley of some of the musical’s biggest songs: “Non-Stop,” “My Shot,” “The Schuyler Sisters,” “Guns and Ships,” “You’ll Be Back,” “Yorktown,” “The Room Where It Happens” and “History Has Its Eyes on You.”They dressed not in the show’s period costumes, but in an array of high-fashion evening wear — all black with a few character-driven accents (Lafayette got a Frenchman’s beret; Burr a dueler’s cape; and King George the one splash of color: royal red).They didn’t say a word, but Cynthia Erivo, this year’s Tony Awards host and in 2016 the only musical performer to win a Tony for any show other than “Hamilton,” hailed the production.“Hamilton reinvigorated the American theater and changed not just Broadway, but how Americans views their own history,” Erivo said, before adding wryly, “or so I’m told.”“Hamilton” opened on Broadway on Aug. 6, 2015. The following spring, it was nominated for a record 16 Tony Awards, and then, in a Tonys ceremony at the Beacon Theater, it won 11 prizes, including best musical. (The event was memorable for many reasons — among them, it took place hours after the deadly Pulse nightclub shooting in Florida, which led the “Hamilton” cast to drop the use of muskets in its production number, and prompted Miranda to give his “love is love” acceptance speech.)The show quickly became the biggest phenomenon Broadway had seen in quite some time, and in the decade since, it has only gotten bigger, spinning off touring companies, streaming a live-capture film on Disney+, grossing about $3 billion in North America, and still going strong.The production has been celebrating the anniversary for months, calling it “Hamilten.” (Ten is a special number in the “Hamilton” universe, because Alexander Hamilton is featured on the $10 bill.)The Sunday night reunion performance was designed by the quartet often described as the “Hamilton” cabinet: the director Thomas Kail, the choreographer Andy Blankenbuehler, the music director Alex Lacamoire, and Miranda. Given the passage of time, Blankenbuehler relaxed some of the dance steps.Among those who took part in the performance were the show’s Tony-winning cast members, Leslie Odom Jr. (Aaron Burr), Daveed Diggs (Marquis de Lafayette/Thomas Jefferson) and Renée Elise Goldsberry (Angelica Schuyler), as well as Miranda (Alexander Hamilton), who won Tony Awards for writing the show’s book and score. Also, the show’s other Tony-nominated performers: Jonathan Groff (King George), Christopher Jackson (George Washington) and Phillipa Soo (Eliza Hamilton).Even the ensemble was stacked: It included Ariana DeBose, who was a member of the original “Hamilton” company, and who then went on to win an Academy Award for “West Side Story” and to host the Tony Awards three times.Several of the show’s alumni are back on Broadway this year.Groff is starring in a Bobby Darin biomusical, “Just in Time,” that opened in April and is selling tickets through January. The actor was nominated for a Tony Award for his performance in “Just in Time,” and won a Tony Award last year for “Merrily We Roll Along.”Jackson last week began a run as the protagonist’s father in “Hell’s Kitchen,” the Alicia Keys musical. And Odom is planning to rejoin “Hamilton” on Broadway later this year, reprising his performance as Burr from Sept. 9 to Nov. 26.Miranda and Goldsberry both had brief stints on Broadway during the season that just ended, performing staged readings as part of the rotating cast of “All In: Comedy About Love.” And Miranda is now working with Eisa Davis on a musical adaptation of the film “The Warriors”; a concept album (called simply “Warriors”) was released last year. More

Sarah Snook plays all 26 characters in “The Picture of Dorian Gray,” scheduled to run through June 29.Sara Krulwich/The New York TimesFor her madcap, one-woman take on a stage adaptation of Oscar Wilde’s 1891 novel “The Picture of Dorian Gray,” Sarah Snook is this year’s best actress in a play winner. Though she plays 26 roles, she’ll get just one Tony statuette.Over the course of the show’s two frenetic hours, the actress, 37, best known for her Emmy-winning turn as Logan Roy’s girlboss daughter, Shiv, on HBO’s dark comedy-drama “Succession,” plays all the characters, among them a handsome rake, a martini-sipping libertine and a hapless artist.The audience gets a close-up view of Snook on a large, rectangular screen that hangs from the top of the stage as cameras follow her rushing around the stage, de-wigging and re-wigging, and interacting with prerecorded versions of herself.“It’s about concealing and revealing, putting on masks, taking off masks,” Snook, who made her Broadway debut in the show, told The New York Times this spring. “It’s about having your soul be seen.”Snook originally performed the show last year in London’s West End, where she won the Olivier Award and where critics praised the production’s clever camerawork and Snook’s chameleonic, playful embodiment of the various characters.Critics in the United States were more measured: Writing in The Times, Jesse Green praised her “convincing and compelling” characterizations, yet noted that the copious use of technology left the production feeling “brittle,” “often denying the human contact, and contract, that are at the heart of theater’s effectiveness.” (Though the production, he noted, was “technologically spectacular.”) More

Sarah Snook plays all 26 characters in “The Picture of Dorian Gray,” scheduled to run through June 29.Sara Krulwich/The New York TimesFor her madcap, one-woman take on a stage adaptation of Oscar Wilde’s 1891 novel “The Picture of Dorian Gray,” Sarah Snook is this year’s best actress in a play winner. Though she plays 26 roles, she’ll get just one Tony statuette.Over the course of the show’s two frenetic hours, the actress, 37, best known for her Emmy-winning turn as Logan Roy’s girlboss daughter, Shiv, on HBO’s dark comedy-drama “Succession,” plays all the characters, among them a handsome rake, a martini-sipping libertine and a hapless artist.The audience gets a close-up view of Snook on a large, rectangular screen that hangs from the top of the stage as cameras follow her rushing around the stage, de-wigging and re-wigging, and interacting with prerecorded versions of herself.“It’s about concealing and revealing, putting on masks, taking off masks,” Snook, who made her Broadway debut in the show, told The New York Times this spring. “It’s about having your soul be seen.”Snook originally performed the show last year in London’s West End, where she won the Olivier Award and where critics praised the production’s clever camerawork and Snook’s chameleonic, playful embodiment of the various characters.Critics in the United States were more measured: Writing in The Times, Jesse Green praised her “convincing and compelling” characterizations, yet noted that the copious use of technology left the production feeling “brittle,” “often denying the human contact, and contract, that are at the heart of theater’s effectiveness.” (Though the production, he noted, was “technologically spectacular.”) More

Sarah Snook plays all 26 characters in “The Picture of Dorian Gray,” scheduled to run through June 29.Sara Krulwich/The New York TimesFor her madcap, one-woman take on a stage adaptation of Oscar Wilde’s 1891 novel “The Picture of Dorian Gray,” Sarah Snook is this year’s best actress in a play winner. Though she plays 26 roles, she’ll get just one Tony statuette.Over the course of the show’s two frenetic hours, the actress, 37, best known for her Emmy-winning turn as Logan Roy’s girlboss daughter, Shiv, on HBO’s dark comedy-drama “Succession,” plays all the characters, among them a handsome rake, a martini-sipping libertine and a hapless artist.The audience gets a close-up view of Snook on a large, rectangular screen that hangs from the top of the stage as cameras follow her rushing around the stage, de-wigging and re-wigging, and interacting with prerecorded versions of herself.“It’s about concealing and revealing, putting on masks, taking off masks,” Snook, who made her Broadway debut in the show, told The New York Times this spring. “It’s about having your soul be seen.”Snook originally performed the show last year in London’s West End, where she won the Olivier Award and where critics praised the production’s clever camerawork and Snook’s chameleonic, playful embodiment of the various characters.Critics in the United States were more measured: Writing in The Times, Jesse Green praised her “convincing and compelling” characterizations, yet noted that the copious use of technology left the production feeling “brittle,” “often denying the human contact, and contract, that are at the heart of theater’s effectiveness.” (Though the production, he noted, was “technologically spectacular.”) More

Harvey Fierstein has won four Tony Awards in his career, including honors for both writing and acting. On Sunday he added a fifth to the list, with an award for lifetime achievement.Here’s what to know about Fierstein’s notable performances and writing — and unmistakable voice.It all started with ‘Torch Song Trilogy.’“Torch Song Trilogy,” a four-hour portrait of a drag performer written by and starring Fierstein, opened on Broadway in 1982. It was a landmark production for a generation of gay men: “A play in which the gay character was smart, funny and fully alive? A revelation,” Stuart Emmrich would write in The Times decades later.Fierstein won two Tonys with the show, one for best play and one for his performance. “Torch Song” was revived on Broadway in 2018, this time with Michael Urie in the lead role of Arnold. (A character sometimes known as, naturally, Virginia Ham.)“Originally, the gay men came in disguise,” Fierstein said about the play’s audience earlier this year, in an interview with New York magazine. “When we did it again, they came to the theater owning the show.”He’s made a career confronting gender norms onstage.After “Torch Song” came “La Cage aux Folles” in 1983, with a Tony-winning book by Fierstein and music by Jerry Herman. It was the first Broadway musical, The Times noted then, to put a gay relationship at the forefront — here, between a drag nightclub’s impresario and its star. Fierstein has also written the books for “Newsies” (2012) and “Kinky Boots” (2013), and revised the book of “Funny Girl” for its 2022 revival.Fierstein’s breakthrough as a musical performer came in 2002, with “Hairspray.” He played the larger-than-life Edna Turnblad, a 1960s housewife whose peppy daughter helps her come fabulously into her own. Fierstein won a Tony for the role, and in 2016 reprised his performance in a live, televised rendition of the show.“Edna is not just a cross-dressing sight gag,” Ben Brantley wrote in his 2002 review. “She’s every forgotten housewife, recreated in monumental proportions and waiting for something to tap her hidden magnificence.”And about that voice.Here are just a few of the ways The Times has characterized Fierstein’s distinctive timbre over the years: “throaty,” compared to a “frog” or “foghorn,” “all the old ‘gravel’ clichés don’t come close,” and “sounding as he does, he should be driving a cab.”In an interview around his 2022 memoir, “I Was Better Last Night,” Fierstein had a simple explanation.“My father had the same voice,” Fierstein said. “It’s enlarged secondary vocal cords. It’s the most boring answer.” More